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Berlin, Irving
They Were All Out of Step But Jim - Sheet Music for Piano and Voice
New York: Waterson Berlin & Snyder 1918. Sheet music. Illus. by Barbelle. Good. Paperback. First Edition. Folio - over 12" - 15" tall. 4 pages. Nice cover illustration of marching troops and adoring femmes plus lovely inset photo of Elizabeth Brice who sang this song. Openings to fore-edges mended with archival tape otherwise average wear and prior owner's name on front cover. A nice vintage copy. Waterson, Berlin & Snyder Paperback
Bookseller reference : 812H1403
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Berlin, Irving (1888-1989). Award-winning Russian-born American composer & songwriter, known for his Broadway & Hollywood musica
TYPED LETTER SIGNED by the Russian-born American composer & songwriter IRVING BERLIN to the choreographer of his musical "THIS IS THE ARMY" regarding the Philippine Tour and his new song "HEAVEN WATCH THE PHILIPPINES".
<p>April 11 1945. 1945. Very good. - Over 250 words typed on his personal 10-1/2 inch high by 7-1/4 inch wide embossed watermarked linen stationery. Irving Berlin writes to Bob Sidney the choreographer of his important World War II musical "This Is the Army" concerning new music he created for the show's tour of the Philippines. He writes that "I hope all went well in Mendora Mindora and that the new number is working out.As I wrote you from Leyte unless this number is a riot I wouldn't keep it in. Another spot may help but I still feel the number is too slow." Berlin had introduced his new song "Heaven Watch the Philippines" during a ceremony in Leyte in March of 1945 singing the song with a chorus of Filipino girls and the cast of the play "This Is the Army". He wrote the song as a tribute to the Filipino people and their resilience during World War II. In his letter to Bob Sidney he expresses his concern that the song will be misunderstood. "I am really concerned about the Philippine song especially when you play Manila and the rest of the tour through the Philippines. I hope Shanley Pvt. Robert Shanley got away with the announcement. If not someone else should explain the song. It makes much more sense with an announcement. I would also try to get some children for every performance as we did in Leyte. In any event the shows you play in Manila should have the children for every performance." Signed in full "Irving Berlin". Folded for mailing with some light creases. Near fine.</p><p>Originally composed as a Broadway Musical Irving Berlin's "This is the Army" was staged as a morale-boosting revue to raise money for the troops. The musical opened on Broadway on July 4 1942 during the Second World War with a cast consisting of 300 uniformed soldiers. The show was so successful that it was followed by a national and international tour playing in the European Far East and Pacific Theaters of War. Irving Berlin designed the show so that he could insert new songs depending on the location of the performances. "My British Buddy" was composed for the English performances and "Heaven Watch the Philippines" for Pacific Island shows. The song "Heaven Watch the Philippines" was written as a tribute to the Filipino people's resilience during the war and as a benefit to aid in the recovery following the war. Dedicated to General Douglas MacArthur Berlin sang the song with a chorus of Filipino girls and the cast of the musical in a presentation ceremony in Philippine city of Leyte in March 1945. He subsequently donated the song to the country with proceeds to go to the Boy & Girl Scouts of the Philippines.</p><p>The Russian-born American composer and songwriter Irving Berlin 1888-1989 wrote an estimated 1500 songs including scores for 20 Broadway musicals and 15 Hollywood movies. His music forms a large part of the Great American Songbook.</p><p>The American choreographer Robert Sidney 1909-2008 was self-taught as a dancer. He made his Broadway debut in "On Your Toes" in 1936 and appeared in George Balanchine's "Keep Off the Grass". Assigned to the Special Services Division during the Second World War he was the principal choreographer for Irving Berlin's musical "This Is The Army" and was later involved in the movie version starring Ronald Reagan. He choreographed many Broadway shows and worked with Bing Crosby Rita Hayworth Nancy Walker Jackie Gleason Cyd Charisse Debbie Reynolds and Mitzi Gaynor. He also went on to work in television choreographing for "The Dean Martin Show" television versions of musicals and 4 Academy Awards shows.</p> April 11, 1945.
