(Montana)ABAA
6,665 results
1877ref. 321671Montana Territory 1877. Pen-and-ink drawing on ruled paper cut out to size and captioned as above. Approx. 20-1/2 x 7 inches. Old folds. Matted. Pen-and-ink drawing on ruled paper cut out to size and captioned as above. Approx. 20-1/2 x 7 inches. From the first reports of the Yellowstone region such as Gen. Wm. E. Strong's A Trip to the Yellowstone National Park in July August and September 1875 the word began to spread: "There is probably no river in the world the equal of the Yellowstone for big trout." Though tourist parties began to travel to the Yellowstone it was still uncertain territory. In the late summer of 1877 it was the seat of war. In early September 1877 Civil War veteran General Oliver O. Howard who a decade earlier had founded Howard University and served as its president was leading his troops on the trail of the Nez Perce who had just left the Yellowstone Park. Howard's forces more than 500 strong reached the northeast corner of the Park on Clark's Fork on 7 September. The Nez Perce under the leadership of Chief Joseph moved through incredibly rugged terrain and ultimately evaded both Howard and another military cohort under Col. Samuel D. Sturgis. This contemporary record of a Yellowstone river trout was made on a large sheet of ruled ledger paper. The anonymous artist is believed to be Lieut. Cyrus A. Earnest of the 8th U.S. Infantry as the item was found among his papers with a cyanotype of Fort Bridger California where he was posted following his Yellowstone expedition service as well as several related printed documents of the Military Order of the Loyal Legion California Commandery. These items accompany the drawing. Earnest 1840-1893 was a lieutenant in the Eighth Infantry and served with Custer in the 1873 Yellowstone Expedition to survey a route for the Northern Pacific Railroad along the Yellowstone River. While serving under Howard in the Nez Perce expedition Earnest received special commendation for a heroic 2-day over 100 mile ride over rough terrain to resupply the army at Baker's battlefield. Ernest who was born in Ohio used the conventional name for the brook trout Salmo fontanalis but that describes a non-native eastern species. Yellowstone cutthroat trout or black spotted are the most widespread native trout with "highly variable coloration but generally yellow-brown or brassy/bronze" They were first described as a distinct species Oncorhynchus clarkii bouvieri by Jordan and Gilbert in 1883. A remarkable artifact from the earliest years of the U.S. presence in the Yellowstone valley and a reminder that at the edges of battle people attend to customary tasks and pursuits: fishing and making a record of daily activities. Provenance: Cyrus A. Earnest 8th U.S. Infantry see below unknown books
1835ref. 556571 vol. in-4 reliure de l'époque demi-veau vert à petits coins, dos à 4 nerfs plats orné, dos portant l'indication erronée "W. Beattie", Hippolyte Souverain, Paris, 1835, 2 ff., VIII-372 pp.
1850ref. 8528A bravura performance of recreational papercutting of elaborate wood engraved prints many of large size. The name on the first leaf 'Mr Montagne' is constructed of historiated letters from various sources which sets the tone for this rather astonishing and various collection of cut prints apparently chosen for their delicacy and intricacy and the challenge they presented to the papercutter. After cutting many have only minute filaments holding them together like a net. This is not an antiquarian collection and most of the subjects seem to have come from French popular newspapers and journals of the day others from pattern books — the best contemporary repositories of the wood engraver's art. Papercutting has developed in different branches all over the world and in Europe especially England and France it bears an interesting relation to print culture. It demonstrates alternative ways of consuming products of the explosion of the production visual prints in the mid nineteenth-century involving personal selection manual interaction curation and preservation. There are images here of contemporary notables: including a statue of the army surgeon Dominique Jean Larre erected in 1850 at Val-de-Grâce; Thomas Robert Bugeaut d. 1849; Louis-Eugène Cavaignac; Emperor Louis-Napolèon III first president of France 1848-1852; Queen Victoria; George Washington; Alexander II. Other subjects include flora and fauna sometimes exotic with some American falcons and exotic plants; coaches and carriages with some more recherché conveyances such as De Schevleing's sailing chariot; there are soldiers and also a few caricatures. But perhaps the most impressive and decorative cuts are the prints of medieval applied art and architecture – with copious gothic detail — and the large cartouches and decorative panels with their floral swags leafy branches and tendrils all offering a robust challenge even to the expert papercutter's hand. Oblong folio 295 × 450 mm 72 leaves all but one of stiff blue paper each with elaborate papercut prints mainly to one side but occasionally to versos too. Some prints on coloured paper others with coloured elements. Original album binding with amateur late 19th century floral fabric covers brocade borders and decoration secured with long stitching over the front pastedowns.
