Los Angeles: Twentieth Century-Fox 1972. Collection of five vintage black-and-white double reference studio still photographs from 1972 film. Based on the 1970 novel by Donald Westlake. Featuring images of Robert Redford George Segal Ron Leibman and more. <br/><br/>One of the most engaging and hilarious crime films of the early 1970s a cat-and-mouse heist film in which Redfield played the foil to Redford. A bright gathering of the New Hollywood Cinema's finest including Robert Redford director Peter Yates novelist Donald Westlake and screenwriter William Goldman. Winner of the Edgar Award for Best Picture. <br/><br/>8 x 10 inches. CONDITION. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
Universal City CA: Universal Pictures 1970. Collection of seven borderless black-and-white reference photographs from the set of the film shot in April 1960. Five of the six remarkable photographs show Wise both in the desert and in the midst of the elaborate sets designed to simulate the film's massive underground laboratory. With printed snipes on the verso of each photograph. <br/><br/>7.25 x 9.5 inches. Near Fine. <br/><br/>Vogel Film as a Subversive Art. Universal Pictures unknown books
Beverly Hills CA: United Artists 1975. Collection of 5 vintage oversize borderless black-and-white double reference studio still photographs from the 1975 film. Based on the 1974 novel by William Harrison. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. United Artists unknown books
Los Angeles: Twentieth Century-Fox 1981. Collection of five vintage black-and-white studio still photographs from the 1981 film. Featuring photographs of Keith Carradine director Walter Hill and others. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
N.p.: N.p. 1952. Vintage oversize double weight matte finish photograph from the set of the 1952 film. <br/><br/>A sobering and striking image of the film's destitute loner and his dog Flike standing in the streets of Rome late in the evening. Shot by the film's still photographer Angelo Pennoni using a striking example of designer Virgilio Marchi's meticulously designed and lit set. <br/><br/>Generally considered the masterpiece of the post-WWII Italian neorealist movement. Winner of the New York Film Critics Circle Award for Best Foreign Film and director De Sica was nominated for the Grand Prix at the 1952 Cannes Film Festival. <br/><br/>16 x 11.75 inches. Very Good with some scuffing at the extremities. <br/><br/>Criterion Collection 201. N.p. unknown books
Beverly Hills CA: United Artists 1966. Collection of five vintage borderless black-and-white studio still photographs from the set of the 1966 film. All photographs show Billy Wilder giving direction including scenes in a bedroom on a football field in a cemetery and more. <br/><br/>Walter Matthau won an Academy Award for his role in the film. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. United Artists unknown books
N.p.: Carolco 1978. Collection of 3 vintage black-and-white studio still photographs from the 1978 film. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Carolco unknown books
New York: Interstar 1978. Revised Shooting script for the 1980 film. <br/><br/>Vigilante crime drama focuses on a Vietnam vet who wreaks revenge on the streets of New York for his friend who was mugged and subsequently crippled. In the vein of "Death Wish" 1974 but with more flame-throwing more whores and junkies and more exterminating. A cult classic. <br/><br/>Shot on location in New York and Ventura County California. <br/><br/>Red Studio Duplicating wrappers with a credit for screenwriter Glickenhaus on the front wrapper. Title page present dated 8/9/79 noted as SHOOTING SCRIPT with a credit for screenwriter Glickenhaus. 173 leaves with last page of text numbered 170. Mechanical duplication with blue revision pages throughout dated variously between 8/24/79 and 8/27/79. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Arrow 554. Hardy The Gangster Film. Interstar unknown books
Universal City CA: Universal Pictures 1968. Collection of one color and two black and white vintage double weight studio still photographs from 1968 film. Featuring Mia Farrow and Elizabeth Taylor. <br/><br/>8 x 10 inches. About Fine condition. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
Madrid: Alenda Distribucion / Jose Esteban 1978. Collection of 7 vintage black-and-white studio still photographs from the 1978 Spanish release and first release in Spain of the 1930 film. <br/><br/>8 x 10 inches. Near Fine. Alenda Distribucion / Jose Esteban unknown books
