4.432 Ergebnisse
3 volumes. 8vo. XVI, 388 pp. (2), IV, 426 pp. XII, 448 pp. Half-title in vol. 3, without publisher's ads. 4 maps & plans (3 folding), 5 colour lithographed plates, 8 tinted lithographed plates. Later half morocco over marbled paper covered boards, bound by Zaehnsdorf, spine with raised bands in six compartments, lettered in the second and fourth, the others with a repeat decoration in gilt, marbled endpapers, top edge gilt. First edition of Burton's classic account of his journey across the Arabian peninsula. In the fall of 1852, Burton first proposed to the Royal Geographical Society an expedition to central Arabia with the intent on visiting the holy cities. His request was denied by the RGS and the East India Company as being too dangerous for a westerner, though he was funded to study Arabic in Egypt. Upon arrival there, in April 1853, disguised as a Pashtun and travelling under the pseudonym Mirza Abdullah, Burton made the pilgrimage to Mecca and Medina. "The actual pilgrimage began with a journey on camel-back from Cairo to Suez. Then followed twelve days in a pilgrim ship on the Red Sea from Suez to Yambu, the port of El-Medinah. So far the only risk was from detection by his companions. Now came the dangers of the inland road, infested by Bedawin robbers. The journey from Yambu to El-Medinah, thence to Meccah, and finally to the sea again at Jeddah, occupied altogether from 17 July to 23 Sept., including some days spent in rest, and many more in devotional exercises. From Jeddah, Burton returned to Egypt in a British steamer, intending to start afresh for the interior of Arabia via Muwaylah. But this second project was frustrated by ill-health, which kept him in Egypt until his period of furlough was exhausted. The manuscript ... was sent home from India, and seen through the press by a friend in England. It is deservedly the most popular of Burton's books ... as a story of bold adventure, and as lifting a veil from the unknown, its interest will never fade" (DNB). Indeed, the work would be described by T.E. Lawrence as "a most remarkable work of the highest value." Abbey, Travel 368. Penzer, pp. 43-50. Macro, 640. Howgego IV, B95.
8vo. (2), VI, (4), 427, (6) pp. With engr. title portrait and 4 engr. plans (wants the map). Original illustrated green cloth with giltstamped spine. Seventh edition, abridged from the two-volume original edition. - This travelogue, recounting a journey across the Arabian Peninsula from Riadh to the Arabian Gulf, was highly esteemed at the time of its publication, though is now known to contain fictional passages. Palgrave disguised himself as a Syrian Christian doctor named Selim Abu Mahmoud al'Eis and spent 13 months travelling. - Some foxing. Cf. Macro 1731 (1865 first ed.). Henze III, 693. Howgego III, P5 (other eds.).
Small 4to. 60, (6) pp. With 13 black and white photographic plates, 2 of which full-page, as well as a folding coloured map of Syria, Palestine and Egypt. First edition. - A compact guide to Syria, Palestine and Egypt before the inter-war period, written by the agent general of the French steamship company in the Middle East. Outlining the countries' history and recommending places to visit, it is illustrated with views of Beirut, Tripolis, Aleppo, Nazareth, and Cairo, as well as important landmarks, including the Great Mosque of Damascus, temples at Baalbek, Palmyra, the Sphinx and the pyramids, the Church of the Holy Sepulchre and the Wailing Wall. - Label of the Librairie Orientaliste Paul Geuthner in Paris to front cover. Upper wrapper somewhat foxed, spine and margins slightly worn. OCLC 7201775.
8vo. 26, (1) pp., final blank page. Original printed wrappers. Only edition. One of only 150 copies of this treatise on falconry, which is in fact a reprint of the same treatise included in Briffardière's 1742 "Nouveau Traité de Vénerie" (pp. 383-401), which Pierre Clément de Chappeville published after the author's death. Apparently, the editor of the present edition confounded Chappeville with Briffardière, as it was the latter, not the former, who was appointed "Gentilhomme de la Vénerie du Roy", a title mistakenly given to Chappeville on the title-page. - Covers somewhat browned and brownstained; spine chafed; binding loosened. Margins slightly worn. Contemporary ownership of B. C. R. Langford, as well as a later ownership of Charles Henry Stanley Garton (b. 1920), dated Kingswood, September 1943, to front pastedown. Handwritten note on title-page regarding the confusion of authorship, likely by Garton. Schwerdt I, 103. Thiébaud 166. Harting 171. Souhart 367. OCLC 54185123.