Bookseller reference : 100362
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Berlin, Irving; Breen, May Singhi (Ukulele Arrangement)
With You - Sheet Music for Piano and Voice with Ukulele Chords - from "Puttin' on the Ritz"
USA: Irving Berlin Inc. 1929. Sheet music. Good. Paperback. First Edition. 4to - over 9¾" - 12" tall. 6 pages. Average wear. Nicely illustrated front cover with photo of Harry Richman. Irving Berlin, Inc. Paperback
Bookseller reference : 848G0705
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Berlin, Irving
Won't You Play a Simple Melody: Sheet Music for Voice and Piano
New York: Irving Berlin Inc. 1915. Sheet music. Illus. by Barbelle. Fair. Paperback. First Edition. Folio - over 12" - 15" tall. 6 pages. Nicely-illustrated cover. Pages separated but all present. Average wear. Unmarked. A worthy vintage copy. Irving Berlin, Inc. Paperback
Bookseller reference : 812H0943
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Berlin, Irving
Call Me Madam - Vocal Score
140 pages. From Jack Hylton's Production - Call Me Madam - from the New York Production by Leland Hayward. Above-average wear. Usual libarary markings. Binging intact. A worthy working copy. Book
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Berlin, Irving
In My Haren: Sheet Music
Heavy wear. Name written on front cover. Still a worthy working copy of this nostalgic number. Sheet music
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Berlin, Irving
The Piccolino
A clean bright copy, Signature of previous owner.
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Berlin, Irving
The Song is Ended - But the Melody Lingers On: Sheet Music
5 pages. Yellow illustrated cover. Sheet music. Vendor's rubber stamp else unmarked. Average wear. Book
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Berlin, Irving; Routelle, Charles (Arranger)
God Bless America - Sheet Music for Glee Club Quartette - Sheet Music for Piano and Four Part Vocal (T.T.B.B.)
8 pages. Pencil gift greetings on front cover, otherwise unmarked with moderate wear. A sound copy. Sheet music
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BERLIN, Irwing.
You'd be surprised.
New York, 1919, 30,5 x 23 cm., 6 págs. incluyendo las cubiertas originales y 4 págs. de la partitura musical con letra y música.
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Berliner Ensemble - Helene Weigel ( A cura di )
Theaterarbeit Fare Teatro Sei allestimenti del Berliner Ensemble
Ptima edizione, redazione di Bertolt Brecht, Ruth Berlau, Claus Hubalek, Peter Palizsch, Kathe Rulicke, rilegato, similpelle blu, sovracoperta, formato 24x27, pagine 456, illustrato in nero e colori con esempi musicali nel testo, ottime condizioni - 42322
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Berlinger, Caspar (Hg):
Psallite. Neues Katholisches Chorbuch. VS Edition 1307
Strube Verlag München 1994. Softcover Vom berühmten Herausgeber signiert. Zustand: Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Strube Verlag, München, paperback
Bookseller reference : 255936
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BERLIOZ
Hector Berlioz (1803-1869). Biographie et portrait. Num?ro de la revue "Les Contemporains".
Broch?. 16 pages.
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BERLIOZ Ettore (Hector) -
Grande trattato di istrumentazione e d’orchestrazione moderne, con Appendice di Ettore Panizza. [113600, 113601, 1136002]
Milano, Ricordi, 1912, tre volumi in-4° (così opera completa), di cui il primo in brossura editoriale e il secondo e il terzo in tutta tela editoriale con titoli in oro ai piatti e ai dorsi, pp. 150 + 96 + 186. Lievi tracce d’uso al dorso del vol. in brossura, con davvero minime mancanze alla testa e al piede dello stesso, ma, a parte i normali segni del tempo, volumi ben conservati.
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BERLIOZ Ettore.
Grande trattato di stromentazione e d'orchestrazione moderne e l'indicazione esatta delle estensioni, un'esposizione del meccanismo, e lo studio del timbro e del carattere espressivo de' diversi stromenti, con molti esempi di partitura, estratti dalle opere de' più grandi maestri e da alcune composizioni inedite dell'autore.
