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Fusella Tiziano
Quando la polka si ballava chinata. Bologna e il suo "liscio", Imola, Corso Bacchilega, 2010
Imola, 2010; cartonato, pp. 112, ill. b/n e col., tavv. b/n e col., cm 21,5x30,5.
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FUSERO C
MOZART
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FUSSL, Karl Heinz; Landon, H.C. Robbins (eds.)
Haydn: The Complete Piano Sonatas: Volume 2
Paperback - volume two. Publication date not stated; not 1900, possibly 1963. Preface in German and English. Faint creases along the spine. Light foxing on the page block. Pages are clean and sound; all content is clear. CM Used
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FUSSL, Karl Heinz; Landon, H.C. Robbins (eds.)
Haydn: The Complete Piano Sonatas: Volume 3
Paperback - volume three. Publication date not stated; not 1900, possibly 1964. Preface in German and English. The spine is cocked with several bumps. Light foxing on the page block. Pages are clean and sound; all content is clear. CM Used
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Fusté-Lambézat M.
Principes élémentaires de Théorie Musicale
Henry Lemoine. Non daté. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 45 pages. Tampon en page de tite. Etiquette d'ex-libris en 1er plat.. . . . Classification Dewey : 780-Musique
Bookseller reference : RO30338596
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Futurist Music Pratella Balilla
La Musica Futurista: Manifesto Tecnico
Milan: Direzione del Movimento Futurista 1911. Single sheet folded once to make 4pp. Soft horizontal fold to middle else a nice example of this early Futurist music manifesto. <br/><br/>The first musician to "surrender to the persuasion of promises and liberation" Pratella was courted early on by Marinetti to join his new movement that he hoped would breathe new life into Italian culture. Though not as nihilistic as Russolo's Art of Noises published three years later he still makes what at the time were revolutionary demands that musicians break from the traditional proclaiming in a later manifesto that" the new order of disorder should be created by destroying the ancient schemes." Direzione del Movimento Futurista unknown books
Bookseller reference : 26863
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Futurist Music Pratella Balilla
Manifesti dei Musicisti Futuristi
Milan: Direzione del Movimento Futurista 1910. Single sheet folded once to make 4pp. Soft horizontal fold to middle else a nice example of this early Futurist manifesto the first on music. <br/><br/>The first musician to "surrender to the persuasion of promises and liberation" Pratella was courted early on by Marinetti to join his new movement that he hoped would breathe new life into Italian culture. Though not as nihilistic as Russolo's Art of Noises published three years later he still makes what at the time were revolutionary demands that musicians break from the traditional proclaiming in a later manifesto that" the new order of disorder should be created by destroying the ancient schemes." Direzione del Movimento Futurista unknown books
Bookseller reference : 26862
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Futurist Music Pratella Balilla
Manifesti dei Musicisti Futuristi
Milan: Direzione del Movimento Futurista 1911. Single sheet folded once to make 4pp. Soft horizontal fold to middle with a few tiny spots of loss to the rear else a very good example of this early Futurist manifesto the first on music. <br/><br/>The first musician to "surrender to the persuasion of promises and liberation" Pratella was courted early on by Marinetti to join his new movement that he hoped would breathe new life into Italian culture. Though not as nihilistic as Russolo's Art of Noises published three years later he still makes what at the time were revolutionary demands that musicians break from the traditional proclaiming in a later manifesto that" the new order of disorder should be created by destroying the ancient schemes." <br /> <br />Ref: Pontus Hulten. Futurism and Futurisms525-7; 544-5. Direzione del Movimento Futurista unknown books
Bookseller reference : 26861
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FUX GIOVANNI GIUSEPPE.
Salita al Parnaso o sia Guida alla regolare composizione della musica. Con nuovo, e certo metodo non per anche in ordine sì esatto data alla luce, e composta. Fedelmente trasportata dal Latino nell’Idioma Italiano dal Sacerdote Alessandro Manfredi.
