|
Henri Lichtenberger
Richard Wagner – Poète Et Penseur
Paris,Felix Alcan 1911.8°:pp.515.Legatura mezza tela.
|
|
|
Henri Lichtenberger
Wagner
Henri Lichtenberger Wagner. , Felix Alcan 1909, Dorso: con impressioni in oro. Frontespizio: con fioriture. Legatura: in mezza tela. Pagine testo: ingiallite. Interno in buone condizioni. Buono (Good) . <br> <br> <br> <br>
|
|
|
Henri Rabaud (1873 - 1949 musicista)
Cartolina autografata.
<p>14x9 cm, con un rigo musicale, data e firma dell' A, per la serie "Asta e vendita di cartoline autografe".</p>
|
|
|
HENRI, Adrian Music by Wallace Southam
Adrian Henri's Talking After Christmas Blues Contemporary Poetry Series No 6
London: Turret Books 1969. Softcover. Near Fine. Limited edition. Quarto. 8pp. Sewn blue illustrated wrappers. Page edges lightly sunned light crease on wrappers else near fine. This is number 41 out of 100 copies Signed by both Henri and Southam. Turret Books unknown
Bookseller reference : 579790
|
|
|
HENRI, Adrian SOUTHAM, Wallace (music).
Adrian Henri's Talking After Christmas Blues.
Turret Books London. 1969. First edition. No. 6 in the series Contemporary Poetry set to Music. Quarto. pp 8. Includes a seprately-printed eight-page section of sheet music. Wrappers. Cover illustration by the author. Printed at the Trigram Press. One of 100 copies signed by the author and the composer this being unnumbered.Covers a little creased. Near fine. Turret Books, London. unknown
Bookseller reference : HENRIADR001170
|
|
|
Henri, Henri, Pianist, Komponist und Klavierbauer (1803-1888).
Eigenh. Brief mit U. und eh. Zusatz mit U. von Alexandre Dumas d. Ä. Paris, 30. XII. 1853.
1 S. 4to. An Alexandre Dumas d. Ä. mit seinem freudigen Einverständnis, sich an einer Sammlung zur Errichtung eines Denkmals für den 1847 verstorbenen Dichter Frédéric Soulié zu beteiligen: "Mon cher Dumas, F. Soulié était un de mes bons amis: je m'associe donc de tout cœur à votre noble projet de perpétuer sa mémoire. Disposez, je vous en prie, & de ma salle de Concerts & de moi-même comme bon vous semblera […]". Dumas, der bei der Beisetzung am Friedhof Père-Lachaise seinerzeit neben Victor Hugo die Grabrede gehalten hatte, dankt ihm seine Bereitwilligkeit mit den Worten: "Merci mon cher Hertz". - Das von Dumas initiierte Denkmal sollte durch die Aktivitäten eines J. Gallois, eines Cousins des Verstorbenen und Anwalt von dessen einziger Schwester, nicht zustandekommen, doch wurde mehr als zwei Jahrzehnte später ein von anderen Personen gesponsertes Denkmal am Père-Lachaise eingeweiht (10. II. 1875).
|
|
|
Henrich, H
Das Werk Jean Barraqués. Genese u. Faktur.
Kassel, Bärenreiter, (1995). M. zahlr. anh. Abb. XIV, 287 S. OBr. St. a. Schnitt.
Bookseller reference : 138686
|
|
|
HENRICHSEN, HERMANN (RED.).
Tivoli 1843-1908.
København, 1908. Samtidigt marmoreret papirbind med orig. for- og bagomslag. 20 pp. Illustr. med sort/hvide fotografier.
|
|
|
HENRION Albina.
Santa Cecilia, la maestra delle armonie.
Milano, Editrice S. Lega Eucaristica, 1929, in-16, br. edit., pp. 248, (2). Antiporta figurata e bibliografia.