1916ref. 026276Boston MA U.S.A.: AMC 1916. First . Hardcover. VG to NF. 16mo - over 5¾" - 6¾" tall. Assorted Photos and Maps etc. B&W. 2nd Edition 1916. Maroon Cloth Flapped Field Edition. Complete and NF to Fine condition with almost no visible wear. I-XIV 397 & blank pp with the 8 'memoranda' pages in the rear free of notes and the pencil holder. A total of 420 pages - top edges gilt. Contains the original 1914 'Northern Peaks' pocket map first time in colors and in NF to Fine original condition. & the 1916 'Mount. Washington Range' in likewise NF to Fine condition. This edition was printed with a run of about 1000 and began selling while there were still copies of the 1st edition Second Printing still available. Due to it's much larger size and nearly double the page content it was much more popular than the 1st edition and by all accounts sold our very quickly within a year and a second printing was authorized though it never happened. In fact rather than issue another printing of the 2nd edition the AMC decided to issue a 3rd edition just 1 year later this has never been done since. This edition had 3 different known printing's; the Field Edition Flapped the Library Edition Un-flapped and the very scarce 2-part Field Edition which was also flapped. NOTE: it is possible even likely that there was 2-part 'Library' variant however I have never seen it. Very Scarce thus though All are quite uncommon especially in this very nice NF/F condition. Even the most discerning collector will not be disappointed. My records indicate I have sold twice as many first editions 1907 as this particular. AMC hardcover
ref. 53432London printed by Jane Bell and are to be sold at the east-end of Christ-Church 1652 i.e. 1651. TITLE CONTINUED: For sowing planting and setting all manner of roots herbs and flowers both for the use of the kitchin garden and a garden of pleasure with the right ordering of all delectable and rare flowers and fine roots; as the like hath not been heretofore published by any. Likewise here is set forth divers knots for the beautifying of any garden for delight. Lastly here is set down the physical benefit of each herbe with the commodities of the waters distilled out of them for the use and benefit of all. Collected from the best approved authors besides forty years experience in the art of gardning: by D.M. Newly Corrected and enlarged 1652 in 2 parts. The second part has separate divisional title page dated 1651 and pagination; register is continuous. Small 4to approximately 180 x 135 mm 7 x 5½ inches 11 woodcut illustrations in the text pages: 8 1-29 32-90 1-173 13 blank endpaper included in collation jump in numbering from 29-32 catchwords and register correct nothing missing contemporay sheep covers rebacked in calf gilt lettered label and gilt rules and date to spine edges speckled red. A little scuffing to covers corners slightly worn a little worming to inner margins from page 123 to end of Part II just touching 6 letters no loss of meaning a little pale staining and age-browning heavy age-browning to 4 leaves all text legible small hole in page 45 affecting 4 words paper fault missing words inked in margin tiny burn hole in page 87 affecting 2 words small part of 1 outer margin missing not affecting text small library stamp to first pastedown Rothhamstead Experimental Station tiny amount of old ink scribble to endpapers and few other minor faults otherwise a very good copy. See: Blanche Henrey British Botanical and Horticultural Literature before 1800 Volume 1 page 261; Rachel Hunt Catalogue of Botanical Books Volume 1 page 275; Catalogue of Printed Books in the Wellcome Library Volume 3 page 266. John Evelyn had a copy of this edition in his library see: Geoffrey Keynes John Evelyn A Study in Bibliography page 299; Christie's The Evelyn Library Part 2 page 104 No. 757 mentioned out of interest. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST AND ALL PARCELS SENT FULLY TRACKED AND FULLY INSURED. London, printed by Jane Bell, and are to be sold at the east-end of Christ-Church, 1652 [i.e. 1651].
ref. 064-Do.J. Schwarze Kreide, braun laviert, auf Bütten, rechts unten mit dem braunen Pinsel gemalte Signatur ?Schüz?, auf Sammlungsuntersatz des 18. Jahrhunderts montiert. 25,3:34,5 cm. Literatur: Ph. F. Gwinner, Kunst und Künstler in Frankfurt am Main... Frankfurt am Main, J. Baer, 1862, p. 313ff.