In folio piccolo (mm 300x215) entro piena pelle coeva (lievi mancanze professionalmente risarcite), tagli in rosso, pp. 240, con bella tavola allegorica incisa a specchio del frontespizio, stampato in rosso e nero; il testo comprende 35 intere pagine musicali incise in rame e numerose minori notazioni, impresse xilograficamente. L’importante trattato di teoria musicale e armonia del maestro di cappella dell’imperatore Carlo VI (originariamente scritto in latino e pubblicato a Vienna nel 1725) compare qui nella sua prima traduzione italiana, ad opera del Manfredi, "cittadino reggiano e professore di musica" (Fétis, III, 360 Hirsch, I, 187; Olschki - Choix, VIII, 10957); buon esemplare; (cat. 16)
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Fux, Johann Joseph
Gradus ad Parnassum sive Manuductio ad compositionem musicæ regularem, methodo nova^ ac certa^, nondum ante` tam exacto ordine in lucem edita/ elaborata a` Joanne Josepho Fux
in 4° grande - pp.pp 8nn + 280 + 1b - Tela con fregi ai piatti ed al dorso - Incisione in antiporta ripiegata - Macchie ed abrasioni alla legatura, pagine lievemente brunite.
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FUX, Johann Joseph.
Salita al Parnasso, o sia Guida alla regolare Composizione della Muscica con nuovo e certo Metodo...
in-folio, ff. (6, compreso antiporta inc.), pp. 240. Legatura coeva m.pelle, titolo su tassello al dorso, piatti in carta marmorizz. Bell'antiporta allegorico a soggetto musicale (firmato Manfredi sculp.), titolo in rosso e nero, armi imperiali in testa alla dedica del traduttore Alessandro Manfredi, iniziali istoriate e fregi tipografici, 35 pagine di musica interamente incise in rame e numerose notazioni musicali in silografia n.t. Prima ed unica edizione in italiano di questo classico trattato di teoria musicale e armonia, magnificamente impresso, (pubblicato in latino a Vienna nel 1725 col titolo "Gradus ad Parnassum". L'opera, in forma di dialogo tra un maestro (Palestrina) e l'autore, diede grande fama al compositore austriaco (1660-1741) e si pose come base per tutti gli studi teorici sul contrappunto; "è un vero trattato generale di composizione, poiché non si occupa solamente dello stile contrappuntistico severo, ma anche di quello libero, nella prassi del tempo" (Encicl.Musica, III,59). Bellissimo figurato del Settecento emiliano. Ottimo esemplare.. RISM B VI, 340-41; MGG IV, 1164; Eitner IV, 106; Fétis III, 360-2: "Cet ouvrage, devenu classique, est aujourd'hui, la seule production de Fux généralement connue dans le monde musical"; Gregory-Bartlett II, 39; Hirsch I, 187; Olschki, Choix VIII, 10957. Non in Wolffheim..
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Fux, Johann Joseph:
Sämtliche Werke. Serie II. Band 3. Laudate Dominum- und Magnificat-Kompositionen
viii, 218 S. Fol. OKart. Mit Faksimiles.
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Fux, Johann Joseph:
Sämtliche Werke. Serie II. Band 4. Vier lauretanische Litaneien
xvi, 222 S. Fol. OKart. Mit Faksimiles.
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FUZELIER / RAMEAU Jean-Philippe
LES INDES GALANTES. Texte seul.
Paris, Henri Guichaoua, 1956, in-8 broché, 69 pp. Photos contrecollées. Numéroté. Nombreux autres ouvrages disponibles sur la musique classique: Voir la catégorie Musique (ou recherche par auteur/compositeur). TRES BON ETAT
Bookseller reference : 44235
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Fuzzi Gloria
Poesie cantate di Giovanni Pascoli. Diario cantadiario.