|
|
|
Henriques, Rose L. and H. M. J. Loewe
MEDIAEVAL HEBREW MINSTRELSY: SONGS FOR THE BRIDE QUEEN'S FEAST; SIXTEEN ZEMIROTH
Hardcover, 134 pages, illustrated, music, 8vo, 21 cm. SUBJECT (S) : Zemirot -- Commentaries. Contains numerous insertions, both pasted in and hardwritten by Leon J. Liebreich. Other Titles: Zemirot. English & Hebrew. Arranged according to the traditional harmonies by Rose L. Henriques; illustrated by Beatrice Hirschfeld and translated into English to fit the Hebrew tunes by Herbert Loewe; with a foreward by the very Rev. J. H. Hertz, Chief Rabbi. Loewe (1882-1940) was "an English Orientalist. Loewe was born in London, the grandson of Louis Loewe. After completing his studies at Cambridge, he lived for a time as a teacher in the Middle East and then held academic appointments in England. After his return from military service in India (1917-19) , he became lecturer in rabbinic Hebrew at Oxford, and in 1931 he taught rabbinics at Cambridge and was lecturer in Hebrew at the University of London. For a generation, he was regarded in English academic circles as the representative of Jewish scholarship, in the same way as Israel Abrahams had been regarded before him. His home in the two university cities was a focus of Jewish life. Within the Jewish community he represented informed and tolerant Orthodoxy, moving freely in liberal (Reform) Jewish circles and collaborating closely with C. G. Montefiore, the founder of Liberal Judaism in England. His works include A Catalogue of the Aldis Wright MSS. In Trinity College, Cambridge, "Render unto Caesar", Mediaeval Hebrew Minstrelsy, Some Mediaeval Hebrew Poesy and a volume of annotations to Abrahams' and Stokes' Starrs and Jewish Charters in the British Museum, 2 volumes. " (Roth in EJ, 2007) . OCLC lists 4 copies worldwide. Hinge repair. Light staining to front and back covers. Chipping to edges of cover. Otherwise, very good condition. (Rab-35-15)
|
|
|
Henriques, Rose L. and H. M. J. Loewe
MEDIAEVAL HEBREW MINSTRELSY: SONGS FOR THE BRIDE QUEEN'S FEAST; SIXTEEN ZEMIROTH
Hardcover, 134 pages, illustrated, music, 8vo, 21 cm. SUBJECT (S) : Zemirot -- Commentaries. Contains numerous insertions, both pasted in and hardwritten by Leon J. Liebreich. Other Titles: Zemirot. English & Hebrew. Arranged according to the traditional harmonies by Rose L. Henriques; illustrated by Beatrice Hirschfeld and translated into English to fit the Hebrew tunes by Herbert Loewe; with a foreward by the very Rev. J. H. Hertz, Chief Rabbi. Loewe (1882-1940) was "an English Orientalist. Loewe was born in London, the grandson of Louis Loewe. After completing his studies at Cambridge, he lived for a time as a teacher in the Middle East and then held academic appointments in England. After his return from military service in India (1917-19) , he became lecturer in rabbinic Hebrew at Oxford, and in 1931 he taught rabbinics at Cambridge and was lecturer in Hebrew at the University of London. For a generation, he was regarded in English academic circles as the representative of Jewish scholarship, in the same way as Israel Abrahams had been regarded before him. His home in the two university cities was a focus of Jewish life. Within the Jewish community he represented informed and tolerant Orthodoxy, moving freely in liberal (Reform) Jewish circles and collaborating closely with C. G. Montefiore, the founder of Liberal Judaism in England. His works include A Catalogue of the Aldis Wright MSS. In Trinity College, Cambridge, "Render unto Caesar", Mediaeval Hebrew Minstrelsy, Some Mediaeval Hebrew Poesy and a volume of annotations to Abrahams' and Stokes' Starrs and Jewish Charters in the British Museum, 2 volumes. " (Roth in EJ, 2007) . OCLC lists 4 copies worldwide. Hinge repair. Light staining to front and back covers. Chipping to edges of cover. Otherwise, very good condition. (CJH-1-1)
|
|
|
Henry A Kmen
Music In New Orleans: The Formative Years 1791-1841
Baton Rouge: Louisiana State University Press 1966. 1st. Hardback. Very Good/Fair. First edition hardback 1966 with unclipped jacket. In overall good-to-very good used condition in a fair dust jacket with some minor signs of age handling and storage - dust jacket quite stained with repair to upper front edge now protected; boards clean and crisp. Binding tight and appears little read. Internally clean no annotation or inscriptions; toning to page-ends but text and illustrations bright and clear throughout. Photographs available. Not an old library book. Louisiana State University Press hardcover
Bookseller reference : 230446
|
|
|
Henry Barraud
Berlioz
Henry Barraud Berlioz. Milano, Rusconi 1978 italian, 504 1978. "La Musica". Opera con copertina rigida e sovraccoperta alettata. Numerose illustrazioni in b/n nt e ft. N 44
|
|
|
HENRY BARRAUD
BERLIOZ
A CURA DI PAOLO ISOTTA RUSCONI 1978 506 PP. FONDO DI MAGAZZINO: SEGNI DEL TEMPO FRONTE RETRO ALLA COPERTINA, TRACCE DI POLVERE AI TAGLI, PER IL RESTO OTTIME ED ECCELLENTI CONDIZIONI Della musica di Berlioz i contemporanei cercarono di raccontare ciò ch'era arrivato ai loro orecchi, ciascuno secondo il proprio orecchio; e del sistema di contraddizioni che ne era alla base i grandi spiriti del Romanticismo musicale germanico arrivarono a descrivere le morfologie con approssimazione notevole. Ma sempre interpretandole come un limite: come qualcosa di straniero alla vera musica. Lì appunto, invece, era il senso profondo di Berlioz, la ragion d'essere della sua presenza, la quale non era straniera alla vera, ma soltanto alla loro musica. Donde la sola deduzione possibile. Se il mondo musicale romantico non comprese Berlioz nel suo vero essere, fu semplicemente perché Berlioz, checché si continui a proclamare il contrario, non fu un compositore romantico. Fu soltanto un compositore dell'età romantica. Henry Barraud, in questa biografia, spogliata dell'aneddotica e del pittoresco, ricostruisce innanzi tutto la figura umana del musicista per coglierne il vero carattere, poi esamina il vastissimo, grandioso reame della sua musica, illuminandone la fondamentale solidità, il fondamentale equilibrio, la gran- de sintesi con le arti figurative e la letteratura, insieme con l'originalità, attraverso una lettura appassionata e appassionante condotta direttamente sui testi. Henry Barraud ha studiato composizione a Parigi con Paul Dukas. Nello stesso tempo, ha completato la sua formazione facendo largo spazio alle discipline umanistiche. Compositore fra i più illustri della Francia, tiene da anni una trasmissione radiofonica settimanale diventata un appuntamento obbligato per amatori di musica, persone colte e musicisti, che ne apprezzano la straordinaria capacità di rendere accessibili gli argomenti più vari riguardanti la musica. Questo Berlioz, che qui viene presentato in prima edizione mondiale, è l'ultimo di una serie di fortunati volumi.