Universal City CA: Universal Pictures 1955. Revised Final Draft script for the 1956 film. Copy belonging to the script supervisor Adele Cannon profusely annotated throughout in holograph ink and pencil. Included is a studio still photograph from the film featuring the Creature and people in peril. <br/><br/>Third installment in the "Gill-man" series after "Creature from the Black Lagoon" 1954 and "Revenge of the Creature" 1955. After a laboratory fire severely damages the Creature's gills the head of the research team suggests an operation that will allow their subject to breathe air and walk on land. The operations seems successful until a violent confrontation leaves the Creature badly injured. Alone in alien territory the Gill-man shuffles off into the sea in anticlimactic resolution. <br/><br/>Where the first two films employed then-genre bending 3D effects this conclusion to the series was issued in 2D. Champion diver Ricou Browning again portrays the creature in the underwater sequences and Don Megowan as the land-walker. The Creature is perhaps the most popular of the underwater monsters of cinema rivaling Wes Craven's "Swamp Thing" 1982. <br/><br/>Set in Florida. <br/><br/>Salmon titled wrappers noted as FINAL SCREENPLAY on the front wrapper dated August 22 1955. Title page present undated with a credit for screenwriter Ross. 172 leaves with last page of text numbered 95. Mimeograph duplication with yellow blue and pink revision pages throughout dated variously between 8/29/55 and 9/22/55 and mimeograph scene annotations on the verso of nearly every page. Pages and wrapper Very Good plus bound with two silver screw brads. Photograph Very Good with staple holes and creases. <br/><br/>Lentz US. Universal Pictures unknown books
Los Angeles: Twentieth Century-Fox 1974. Collection of five vintage black-and-white studio still photographs from the 1974 film. <br/><br/>Director Liliana Cavani's controversial film starring Charlotte Rampling as a Holocaust survivor who resumes a sadomasochistic relationship with the Nazi officer who tortured her became a signature work for Rampling including the striking scene in which she dances in a Nazi uniform for a room of irreparably jaded SS officers. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
Paris: Trinacra Films 1977. Vintage double weight photograph from the set of the 1977 film shot by still photographer Etienne George. Shown are director Francois Leterrier and his crew to the left on a dolly and actress Sylvia Kristel on the right in a state of semi-undress.<br/><br/>The last film in the original "Emmanuelle" trilogy. An interior shot apparently meant to be a barn as the ground is covered with hay for a film shot on the Seychellois island of La Digue. <br/><br/>Miramax film founders Bob and Harvey Weinstein acquired the rights to the film at the 1977 Cannes Film Festival capitalizing on the popularity of what had become an international franchise broadcasting a unique appeal as an erotic film series with feminist leanings. <br/><br/>With slightly wide margins as issued. Photograph 9.5 x 12 inches image 6.25 x 10.5 inches. In an archival mat. Mild creasing at a couple of corners else Near Fine. Trinacra Films unknown books
Culver City CA: Columbia Pictures 1947. Vintage photograph of Rita Hayworth taken for the 1947 film by Columbia Pictures special photographer Robert Coburn. With Coburn's stamp on the verso. <br/><br/>Robert Coburn was one of the most influential portrait photographers working in the major Hollywood movie studios from the 1930s to 1960s. His star subjects included Hayworth Joan Crawford Kim Novak Carole Lombard William Holden Glenn Ford and Orson Welles. Coburn's most famous portraits immortalized Hollywood's greatest icons and helped to define this era as the Golden Age of Cinema. In 1940 Coburn began a twenty-year career with Columbia Pictures as the head of the still production department and the studio's chief portrait photographer for many landmark films including "Picnic" "Gilda" and "The Big Heat". <br/><br/>8 x 10 inches. Fine. Columbia Pictures unknown books
Hollywood: Paramount Pictures 1938. Vintage black-and-white studio still photograph from the set of the 1938 film noir antecedent. Shown are director Fritz Lang and George Raft on the set. Stamps on the verso crediting photographer C. Kenneth Lobben Paramount and an exclusivity notice. <br/><br/>8 x 10 inches with wide margins. Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>Spicer p. 403. Paramount Pictures unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1932. Vintage reference photograph from the set of the 1932 film with a printed snipe on the verso. Based on the novel by Upton Sinclair. <br/><br/>Victor Fleming directs Dorothy Jordan and Lewis Stone in an early scene from his pre-Code epic about Prohibition. <br/><br/>10 x 8 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
