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Beethoven, Ludwig van ; Wallner, Bertha Antonia (ed.) ; Hansen, Conrad (ed.)
Klaviersonaten
Two quarto volumes of musical scores in printed pale blue wrappers; portrait ; 31 cm. Footnotes in parallel German, English, French. Contents: Bd 1. 1-15 -- Bd. 2. 16-32. || Sonatas (Piano)
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Beethoven, Ludwig van, composer (1770-1827).
"Neue Liebe, Neues Leben". Autograph musical manuscript. [Vienna, 1798-1799].
Oblong folio (ca. 316 x 226 mm). Brown ink on paper, 16 staves (Johnson, Tyson & Winter Nr. 2). 3 pp. on 2 leaves (separate, second leaf mounted to a cloth stub with another, blank sheet of contemporary paper). A total of 217 measures (omitting preludes) with deletions and corrections throughout. Stored in custom-made red morocco portfolio with cloth interior flaps and brass applications on both covers (342 x 248 mm). First draft for the lied "Neue Liebe, neues Leben", a setting of a 1775 poem by Johann Wolfgang von Goethe, begun in late 1798. The present sketch, jotted down without interruptions in a very cursory, almost rushed hand already contains the melody and the words with no expression markings, but includes occasional bass sections as well as parts of the piano accompaniment at the end of verses; it shows several important departures from the version printed in 1810. At the head of the page, written in a different ink and pen and comprising the first four staves, are the first eight bars of the finale of Beethoven's String Quartet No. 1 in F major (Op. 18, No. 1, composed between 1798 and 1800, published in 1801), providing the violin voice with the theme chorus of triplets. - The lied in its present version (WoO 127) was published in early 1808, nearly a decade after this first sketch, by Simrock in Bonn as the first part of the "III deutsche Lieder", apparently without the composer's consent. Beethoven subsequently revised his work (the manuscript of that revision, dated "1809", is today kept at the Beethoven Haus in Bonn) and published it the following year with Breitkopf & Härtel in Leipzig as part of his "Sechs Gesänge" (Op. 75, No. 2). "Il s'agit du monologue d'un amant que la rencontre d'un nouvel amour a bouleversé au point de ne plus savoir où il en est : sa tentation est alors de fuir ce qui le rend étranger à lui-même" (E. Brisson). In 1811 Beethoven presented a manuscript copy of that second version, the first leaf of which is also kept in Bonn (while most of the remainder is at the Pierpont Morgan Library in New York), to Bettina Brentano on the occasion of her wedding to Achim von Arnim. Nohl has pointed out that the present first draft with its "dramatic, aria-styled phrasings" retains a somewhat "grandiose and dark quality" as compared to the reduced later version, and "if one were to interpret the urgent stride so vividly apparent in this sketch, dashed off, as it seems, without a single interruption and in a mood of deep emotional excitation, then one feels instinctively that forces of an even greater passion than such as Bettina could have aroused in Beethoven must have been at work here" (cf. p. 695). - Occasional quite insignificant brownstaining; altogether very crisp. Both leaves annotated with Beethoven's name in a near-contemporary hand. At the head of the first page is the "mysterious caption" (cf. Nohl), also by a different, early hand: "Der Schluß von seinem letzten Septuor als Motto für den Text" (apparently referring to Beethoven's Septet, Op. 20, also written in 1799; a tentative explanation is advanced by van der Zanden, p. 168). - Beethoven manuscripts written before 1800 almost never come to market; no other complete autograph manuscript of this version is known. The two leaves formerly were a single bifolium owned by baroness Anna von Gleichenstein, the sister of Beethoven's friend Therese Malfatti (remembered as a possible dedicatee of "Für Elise"), which was soon separated. Even in 1865, when Nohl edited the first leaf, its counterpart was no longer in the possession of the Gleichenstein family. The first sheet later surfaced in the archives of the music publisher Schott in Mainz and was sold at Sotheby's in 2002 (6 December, lot 14: £65,725). The second leaf was offered in 1968 by Hans Schneider of Tutzing in his catalogue 136 (lot 37, DM 17,800; then again in cat. 142, lot 266, with illustration on p. 45) and was acquired in 1969 by a private collector who had it auctioned by Venator & Hanstein in Cologne in 2011 (cat. 118, lot 861: EUR 108,000). Now that both leaves have been reunited, Hans Schneider's words, written half a century ago about only the final 62 measures, are no less true: "Through Beethoven's synthesis of his own music with a text by Goethe we are presented with a musical autograph as desirable as it is beautiful" (cat. 136, p. 37). WoO 127. Beethoven, Werke (Neue Ausgabe), Abt. 12.1, Lieder und Gesänge mit Klavierbegleitung. Kritischer Bericht (Munich, 1990), no. 18, pp. 20f., and cf. no. 41, pp. 47-49. Ludwig Nohl, "Eine Beethoven'sche Skizze", Recensionen und Mittheilungen über Theater und Musik 44 (4 Nov. 1865), pp. 695-697 (an edition of the first leaf only). Max Unger, "Neue Liebe, neues Leben. Die Urschrift und die Geschichte eines Goethe-Beethoven-Liedes", Zeitschrift für Musik 103.9 (Sept. 1936), pp. 1049-1075, here at pp. 1060-1062. Jos van der Zanden, "The Shakespeare Connection: Beethoven's String Quartet Op. 18 No. 1 and the Vienna Haustheater", Eighteenth-Century Music 18.1 (March 2021), pp. 151-170, here at p. 168 note 106.