|
|
|
Henry Barraud
Berlioz
Henry Barraud Berlioz. Milano, Rusconi 1978, 504 p. Illustrato.Con sovracopertina Molto buono (Very Good) ingiallimento. <br> <br> <br> <br>
|
|
|
Henry Barraud
Berlioz+
ISBN-13: 9788818701784
|
|
|
Henry Barraud
BERLIOZ.
Un volume (21 cm) di 504 pagine. A cura di Paolo Isotta. Tela editoriale con sovracoperta illustrata, nella collana La Musica. Ottime condizioni.
|
|
|
Henry De Curzon
Les lider et airs detaches de Beethoven
In 8° piccolo, pp.54. Brossura originale.
|
|
|
HENRY EDWARDS BASED ON WORDS AND MUSIC BY JOHN LENNON AND PAUL MCCARTNEY
SGT. PEPPER'S LONELY HEART'S CLUB BAND Movie Script Screenplay
Script Format reprint. Like New. BASED ON THE ORIGINAL STORY BY ROBERT STIGWOOD AND HENRY EDWARDS / MISSING PAGE 70 / 1977 REVISED DRAFT / I HAVE MORE TITLES LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /SHIPS WITHIN 24HRS!! unknown
Bookseller reference : 122919003
|
|
|
Henry Heugel
Recueil de Planches d'Exemples et de Formules de la Nouvelle Méthode de Musique inventée et développée par Henry Heugel
<p>Heugel Henry. Recueil de Planches d'Exemples et de Formules de la Nouvelle Méthode de Musique inventée et développée par Henry Heugel. Brest: Chez l'Auteur; Paris: chez Aulagnier 1832. Large 4to</p><p>8vo original marbled boards printed blue title & subscription leaves laid down on both covers.ii 1-24 23-26 25-36 2 subscription list printed on verso only pp. Printed cover & title page. Spine is pershing and protected by plastic which is giving the unusual coloring during scanning of the book covers.</p><p>Author's signature authentication stamp on front cover & title page. Edges are rubbed; small snag on the title page with no loss; some foxing; but a very remarkable survivor and an extremely rare book.</p><p>First and Only Edition. This Volume of 26 brief lessons and explanatory diagrams was produced to accompany the author's 'Nouvelle Méthode pour l'Enseignement de la Musique' which was also issued in Brest & Paris in 1832. Heugel describes himself on the title page as a 'Marchand de Musique et d'Instruments.' The hiccup in the pagination is due to the insertion of a four page signature printed on the interior pages only and with one recto marked '25 with a large diagram of the transposition of keys. The book was offered for 5 francs to subscribers and 6 francs to non subscribers and the lists on the rear cover and the final leaf of text provide the names and addresses of the subscription locations in Paris & Brest. OCLC locates but a single copy of the 'Nouvelle Methode.' and none of this work.</p><p>The item is housed at the Eastman School of Music in Rochester N.Y. but there are not a single copy of this companion volume listed anywhere. Making it an exceptionally rare music book.</p> Brest: Chez l'Auteur
Bookseller reference : biblio46
|
|
|
Henry Koster (director); SK Lauren (story); Claude Binyon, Lama Trotti (screenwriter); Harold Arlen (music), Ralph Blane (lyrics
My Blue Heaven Original screenplay for the 1950 film
Los Angeles: Twentieth Century-Fox 1949. Revised Final script for the 1950 film. Bound presentation script belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout four pages of retakes and added scenes tipped in at the rear as well as a number of manuscript annotations primarily denoting the titles of various musical numbers. <br /> <br /> Based on the short story "Stork Don't Bring Babies" by S.K. Lauren Grable and Dailey play a showbiz couple who discover in successive order that they cannot have children that they can adopt children and that they aren't really fit to raise children. But things get better with the help of several musical numbers scored by Harold Arlen. <br /> <br /> Bound in green faux leather boards with gilt titles and rule and marbled endpapers. Title page present dated Dec. 1 1949 noted as Revised Final with credits for screenwriters Trotti and Binyon. 191 leaves with last page of text numbered 130. Mimeograph duplication with blue revision pages throughout dated variously between 12/21/19 and 1/5/50. Pages Very Good plus photographs Near Fine with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine with a bump to the upper rear corner. <br /> <br /> Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown
Bookseller reference : 139871
|
|
|
Henry Koster director; SK. Lauren story; Claude Binyon Lama Trotti screenwriter; Harold Arlen music Ralph Blane lyrics; Betty
My Blue Heaven Original screenplay for the 1950 film
Los Angeles: Twentieth Century-Fox 1949. Revised Final script for the 1950 film. Bound presentation belonging to producer Sol C. Siegel with his name in gilt on the front board. With 53 studio still photographs tipped in throughout four pages of retakes and added scenes tipped in at the rear as well as a number of holograph annotations primarily denoting the titles of various musical numbers. <br/><br/>Based on the short story "Stork Don't Bring Babies" by S.K. Lauren Grable and Dailey play a showbiz couple who discover in successive order that they cannot have children that they can adopt children and that they aren't really fit to raise children. But things get better with the help of several musical numbers scored by Harold Arlen. <br/><br/>Bound in green faux leather boards with gilt titles and rule and marbled endpapers. Title page present dated Dec. 1 1949 noted as Revised Final with credits for screenwriters Trotti and Binyon. 191 leaves with last page of text numbered 130. Mimeograph duplication with blue revision pages throughout dated variously between 12/21/19 and 1/5/50. Pages Very Good plus photographs Near Fine with some bruising or chipping to the verso of the preceding page on either the top or bottom edge. Boards Near Fine with a bump to the upper rear corner. <br/><br/>Hirschhorn The Hollywood Musical. Twentieth Century-Fox unknown books
Bookseller reference : 139871
|
|
|
Henry Krey Music Co (Boston, MA); Harry J Norton; G F Perkins
Just Because It Reminds Me Of You.
Boston MA: Henry Krey Music Co. 1906. Sheet Music. Folio. 5 pp. Soft Covers Good with small tears minor losses toning some creasing edge wear covers nearly detached along spine. Illustrated cover. Scarce. Boston, MA: Henry Krey Music Co., 1906. paperback
Bookseller reference : 15-9549
|
|
|
HENRY LEMOINE
METHODE POUR LE PIANO
In 4. Dim. 35x27,5 cm. Pp. 61. Edizione del 1903 di questo manuale per lo studio del pianoforte di Henry Lemoine, nuova edizione rivista e modificata da Theodore Lack. Bella brossura editoriale illustrata. In mediocri condizioni. Brossura editoriale in mediocri condizioni generali con usure e parti mancanti ai margini e dorso; dorso in tela. Legatura in discrete condizioni con rotture. All'interno le pagine si presentano in buone condizioni con rare fioriture.
|
|
|
Henry Leslie [music]
Little Songs For Me to Sing
London: Cassell Petter and Galpin 1865. Cloth. Good. 7" by 7". John Everett Millais. A scarce collection of children's songs put to music by Henry Leslie the first edition of this work illustrated by Millais. The first edition of this scarce work in the publisher's original green cloth variant binding with pictorial gilt to the front board and spine. All edges gilt.Previous owner's ink inscription to the half title page dated 1868.Illustrated with a frontispiece engraved title six full-page illustrations and borders and decorations throughout. The illustrations which were engraved by Joseph Swain were by John Everett Millais. Swain engraved illustrations for the Cornhill Magazine and Millais was one of the founders of the Pre-Raphaelite Brotherhood. Collated complete.A lovely volume of songs for children by Henry Leslie composed by the author for his own children. This work includes six songs: 'Twinkle Twinkle Little Star' 'Little Brother Charlie' 'God's Works' 'Mary's Little Lamb' 'The Sweet Story of Old' and 'Morning and Evening Hymns'.Undated dated from a copy held at the British Library. Eight pages of publisher's advertisments to the rear. In the publisher's original green cloth variant binding. Externally smart. Shelf wear to the extremities causing small losses to the corners of the boards and to the head and tail of the spine. Horizontal closed tear to the spine. Internally firmly bound. Pages are generally bright with spotting throughout. The odd pencil marking more so to the half title page. Good Cassell, Petter, and Galpin hardcover
Bookseller reference : 953M2
|
|
|
Henry Mancini.
All Time Favorite Mancini Classics.