<p>24 cm, brossura editoriale con risguardie, illustrazione a colori al piatto, p. 135. Con numerose foto a colori n.t. e numerose pagine impostate alla maniera di diario. Due cd allegatiche riproducono le poesie cantate.</p>
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Fédération des Cercles de Gascogne
Cercles de Gascogne. Programme. (janvier - juin 2019 : Azulenca - Les Zanardusson - Blackbird Hill - etc)
Sodal. 2019. In-8. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. Environ 6 pages. Nombreuses illustrations en couleur, dans le texte.. . . . Classification Dewey : 780-Musique
Bookseller reference : RO30341469
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Félix Clément.
Félix Clément. Les Musiciens célèbres depuis le XVIe 44 portraits. 1868. EO
LES MUSICIENS CÉLÈBRES depuis le seizième siècle jusqu'à nos jours Félix Clément ouvrage illustré de 44 portraits gravés à l'eau forte par Masson, Deblois & Massard, et de 3 reproductions héliographiques d'anciennes gravures par A.Durand fort vol. in-4, 280x190, jolie reliure, dos à nerfs, relié demi cuir, toutes tranches dorées, qq rousseurs, 672pp Hachette 1868. Edition Originale
Bookseller reference : CZC-11337
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Félix Clément.
Félix Clément. Les Musiciens célèbres depuis le XVIe 44 portraits. 1868. EO
LES MUSICIENS CÉLÈBRES depuis le seizième siècle jusqu'à nos jours Félix Clément ouvrage illustré de 44 portraits gravés à l'eau forte par Masson, Deblois & Massard, et de 3 reproductions héliographiques d'anciennes gravures par A.Durand fort vol. in-4, 280x190, jolie reliure, dos à nerfs, relié demi cuir, toutes tranches dorées, qq rousseurs, 672pp Hachette 1868. Edition Originale
Bookseller reference : CZC-11337
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Félix Le Couppey
Ecole du mécanisme
J. Maho. sd. In-4. En feuillets. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 41 pages.. . . . Classification Dewey : 780-Musique
Bookseller reference : RO50032352
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Fétis
Les musiciens belges - TOME SECOND
Ajamar in12. Sans date. Broché.
Bookseller reference : 100123070
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Fétis F.J.
La musique mise à la portée de tout le monde
Buchet/Chastel. Non daté. In-8. Relié demi-cuir. Bon état, Plats abîmés, Dos satisfaisant, Intérieur frais. 524 pages.. . . . Classification Dewey : 780-Musique
Bookseller reference : RO40005848
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Fétis, F.J
Biographical notice of Nicolo Paganini, with an analysis of his compositions, and a sketch of the history of the violin. 2nd ed.
London, Schott & Co. (1876). M. 1 Portr. u. 1 Taf. 2 Bl., 90, XVII (Verlagsanz.) S. Blindgepr. flex. OLwdbd. m. goldgepr. Rücken u. Deckeltitel. Vord. Gelenk leicht gelockert.
Bookseller reference : 182305
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Fétis, F.J
Biographie universelle des musiciens et bibliographie générale de la musique. Tome 2-8: B-ZY.
Bruxelles, Meline, Cans et Compagnie, 1837-44. OBr. Umschl. u. Tit. lose, beschäd. oder auch fehlend. Buchblöcke durchweg gebrochen dadurch oft lose. Braunfl. Unaufgeschn. Ex.
Bookseller reference : 157436
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Fétis, Francois Joseph, Belgian composer (1784-1871).
Autograph letter signed. Bruxelles, 5 Sept. 1867.
8vo. 1 p. To the music publishers Liepmannssohn & Dufour in Paris: "[…] Je suis contrarié de ne pas avoir Frizzi (4173) que je cherche de puis longtemps et dont j'ai besoin pour les additions de ma Biographie des musiciens. Si vous pouviez obtenir de la personne à qui vous l'avez vendu de me la céder, vous me rendriez grand service […]". - On headed paper "Conservatoire royal de musique - Cabinet du Directeur".