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Beethoven, Ludwig van, composer (1770-1827).
Autograph letter signed ("Beethoven"). [Vienna, end of March 1806].
Oblong small 4to. 1 page. With autograph address on reverse ("An Herrn v. Mayer"). In German. To Friedrich Sebastian Mayer, with instructions for the singer who performed the role of Don Pizarro at the premiere of "Fidelio" (in the original première of 20 November 1805 as well as in that of the reworked version of 29 March 1806): "Hier der Ite Akt - diesen Abend den Zweiten - wo eigentlich nur wenige Veränderungen gemacht worden - sobald beyde Akte geschrieben, bitte ich sogleich, mir sie wieder zu zustellen" ("Here is the 1st Act - the second will follow this evening - which in fact contains only few changes - when both have been copied, please return them to me directly"). - The reception of Beethoven's first "Fidelio" version had been lukewarm; the second had enjoyed greater success. However, it was not until 1814, when Beethoven produced a third version of his only opera, that the work met with resounding cheers. Wilhelmine Schröder-Devrient, one of the greatest tragic sopranos of the 19th century, who had accepted the role of Leonore in 1822, was instrumental for the opera's ever-increasing popularity. When Vienna's State opera, destroyed by Allied bombs during WWII, re-opened in 1955, it was Beethoven's "liberation opera" that was chosen to mark the occasion. - Slightly browned and wrinkled, overall in good condition. Beethoven, Briefwechsel (ed. S. Brandenburg), no. 244.
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Beethoven, Ludwig van, composer (1770-1827).
Autograph letter signed ("Beethoven"). Vienna, 23. III. 1812.
Small 4to (ca. 160 x 158 mm). 1 p. Stored in custom-made burgundy morocco chemise, interior finished with navy-blue morocco, inner front cover with a steel-engraved portrait of Beethoven under a silk matte. To the Viennese civil servant Franz Rettich (1768-1818), who was to help Beethoven send urgently needed scores to Graz for a charity concert on March 29th, only six days hence: - "Es dürften bis Morgen abend wohl sicher noch die 2 overturen folgen, und so wird Ihnen geholfen, jedoch mit der äußersten Anstrengung. Schreiben Sie nur gefälligst, daß man in Graz sicher alles erwartete erhalte, jedoch muß man sich im Voraus gefaßt machen zur Probe, da die Sachen mit dem Postwagen zwar nicht zu spät, aber doch auch nur eben zur rechten Zeit ankommen werden [...]" ("The two overtures ought quite certainly to follow by tomorrow evening, and so you shall be accommodated, but only thanks to the greatest exertions. Just kindly write that everything expected in Graz will dependably be received, but everyone must prepare for the rehearsal in advance, as the things will arrive by stagecoach, not indeed too late, but still only just in time [...]"). - In summer 1811 Beethoven had met the civil servant and patron of Graz, Joseph von Varena (1769-1843), who had persuaded the composer to support his charity concerts with music. Beethoven was enthusiastic and in late January 1812 promised Varena several pieces, including the overtures of "King Stephen" (op. 117) and "The Ruins of Athens" (op. 113), both of which were already intended for the inauguration of the German theatre in Pest on 9 February and were therefore in Hungary at the time of writing. Franz Rettich, secretary at the Superior Court of Justice in Vienna, was chosen to act as intermediary and messenger. (The father of the actor Karl Rettich, he had himself been a supporting actor at Vienna's court theatre between 1789 and 1797 before entering the civil service.) - In fact, the timing turned out to be extremely tight, as Beethoven's copyist Wenzel Schlemmer, the only man the composer would trust with the job, had fallen ill. In his present note to Rettich, Beethoven promises that the work will be finished in time, but warns that the orchestra in Graz will have very little opportunity to rehearse. Anxious to keep his word, Beethoven even forced Schlemmer to sign a declaration that he would complete the copies by March 26, noon - a pledge he would prove unable to keep. Ultimately, the copies were finished too late to go to Graz with Rettich by regular stagecoach and had to be sent by special courier, whom Rettich paid 21 guilders for the service, arriving at high noon on the day of the concert. The programme began at 6:30 that evening with a (very probably unrehearsed) performance of the "King Stephen" overture, but the overture from "The Ruins of Athens" had to be skipped. Still, the concert played an important role in making Beethoven known in Styria: "Varena, an ally from the very beginning, contributed much to that important first boost which launched a serious and lasting reception of Beethoven's works outside Vienna, enriching the musical life of Graz and amplifying with remarkable swiftness the structure of local concert programmes in the 19th century" (cf. Nemeth, p. 29). - Traces of original vertical and horizontals folds; in excellent condition. On the verso, Rettich has certified the receipt: "This message was written to me and I received it on March 23." Beethoven, Briefwechsel (ed. S. Brandenburg), vol. 2, p. 251, no. 562. F. Bischoff, "Beethoven und die Grazer musikalischen Kreise", Beethovenjahrbuch 1 (1908), pp. 6-27, here at p. 11. Cf. M. Nemeth, Beethoven-Rezeption in Graz im frühen 19. Jahrhundert unter besonderer Berücksichtigung seiner Symphonik und des Grazer Konzertwesens (unpublished M.A. thesis, Graz, 2003).