Here are more than two dozen timeless treasures by the great Henry Mancini. Includes: A Shot in the Dark * The Days of Wine and Roses * Dear Heart * In the Arms of Love * Inspector Clouseau Theme * Peter Gunn * The Pink Panther * Softly * Song from 10 * The Thorn Birds Theme and more. <br/> STATO: NUOVO.<br/> TITOLO: All Time Favorite Mancini Classics. <br/> AUTORE: Henry Mancini.<br/> EDITORE: Warner<br/> DATA ED.: 1996,<br/> EAN: 9780769211008 Piano, Vocal, chords.
|
|
|
Henry Parl
Richard Vagner a Venezia Tessere di mosaico dai suoi ultimi giorni di vita
Prima edizione, collana Ricerche, a cura di Quirino Principe, prefazione di Giuseppe Pugliese, testo italiano / tedesco, brossura, formato 16x22, pagine XXVI-266, sottolineature a pennarello alle pagine 249-250, il resto ottime condizioni - 49535
|
|
|
henry phillips:
THE SINGING CHURCH AN OUTLINE HISTORY OF THE MUSIC SUNG BY CHOIR
VG/VG DJ is slightly chipped to edges, and spine is lightly sunned. 1st edition. clean and tidy copy
|
|
|
Henry Prunières (direct.)
Lully et l'opéra Français. Numéro special de la Revue Musicale. La musique, les livrets, la mi
<br/> TITOLO: Lully et l'opéra Français. Numéro special de la Revue Musicale. La musique, les livrets, la mise en scène, la danse. Vie de Lully. Le triomphe de Lully aux Champs-Elysées.<br/> AUTORE: Henry Prunières (direct.)<br/> EDITORE: Editions de la Nouvelle Revue Française<br/> DATA ED.: 1er janvier 1925,<br/>
|
|
|
Henry R Bishop, John Braham, T H Bayly, Alexander Lee, Rossini, Matthew Locke, Thomas Moore, etc
A Collection of 45 19th Century Songs
Various 1811. Hardcover. Good Condition/No Dust Jacket. Sheet Music Worn detached front cover no rear cover. First few pages are detached. Pages are varyingly darkened but are otherwise clean. Occasional marginal tears are repaired. Some pages have been trimmed but text and music is not affected. Several pieces have illustrated front pages all include piano forte accompaniment. Songs include: Ah Happy Day Ah Smiling Morn by Henry R Bishop London Goulding D'Almaine Potter & Co. added date of 1812. All's Well by John Braham London Goulding and D'Almaine signature of John Braham on first page mended tear. Alice Gray by Mrs Philip Millard. Away away to the mountain's brow Cavatina by Alexander Lee London H Wray. Bid Me Discourse by Henry R Bishop added date 1811. Blue Bonnet's Over the Boarder or March March Etterick and Teviot-Dale by Alexander Lee London J Willis and Co. signature of John Braham on front cover. Bonny Scotland I Adore Thee by G F Stansbury. Can I Forget When First We Met by I Kraus London. Day Is Departing by I Willis. Fervid On The Glitt'ring Flood accompanied by harp or piano by Sir J A Stevenson London W Sibley added date 1822. Fly Away Pretty Moth! by T H Bayly. Fly Not Yet or Planxty Kelly. Forget Me Not by Mr Braham. Green Hills of Tyrol! by G Rossini. Gredadier by Thomas H Bayly London J Power added date 1823. Hark To The Sound Of The Horn by Carl Maria von Waber. Here's a Heart by Henry R Bishop. Hey The Bonny Breast Knots by John Sinclair London Mori & Lavenu signature of John Sinclair and added date 1830. Hip Hip Hurra! Glee for three voices by Thomas Moore. Hurrah for the Bonnets of Blue by Alexander Lee. I Can't For My Granny by H Y Brace London. In The Rough Blast Heaves The Billow by Michael Kelly London Falkner's Opera Music Warehouse. Isle of Beauty Fair Thee Well Thomas H Bayley Charles Shapland Whitmore and T A Rawlings. I've Been Roaming by Charles E Horn London Royal Harmonic Institution Welsh and Hawes. Kelvin Grove by Henry Phillips with flute London J Lawson. Love For Thine Eyes Forever Plays by Jackson of Exeter The Musical Library. Hark! The Lark At Heav'n's Gate Sings by Dr. Cook. Little Bird Little Bird Take Care by John Barnett. Love Was Once A Little Boy by I A Wade London F T Latour. Love Among The Roses by John Colston Doyle London William Dale. Songs Aires and Choruses in Macbeth by Matthew Locke revised by Dr. Boyce London Paine & Hopkins added date 1823. The Mermaids Song by Haydn The Musical Library. Deh Calma O Ciel! by Rossini. Winde Gentle Evergreen by Dr. William Haze. Mad Tom by Purcell. Ni Jamis Ni Toujours by Madam Gale. As Fair As Morn And Fresh As May by John Wilbye. March To The Battle Field by John Davy London T Williams added date 1829. The Merry Mountain Boy or The Mountain Lay by I Moscheles. Morning Around Us Is Beaming by J A Wade. My Heart and Lute by Thomas Moore added date 1825. My Native Land Goodnight words Lord Byron by F J Klose added date 1815. My Gentle Blooming Cashmire Maid by M Lawrence London W G Bown added date 1817. My Village Jane by Charles Milsom Junr. Bath Milsoms initials CM on front page. Item Type: Sheet Music. No dust jacket as published. Undated by publisher. Estimated date only. Quantity Available: 1. Shipped Weight: 1-2kg. Pictures of this item not already displayed here available upon request. Inventory No: 13118121059. All our books music and maps are sent by a tracked mail service. This book is heavier than 1kg and may incur additional delivery charges on some delivery services to some locations. Various hardcover
Bookseller reference : 13118121059
|
|
|
Henry R Bishop
BOOSEY AND SON'S STANDARD EDITION OF THE PRINCIPLE GLEES BY SIR HENRY R. BISHOP - VOL. 1
London: Boosey and Sons c. 1880. Hardcover. Very Good. 9 x 11 in. 152 pp. plus adverts. Musical scores with lyrics. Cloth boards. Condition is VERY GOOD ; paper label on cover and stamps inside from a Maine musical club. Mild shelf wear covers clean a bit sunned. Binding tight and scores unmarked. Mus. Stax. Boosey and Sons hardcover
Bookseller reference : 39597
|
|
|
Henry Russell
THE PASSING SHOW.