8vo. 26, (2) pp. Later half morocco, spine gilt, with the original printed wrappers bound within. Schwerdt copy. One of 150 copies. - Spine rubbed. Schwerdt I, 103. Thiébaud 166.
Folio (202 x 330 - 214 x 325 mm). Together 39 pp. Three typescript drafts in French and English of the 1957 Petroleum Act, a pioneering document of contractual relationships in the oil industry. The personal copies of Fuad Rouhani (1907-2004), later the first Secretary General of OPEC, with his annotations. - In the years immediately following the signing of the 1954 Consortium Agreement, the historic agreement that provided Western oil companies with 50% ownership in Iranian oil production, the fledgling national Iranian oil Industry received an enormous moral boost from the exploration activities conducted around Qom. The discovery of the Alborz oilfield and the Sarajeh gas field by the Iranian Oil Company not only proved Iran's growing technical capacity but it also helped to give Iran a prestige not hitherto enjoyed by any other oil producing and exporting country. Against this background it is therefore hardly surprising that when Enrico Mattei, the Chairman of ENI (the Italian State Oil Company), decided to look for oil supplies in the Middle East by offering new contractual terms, he should turn to Iran and that the government of Iran and the NIOC should greet him with open arms. What had prompted Mattei to come forward with the participation formula was his resentment at the treatment he had received from the major oil companies by being excluded from the Consortium Agreement. Since access to crude oil resources was of utmost importance for Italy and ENI, a way had to be found for entry into the Middle East oil scene. NIOC and ENI thus pioneered a new form of contractual relationship, thereafter known as 75/25 profit sharing, breaking the hallowed fifty-fifty arrangement and heralding a new era in international oil agreements. - Traces of stapling; margins somewhat worn.
4to. 40 pp. Original printed wrappers. Stapled. Arabic edition of the leading English newspaper on oil matters. Founded in 1934, the Petroleum Press Service was one of the first reliable sources of information on all aspects of the petroleum industry and trade. The Arabic version, first issued in 1953, was published up to the 1970s. - Front cover slightly dampstained.
8vo. 31, (1) pp., with 47 pp. of black-and-white photo plates. Modern half cloth. Rare treatise on the various breeds of Arabian horses in the Ottoman Empire, a translation of the author's "Osmanli atlari", published in Istanbul the previous year. "I have decided to reissue my book in German because, as far as I know, the German language does not possess of an extensive and detailed account of the several horse breeds of Turkey, in especial of the Arabian horse and its various sub-breeds and strains. I was also encouraged by the great interest that Turkey evinces quite generally throughout Germany, and the close economic connexions between these two allied countries which we are to expect after the end of the war may also bring about closer relations in the field of horse breeding [...]" (preface). The copious plate section shows numerous breeds of Arabian horses. - Occasional brownstaining with the odd contemporary German annotation in copying pencil, but well preserved altogether. A single copy outside Germany (Catholic University of Paris); none in America (only a microfilm of the Tübingen copy at Harvard). Flugschrift der Deutschen Gesellschaft für Züchtungskunde 42. OCLC 72415601. Not in Boyd/Paul.