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Beethoven, Ludwig van, composer (1770-1827).
Autograph sketchleaf to op. 117, "König Stephan" ("Ungarns erster Wohltäter"). [Teplitz, 1811].
2 pages in ink and pencil on 16-stave paper (322:234 mm), with two folds. Formerly sewn on the left margin, leaving three punched holes. Accompanied by two autograph letters signed from Friedrich Wilhelm Künzel in Leipzig to Fred M. Steele of Chicago, dated July 16th, 1886, discussing the acquisition and certifying the authenticity of the present leaf. Stored in custom-made green morocco portfolio. A densely-used two-sided autograph sketchleaf containing music to opus 117, "König Stephan" or "Ungarns erster Wohltäter" ("Hungary's first Benefactor"), the front showing, among other motifs, the opening cello/bassoon line for the beginning of the first movement chorus, "Ruhend von seinen Thaten" (Andante maestoso e con moto, C major), and the verso with material from the end of the movement, all over with various freely written passages in ink and pencil, mostly on single staves, some with text underneath, containing many holograph corrections and instances where ink is written over pencil. - The present sketchleaf, apparently hitherto unknown to scholarship, belongs to a book of sketches that Beethoven used while writing his stage music "König Stephan" in 1811. Beethoven created his own book from various paper on hand and used it while at the spa in Teplitz from late 1810 into mid 1811. He finished "König Stephan" between 20 August and mid-September 1811. The sketches are of the first chorus (after the overture). The musical play was commissioned for the opening of the new theatre in Pest along with "The Ruins of Athens". First performed on 9 February 1812, it was published as op. 117. King Stephen I founded Hungary in 1000. Emperor Francis I of Austria commissioned the new theatre, and Beethoven was chosen as the composer to honour the occasion of the opening. The Austrian Emperor was honouring Hungary's loyalty, thus the subject matter on a text by August von Kotzebue. - The Beethoven-Haus in Bonn holds four other sketches from this sketchbook (viewable in their digital online archive, as entries HCB Bsk 2/50, 3/51, 4/52, and Mh 81), all of which share the same three holes punched on the left-side margin of the present sketch. We would like to thank Dr. Carmelo Comberiati, professor of Music History at Manhattanville College, for his assistance in cataloguing this lot. - Provenance: Friedrich Wilhelm Künzel, Leipzig, before 1886; Collection of Fred M. Steele, Chicago, purchased from the above, 1886. Offered in the "Collection of Important Autographs in the estate of Mrs. Ella P. Steele, widow of Mr. Fred M. Steele" (Philadelphia, 1918). Acquired from the purchaser's descendants, last located in Greenwich, CT. For an in-depth discussion of the pages to which this sketch belongs, cf. Douglas Johnson, Alan Tyson and Robert Winter, "The Beethoven Sketchbooks", p. 201-206.
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Beethoven, Ludwig van, composer (1770-1827).
Fidelio. Eine Grosse Oper in 2 Aufzügen. Vienna, Artaria, [1814].