1951ref. ZB679346Montana Historical Society 1951. uniformly bound in green buckram library markings else texts clean and bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Montana Historical Society hardcover
18351 vol. in-4 reliure de l'époque demi-veau vert à petits coins, dos à 4 nerfs plats orné, dos portant l'indication erronée "W. Beattie", Hippolyte Souverain, Paris, 1835, 2 ff., VIII-372 pp. Exceptionnel exemplaire, bien complet des 89 planches indiquées en table (dont la carte dépliante du Lac des Quatre Cantons, et la grande carte routière dépliante de la Suisse par Keller), et des 2 ff. de partition, mais surtout enrichi à l'époque de très nombreux documents, cartes et gravures anciennes, dont plusieurs aquatintes en couleurs, la carte du Mont-Blanc par Picquet, la belle lithographie coloriée du Rigi, de nombreux gravures en couleurs de costumes traditionnels, etc. (voir détail complet ci-après, ou sur demande). Bon état (des rouss. et petits frott., qq. petits accrocs ou défauts signalés aux planches, le relieur a confondu Alexandre Martine et William Beattie, tous deux auteurs d'une "Suisse Pittoresque", à moins qu'il ne s'agisse d'un remboitage lég. postérieur) pour cet exemplaire unique. Détail des planches et documents supplémentaires : - General-Carte der Scwheiz, bey Orell Fussli, 1829 (carte dépliante en couleurs) - Der Canton Zurich 1822 (carte dépliante en couleurs, Orell, Fussli) - Zurich (costumes du canton de Zurich, lithographie rehaussée en couleurs format 10,5 x 14 cm, contrecollé sur support) - Der Canton Bern (carte dépliante en couleurs, Orell, Fussli) - Berne (costumes du canton, lithographie rehaussée en couleurs format 10,5 x 14 cm, contrecollé sur support) - Vue du Château et de la ville de Berthoud (format 9,5 x 7,5 cm contrecollé sur support) - Vue de Neuhaus (format 9,5 x 7,5 cm contrecollé sur support) - Femme de la Vallée de Lauterbrunne (lithographie rehaussée en couleurs numérotée "28") - 2 vues du glacier de Grindelwald ( chacune format 9,5 x 7,5 cm contrecollé sur support) - 2 vues de la Scheideck et Lauterbrounen (chacune format 9,5 x 7,5 cm contrecollé sur support) - Paysage de la Wengen-Alp (aquatinte format 16,5 x 12 cm rehaussée en couleur) - Vue du Wellhorn et Wetterhorn (aquatinte format 15,5 x 11,5 cm rehaussée en couleur) - Chute d'eau près le glacier de Rosenlau (format 9,5 x 7,5 cm contrecollé sur support) - Les bains de la Rosenlau (aquatinte format 16,5 x 11,5 cm rehaussée en couleur, avec mq.) - Der Giesbach am Brienzersee (lithographie dépliante par Labhart et Werner) - Vue du Pont de Zollbrücksur l'Aar (lithographie dépliante de Engelmann, par Villeneuve) - Lucerne (costumes du canton, lithographie rehaussée en couleurs format 10,5 x 14 cm, contrecollé sur support) - Souvenir du Rigi ; Sehnsucht nach dem Rigi, par Hanar (lithographie avec belle vue rehaussée en couleur au recto et partition au verso, format global circa 31 x 48 cm) - L'Auberge du Rigi-Staffel (gravure dessinée par Corrodi, gravée par Weber) - L'Auberge du Rigi-Koulm (gravure dessinée par Corrodi, gravée par Weber) - Chapelle de N. D. de Neiges sur le Righi (format 9,5 x 7,5 cm contrecollé sur support) - Vue de la chapelle de Guillaume Tell (gravure dessinée par Corrodi, gravée par Weber) - Grutli (gravure dessinée par Corrodi, gravée par Weber) - Brunnen (gravure dessinée par Corrodi, gravée par Weber) - Le Lac de Lowertz vers les Mythen (aquatinte format 16,5 x 11,5 cm rehaussée en couleur) - Schwyz (costumes du canton, lithographie rehaussée en couleurs format 10,5 x 14 cm, contrecollé sur support) - Lac de Lowert et Goldau (Lith. de Kaeppelin, par Drulin d'après Dubois, format 11 x 11 cm contrecollé sur support) - La Chapelle de Guillaumetell (gravure dessinée par Fuessli, gravée par Bentz) - Die Cantone Schwyz und Zug (carte dépliante en couleurs, Orell, Fussli) - Zug (costumes du canton, lithographie rehaussée en couleurs format 10,5 x 14 cm, contrecollé sur support) - Zoug (gravure dessinée par Corrodi, gravée par Bodmer) - Der Canton Freyburg (carte dépliante en couleurs, Orell, Fussli) - Gravure de Charles Duc de Bourgogne [Charles Le Téméraire ] (gravure format 21 x 15 contrecollée sur papier fort, Chez Iollain [Jollain ] Paris, s.d. ] - Femme en Costume de Cérémonie (Canton de Fribourg) (lithographie