8vo. (10), 56, (4), 370, (28) pp. Near contemporary vellum with giltstamped spine label. All edges sprinkled in red. First edition. The editor, Joseph Labrosse, "was born in Toulouse in 1636 and entered a Carmelite order, taking the name of Fr. Angelus of St Joseph. In 1662 he went to Rome and studied Arabic for two years before travelling to Isfahan to study Persian. While in Iran, he used medicine as a means of propagating Christianity and in the process read many Arabic and Persian books on medicine and 'visited the houses of the learned people of Isfahan and paid hundreds of visits to the shops of the druggists, the pharmacists, and the chemists.' After returning to France in 1678 he published his 'Pharmacopoea persica', which consisted of a Latin translation of a Persian book on compound remedies written in the previous century by Muzaffar ibn Muhammad al-Husayni (d. 1556), with additional comments by Labrosse" (in: I. Loudon [ed.], Western Medicine [1997], p. 52f.). Hyde (Biographia Britannica, cited by Langlès, Biographie universelle) asserts that the credit for this work really belongs to Père Matthieu. - Insignificant chipping to spine label. Some minor browning and brownstaining. 18th century annotations on first endpaper and engraved bookplate to pastedown. From the library of Swedish antiquarian bookdealer Björn Löwendahl (1941-2013). Wilson 7. OCLC 13058281.
4to. (8), 54, (2) pp. All edges red. Modern blue boards. Only edition of this dissertation on oriental medical terminology. "The author is the theologian Michaelis [the father of Johann David Michaelis], who attempts to elucidate Hebrew terms by comparison with the Syriac, Arabic, and Ethiopian languages. He also discusses the medical knowledge of the oriental peoples, as well as Ecclesiastes 12:3-6" (cf. Choulant). - Trimmed a little closely at the lower edge with slight loss to printer's name, otherwise very well preserved. Choulant 102. Meusel IX, 137f. Fürst II, 374. Lockot, Bibliographia Aethiopica 7660. OCLC 14330491.
4to. (4), 271 pp., final blank page. Contemporary half vellum over marbled boards with giltstamped spine, giltstamped spine-label, and and handwritten shelfmark to spine. First edition, rare. Historic edition of the notable Syrian treatise on incarnation and the Trinity. In Syriac type. - Pencil annotations to pp. 33-69. Stamps of ownership of Joseph A. Nelson and the library of St. Joseph's Seminary in Dunwoodie, New York, to title-page (the latter also to lower flyleaf). OCLC 652404559.
Oblong folio (ca. 425 x 300 mm). Photo album with 31 original black-and-white photographs, including 4 loosely inserted photographs. 205 x 255 mm. Contemporary full calf decorated with Arabian-themed scenery to front cover. Cord-bound. Compelling images of the fleet of vehicles operated by Aramco in Saudi Arabia. Uncommon in its extent, the collection was presumably prepared by an Aramco employee and motor enthusiast. It features large trucks mainly manufactured by Blumhardt, Kenworth and Fruehauf, which served in the transportation and installment of oil drilling facilities, as well as some close-ups of enormous tires and cargo areas. Some pictures feature oil derricks, refineries, tanks, cars, and office buildings in the background. - Very well preserved. A rare glimpse of the immense engine power required to produce oil in the Saudi Arabian desert.
Oblong 4to (280 x 204 mm). 112 vintage black-and-white photographs (ca. 13 x 18 cm), frequently captioned in German in white ink, on 56 black paper leaves (plus two blank leaves at the end). Contemporary green card boards, block-bound with string. A fine album of excellent original travel photographs, assembled by a party of young men from Germany, Austria and Hungary travelling through Northern Africa in the late 1920s or very early 1930s. A total of 36 photos show scenes from Libya: the cave dwellings in the jebels, the Arab and especially Jewish population, a Bedouin tent, Italian officers in Aziziya, but also a group portrait of the travellers leaning on their motorcar. A few pictures show the European tourists laughingly taunting the local children with cigarettes for which they let the youngsters grapple. The strong focus on the fairly large Jewish community (then constituting nearly 4% of the Libyan population, as compared to less than 0.8% in Germany) is poignant before the background of the increasingly virulent antisemitism in the visitors' central European homeland, apparently revealing a particular fascination with the "otherness" of the Jews who are here shown and described as a people living as they supposedly did in Biblical times. - Via Malta (6 photos, some depicting warships in the harbour) the party sailed on to Tunis, where no fewer than 32 photographs cover the port, the Al-Zaytuna Mosque, Spahis and French officers on horseback, and a wealth of street scenes: the old town with its souks, Bab Souika square, gypsies, veiled women, water salesmen, men in coffee houses, and a Christian butchery. The remainder of the album shows scenes from the return journey through Italy: Cagliari and Sardinia (6), Civitavecchia (3), Livorno (5), Genoa (1), and Milan (23, including many from the Cimitero Monumentale and some showing off then-modern architecture). - A well-preserved ensemble of amateur travel photographs from a region more frequently captured in military photography but rarely visited at the time by affluent European tourists with high-quality cameras.