Oblong folio. Engraved piano score with the text. Untrimmed. First printing of the first edition of Beethoven's only opera; of the utmost rarity. Inscribed on the title page, in Beethoven's own hand, to his benefactor Pasqualati (1777-1830), in whose house the composer then lodged: "Seinem werthen Freunde Baron von Pasqualati vom Verfasser" ("To his dear friend Baron Pasqualati, from the author"). - No more than three copies of this first edition bearing Beethoven's autograph inscription are known; the present one is described by Kinsky/Halm as follows: "This copy from the collection of the Society of Friends of the Music in Vienna (cf. no. 893 in the guide-book to the Centenary Exhibition, Vienna 1927) was presented to the conductor Arturo Toscanini by the Austrian Government on 1 November 1934 on the occasion of a performance of Verdi's 'Requiem', directed by him, as a gift of honour (cf. 'Philobiblon' VIII, 6)". - Professionally cleaned with repairs to gutter. Collection stamp of the Society of Friends of the Music in Vienna on title page and verso of final leaf. Beethoven's autograph inscription pencilled across the blank margin of the title page. - The present dedication copy was not publicly shown since the great 1927 exhibition in honour of the centennial of Beethoven's death; it was latterly considered lost (as are the other two dedication copies of "Fidelio" described in the catalogue of Beethoven's works). We acquired it directly from Toscanini's estate in spring 2016. Literature (all referencing this copy): Beethoven und die Wiener Kultur seiner Zeit (= Führer durch die Beethoven-Zentenarausstellung der Stadt), Wien 1927, 893. Philobiblon VIII (1935), 6. Kinsky/Halm, Werkverzeichnis Beethoven, 184.
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BEETHOVEN, Ludwig van.
Neu symphonien: Symphonie No. 5.- Symphonie No. 6 - Symphonie No. 7.
Leipzig, Ernst Eulenbur,1925, 19 x 14,5 cm., holandesa piel de época, portada + 1 hoja + IV + 136 págs. + 2 hojas + 152 págs. + 1 hoja + 176 págs. + 3 hojas. (Todas las págs. de partituras musicales).
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Beethoven, Ludwig van:
[Op. 60; Arr.] Vierte große Sinfonie von L. van Beethoven. Op. 60 in B. Arrangirt für Pianoforte und Violine von I.B. van Bree
Stimmen. 34, 15 S. Gestochen. Leicht wasserrandig. Teilweise in losen Lagen. Kl. Randschaden. Seltene Bearbeitung.
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Beethoven, Ludwig van:
[Op. 91] Wellington`s Sieg oder die Schlacht bei Vittoria. Op. 91 (Ludwig van Beethoven`s Werke. Serie 2. No. 10)
Partitur. 82 gest. S. Fol. Einige Lagen lose. Gelegentlich etwas stockfleckig. Mit Vorwort aus 1815 von Beethoven.
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Beethoven, Ludwig Von
Piano Concerto 4 G Major: Opus 58
No publication date, 136 pages, music, analysis sheet loosely inserted, (Hawkes Pocket Scores ; 214). eng
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BEETHOVEN, van, Ludwig - SONNLEITHNER Giuseppe.
Fidelio. Dramma lirico in 3 atti di G. Sonnleithner. Musica di L. van Beethoven.
Sesto San Giovanni, A. Barion. 1931, in-16, br. edit. arancio, pp. 32. Macchiolina d'inchiostro alla cop. ant. Questo libretto segue la versione originale in tre atti, rappresentata a Vienna nel 1805, mentre le successive due (1806, 1814) furono abbreviate a due.
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BEETHOVEN, van, Ludwig.
Original-Compositionen für Pianoforte zu 4 Händen.
Leipzig, C.F. Peters, s.d. (primi sec. XX), in-8 formato album, t. tela coeva marrone con iniziali a monogramma sormontate da corona nobiliare in oro al piatto ant., pp. 46. Strappetti reintegrati ai margini del frontespizio e della prima pagina.
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Beethoven,Brahms,Mozart,Schubert,Schumann,Wolf.
The Art of Song. Selected Songs and arias for grades 7.
Piano Solos contains additional original pieces, familiar songs, and folk song arrangements to reinforce concepts and motivate beginners. <br/> STATO: NUOVO.<br/> TITOLO: The Art of Song. Selected Songs and arias for grades 7. <br/> AUTORE: Beethoven,Brahms,Mozart,Schubert,Schumann,Wolf.<br/> CURATORE: High Voice/Piano.<br/> EDITORE: Edition Peters<br/> DATA ED.: 1994,<br/>
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Beethoven,Ludvig (Van).
Les Lettres.
<br/> TITOLO: Les Lettres. <br/> AUTORE: Beethoven,Ludvig (Van).<br/> CURATORE: Intr., appendici, note e indici di E.Anderson. <br/> EDITORE: Ed.Ilte<br/> DATA ED.: 1968,<br/>
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Beethoven,Ludwig Van (1770-1827).