In 4°, pp. 307. Opera divisa in 7 fascicoli e 6 parti con riproduzioni di spartiti musicali anche inseriti tra le pagine. Leg. in mezza tela muta, fioriture interne ma buona la consevazione. Non comune.
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Berlioz H.
A travers chants. Etudes musicales, adorations, boutades et critiques. IVeme édition.
Paris, Calmann Lévy, 1886, in-16, br. (sciolto, privo della cop. post. e di parte del dorso, mancanze marginali all'ant.), pp. 352.
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Berlioz H.
Le musicien errant 1842-1852. Correspondance publiée par Julien Tiersot.
Paris, Calman-Levy, (1919), in-16, br. edit., (lievi difetti), pp. XX, 380, (2).
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BERLIOZ Hector
Au mileu du chemin. 1852 - 1855
Paris Calmann Lévy 1930, In-12 broché de 293 pages. Correspondance publiée par Julien TIERSOT. Très bon état.
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Berlioz Hector
Correspondance inédite de Hector Berlioz. 1819 - 1868. Avec une notice biographique par Daniel Bernard
In-16° (18 x 11 cm). 361 pp. Mezza tela coeva con titoli oro al dorso.
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Berlioz Hector
L'Europa musicale Da Gluck a Wagner a cura di Fedele d'Amico
Dorso e taglio bruniti per il resto buon esemplare con dedica autografa del curatore al frontespizio edizione: 1a pp. 345
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Berlioz Hector
LES MUSICIENS ET LA MUSIQUE. TRAVERS CHANTS
Volume in 8º piccolo legato in mezza pelle, titolo al dorso ornato, sguardie, occhiello, frontespizio, note biografiche, L, 348 pp. comprensive d’indice. "TRAVERS CHANTS" occhiello, frontespizio, dedicatoria, 352 pp. comprensive d’indice. Il primo volume Berlioz lo dedica ai compositori da Mozart a Bizet, mentre nel secondo sviluppa maggiormente la parte critica e di studio musicale. In ottimo stato, assolutamente poco comune, ricchissimo.
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Berlioz Hector
Lettere a Orfeo, Varese, Zecchini Editore, 2005
A cura di Taverna A. Varese, 2005; br., pp. IV-132. (I Racconti della Musica. 14).
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Berlioz Hector
Lettres intimes avec une préface par Charles Gounod
<p>18,5 cm, brossura originale; p. xv, 319 Lettere a Humbert Ferrand una inframezzata da due pagine di musica, e scritte dalla Francia e dall'Italia. Copertina con piccole mancanze e dorso rifatto in modo artigianale, l'interno molto buono. Probabile prima edizione.</p>
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BERLIOZ Hector
Mémoires
Flammarion 1991, In-8 broché, 631 pages. Bon état
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Berlioz Hector
Sinfonia fantastica. Con DVD, Milano, Classica Italia, 2011
Traduzione di Besi Ellena B. Milano, 2011; ril., pp. 122, ill., cm 14,5x19,5. (Music & Book Gallery. 13).
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BERLIOZ Hector.
Concerto sinfonico-corale "Romeo e Juliette". Sinfonia drammatica per soli, coro e orchestra di H. Berlioz. Nel testo originale. Prima esecuzione a Firenze. Teatro Comunale, 14 Ottobre 1962. (Direttore Paul Strauss. Solisti: Zimra Ornatt, Giuseppe Baratti, Louis Jacques Rondeleux. Maestro del coro Adolfo Fanfani. Orchestra e Coro del Maggio Musicale Fiorentino).
Firenze, E.A. del Teatro Comunale, 1962, in-8, br. editoriale, pp. (16). Programma di sala con note illustrative di Adelmo Damerini. Nel curriculum della soprano e compositrice israeliana Ornatt ci sono sia lo studio al Conservatorio Verdi di Milano, che collaborazioni col Maggio: oltre a repertorio di musica classica ha sempre eseguito anche le melodie della tradizione ebraica.