4to. 77 original photographs, comprising 48 colour and 29 black-and-white photos. Ca. 85 x 110 mm. With one Aramco press photograph. Captioned in English. Contemporary half calf with giltstamped spine in a full calf case with metal clasp. Private photo album of the petroleum engineer and Aramco employee Herschel Edmund Zirger (1926-2015). After joining Aramco in 1955, Zirger was involved in the construction of the ADMP-2 platform - a gigantic off-shore oil rig showcased here in impressive photographs which make up the bulk of the collection. Built in the fall of 1965 and spring of 1966 in Vicksburg, it was towed down the Mississippi river, across the Atlantic and through the Suez Canal, to arrive in Saudi Arabia in September 1966. The set includes spectacular images of the rig being launched into the river, passing under the Natchez-Vidalia Bridge, the largest bridge on the Mississippi, and travelling past New Orleans. A pioneering project, the ADMP-2 platform was constructed "to operate in 200-ft water depths compared to the 77-ft maximum of the earlier rig [ADMP-1]. The design of the No. 2 also anticipates Aramco moving out into deeper Gulf waters" (World Petroleum). - Another set of images displays the arduous transport of an oil rig derrick through the desert near Abqaiq. Zirger is seen posing in front of enormous trucks and following the convoi. Sadly, the endeavour ended in a severe accident: after weeks of hard work, the derrick was destroyed in a desert storm. - Finally, several images depict an oil platform in the Arabian Sea, including detailed views of a drill head. - Nearly every picture is captioned in white ink in Zirger's handwriting. Zirger's label of ownership to front cover. - In 1971 Zirger established a Saudi-Registered Limited Liability Partnership which provided consulting services and consultants to Aramco for the supervision, inspection and maintenance of oil wells, water wells and drilling operations. - Full calf case slightly rubbed. An extraordinary collection.
1920Best.-Nr. 252588New York 1920. Vintage gelatin silver print mounted on card. 13-3/4 x 10-3/4 in. Fine. Vintage gelatin silver print mounted on card. 13-3/4 x 10-3/4 in. A great candid shot of "Long Jim" Barnes who won the first US PGA Championship in 1916 wrote several books on golf technique and was one of the great early stars of the game. unknown
Small oblong folio album. 21 original silver-gelatin photographs. Various formats, most captioned on the mount. Contemporary blue cloth with wrap-around clasp, ms. title "Saudi Arabia 1955" to spine in white ink. An interesting album of photographs taken by a British or American engineer working on a construction project in Saudi Arabia. Though the project and specific location are not named, it was probably based somewhere in the Eastern Province on the Gulf coast. It was there that Saudi Arabian oil was first discovered and, as a result, the province became the focus of the growing oil industry. Thus is it quite likely the photographer's project was part of the infrastructure supporting the industry's rapid expansion. - The images show the building site, the completed buildings, the surrounding coastal area, a traditional house, old ceramic vessels and local people. Several photographs capture the photographer's family at work and play, exploring the beaches, going shopping ("Sue wasn't happy") and riding donkeys and camels. - A few photos stained at corners.
Oblong 4to (ca. 215 x 167 mm). 103 original photographs (ca. 40 x 58 to 53 x 78 mm), mounted under grey paper mattes with rectangular, oval, and circular windows on 24 cardboard pages. Captioned in English. Bound in contemporary blindstamped full cloth with giltstamped cover title "Photographs". Private photo album composed by a British soldier or engineer active during the Mesopotamian Campaign of the First World War. It contains not only pictures of landmarks like the Baghdad railway station, the British Residency, the Abu Hanifa Mosque in Baghdad, and the Whiteley Bridge in Basra, as well as street and river scenes, but also shows the military aircraft of the Entente (frequently after a crash), as well as portraits of pilots and the collector's comrades, including two lieutenants resting on a blanket in a meadow. Other motifs include more sinister themes such as the gallows on the Baghdad market square, but also a group of smiling soldiers bathing in the Gulf of Aden, the shorelines of Kut al Amarah and Kurnah, the Arabian Gulf, and the Red Sea. - With round green pagination labels. Album produced by W. Johnson & Sons in London. Binding slightly rubbed. Occasional traces of glue; a few marginal tears; the paper pasted on the cardboard loosened in places.