Beverly Hills CA: United Artists 1964. Collection of 3 vintage black-and-white reference studio still photographs from the 1964 film. The second of the "Pink Panther" films based on the 1962 book by Harry Kurnitz which in turn was adapted from Marcel Achard's play "L'Idiote." <br/><br/>Probably one of five funniest films of the 1960s and the defining installment in the well-loved Pink Panther series. While "A Shot in the Dark" was ably preceded by "The Pink Panther" in 1963 it was the first to feature the series' underrated maestro Herbert Lom as Chief Inspector Dreyfus. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. United Artists unknown books
Los Angeles: Twentieth Century-Fox 1960. Vintage oversize borderless black-and-white double weight press photograph from the set of the 1960 film. Shot by Jean Schmidt for the French magazine Cinema with stamps for both parties on the verso. <br/><br/>A cinematic experiment tailor made for Welles in which three actors portray two roles each spinning two intertwined stories of romantic triangles gone wrong. This image from the first segment of the film wherein Welles plays a loutish construction worker with an unhappy wife who takes up with a suitor leading to unfortunate results. <br/><br/>8.5 x 12 inches. Fine. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1974. Collection of 5 vintage black-and-white studio still photographs from the 1962 film. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1924. Vintage publicity photograph for the 1924 film showing star John Gilbert relaxing with a book at his home. With a mimeo snipe on the verso. Based on the 1914 Russian play by Leonid Andreyev first published in English in 1922. <br/><br/>The first film put into production under the newly formed Metro-Goldwyn-Mayer and the first to feature Leo the Lion although it was not the first film released by the studio. The second film directed by Sjostrom known as "the father of Swedish cinema" after his move to Hollywood at the behest of Louis B. Mayer and a breakthrough picture for him as well as stars Chaney Shearer and Gilbert. <br/><br/>8 x 10 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown books
London: Recorded Picture Company 1978. Two vintage black-and-white reference still photographs from the 1978 film. <br/><br/>One photo 8 x 10 inches the other 7.25 x 9 inches with one white border trimmed. Near Fine condition. <br/><br/>Complete collation details available on request. Recorded Picture Company unknown books
Beverly Hills CA: Orion 1981. Two vintage black-and-white studio still photographs from the 1981 film. Based on the 1978 book by Robert Daley. Both photos featuring actor Treat Williams. <br/><br/>8 x 10 inches. Near Fine condition with rubber stamp at the verso. Orion unknown books
Culver City CA: Columbia Pictures 1947. Vintage press photograph of Rita Hayworth Orson Welles and the film's still photographer Robert Coburn on the set of 1947 film noir. Mimeograph snipe on the verso notes that here Welles and Coburn are discussing the Jean Louis clothing designs for the film with Ms. Hayworth. Shot by Van Pelt with his stamp on the verso. <br/><br/>8 x 10 inches. In an archival mat. Near Fine. Columbia Pictures unknown books
Beverly Hills CA: Twentieth Century-Fox 1970. Draft script for the 1972 film. An early example of the film's script still slated to be a Twentieth Century-Fox production with their imprint on the front wrapper. <br/><br/>The fourth Roth novel after "Goodbye Columbus" in 1972 to be adapted to the screen and the sole directorial effort for noted screenwriter Ernest Lehman "North by Northwest" "The Sweet Smell of Success" "Sabrina" "West Side Story" The Sound of Music" and "Who's Afraid of Virginia Woolf". <br/><br/>Alexander Portnoy Benjamin sees a therapist and goes on one long tirade after another about his family his childhood his sexual fantasies and desires his problems with women and his obsession with his own Judaism. <br/><br/>Set in New York. <br/><br/>Blue titled wrappers. Title page present dated August 3 1970 with credits for screenwriter Lehman and novelist Roth. 150 leaves with last page of text numbered 149. Mechanical duplication on eye-rest green stock. Pages and wrapper Near Fine bound internally with three gold brads. Twentieth Century-Fox unknown books