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Fétis, François-Joseph, Belgian composer (1784-1871).
Autograph letter signed ("Fétis"). Brussels, 2. II. 1858.
8vo. 1 p. Letter of recommandation for the British pianist and composer Henry Litolff to the music critic and publisher François Dufour at the Revue et Gazette Musicale de Paris. Fétis lauds Litolff in the highest tones, ascribing "veritable originality" to him: "M. Litolff qui vous remettra cette lettre vous est connu de nous comme un grand artiste ; il va à Paris pour y faire connaître des belles compositions dans lesquelles se trouve ce qui est si rare aujourd'hui, la véritable originalité. Je ne doute pas de votre bon vouloir à son égard ni de la sympathie de la rédaction de la Gazette Musicale. Je vous serai très obligé pour ce tout ce qui sera fait en sa faveur." - The Revue et Gazette Musicale de Paris was the result of the merge of François-Joseph Fétis's own Revue musicale (1827-1835) and Maurice Schlesinger's Gazette musicale de Paris that had only been founded in 1834, one year before Schlesinger bought Fétis's Revue. - Largely forgotten today, Henry Litolff was admired at his time as a virtuoso and composer by the likes of Franz Liszt, who dedicated his First Piano Concerto to him. He is also remembered as the founder of the Collection Litolff (today part of Edition Peters), a highly regarded publishing imprint of classical music scores. - On stationery of the director of the Conservatory of Brussels. - Minimally creased.
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Fétis, François-Joseph, Belgian composer (1784-1871).
Autograph letter signed ("Fétis"). Brussels, 9. II. 1857.
8vo. 2 pp. Charming and insightful letter to a female friend and singer, informing her about his efforts to find engagements in Ghent or Bruges for her. He wrote to the director of the casino in Ghent, who informed him that Henri Herz had been engaged for an upcoming concert but now other "foreign artists", as "the singers had already been engaged". There was, however, an offer to hire her after the concerts of the carnival-season. From Bruges, there was no reply yet, which "astonished" Fétis as he knew of an upcoming concert of the "Société de la Grande Harmonie", again after the ball season. - In the second part of the letter, Fétis complains bitterly about his workload, especially the many letters that reach him. He asks the recipient to let Mr. Debain, presumably the inventor of the harmonium Alexandre-François Debain, know that he has received his letter and will "respond as soon as possible". However, he has "currently 123 letters" on his desk that reached him "in the past 10 days from all parts of the world" and he doesn't know "which one to start with for the responses", lamenting: "In reality, this correspondence kills me, and this for things that concern only those who write to me. In such moments of despair, I am tempted to take my pension and go and hide in a village where no one will find me". - With minimal tears to the folds. Well preserved.
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Fétis, François-Joseph, Belgian composer (1784-1871).
Autograph letter signed. Brussels, 30. IV. 1861.
8vo. 1 page on bifolium. To the singer Mme. du Chanoy in reply to her questions about the ballet "Atalante et Hippomène" (1769), giving a short biography of its author, the violinist and composer Pierre Vachon (1738-1803): "Je suis heureux de pouvoir répondre aux diverses questions que vous m'adressez concernant le joli air d'Atalante et Hippomène: 1. L'auteur de cet ouvrage est Vachon, Violoniste d'un talent remarquable qui, après avoir vivé à Paris pendant 30 ans environ, entra au service du roi de Prusse, en 1784 (presque à la même époque que Dupart), et mourut à Berlin, en 1802. 2. Vachon avait débuté, comme compositeur de musique dramatique, par Les femmes et le Secret, et par Sara, opéras comiques remplis de mélodies naives et suaves. Atalante et Hippomène, en un acte, fit partie de ce qu'on appelait les fragments, lesquels furent joués à l'opéra le 8 août 1769 [...]". - On headed stationery of the Conservatoire Royal de Musique. With former collector's number "81" in pencil. Traces of former mounting; a few tiny edge flaws.