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BERLIOZ Hector.
Les Soirees de l'Orchestre; deuxieme edition entierement revue et corrigee.
In-16° pp. 435, leg. in mezza tela muta, conservata la bross. edit. Diffuse ingialliture dle tempo.
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BERLIOZ Hector.
Mémoires de Hector Berlioz. Comprenant ses voyages en Italie, en Allemagne, en Russie et en Angleterre. 1803-1865. [Vol.] II.
Paris, Calmann Lévy, [primi del '900], in-16, br. editoriale, pp. [4], 430. Lievi tracce d'uso. Manca il primo volume.
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Berlioz, H
Grosse Todtenmesse. Grande Messe des Morts - Grand Death-Mass. Op. 5. Klavierauszug mit Text von Philipp Scharwenka.
Leipzig, Breitkopf & Härtel, 1900. 112 S. Hlwdbd. m. goldgepr. Rtit. Einbd.-Kanten bestoßen. St. a. Vorsatz u. Tit.
Bookseller reference : 196058
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Berlioz, H
Messe solennelle. Partition chant et piano d'après le Urtext de la Nouvelle Édition Berlioz de E. Wernhard. / Klavierauszug nach dem Urtext der Neuen Berlioz-Ausgabe. 5. Aufl.
Kassel, Bärenreiter, 2003. 4°. 138 S. OBr. Umschlag leicht begriffen u.m. leichten Kratzern. St. ("R") a. Tit. Sonst sehr sauberes Ex.
Bookseller reference : 193301
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Berlioz, H
Te Deum. op. 22. Partition chant et piano d'après le Urtext de la Nouvelle Édition Berlioz de O. Taubmann. / Klavierauszug nach dem Urtext der Neuen Berlioz-Ausgabe. 10. Aufl.
Kassel, Bärenreiter, 2014. 4°. V, 99 S. OBr. Umschlag leicht begriffen u.m. leichten Kratzern. St. ("R") a. Tit. Sonst sehr sauberes Ex.
Bookseller reference : 193303
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Berlioz, H
Te Deum. Partition chant et piano d'après le Urtext de la Nouvelle Édition Berlioz de O. Taubmann. / Klavierauszug nach dem Urtext der Neuen Berlioz-Ausgabe. 9. Aufl.
Kassel, Bärenreiter, 2011. 4°. V, 99 S. OBr. Umschlag leicht begriffen u.m. leichten Kratzern. St. ("R") a. Tit. Sonst sehr sauberes Ex.
Bookseller reference : 193302
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BERLIOZ, H.
LA MUSICA Y LOS MUSICOS.
21x13. 242p. Sello. Lomo y cubierta sueltos. Trad. J. M. Borrás.
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Berlioz, Hector
Eufonia, o La città musicale
Berlioz, Hector Eufonia, o La città musicale. Palermo, Sellerio 1993, 109 p. ; 16 cm Molto buono (Very Good) Firma di appartenenza al frontespizio e ex libris applicato al colophon. <br> <br> <br> <br>
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Berlioz, Hector
Groteske Musikantengeschichten. Aus dem Französichen von Elly Ellès.
Leipzig, Breitkopf & Härtel., 1906. 8°. VI/230 Seiten. Frakturdruck. Roter Originalleinenband mit goldgeprägten Titeln, floralem Jugendstildekur auf Deckel und Rücken, rot marmoriertem Ganzschnitt und Schmuckpapiervorsätzen. (Ecken minimal bestossen. Kapitale minimal berieben). - Ein sehr gut erhaltenes, sauberes Exemplar ohne Eintragungen. = Literarische Werke. Erste Gesamtausgabe. VII. Band.
Bookseller reference : 37562AB
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Berlioz, Hector
Lebenserinnerungen. Aus dem Französichen und herausgegeben von Hans Scholz. Mit einer Titel-Porträttafel.