4to. (25) ff., (7) blank ff. With 100 black and white photographs of various sizes (between ca. 75 x 105 and 90 x 145 mm), 96 of which mounted, 4 loosely inserted. A few captioned in ink on the photograph or on verso. With original hand-drawn map of Palestine in ink, crayon and ballpoint on graph paper loosely inserted. Contemporary giltstamped half cloth with a mounted reproduced drawing to lower board, showing an elegantly dressed group of people. Private photo album composed by a British engineer stationed in El Qantara, Egypt, possibly a member of the Royal Engineers, who constructed a new railway from Qantara to Romani and eastward through the Sinai to El Arish and Rafa on the border of the Ottoman Empire in January 1916. During World War I, Kantara, as it was referred to by the Allied troops, was the site of Headquarters No. 3 Section, Canal Defences and Headquarters Eastern Force during the latter stages of the Defence of the Suez Canal Campaign and the Sinai Campaign of 1916. The massive distribution warehouse and hospital centre supported and supplied all British, Australian and New Zealand operations in the Sinai from 1916 until final demobilization in 1919. - Taken on trips to Palestine between 1916 and 1922, half of the photographs focus on railroad motifs, exhibiting railway bridges, including the bridge crossing the Suez Canal in El Qantara, train stations, and tracks under construction, as well as rather spectacular accidents with locomotives and waggons fallen over in the desert. One picture depicts a decorated train of British soldiers bearing the sign "Demob special goodbye" leaving after the Armistice. The other half mainly shows views of Jerusalem, including close-ups of landmarks such as the Tombs of the Kings and the interior of Ascension Church, as well as steam ships in the Suez Canal and a "Turkish Gun". Although not identified by name, the engineer can be seen posing in several photographs, sometimes wearing a British uniform. The manuscript map shows the railway line from Qantara to major cities including Jerusalem, Tel Aviv, Haifa, and Nazareth, at one point crossing into Syria and reaching Beirut. - Hinges broken; extremities slightly rubbed; crack on spine measuring ca. 5 cm. A few photos as well as the map with small marginal tears and creases. Bookplate of the British businessman and railroad enthusiast William Hepburn McAlpine (1936-2018), and stamp of ownership of Arthur Lord-Castle, who was associated with the Narrow Gauge Railway Society in 1956, to front pastedown. A unique survival.
Large folio (470 x 350 mm). A total of 52 albumen prints (36 from Egypt, signed Zangaki brothers, all 215 x 275 mm, and 16 from Australia, mostly signed Hitch & Co., 150 x 200 mm), all mounted on cardboard, each with handwritten identifying captions in French, German, and English. Dark brown morocco binding gilt on upper cover with golden corner fleurons and gilt title "Februar - April 1895" (signed in lower left corner: "C. Keuth, relieur, Anvers"). Moirée endpapers. All edges gilt. A charming and sumptuously bound album commemorating a journey through Egypt in the spring of 1895. The photos include four views of Suez and the Canal, numerous impressive scenes of Cairo, its streets and palaces, with panoramic views, the Mosques of Muhammad Ali and of Sultan Hassan, the Citadel, the Tombs of the Caliphs, the Tombs of the Mamelukes, the road to the pyramids (with locals posing), the Sphinx and an ascent of the Great Pyramid, the statue of Ramses II at Saqqara and the Pyramid of Djoser, the Obelisk at Heliopolis, Pompay's Columns at Alexandria, etc. - The additional photos of Australia, dated February 1895, all show views from the Blue Mountains in New South Wales, including landscapes of the "Three Sisters", Nellie's Glen, Bride's Veil, and Negalong Gate, and interiors of the Jenolan Caves. - Some occasional fading, but generally in very good condition. The brothers Georgios and Constantinos Zangaki, originally hailing from Greece, set up their first studio in Port Said around 1870, and a second one in Cairo around 1895. After the inauguration of the Suez Canal in 1869, which opened Europe to Egypt and Eastern Asia, Egypt became a desirable destination for Western tourists. The brothers produced attractive images of Egypt for the growing market of European tourists, drawing on a familiar genre of orientalist scenes.