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FÉTIS, J.-F
TRAITÉ COMPLET DE LA THÉORIE ET DE LA PRATIQUE DE L'HARMONIE contenant de la science et de l'art
Paris Brandus & Cie, Editeurs de musique 1849 in 8 (27x18) 1 volume reliure demi basane foncée de l'époque, dos lisse orné de faux-nerfs et fleurons dorés (oiseaux et papillons, ors ternis), LI et 275 pages [1], toute petite tache claire dans la marge interne des 10 premières pages. Quatrième édition revue, corrigée et augmentée d'une préface philosophique et de notes. Fétis François-Joseph 1784-1871, compositeur et musicologue belge. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Bookseller reference : 18002
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Förster, Alban, Komponist (1849-1916).
Eigenh. Briefkarte mit U. Neustrelitz, 9. IV. 1909.
8 Zeilen auf einer photographischen Panoramaansicht der Stadt Neustrelitz. Mit eh. Adresse verso. An seine Stammtischrunde im Frankfurter Gasthaus "Nordcap", zu Händen des Pfarrers Wolf: "Herrn Pfeilschmidt [d. i. der Musikkritiker Hans Pfeilschmidt, geb. 1856] noch speciellen Dank für seine werthe Karte mit der Seestadt Frankfurt. Daß auch Neustrelitz, selbst ohne Überschwemmung, mit zu den Seestädten zählt, soll ihnen vorliegende Karte veranschaulichen [...]". - Auf Trägerpapier montiert. Mit biographischen Notizen von alter Sammlerhand.
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Förster, Alban, Komponist und Dirigent (1849-1916).
Eigenh. Brief mit U. Neustrelitz, 17. III. 1874.
2¾ SS. auf Doppelblatt. Gr.-8vo. An den Komponisten und Musikverleger Johann Peter Gotthard (Ps. von Bohumil Pazdírek, 1839-1919) in Wien, dem er "einige Claviersachen u. Lieder zur Auswahl für Ihren Verlag" anbietet: "Sie erhalten anbei 2 Fantasiestücke, Stimmungsbilder (4 Clavierstücke), Walzer f. Piano sowie 10 Lieder [...] Schließlich erlaube ich mir noch Sie auf meine neusten Sachen aufmerksam zu machen, welche erschienen sind bei: Breitkopf u. Härtel, Fr. Kistner, C. Luckhardt etc. [...]". - Alban Förster erhielt während seiner Schulzeit Unterricht in Violine, Musiktheorie und Komposition, besuchte von 1866 bis 1869 das Dresdner Konservatorium und war als Konzertmeister in Karlsbad sowie Stettin tätig. "1871-81 erster Violinist der Hofkapelle Neustrelitz, wechselte er 1881 als Lehrer für Chorgesang und Harmonielehre an das Dresdner Konservatorium und war seit 1882 Hofkapellmeister in Neustrelitz. 1903 wurde Förster zum Professor ernannt. Er komponierte Klavier- und Violinstücke, eine Symphonie in C-Dur, Lieder sowie mehrere Opern, darunter 'Die Mädchen von Schilda' (1887)" (DBE).
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Förster-Nietzsche, E
Wagner u. Nietzsche zur Zeit ihrer Freundschaft. Erinnerungsgabe zu Friedr. Nietzsches 70. Geburtstag, den 15. Okt. 1914.
München, Müller, 1915. M. 2 Faks., 2 Portr. u. 2 Taf. VII, 289 S. OLwd. Etwas berieben.
Bookseller reference : 605838
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Führer. Höweler, Casper: (Aus dem Holländ. v. O. Rodenkirchen)
Der Musikführer - Lexikon der Tonkunst.
Zürich, Schweizer Druck- und Verlagshaus AG, o.J. 4°. 3 Bl., 1144 S. (Spalten), 11 Bl. Mit 21 num. Tafeln u. zahlr. Notenbeisp.. Goldgepr. OLn, OU.