An Die freude ( Inno alla gioia ) di Friedrich von Schiller dalla IX Sinfonia.
<br/> STATO: NUOVO.<br/> TITOLO: An Die freude (Inno alla gioia) di Friedrich von Schiller dalla IX Sinfonia. <br/> AUTORE: Beethoven,Ludwig Van (1770-1827).<br/> CURATORE: Versione pianistica di leopold Kunz.<br/> EDITORE: Pizzicato Edizioni Musicali<br/> DATA ED.: 1992,<br/> COLLANA: P 289 E.<br/> EAN: 9788877362896
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Beethoven,Ludwig Van (1770-1827).
Per Elisa. Bagatella in La min. op. 59 per pianoforte.
<br/> STATO: NUOVO.<br/> TITOLO: Per Elisa. Bagatella in La min. op.59 per pianoforte. <br/> AUTORE: Beethoven,Ludwig Van (1770-1827).<br/> CURATORE: In una versione facilitata a cura di G.Danieli.<br/> EDITORE: Pizzicato Edizioni Musicali<br/> DATA ED.: 1990,<br/> EAN: 9788877362346 PE234
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Beethoven,Ludwig Van.
Adagio dalla Sonata op. 13 "Patetica" per pianoforte.
<br/> STATO: NUOVO.<br/> TITOLO: Adagio dalla Sonata op.13 "Patetica" per pianoforte. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: In una versione pianistica facilitata a cura di G.Danieli.<br/> EDITORE: Pizzicato Verlag- Edizioni Musicali<br/> DATA ED.: 1990,<br/> COLLANA: P233E<br/> 9788877362339
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Beethoven,Ludwig van.
Fidelio. An Opera in two acts.
<br/> TITOLO: Fidelio. An Opera in two acts. <br/> AUTORE: Beethoven,Ludwig van.<br/> CURATORE: Libretto by Joseph Sonnleithner.<br/> EDITORE: G.Schirmer, Inc.<br/> DATA ED.: sd,<br/> EAN: 9780793520114
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Beethoven,Ludwig van.
Konzert für Klavier und Orchester nach dem Konzert für Violine und Orchester op. 61 D - dur. Klav Solostimme mit 4 Originalkadenzen.
<br/> TITOLO: Konzert für Klavier und Orchester nach dem Konzert für Violine und Orchester op.61 D-dur. Klav Solostimme mit 4 Originalkadenzen. <br/> AUTORE: Beethoven,Ludwig van.<br/> CURATORE: Satz durchgesehen von Willy Hess.<br/> EDITORE: Breitkopf & Härtel Edition<br/> DATA ED.: s.d.<br/> EAN: 9790004167915
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Beethoven,Ludwig van.
Middle String Quartets Opp. 59, 74 and 95.
<br/> TITOLO: Middle String Quartets Opp.59, 74 and 95. <br/> AUTORE: Beethoven,Ludwig van.<br/> EDITORE: Dover Publications, Inc.<br/> DATA ED.: 2001,<br/> EAN: 9780486419053
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Beethoven,Ludwig Van.
Rondò a Capriccio. In sol maggiore, per pianoforte. Op. 129.
<br/> TITOLO: Rondò a Capriccio. In sol maggiore, per pianoforte. Op. 129. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: Revisione di Renzo Silvestri.<br/> EDITORE: Ediz.Curci<br/> DATA ED.: 2002,<br/> EAN: 9798848504248 Testo in italiano, francese, inglese.
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Beethoven,Ludwig Van.
Sonata per Pianoforte. Op. 2 n. 1 in Fa min.
<br/> STATO: NUOVO.<br/> TITOLO: Sonata per Pianoforte. Op.2 n.1 in Fa min. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: Ediz.tecnico - interpretativa di Artur Schnabel.<br/> EDITORE: Ediz.Curci<br/> DATA ED.: 1985,<br/> Testo in italiano, francese e inglese.
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Beethoven,Ludwig Van.
Sonata per Pianoforte. Op. 2 n. 2 in La.
<br/> STATO: COME NUOVO.<br/> TITOLO: Sonata per Pianoforte. Op.2 n.2 in La. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: Ediz.tecnico - interpretativa di Artur Schnabel.<br/> EDITORE: Ediz.Curci<br/> DATA ED.: 1979,<br/> Testo in italiano, francese e inglese.
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Beethoven,Ludwig Van.
Sonate. d - Moll opus 31/2.
<br/> TITOLO: Sonate. d-Moll opus 31/2. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: Edited by Alfred Hoehn.<br/> EDITORE: Edition Schott Einzelausgabe<br/> DATA ED.: s.d.,<br/> EAN: 9790001085359
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Beethoven,Ludwig van.