Large folio (ca 35 x 47 cm). An album of 87 albumen photographs, mostly ca 36 x 26 cm to 26 x 20 cm, of which 17 show Egyptian locations. Mounted on cardboard leaves, bound in heavy, relief-stamped full calf. White moirée endpapers. All edges gilt. Among the Egyptian images (mostly unsigned, but several by Pascal Sébah and another by Antoine Beato) are a plan of the Suez Canal (with several inset images), Pompey's Column, the obelisk now known as "Cleopatra's Needle" (in New York City's Central Park), the Heliopolis Obelisk, the ruins of the ancient town of Hermonthis (Armant), the Sphinx, the Great Pyramid, a palm grove near Giza, groups of Arab men and women, street scenes, a panoramic view of Cairo, the Mosque of Muhammad Ali, etc. Loosely inserted are a large (19 x 28 cm) portrait of an Arab warrior in Bedouin costume and a composite photo of eight portraits of Arab men and women in various types of local costume, with a handwritten note by the owner: "Bought at Port Said July 1876". The remainder of the photos of this fine souvenir album shows views and sights in Naples, Pompeii, Capri, Salerno, Rome, Venice, Genoa, Florence, and Pisa. - Binding rubbed and bumped, but a well-preserved set.
4to (295 x 235 mm). 50 photographs of Egypt (albumen prints and cyanotypes), and approximately 40 albumen prints of Switzerland. Impressively presented series of original photographs taken at various important sites and cities in Egypt, including Giza, Thebes, Karnak, Luxor, Abydos, Esna etc. The photographs show archaeological sites like the temple of Seti I at Abydos, the precinct of Ahmen-Rah near Luxor, the avenue of Sphinxes at Karnak, the Ramesseum and the Colossi at Thebes, the temple of Khnum at Esna, the Sphinx and pyramids of Giza and many more. Other photographs show the local population, doing a wide variety of activities, such as catching crocodiles on the nile, a Luxor barber shaving the head of a sailor, or a Bedouin camp in the Libyan Desert. - The Istanbul-based Sebah studio catered to the Western European interest in the exotic "Orient" and the growing numbers of tourists visiting the Muslim world who wished to take home images of the city, ancient ruins in the surrounding area, portraits, and local people in traditional costumes. "Sebah rose to prominence because of his well-organized compositions, careful lighting, effective posing, attractive models, great attention to detail, and for the excellent print quality" (Gary Saretzky, Photo history). Jean Sebah (1876-1947) took over the studio from his father Pascal after his death and signed his productions "J. P. Sebah" on the negative, putting his initial in front of his father's. - Some spotting and fading.