Bookseller reference : 5203AB
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Führer. Westerman, Gerhart von:
Knaurs Konzertführer.
Durchges. 2. Aufl. München, Droemersche Verlagsanstalt. 8°. 518 S., 1 Bl. Mit 36 Abb. u. zahlr. Notenbeisp.. OLn. m. RSch.
Bookseller reference : 5531AB
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Fürnberg, Louis
Mozart-Novelle. Mit zahlreichen farbigen Illustrationen von Karel Müller, Prag.
Berlin/Weimar, Aufbau, 1968. 8°. 79 Seiten. Heller Originalleinenband mit Deckelmedaillon, goldgeprägtem Rückentitel auf grünem Grund und farbig illustriertem Schutzumschlag. (Umschlag oben leicht gerändert und mit schwachem Fleck). - Ansonsten ein gut erhaltenes, sauberes Exemplar ohne Eintragungen. 2. Auflage.
Bookseller reference : 2058BB
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Fürst, Ingeborg, Sopranistin (fl. 1945).
Eigenh. Brief mit U. Wien, 12. I. 1940.
2 SS. Qu.-8vo. An den Schauspieler Paul Pranger (1888-1961) und dessen Gattin: "Vielen herzlichen Dank für die schönen Blumen und lieben Wünsche anlässlich meiner Verlobung. Ich habe mich sehr gefreut. - Mutti muß sich allerdings etwas erholen, so anstrengend und aufregend waren gleich die ersten Tage im neuen Jahr […]".
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Fürstenau, Anton Bernhard, flute virtuoso (1792-1852).
Autograph letter signed ("A. B. Fürstenau"). Hannover, 15 Nov. 1833.
8vo. 2 pp. on bifolium. To an unidentified recipient, about a concert in Hildesheim.
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G. .Verdi
La Traviatta - Violetta - opéra en quatre actes
Calmann lévy 1950 in8. 1950. Broché.
Bookseller reference : 100104633
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G. Battista Pergolesi.
La Serva Padrona. Canto e Pianoforte.
<br/> STATO: NUOVO.<br/> TITOLO: La Serva Padrona. Canto e Pianoforte. <br/> AUTORE: G. Battista Pergolesi.<br/> EDITORE: Ricordi,<br/> DATA ED.: 1986,<br/> EAN: 9780634072475
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G. BIONDO
Riproduzione sonora Hi-Fi
G. BIONDO Riproduzione sonora Hi-Fi. Milano, Hoepli 1977 italian, 233 BTT10 Brossura editoriale volume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda, illustrato in b\n 234 pagine circa Copertina come da foto
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G. Borgna
L'Italia di Sanremo. Cinquant'anni di canzoni, cinquanta'anni della nostra storia
G. Borgna L'Italia di Sanremo. Cinquant'anni di canzoni, cinquanta'anni della nostra storia. , Mondadori 1998, Legatura ed. Copertina plastificata sporca in modo lievissimo. Tagli sporchi di polvere e ingialliti in modo lieve. Pagine integre. Buono (Good) . <br> <br> <br> <br> 8804436387
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G. Cane, G. Morelli
Musica senza padri. Apprendimento della musica e limiti della pedagogia musicale
G. Cane, G. Morelli Musica senza padri. Apprendimento della musica e limiti della pedagogia musicale. Firenze, Guaraldi 1976 italian, 302 "Ipotesi di cultura" vol.13. Opera con copertina morbida in brossura. Illustrazioni in b/n ft e nt. N45.