Los Angeles: Twentieth Century-Fox 1948. Revised Final Draft script for the 1948 film. Copy belonging to an uncredited member of the film cast or crew with that person's name in holograph pencil on the front wrapper. Notations in holograph pencil on the title page noting members of the cast and on a few pages. Housed in a custom cloth clamshell box. From the Richard Manney collection of film noir. <br/><br/>Red titled wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 24 dated February 10 1948. Title page present dated February 10 1948 noted as Revised Final with a credit for screenwriter Sturges. 153 leaves with last page of text numbered 154. Mimeograph duplication dated variously betwee 2/10/48 and 2/13/48 with blue revision pages throughout dated variously between 2/16/48 and 3/4/48. Pages Near Fine wrapper Very Good plus bound internally with three gold brads. <br/><br/>Criterion Collection 292. Selby US. Twentieth Century-Fox unknown books
New York: AVCO Embassy Pictures 1976. Collection of four vintage borderless black-and-white double weight studio still photographs from the 1976 film. Base on the 1965 novel by Yukio Mishima. <br/><br/>8 x 10 inches. About Fine with AVCO Embassy descriptions tipped on to the verso. <br/><br/>Complete collation details available on request. AVCO Embassy Pictures unknown books
Beverly Hills CA: Faces Distribution 1976. Original US insert poster "Seymour Cassell" style for the 1976 film. <br/><br/>One of eight known one sheet styles no priority issued by Faces Distribution for the film. Faces was a company as radical as the director himself and made small runs of posters in a wide variety of non-standard sizes and using an artful immediately recognizable style that represented a complete departure from standard film advertisement. <br/><br/>16.25 x 32 inches. Rolled as issued linen-backed. Fine. <br/><br/>Criterion Collection 254. Silver Classic Noir. Spicer US. Faces Distribution unknown books
Universal City CA: Universal Pictures 1962. Original Pacific Title hand painted artwork for the original trailer advertising the classic 1962 film. In the final trailer Gregory Peck's name as the lead actor preceded this card making this a slightly alternate draft of the design. <br/><br/>14 x 20 inches. White gouache on stiff black illustration board. Very Good plus overall with mounting pinholes at the corners and brief tape remnants on edges. Minor edge bumping and creasing on the lower edge not affecting the artwork. Universal Pictures unknown books
Universal City CA: Universal Pictures 1957. Collection of four striking vintage photographs from the 1957 US film. The stills demonstrate the practical effects and extraordinary sets constructed in order to make the picture-at a time when the special effects needed to visualize the world of a man reduced to being only a few inches were essentially nonexistent. <br/><br/>A landmark science fiction film adapted by Richard Matheson from his own 1956 novel about a man who begins shrinking after being exposed to a strange mist. <br/><br/>8 x 10 inches. Fine condition with scene descriptions tipped on to the verso of eight of the nine stills. <br/><br/>National Film Registry. <br/><br/>Complete collation details available on request. Universal Pictures unknown books
Chicago: Olive Films 1969. Collection of 4 vintage black-and-white still photographs from the 1969 film. Based on the novel by Peter Miles. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Olive Films unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe on the verso showing a film crew at work constructing a derailed train inside a studio. Adapted for the screen by Rupert Hughes based on his 1911 stage play previously filmed in 1915 in a version that is now lost. <br/><br/>10 x 8 inches. Very Good with some pinholes and a chip missing at one corner image not affected. Metro-Goldwyn-Mayer [MGM] unknown books
Los Angeles: Twentieth Century-Fox 1974. Collection of four vintage black-and-white studio still photographs from the 1974 film. Based on the 1970 novel by Maj Sjowall and Per Wahloo. <br/><br/>A gritty crime drama in which a mass murderer kills a police detective and his partner is left to attempt to find the killer. <br/><br/>Set in San Francisco. <br/><br/>8 x 10 inches. Near Fine. <br/><br/>Complete collation details available on request. Twentieth Century-Fox unknown books
Culver City CA: Columbia Pictures 1972. Collection of seven vintage black-and-white studio still photographs from the 1972 film. Based on the 1970 novel by Joseph Wambaugh. <br/><br/>A law student begins working at the LAPD only to have police work become ever more important in his life. <br/><br/>8 x 10 inches. Near Fine condition. <br/><br/>Complete collation details available on request. Columbia Pictures unknown books