First Edition. Un volume (22,5 cm) di 295 pagine. In lingua inglese. 9 illustrazioni ft, con i ritratti di Enrico Caruso, Gabriele d'Annunzio, Eleonora Duse e Giacomo Puccini. In antiporta caricatura di Russell disegnata da Caruso. Una firma di possesso alla pagina bianca. Tutta tela editoriale rossa con titolo dorato al dorso e al piatto, dorso sbiadito. Nel complesso molto buono. - Henry Russell (14 November 1871 – 11 October 1937) was an English impresario, conductor, director, and singing teacher.
|
|
|
Henry Valensi
Le musicalisme. Avant-propos de Andre' Devaux
In 16 (cm 14 x 18,5), pp. 72 con 1 tavola finale ripiegata con riproduzioni di tre dipinti di Valensi. Brossura editoriale con lieve danno riparato al dorso. Edizione originale, molto rara, del manifesto del 'musicalismo', movimento sorto e attivo in Francia a partire dal 1913 il cui manifesto piu' compiuto verra' appunto pubblicato solo nel 1936, preceduto da alcuni articoli su rivista fra i quali Manifeste du groupe des peintres 'Les artistes musicalistes' (uscito in Comoedia nel 1932) e firmato da Valensi, Charles Blanc-Gatti, Gustave Bourgogne e Vito Stracquadaini. Valensi pubblico' inoltre nel 1935 un articolo su Stile futurista intitolato 'Le musicalisme' con una tavola acclusa che riproduceva due suoi dipinti. Il pittore Henry Valensi (Algeri, 1883 - Parigi, 1960) riteneva che il mondo fosse caratterizzato da un incessante movimento ritmico, pertanto sia la letteratura sia le arti visive avrebbero dovuto guardare alla musica come al modello piu' esatto di riproduzione del reale in un'ottica di 'musicalizzazione di tutte le arti'. Secondo Wyndham Lewis, il musicalismo, cosi' come il futurismo, l'impressionismo e il cubismo erano movimenti che rispecchiavano una societa' 'musicalizzata' sostanzialmente anti-visiva. Il responsabile di questo, secondo Wyndham Lewis, era stato Henri Bergson che aveva ostinatamente perseguito la volonta' di riordinare la gerarchia sensoriale del mondo occidentale e aveva posto l'esperienza auditiva al di sopra di quella visiva. Secondo Lewis, Bergson si era quindi posto contro l'oggettivita' visuale della scienza e della parola scritta a favore dell'indeterminatezza dell'esperienza auditiva.
|
|
|
Henry Varnum Poor
Henry Varnum Poor, 1887 -- 1970, a Retrospective Exhibition
Book is in excellent condition, appears as-new with very light sun fading only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 168 pp. 35 color, 171 bw reproductions. Detailed essays regarding ceramics, oils, paper works, houses built, frescoes, etc. Heavily illustrated with pages 102 -- 162 prints only, usually two per page sometimes in color. catalogue compiled by Harold E. Dickson and Richard Porter. Lists 148 works. Exhibition held in University Park, PA: Penn. State Univ. Art Museum, Sept. 14 to Nov. 20, 1983, moving then to other locations.
|
|
|
Henry Von Tilzer Music Publishing (New York); Henry Von Tilzer; Andrew B Sterling
Somebody Else Is Getting It.