40 photographs (29 in colour and 11 black-and-white). Various sizes (300 x 207 mm to 125 x 125 mm). Stored in large, six-leaf self-adhesive tan leather album (oblong folio, 43 x 34 cm). Includes 51 original colour slides. A privately assembled photo album showing the ruling family of Dubai during a state visit to Pakistan, apparently in the early 1970s. Pakistan was the first country to accord formal recognition to the United Arab Emirates after the state's emergence in 1971. - Nearly half of the images show HH Sheikh Rashid bin Saeed Al Maktoum (1912-90), the father of the modern Emirate of Dubai, in conversation, at dinners, and relaxing in the garden. Other photos show his sons, the crown prince and later ruler HH Sheikh Maktoum bin Rashid Al Maktoum (1943-2006), the present ruler HH Sheikh Mohammed bin Rashid Al Maktoum, and HH Sheikh Ahmed bin Rashid Al Maktoum. The collection was assembled by Azhar Abbas Hashmi, a high-ranking officer of the Pakistani UBL bank (United Bank Limited), founded in 1959 by Agha Hasan Abedi (1922-95), who is seen in seven photographs with HH Sheikh Rashid as well as with his two older sons. While several pictures show the members of the royal family in negotiations with the Karachi banking officials, there are also fascinating images of a falconry tour to the Pakistani countryside (including a fine portrait of HH Sheikh Ahmed with a falcon perched on his arm). The more than fifty original colour slides show other scenes of the same visit; only four of the images are among the prints included in the album. - Some occasional creases and even the odd tear, but in general finely preserved. Three photos printed by Karachi's "Eveready Studio", some inscribed in ballpoint with identification on the reverse ("Mr. S. L. Anwar, HH, Mr. Masood Naqvi, Mr. Iqbal Khateeb / Mr. Hashmi showing the prospect drawings"), one in Arabic, another with ownership stamp: "Azhar Abbas Hashmi, Vice President Gulf Operations, International Division, UBL, HO, Karachi". An unpublished set, entirely unknown and without counterparts in the online Keystone or Hulton/Getty press photo archives, from the estate of Azhar Abbas Hashmi (1940-2016), Pakistani financial manager and eminent literary patron with close ties to Karachi University. Long with UBL, Hashmi would serve as the bank's vice-president before founding several important cultural organisations and becoming known as a man of letters in his own right. It was because of Hashmi’s close connections to the Gulf states that Abu Dhabi provided funds to build the Karachi University’s faculty of Islamic studies, along with Sheikh Zayed Islamic Centre and Jamiya Masjid Ibrahi.
Oblong folio (255 x 203 mm). Photograph album containing 223 photographs (from 47 x 65 to 178 x 240 mm) mounted on 18 leaves, with 23 loosely inserted photographs, mostly with handwritten annotations in blue ink to versos. Contemporary metal-ring leatherette binding. With a quantity of relevant ephemera. Interesting collection of photographs by a participant in the closing stages of British rule in Palestine. Assembled by Lance Sergeant Ernest Bennet serving in 3rd Battalion of the Grenadier Guards in Palestine, the photographs depict British servicemen on military exercise (Exercise "Bustard"), with Arab inhabitants, riots in Jaffa, military convoys, and troops on patrol. Significant photographs include the British soldiers with a captured Irgun flag and ships docking at Haifa with Jewish Displaced Persons. Bennett often identifies himself with an ink manuscript cross on the photographs. - Extremities of binding lightly rubbed. Includes a small collection of personal papers such as correspondence and payslips.
126 prints mounted in album, two to a page. Ca. 17 x 12 cms each. 4to. Showing horses, riders and the audience at a Polo tournament at an unidentified, though apparently German, track. In the background, the names of several players (of Anglo-Saxon, German and even Hungarian background) are visible on the boards marked "Blau" and "Weiss": W. Sommerhoff, H. V. Scott, Capt. T. Melvill, Gildemeister, G. Heye, Graf A. Sigray, etc. - First quire detached, occasional slight fading, but well preserved altogether.
An album of 25 albumen prints (vintage), measurements usually c. 200 x 270 mm, one a double-page spread, many captioned in English. Bound in contemporary giltstamped auburn full calf (378 x 280 mm; spine rebacked). All edges gilt. Photographic record of a journey begun in Australia and taken, via Aden, through the Suez canal and to the Mediterranean (and then on to England). While the first image shows the steamship R.M.S. Ormuz in the port of Sydney, three images (including a double-page spread) show the port of Aden in Yemen, the famous water tanks, and a native of the Southern Arabian region in a studio portrait. The majority of the album is dedicated to Egypt, showing Arabs on their camels, the Khedive's Ismailia Palace, the Suez Canal, Port Said, and members the local population, as well as the famous pyramids. The last few photographs show the final leg of the journey: Naples, and ultimately Gibraltar. Among the studios identified in the photographs are those of Hippolyte Arnoux and the Zangaki brothers, based at Port Said. A slightly later inscription on the flyleaf identifies this album as that of Edith Elkington: "Aunt Edith's voyage home to England about 1889". - Some foxing and waterstaining, but prints largely clean.