Culver City CA: Florin / Columbia Pictures 1965. Collection of three vintage black-and-white studio still photographs from the 1965 film. Featuring images of Warren Beatty and Alexandra Stewart. <br/><br/>Some say that the New Hollywood era began with "Bonnie and Clyde" in 1967 others say "Mickey One" in 1965. Either way you look at it the director was Arthur Penn. Beatty was not only the muse for Penn's avant-garde tale of a comic who runs afoul of the mob but also the crazed youngster who would get Penn assigned to Bonnie and Clyde and initiate the second golden age of cinema. Stan Getz laid improvisations onto the progressive and somewhat classical score for the film against the backdrop of a full orchestra. <br/><br/>Set in Chicago and shot on location there. <br/><br/>8 x 10 inches. CONDITION. <br/><br/>Complete collation details available on request. Florin / Columbia Pictures unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1965. Collection of three vintage oversize borderless black-and-white double reference studio still photographs from the 1965 film. Based on the 1963 novel by Lionel White. Featuring Glenn Ford accompanied in two photos by Rita Hayworth. <br/><br/>8 x 10 inches. Near Fine condition with rubber stamp carbon copy description and holograph notation in blue ink to the verso. <br/><br/>Complete collation details available on request. Metro-Goldwyn-Mayer [MGM] unknown books
Neuilly-sur-Seine France: Societe Nouvelle de Cinematographie SNC 1965. Vintage oversize double weight photograph of director Jean-Luc Godard behind the camera on the set of the 1965 film. Shot by photographer Georges Dudognon in the summer of 1965 with his stamp on the verso. <br/><br/>In a custom museum-quality frame archivally mounted with UV glass. 9 x 12 inches. Near Fine. <br/><br/>Criterion Collection 421. Godard Histoires de cinema. Societe Nouvelle de Cinematographie [SNC] unknown books
Beverly Hills CA: Faces Music 1976. Original poster for the 1976 film this being the Ben Gazzara style with Gazzara in a "puffy shirt." <br/><br/>One of eight known one sheet styles no priority issued by Faces Distribution for the film. Faces was a company as radical as the director himself and made small runs of posters in a wide variety of non-standard sizes and using an artful immediately recognizable style that represented a complete departure from standard film advertisement. <br/><br/>27 x 41 inches. Rolled on archival linen. Near Fine. <br/><br/>Criterion Collection 254. Silver Classic Noir. Spicer US. Faces Music unknown books
Culver City CA: RKO Radio Pictures 1943. Vintage black-and-white studio photograph from the US release of the 1943 film. Based on the 1942 novel "Black Alibi" by Cornell Woolrich. <br/><br/>8 x 10 inches. Very Good condition with edge creasing and a few closed tears and with two cello tape repairs to the verso. <br/><br/>Complete collation details available on request. RKO Radio Pictures unknown books
Beverly Hills CA: Faces Distribution 1976. Original US insert poster "dancer in dressing room" style for the 1976 film picturing actress Catherine Wong in a pensive pose. <br/><br/>One of eight known one sheet styles no priority issued by Faces Distribution for the film. Faces was a company as radical as the director himself and made small runs of posters in a wide variety of non-standard sizes and using an artful immediately recognizable style that represented a complete departure from standard film advertisement. <br/><br/>16.25 x 32 inches. Rolled as issued linen-backed. Fine. <br/><br/>Criterion Collection 254. Silver Classic Noir. Spicer US. Faces Distribution unknown books
N.p.: N.p. 1969. Original ribbon copy typescript for Tay Garnett's screenplay adaptation of Mickey Spillane's 1967 novel. Profusely annotated by Garnett in blue and red ink on every page and with a annotations by him at the top right corner of the first leaf: "First Draft Work Copy" "Screenplay by Tay Garnett" and "From Mickey Spillane's novel."<br/><br/>Raoul Walsh eventually worked with Garnett on the script but this draft precedes his involvement. The film was released on May 15 1970 and starred Yvette Mimieux Christopher George and Yvonne De Carlo. <br/><br/>182 leaves rectos only. Leaves supple Very Good plus overall. N.p. unknown books