Sonates 1 à 15. Piano Klavier Sonate. 1er Recueil.
<br/> TITOLO: Sonates 1 à 15. Piano Klavier Sonate. 1er Recueil. <br/> AUTORE: Beethoven,Ludwig van.<br/> EDITORE: Editions Henry Lemoine<br/> DATA ED.: 1992,<br/> COLLANA: UL119<br/>
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Beethoven,Ludwig Van.
Tema della romanza in fa. op. 50.
<br/> STATO: NUOVO.<br/> TITOLO: Tema della romanza in fa. op.50. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: Versione pianistica a cura di G. Danieli.<br/> EDITORE: Pizzicato Verlag- Edizioni Musicali<br/> DATA ED.: 1989,<br/> COLLANA: P 153 E<br/> 9788877361530
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Beethoven,Ludwig Van.
Trios II. Fur Klavier, Violine ( Klarinette ) und Violoncello.
<br/> TITOLO: Trios II. Fur Klavier, Violine (Klarinette) und Violoncello. <br/> AUTORE: Beethoven,Ludwig Van.<br/> CURATORE: Herausgegeben von Ferdinand David.<br/> EDITORE: Edition Peters<br/> DATA ED.: sd.<br/>
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Beethoven,Ludwig.
Selected Easiest Sonata Movements for piano. Vol. 1.
<br/> STATO: USATO, COME NUOVO.<br/> TITOLO: Selected Easiest Sonata Movements for piano. Vol.1. <br/> AUTORE: Beethoven,Ludwig.<br/> CURATORE: Edited by Maurice Hinson.<br/> EDITORE: Alfred Publishing Ed.<br/> DATA ED.: 1992,<br/>
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Beethoven,Ludwig.
Selected Easiest Sonata Movements for Piano. Vol. 2.
<br/> STATO: USATO, COME NUOVO.<br/> TITOLO: Selected Easiest Sonata Movements for Piano. Vol. 2. <br/> AUTORE: Beethoven,Ludwig.<br/> CURATORE: Edited by Maurice Hinson.<br/> EDITORE: Alfred Publishing<br/> DATA ED.: 1992,<br/>
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Beethoven-Brodsky
Beethoven Sonatas for Violin and Piano BrodskySchirmer Vol.232 VIOLIN and Piano
1967. Soft Cover. Good. Gd. condition - All parts complete and unmarked . . AT4 paperback
Riferimento per il libraio : 4160ml
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BEETHOVEN-Ludwig.
Fidelio. Dramma lirico in tre atti di Giuseppe Sonnleithner.
Sesto San Giovanni-Barion, 1940 in 16° pp. 32. Brossura edit. color arancione.
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BEETHOVEN-Ludwig.
Ouvertures. Riduzione per Pianoforte a quattro mani di Ettore Pozzoli.
Milano-Ricordi, s.d. [anni ‘30] in 8° oblungo pp. 197. Leg. cartoné edit.
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BEETHOVEN-Ludwig.
Sonate per Pianoforte (Casella), nn. 1-32.
Terza ediz. Milano-Ricordi, 1968. Due volumi in 4° pp. 316, 227. Contiene appunti a penna ai margini delle prime pagg. e alla carta bianca. Firma di appartenenza in cop. Brossura edit. I due volumi
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BEETHOVEN-PUCCINI-HOROWITZ-VITTORINI
Fidelio. Turandot. Conversazioni con Arrau. Musica in libera uscita (Oscar n.11, 12, 13, 14)
4 Vol. In-16 pag. 202-118-286-166. Copt. ill PROG 45329 CATT_ATT 60
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BEETHOVEN.
Ouverturen zu 4 handen. Neue Ausgabe von Richard Kleinmichael.
Formato album cm 23 X 31 pp. 160, frontespizio decorato in rosso con firma di appartenenza. Bross. edit. con mancanza al dorso.
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Beethoven/Kreutzer/Mozart/Luther u.v.a
Für ernste Stunden. Eine Auswahl bekannter Erbauungs- und Kirchenmusik. Ausgabe für Salonorchester.
Hamburg, Benjamin. [Verlagsnr. A. J. B. 6238]., (um 1927). 4°. Einzelstimmen in privatem Umschlag. (Mit handschriftl. Besitzvermerk). - Notentext gut erhalten und ohne Eintragungen. = Lyra No. 3047.
Riferimento per il libraio : 40516AB
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Beetz, Wilhelm
Das Wiener Opernhaus 1869 bis 1945.
Zürich, Central European Times Verlag, 1949. 262 S. Mit 99 Abb. a. 80 Taf. 25 cm. OHLn.