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G. Carli Ballola
Bethoven
G. Carli Ballola Bethoven. , Sansoni 1967-12-01, Coprtina sporca soprattutto sul dorso , tagli sporchi Buono (Good) . <br> <br> <br> 486<br>
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G. Cenzato
Itinerari Verdiani
G. Cenzato Itinerari Verdiani. , Ceschina 1955, Copertina cartonata lievemente sporca, tassello con titolo in oro al dorso. Sovraccoperta mancante. Tagli sporchi di polvere e ingialliti in modo lievissimo. Pagine integre. Buono (Good) . <br> <br> <br> <br>
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G. Cesari, H. Closson, L. de La Laurencia, A. Della Corte, C. Zin ricerche e studi
Antonio Bartolome Bruni musicista cuneese (1751-1821)
G. Cesari, H. Closson, L. de La Laurencia, A. Della Corte, C. Zin ricerche e studi Antonio Bartolome Bruni musicista cuneese (1751-1821). Torino, Lattes 1931, XI, 221 p. : illustarzioni ed esempi musicali nel testo ; 24 cm. Brossura. Edizione di 1050 copie numerate, ns. copia n. 591. Biblioteca per gli studi storici, archeologici ed artistici per la provincia di Cuneo. Collezione Luigi Burgo ; 1 Molto buono (Very Good) . <br> <br> <br>
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G. Ciliberti
Speculum musicae, vol. 5: Musica e societ in Umbria tra Medioevo e Rinascimento
Turnhout, Brepols, 1999 Cloth binding with dustjacket, 387 pages, 21 x 26 cm, Italian. *As new. ISBN 9782503508153.
Bookseller reference : 67074
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G. Concone
Miscellanea di spartiti musicali
Miscellanea di spartiti musicali in folio entro legatura coeva in piena tela marrone con iniziali dell’antico proprietario in oro al piatto anteriore. Una piccola mancanza di tela al piatto posteriore:<BR><BR>1) 50 lezioni di canto per il medium della voce con accomp. Di pianoforte di G. Concone. Torino, Stabilimento Musicale Premiat. Giudicie e Strada, S. data (ma 1860 circa). (1), 46 – 99, (1) pp. Lastra 7779 – 80.<BR><BR>2) 24 Solfeggi per Soprano e Tenore in chiave di Sol con accompagn.to di Piano-Forte, Allo scopo d’Istradare l’Allievo ai Vocalizzi di Perfezionamento composti dal Professore Pasquale Bona ed adottati nel suddetto conservatorio di Milano. Al Cavaliere Lauro Rossi, Direttore del Conservatorio di Musica di Milano. Milano, F. Lucca, presso Gio. Canti, S. data (ma 1860 circa). 80, (2 b.) pp. Lastra 26569.
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G. CONFALONIERI
Come si ascolta la musica
G. CONFALONIERI Come si ascolta la musica. Torino, ERI 1966 italian, 202 BTT94 Brossura editoriale, volume in buone condizioni, segni di usura causati dal fattore tempo sulla copertina, interno in ottimo stato, legatura salda, illustrato in b\n 202 pagine circa Copertina come da foto
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G. Confalonieri
Storia della musica (due volumi)
G. Confalonieri Storia della musica (due volumi). , Nuova accademia Ed. 1967, Ottimo stato. Mancante di cofanetto. Legatura editoriale in tutta tela. Sovraccoperta con alette informative con minimi segni d'usura ai margini del dorso. Musica. Musica G Confalonieri Storia della musica (due volumi) Nuova accademia Ed 1967 Musica Ottimo (Fine) . <br> <br> <br> <br>
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G. De Podio
Ars musicorum (rist. anast. Valenza, 1495), Sala Bolognese, Arnaldo Forni Editore, 1975
Sala Bolognese, 1975; br., pp. 134, cm 24,5x32. (Bibliotheca musica Bononiensis). italiano 88-271-144 Bibliotheca Musica Bononiensis
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G. DE SONNEVILLE
RETOUR DES COURSES GALOP
N.C.. non daté. In-8. Broché. Etat d'usage, Couv. défraîchie, Dos abîmé, Intérieur frais. Non paginé, environ 20 pages .. . . . Classification Dewey : 780-Musique
Bookseller reference : R200017044
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