Neuilly-sur-Seine France: Gaumont 1915. Vintage double weight matte finish still photograph from the legendary 1915 silent film serial. With the Gaumont logo at the lower right corner. Shown here is Musidora as Irma Vep conferring with another member of The Vampires an anarchist criminal gang at the center of the story. <br/><br/>The director's magnum opus "Les vampires" is one of the great crime epics nearly 7 hours in length acknowledged as a strong influence on the surrealists and by directors Alfred Hitchcock and Fritz Lang in the development of the thriller as well as the earliest masters of avant-garden cinema. The second of Feuillade's three film serial masterpieces preceded by "Fantomas" 1913 and followed by "Judex" 1915 combining elements of both. <br/><br/>11 x 9 inches. Near Fine. <br/><br/>Hardy The BFI Companion to Crime. Gaumont unknown books
Beverly Hills CA: Faces Music 1976. Original poster for the 1976 film this being the "blurred dancer" style. <br/><br/>One of eight known one sheet styles no priority issued by Faces Distribution for the film. Faces was a company as radical as the director himself and made small runs of posters in a wide variety of non-standard sizes and using an artful immediately recognizable style that represented a complete departure from standard film advertisement. <br/><br/>27 x 41 inches. Rolled on archival linen. Near Fine. <br/><br/>Criterion Collection 254. Silver Classic Noir. Spicer US. Faces Music unknown books
Burbank CA: Warner Brothers 1973. Complete-as-issued set of 15 black-and-white studio still photographs from the 1973 film. Housed in the original sack envelope as issued rubber stamped "MEAN STREETS / 15 STILLS / B." <br/><br/>Scorsese's breakthrough film one of the establishing pillars of New Hollywood cinema setting the template that would guide the best of his work to follow. <br/><br/>Set in New York City and shot on location there. <br/><br/>8 x 10 inches. Near Fine. Sack Very Good Plus with minor wear. Warner Brothers unknown books
Beverly Hills CA: United Artists 1925. Vintage reference photograph from the set of the 1925 film with a mimeo snipe and photographer's stamp on the verso. Based on the unfinished 1832 novel "Dubrovsky" by Alexander Pushkin. <br/><br/>A posed shot showing director Brown and stars Valentino and Banky with painter Federico Beltran Masses a well known figure in Hollywood because of his friendship with William Randolph Hearst. <br/><br/>10 x 8 inches. Very Good with diagonal chips missing from two corners but the image largely unaffected. United Artists unknown books
Culver City CA: Faces Music / Columbia Pictures 1970. Vintage oversize double weight photograph of Ben Gazzara on the set of the 1970 film. <br/><br/>9.25 x 12.25 inches. In an archival mat. Near Fine. Faces Music / Columbia Pictures unknown books
Hollywood: Paramount Pictures 1945. Original complete set of 8 lobby cards for the 1945 film based on an original story by John Steinbeck and Jack Wagner. The duo received an Academy Award nomination for their work. <br/><br/>14 x 11 inches. Very Good plus. Lightly soiled with pinholes but still bright. Paramount Pictures unknown books
Universal City CA: Universal Pictures 1964. Original pressbook for the 1964 film the second time Hemingway's short story was adapted for the screen following the classic 1946 version starring Burt Lancaster and Ava Gardner. <br/><br/>Notable as Ronald Reagan's last film role and perhaps in preparation for his move into politics the first time he played a villain. <br/><br/>12 x 18 inchescm. 12 pages saddle stapled. Light foxing overall else Near Fine. Universal Pictures unknown books
Los Angeles: Twentieth Century-Fox 1957. Original Pressbook for the 1957 film based on John Steinbeck's 1947 novel. <br/><br/>13 x 16.5 inches. 16 pages saddle stapled. About Near Fine. Horizontal fold as issued with some light soil. Twentieth Century-Fox unknown books
Beverly Hills CA: United Artists 1960. Original pressbook for the 1960 film based on the best selling novel by Leon Uris about the founding of Israel. Featuring many examples of the iconic design work of Saul Bass throughout. <br/><br/>12.5 x 18 inches. 12 pages saddle stapled. Very Good. Dampstain to the front wrapper and light soiling. United Artists unknown books
Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1992. Original one sheet poster for the 1992 film based on the 1937 novel an equal to the classic 1939 film starring Lon Chaney Jr. and Burgess Meredith. Gary Sinise was nominated for the Palme d'Or at the Cannes Film Festival. <br/><br/>27.25 x 41. Rolled. Fine. Metro-Goldwyn-Mayer [MGM] unknown books
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