Riferimento per il libraio : 2736
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Beghelli Marco a cura di
Tutti i libretti di Mozart Con una prefazione di Giovanni Raboni
tela edit. con sovrac. ill., timbro e dedica di appartenenza
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Beghelli, Marco (a cura di)
Tutti i libretti di Mozart.
Legatura editoriale in mezza pelle con acetato trasparente, cm16x24, pp XXXII 698 (8); alcune tavole in nero su carta patinata. Prefazione di Giovanni Raboni.
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Bego Mark
Madonna
Michel Lafon, Carrere Dos carré collé 1987 In-8 (14 x 22,5 cm), dos carré collé, 237 pages ; quelques petits frottements et marques d'usage aux plats, quelques traces aux tranches, tampon en première garde, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Riferimento per il libraio : nf1813
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BEGO Mark
MICHAEL JACKSON
1984 cartonné in-octavo, dos blanc, plats illustrés, 64 illustrations photographiques hors-texte, 201 pages, 1984 à Paris Editions 13 Carrère Michel Lafon,
Riferimento per il libraio : 7796
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Bego, Mark
Barry Manilow : an unauthorized biography
1st edition. VG pbk. Top page edges clipped. 20110. eng
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Begotti Donato; Cordaro Antonio; Fazari Roberto
Guitar theory & workout. Con CD Audio. Con File audio per il download. Vol. 1
br. Primo volume di un corso di teoria musicale applicata alla chitarra, con tracce Mp3 (oltre 2 ore e 30 di musica), testi, illustrazioni e quiz in DOWNLOAD. Per conoscere scale, accordi, armonizzazioni, intervalli e sviluppare la tecnica, con i concetti teorici da subito applicati sullo strumento. Grazie alle numerosissime basi, arrangiate come in un disco e in diversi generi, il tempo passato sullo strumento "volerà via" e si penserà che "studiare teoria non è stato mai così semplice!". La pubblicazione da accesso al materiale AUDIO in DOWNLOAD sul portale dell'editore. Tale materiale è disponibile anche sul CD in omaggio, a corredo della pubblicazione.
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Begotti Donato; Fazari Roberto
Chitarrista da zero! Metodo per principianti. Con DVD. Con File audio per il download. Vol. 1
br. Un corso di chitarra appositamente studiato per chi inizia da zero frutto di 30 anni di esperienza nel campo della didattica, meticolosamente organizzato in lezioni di progressiva difficoltà. In breve tempo si imparerà a suonare accompagnamenti e assoli, a leggere pentagramma, tablatura, partiture scritte in forma di chart e di "testo + accordi" e improvvisare semplici fraseggi. Si potrà inoltre sviluppare la tecnica con il metodo della "Preparazione atletica" e si imparerà a conoscere chitarre, amplificatori ed effetti. Ancora: su basi musicali arrangiate come un disco si potranno suonare evergreen, celebri melodie del repertorio classico, composizioni originali degli autori "nello stile di...". Per esercitarsi si avrà anche a disposizione un grande cantante. Le tracce video in STREAMING, contengono le esecuzioni in video degli esercizi; in una cartella separata, poi, si troveranno i file audio con le esecuzioni e relative basi per studiare. La pubblicazione da accesso al materiale AUDIO in DOWNLOAD e ai VIDEO in STREAMING sul portale dell'editore. Tale materiale è disponibile anche sul DVD in omaggio, a corredo della pubblicazione.
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Begotti Donato; Fazari Roberto
Chitarrista da zero! Metodo per principianti. Con DVD. Con File audio per il download. Vol. 2
ril. È il secondo e ultimo volume di un corso di chitarra appositamente studiato per chi inizia "da zero" frutto di 30 anni di esperienza nel settore, è meticolosamente organizzato in lezioni di progressiva difficoltà. Mediante lo studio di diversi generi si imparerà a suonare accompagnamenti e assoli, leggere pentagramma, tablatura, partiture in forma di chart e testo+accordi, improvvisare semplici fraseggi. Allo stesso tempo si imparerà a sviluppare la tecnica, ad utilizzare il metronomo, e tanto altro ancora. Nelle tracce in STREAMING ci sono le spiegazioni degli autori per tutte le lezioni, in una cartella separata ci sono i file audio con le esecuzioni e le basi per esercitarsi, arrangiate come un vero e proprio disco (a disposizione, inoltre, un vero cantante!). Per imparare a suonare i successi: Tutti i frutti (E. Presley), Hey Jude (The Beatles), True Colors (C. Lauper), Hallelujah (J. Buckley), Sally e Così, senza parole (Vasco Rossi). La pubblicazione da accesso al materiale AUDIO in DOWNLOAD e ai VIDEO in STREAMING sul portale dell'editore. Tale materiale è disponibile anche sul DVD in omaggio, a corredo della pubblicazione.