New York: Henry Von Tilzer Music Publishing 1912. Sheet Music. Folio. 6 pp. Soft Covers Good with loose pages tears minor staining some creasing edge wear. Former owner's signature on cover. Illustrated cover. New York: Henry Von Tilzer Music Publishing , 1912. paperback
Bookseller reference : 15-9047
|
|
|
Henry William Monk - Steggal Charles (a cura di)
Hymns ancient and modern for use in the with accompanying tunes compiled and arranged under the musical editorship of William Henry Monk, Mus. Doc. - The supplemental tunes revised by Charles Steggal
In lingua inglese, edizione con spartiti musicali.
|
|
|
Henry, Mellinger Edward (Collected and Edited by)
FOLK-SONGS FROM THE SOUTHERN HIGHLANDS
J.J. Augustin Publisher 1938. 460pp. Blue hard back faded spot on lower spine Rebound in library buckrum EX-Library minimal markings VG B & W photos indices for titles and first lines Collection of 180 folk songs and ballads from the Southern Highlands; each with short historical comments research reference known verses and with a few alternate verses and some with music for the tune. Hard Cover. Good/No Jacket. J.J. Augustin Publisher Hardcover
Bookseller reference : w120111996
|
|
|
Henry, Pierre - Rudolf Frisius
Pierre Henry und sein Studio APSOME. Internationale Experimentalstudios.
Köln., Westdeutscher Rundfunk., 1981. 29,5 x 21 cm. 54 S. OKarton, gelumbeckt., 12522D Erste Auflage. Einbandkanten mit kleinen Bereibungen, insgesamt papierbedingt etwas nachgedunkelt. Gutes Exemplar.
Bookseller reference : 12522DB
|
|
|
Henry, S.R.; MacDonald, Ballard
I've Got the Time - I've Got the Place - But It's Hard to Find the Right Girl: Sheet Music
6 pages. Sung by Miss Hetty King. Above-average wear - considerable tearing and chipping to periphery. Bit of writing and music seller ink stamp to nicely illustrated front cover. Sheet music
|
|
|
Henry, Sam
Sam Henry's "Songs of the People
University of Georgia Press 1990. Hardcover. Fine/Fine. An exhaustive Irish song collection with over 690 selections! With brief music scores and many stanzas. Clean like new condition and with bonus of extra glossy jacket. Super heavy book. <br/> <br/> University of Georgia Press hardcover
Bookseller reference : 040081 ISBN : 0820312584 9780820312583
|
|
|
Henry, SR; MacDonald, Ballard S R
I've Got the Time - I've Got the Place - But It's Hard to Find the Right Girl: Sheet Music
USA: Jos. W. Stern & Co. 1910. Sheet music. Fair. Paperback. First Edition. Folio - over 12" - 15" tall. 6 pages. Sung by Miss Hetty King. Above-average wear - considerable tearing and chipping to periphery. Bit of writing and music seller ink stamp to nicely illustrated front cover. Jos. W. Stern & Co. Paperback
Bookseller reference : 108c8598
|
|
|
Henry, Tricia
Break All Rules! Punk Rock and the Making of a Style
<p>Ann Arbor MI: UMI Research Press 1989. Softcover. Very Good-. 152pp; Covers clean & bright with slightly dog-eared corners minor staining to margin of one page text unmarked binding is tight VG- condition. Analysis of the aesthetics of punk rock. Contents: Introduction; Lou Reed the Velvet Underground and the Exploding Plastic Inevitable; Glitter Rock and the New York Dolls: Gender Bending and Apocalyptic Vision; CBGB & OMFUG; Crystallization of Punk Style: The Sex Pistols; Fanzines; Conclusion; Appendix: Sheet Music; Notes; Bibliography; Index.</p> UMI Research Press paperback
Bookseller reference : 018470 ISBN : 0835720756 9780835720755
|
|
|
Henry-Louis de La Grange
Mahler: A biography Volume one
Doubleday 1973. Hardcover. Very Good/Fair. Binding not as tight as new but still solid and square except for separation gap. Smudges to page edges with clean fine interior. Dust jacket is scuffed and worn throughout one chip and rub marks on spine corners and both ends of spine frayed and chipping random scratch marks. Index 48 pages of BW photos 982 pages. <br/> <br/> Doubleday hardcover
Bookseller reference : 15801 ISBN : 0385005245 9780385005241
|
|
|
Henry-Louis de La Grange
Gustav Mahler, The Arduous Road to Vienna (1860-1897) Completed, Revised and Edited by Sybille Werner
Hardcover, xvii + 809 pages., 58 b/w ills, English, 210 x 260 mm,. fine! ISBN 9782503588148. The volume traces the life and career of Mahler from his birth to his appointment to the Vienna Hofoper. This long awaited revised volume I completes Henry-Louis de La Grange's four-volume English language biography of the Austrian composer Gustav Mahler (1860?1911), which is widely considered to be the definitive work on the subject. The present instalment, covering the years 1860 to 1897, traces the life and career of Mahler from his birth in a small village in Bohemia to his appointment to the Vienna Hofoper, then the most prestigious opera house in the world. It describes his family background, his student days at the Vienna Conservatory, his private life, and his burgeoning career as both conductor and composer. Starting at a small summer theatre in Bad Hall, his first engagements took him to Laibach (Ljubljana), Olmütz (Olomouc), Kassel, Prague, and Leipzig, before he was appointed to principal posts at the important opera houses of Budapest (1888) and Hamburg (1891). By now Mahler had also begun to establish himself as a composer. Some of his major works ? starting with «Das Klagende Lied» (1881) ? the early «Wunderhorn» songs, «Lieder eines fahrenden Gesellen», and the first three symphonies date from this period of his life. While regularly rejected by contemporary critics, today they are favourites of the concert repertoire. Widely recognised as Gustav Mahler's pre-eminent biographer, Henry-Louis de La Grange (1924?2017) ? author of the 4-volume, 5,000-page definitive study of the composer's life and work ? was awarded a professorship by the government of Austria and an honorary Doctorate from the Juilliard School of Music. He lectured extensively, organised concerts, exhibitions, and music festivals, and contributed to film documentaries and radio features. Together with Maurice Fleuret he founded the Médiathèque Musicale Mahler in Paris. German musicologist and conductor Sybille Werner started working with Henry-Louis de La Grange in 2003. She has repeatedly lectured and published on the performance history of Mahler's works, and in 2018 received the Mahler Award of the Sociedad Mahler Mexico. Her conducting activities have taken her beyond New York, her former residence, and the USA to Germany, Italy, Japan, Mexico, Poland, and the UK. Currently she is based in Toblach and associated with the Gustav Mahler Music Weeks.