München, Beck., 1914. 8°. XII/571 Seiten, 4 Blätter Buchanzeigen. Frakturdruck. Gelber Originalleinenband mit allseitig roten Rahmenbordüren und Kopffarbschnitt. (Deckel schwach fleckig. Besitzvermerk auf Vortitel). - Ansonsten ein gut erhaltenes, innen erfreulich frisches Exemplar ohne Eintragungen.
Bookseller reference : 37561AB
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Berlioz, Hector
Sein Leben und seine Werke. Mit Beiträgen von Arthur Kahn, L. Yoltz, Adolph Pochhammer, August Grüters und Fritz Volbach. Mit vielen Notenbeipielen im Text.
Leipzig, Seemann., 1901. 8°. 157 Seiten. Illustrierter lila Originalleinenband. (Innen Randbräunung). - Im übrigen ein gut erhaltenes, ordentliches Exemplar ohne Eintragungen. 6. Auflage.
Bookseller reference : 37560AB
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Berlioz, Hector
Symphonie Fantastique Les Nuits D'ete
Region 2. Very good condition, plastic and card dvd box upper cover has a few small scrapes, DVD has some light scratches, clean, bright and tight pages. DVD
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Berlioz, Hector
Symphonie fantastique. (Episode in the life of an artist). op. 14 Dover miniature scores
148p. 21cm Paperback Very good condition
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Berlioz, Hector, French composer (1803-1869).
Autograph letter signed. N. p. o. d.
Small 8vo. 1 p. Bifolium with integral address panel. To his friend, the Hungarian born pianist Stephen Heller (1814-88): "Mon cher Heller / J'ai cherché dans toute la rue de Laval sans pouvoir trouver M. de Vesma [?] qui a eu la bonté de m'écrire ce matin et que je voudrais bien voir avant son déport pour la campagne. Savez vous son adresse numérotée?"
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Berlioz, Hector, French composer (1803-1869).
Autograph letter signed. No place, "Mercredi soir".
8vo. 1 p. on bifolium. With autograph address verso. To the French composer Auguste François Morel (1809-81) with an invitation to dine at his place the following evening along with his sister, uncle, and brother-in-law, planning to sing some "bêtises" later that night, and hoping that the singer Adolphe Joseph Louis Alizard (1814-50), the cellist Émile Desmarest, and the composer Stephen Heller (1813-88) will join them later, when he intends to make an important musical announcement: "Venez diner avec moi demain à 5 h. ½ il y aura seulement ma soeur, mon oncle et mon beau frère et le soir nous chanterons quelque bêtises. J'espère qu'alizard [!] et Desmarest et Heller viendront à 8 heures. J'ai une grande chose à vous dire (musicale) […]" ("Mercredi soir"). - With traces of former mounting on reverse. Former collector's number "95" in pencil.
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Berlioz, Hector, French composer (1803-1869).
Autograph letter signed. No place, [1833].
8vo. 1 p. on bifolium. With autograph address verso. To Victor Hugo at the Théâtre de la Porte Saint Martin, asking for tickets for his play "Marie Tudor" (1833) for his wife and himself: "Mr. et Mme. Berlioz ont l'honneur de saluer Mr. V. Hugo et de lui rappeller qu'ils ont besoin de voir Marie Tudor; l'art etant chez eux une religion dont M. Hugo est le grand prêtre. Peut-être sera-t-il po[ssible] à M. Hugo de disposer de deux plac[es] pour Samedi prochain […]". - With traces of former mounting on reverse and former collector's number "97" in pencil. Noticeable damage to the right margin, affecting several letters.
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Berlioz, Hector, French composer (1803-1869).
Autograph musical quotation signed ("H. Berlioz"). No place, [1845/1846].