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Begotti Donato; Fazari Roberto
Chords! Ediz. italiana
ill., br. Un nuovo testo dedicato agli accordi. Rivolto a tutti i chitarristi. Per conoscere gli accordi più utilizzati in qualsiasi genere musicale, ricavando autonomamente le diteggiature di qualsiasi accordo, anche con sonorità "inusuale/fresca" in ogni zona del manico. Composto da due veri e propri libri: Teoria & Armonia. Nozioni fondamentali, Costruzione degli accordi, Chord tricks e Kit di sopravvivenza per ricavare autonomamente qualsiasi accordo; Prontuario di accordi. Più di 4.200 diteggiature, in ogni parte del manico riguardanti:Triadi Accordi, Slash chord, Policordi Magic chord. Inoltre, più di cento progressioni "II-V-I" e "tipo canzone" per mettere in pratica le nozioni apprese. Fra i contenuti: Intervalli e tonalità (in forma teorica e pratica), Costruzione e descrizione degli accordi, Rivolti e Drop 2, 3, 2 e 4... e per verificare le proprie conoscenze, più di 1.000 domande, con relative risposte a fine libro.
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Begotti Donato; Fazari Roberto
Scales! Con audio in download
br. Un manuale composto da due libri: teoria e scale (cenni di teoria, gradi, struttura, descrizione, utilizzo principale, note sulla tastiera, armonizzazione, pattern melodici, esercizi e quiz) e prontuario di scale con più di 8.200 diteggiature, in ogni tonalità e in ogni parte del manico, organizzate in sistemi CAGED, tre note per corda e diagonali. Per conoscere intervalli e tonalità (in forma teorica e pratica) e 57 scale. Come aiuto alla preparazione più di 250 domande con relative risposte (per verifica, a fine libro). Un manuale composto da due libri: teoria e scale (cenni di teoria, gradi, struttura, descrizione, utilizzo principale, note sulla tastiera, armonizzazione, pattern melodici, esercizi e quiz) e prontuario di scale con più di 8.200 diteggiature, in ogni tonalità e in ogni parte del manico, organizzate in sistemi CAGED, tre note per corda e diagonali. Per conoscere intervalli e tonalità (in forma teorica e pratica) e 57 scale. Come aiuto alla preparazione più di 250 domande con relative risposte (per verifica, a fine libro).
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Behan Bredan
L'impiccato di domani. L'ostaggio Due commedie
Feltrinelli 1960, I ed. nella collana Universale Economica- UE/302-303, brossura con copertina illustrata da Heiri Steiner, traduzione e una nota di Gigi Lunari. pp. 274. Buon esemplare *Irlanda* *IRA*
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Behan Dominic
Ireland sings
Tro essex music limited 1973 in8. 1973. Broché.
Riferimento per il libraio : 100118727 ISBN : 825693411
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BEHIYE AKSOY, (Born Behiye Tetiker; Turkish female singer of Turkish classical music genre), (1933-2015).
Original photograph signed and inscribed 'B. Aksoy'.
Beyoglu - Istanbul: Stüdyo Taç. ca. 1950s 1950. No Binding. Very Good. Original b/w portrait photograph signed and inscribed by Behiye Aksoy as 'Hayat hanmefendi'ye sonsuz sevgilerimle'. 14x9 cm. Stamp of photo studio on verso. The photo was taken Foto Taç located in Beyoglu Istanbul in its period. Behiye Aksoy born Behiye Tetiker; 19 September 1933 - 31 May 2015 was a Turkish female singer of the Turkish classical music genre. Her maiden surname was Tetiker. After primary school in Istanbul her family moved to Ankara where she finished junior high school. At the age of 15 she applied to the audition for Ankara Radio. She was among the five successful candidates out of 200. She was one of the Turkish music singers of Ankara Radio for nine years. In 1958 for the first time she got on stage in Ankara. Three years later she moved to Istanbul and became one of the two-star performers of the "Maksim Gazino" the most famous night club in Turkey at the time. The other star performer was Zeki Müren. She also released records; about 100 45-rpm and 20 LPs. She played in four films. She received a platinum diadem for her success from her record company. She married three times. The first was with Halil Aksoy a musician between 1952 and 1963. Halil Aksoy was the father of her only son Ahmet Kazim. Although they were divorced she kept the surname Aksoy. Her two other marriages were short living. Between 1973 and 1974 she married Berker Inanoglu a film producer. Her third marriage was with Fahrettin Aslan the owner of the Maksim night club which also ended in the same year. <br/> <br/> Stüdyo Taç., [ca. 1950s] unknown
Riferimento per il libraio : 053271
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