|
|
|
Henry-Louis de La Grange
Vienne, histoire musicale, tome 1 : 1100-1848
Henry-Louis de La Grange Vienne, histoire musicale, tome 1 : 1100-1848. Arles, Bernard Coutaz 1990, Copertina in cartonato lucido, illustrata. Molto buono (Very Good) . <br> <br> <br> 261<br> 9782877120081
|
|
|
Henryk Swolkien
Verdi
Un volume di 397 pagine, tela editoriale con sovracoperta. Dimensioni: 13x20 cm. Difetti alla sovracoperta, interno in ottime condizioni. 20 tavole in b/n fuori testo. In lingua polacca.
|
|
|
Henschel, Georg, Komponist, Sänger (1850-1934).
Eigenh. Brief mit U. München, 28.IX.1872 [?]
2 SS. 8vo. An eine namentlich nicht genannte Adressatin: "Überbringerin dieser Zeilen ist Frau Hofkapellmeister Wüllner. Es wäre eine Anmaßung meinerseits, durch diese Zeilen eine so liebenswürdige Familie, wie die Wüllner'sche, Ihnen empfehlen zu wollen. Nur die Freude möchte ich haben, derjenige zu sein, der Ihre gegenseitige Bekanntschaft vermittelt, die auch ohne mein Zuthun früher oder später zweifelslos erfolgt wäre […]". - Franz Wüllner (1832-1902) übernahm 1877 die Leitung des Dresdner Konservatoriums und wirkte als Professor und Hofkapellmeister. - Henschel leitete bis 1886 die Londoner Symphony Concerts und war als begehrter Konzert- und Liedersänger auf Tournee. 1886 wurde er Gesangslehrer am Royal College of Music in London und dirigierte 1893-95 das Scottish Symphony Orchestra in Glasgow. - Beiliegend Widmungskarte ("Dr. Geisung2, Wien, 28.1.1924).
|
|
|
Henschel, Georg, Sänger (1850-1934).
Eigenh. Brief mit U. Chicago, 10. V. 1892.
3¼ SS. 8vo. Bittet Hrn. Bridgman, seiner Tochter anläßlich ihres Geburtstages am 13. Mai frisch geschnittene Blumen bzw. Topfblumen zu senden: "May I trespass again upon your good nature and ask you to be so good as to have some fresh cut loose flowers sent to our little daughter on her birthday Friday next | May 13th as early in the morning as possible? Enclosed two dollars for the flowers and the messenger - or, if there is time to send them by mail - for the postage [...]".
|
|
|
HENSCHEL, GEORGE
Personal recollections of Johannes Brahms. Some of his letters to and pages from a journal kept by George Henschel
Boston: Richard Badger, 1907. 95 pagine. 21x14 cm. Rilegatura cartonata editoriale con alcune abrasioni sui bordi dei piatti. Tassello editoriale con titolo sul piatto anteriore. Nota di possesso coeva sul foglio di guardia anteriore. Interno molto buono. [M173]
|
|
|
Henschel, George, German-born British baritone, pianist, conductor, and composer (1850-1934).
Autograph letter signed ("G. Henschel"). 45, Bedford Gardens, Campden Hill, Kensington (stationery), 29. IX. 1889.
8vo. ½ p. on single leaf. With original portrait photograph (109 x 150 mm). To a Miss Nicholson: "Hoping you are very well & beg to inform you of our new address as above and to remain [...]". - On stationery with embossed letterhead. Traces of folding and old restoration of a minor tear. Slight browning.
|
|
Receive by email
Download as PDF document
RSS feed
Permanent link