Oblong folio (340 x 246 mm). 3 staves and autograph title in brown ink on thick paper mounted on cardboard. Beautiful musical quotation that points to an early stage of the composition of "La Damnation de Faust", given that Berlioz renamed the "Introduction Pastorale" as "Le vieil hiver fait place au printemps" ahead of the premiere in 1846. The quotation of the andante in D major comprises 8 bars of the viola score, 7 bars of the clarinet and flute score, and 4 bars of the second violin score. - According to his "Mémoires", Berlioz composed the introduction on his way to Vienna "at an inn in Passau on the Bavarian border" (chapter 54), a journey that can be dated to late 1845. Deeply disappointed by the poor reception of his 'Faust' upon its premiere at the Opéra-Comique on 6 Dec. 1846, Berlioz writes in the same chapter: "Nothing in my artistic career has hurt me more deeply than this unexpected indifference". Berlioz did not live to see the enduring success of his innovative work after its rediscovery and popularization by the conductor Édouard Colonne in the last quarter of the century. - With collector's note in ink. Some foxing and browning; a few tears have been restored by mounting the paper on cardboard. H. Berlioz, Mémoires (Paris 1870). Cf. J. Rushton, The Genesis of Berlioz's 'La Damnation de Faust' (Music & Letters , April 1975, vol. 56, no. 2).
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Berlioz, Hector, Komponist (1803-1869).
Eigenh. musikalisches Albumblatt mit U. ("H. Berlioz"). O. O., um 1839.
190:427 mm. In roter Leinenkassette (320:455 mm) mit Deckelschildchen. Sehr ansprechendes, großformatiges Albumblatt: Sieben 6/8-Takte Adagio in dreizeiligem System für "Flutes et Clarinettes", "Violons" und "V[iolonc]elli C[ontre]Basses" aus der Liebesszene von "Romeo und Julia": "Phrase de la scène d’amour de Roméo et Juliette Symphonie avec chœurs". - Die Ränder etwas gebräunt und fleckig, sonst tadellos erhalten.
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BERLIOZ, Hector.
La Música y los músicos. Versión española de José Mª Borrás.
B., Sociedad General de Publicaciones, s. a. (hacia 1930), 21 x 13’5 cm., 242 págs. – 2 h. (Falto de cubiertas originales).
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Berlioz,Gerard.
60 etudes de rythme et de dechiffrage pouur 2 tom - toms ou 2 timbales.
<br/> TITOLO: 60 etudes de rythme et de dechiffrage pouur 2 tom-toms ou 2 timbales. <br/> AUTORE: Berlioz,Gerard.<br/> EDITORE: Alphonse Leduc Ed.<br/> DATA ED.: s.d.<br/>
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Berlioz,Gérard.
20 Etudes en Forme de Tricotis. Pour Percussions ( 1 exécutant ) .
<br/> TITOLO: 20 Etudes en Forme de Tricotis. Pour Percussions (1 exécutant). <br/> AUTORE: Berlioz,Gérard.<br/> EDITORE: Editions Musicales Alphonse Leduc<br/> DATA ED.: 1989,<br/> EAN: 9790046275746
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Berlioz,Hector.
Grande messe des morts 'Requiem'. ( Klavierauszug ) .
<br/> TITOLO: Grande messe des morts 'Requiem'. (Klavierauszug). <br/> AUTORE: Berlioz,Hector.<br/> EDITORE: Baerenreiter Verlag<br/> DATA ED.: s.d.<br/>
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Berlioz,Hector.
Messe solennelle. Klavierauszug. Urtext.
<br/> TITOLO: Messe solennelle. Klavierauszug. Urtext. <br/> AUTORE: Berlioz,Hector.<br/> EDITORE: Baerenreiter Verlag<br/> DATA ED.: s.d.<br/>
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Berloso Gloria
La cultura musicale
brossura Per capire le canzoni e imparare ad ascoltare la vera musica, distinguere i suoni, riconoscere una chitarra o un banjo, una pedal steel o una string bender guitar, una ghironda, è importante tracciare il loro percorso con la conoscenza. La musica ci accompagna tutta la vita, spesso ci aiuta a capire e amare con i sensi, ci invita a comunicare con il linguaggio universale che appartiene a tutte le generazioni e ai popoli. Con il premio Nobel a Bob Dylan, l'istituzione di cultura riconosce apertamente la mutazione culturale che è nata negli anni '60, non può più pensare l'arte come qualcosa di indipendente dalla società dei consumi, ma come qualcosa che deve connettersi con i desideri delle masse.
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