rehaussée en couleurs numérotée "59") - Vue de Morat (lithographie dépliante de Villain dessinée par Pingret - Der Canton Aargau 1822 (carte dépliante en couleurs, Orell, Fussli) - Baden (Lith. de Kaeppelin, par Drulin d'après Dubois, format 11 x 10,5 cm contrecollé sur support) - Femme de la Campagne (Canton d'Argovie) (lithographie rehaussée en couleurs numérotée "63") - Nion (lac de Genève) (lithographie par J. du Bois format 11 x 12,5 cm contrecollée sur papier fort) - Plan de la ville et des environs de Lausanne capitale du Canton de Vaud 1824 (carte dépliante lithographiée, chez Amédée Batard - fort accroc) - La Tour à mon Repos et Mon Repos (2 lithographies contrecollées, par Dubois, lith de Spengler) - Prison pénitentière et Le Signal (2 lith. contrecollées, par Dubois) - Le Château de la Tour du Peil et Mortreux (par Dubois, lith. de Kocher et de Lemercier) - Port d'Ouchy (aquatinte rehaussée en couleurs format 16 x 11 cm) - Neuchatel (lithographie rehaussée en couleurs format 10 x 14 cm) - Plan de Genève publié par Briquet et Dubois (grand plan dépliant en couleurs, lithographié par Kocher et Décor) - Maison où est né Jean-Jacques Rousseau à Genève (vue lith. rehaussée en couleurs format 9,5 x 8 cm, contrecollée sur papier fort) - Château de Ferney-Voltaire à Genève, Chez Manega Frères (vue lith. rehaussée en couleurs format 9 x 9 cm, contrecollée sur papier fort. Au dessous : Intérieur de la chambre de Voltaire à Fernex) - Inscription existante à la vieille route de la Grotte : Carolus Emmanuel II (placard format 29 x 42 cm à la gloire des ducs de Savoie et rois de Sardaigne, évoquant le creusement de la route vers Chambéry) - Mont-Blanc et Alpes adjacentes (grande carte dépliante gravée par Picquet, format 41 x 55 cm) - Eaux Thermales et Minérales de Saint-Gervais, en Savoie, entre Genève et Chamonix. Prospectus (2 feuillets sur papier vert, 1830, chez Routin, Bottero et Alesio, Chambéry) - La Mer de Glace vue du Montaviert (lith. format 10 x 11 cm contrecollée sur papier fort) - On joint, sur f. volant : Grotte du Giesbach (gravure rehaussée en couleurs format 12 x 17 cm) Français
1684ref. 392032ª Edición.- FACSIMIL editado en Milton Keynes: Lightning Source UK 2021 y ORIGINAL editado In Roma: Si stampano e si vendono in Stampa. di Gio. Iacomo de Rossi 1684.- Vol. 1 facsímil conteniendo el primer libro a tamaño reducido 42 fol. Vol. 2 original conteniendo en un mismo tomo del segundo al quinto libro 48; 49; 40; 24 fol.: Retratos del artista arquitecto diseñador y escultor "G. B. Montano Milanese a la edad de ochenta y siete años muerto en Roma en 1621" en frontis y del recopilador "G. B. Soria Romano a la edad de cuarenta y dos años" tras la portada del segundo libro ambos magníficamente grabados al cobre por Hieronimus David además de profusión de finísimos grabados mostrando planos templos sepulcros tabernáculos etc.; Facsímil en 4º 239 x 155 cm y obra original en Gran Folio 38 x 27 cm; Facsímil del primer libro encuadernado en Cartulina y obra original encuadernada en un sólo volumen en Media Piel época conteniendo los libros del segundo al quinto. El libro primo se ofrece a modo de complemento como un libro aparte siendo un FACSIMIL moderno impreso a tamaño reducido. FALTA el folio 12 del quinto libro y por tanto uno de sus grabados. En general todos los grabados están en excelente estado algunos con muy leves manchas. El retrato del arquitecto está reforzado de época con una hoja en blanco adherida al verso del mismo manchada en su mitad inferior. La encuadernación algo fatigada aunque restaurada. El arquitecto y tallista Montano Milanese muere en 1621 por lo que toda la publicación de su obra es póstuma tanto los tres primeros libros publicados por Soria Romano en 1624 1625 y 1628 como los dos siguientes publicados por Callisto Ferranti en 1636 y 1638. La Imprenta de Giovanni Domenico de Rossi los reúne y publica juntos bajo el título "Li cinque libri di Architettura di Gio. Battista Montani Milanese" en 1684 que es la obra que ofrecemos pero altera el orden cronológico de las cinco primeras ediciones sueltas y las ordena a capricho sin seguir el año de su primera publicación. Realmente este orden carece de importancia pues creemos que lo que pretendió Giovanni Domenico De Rossi en esta segunda edición fue simplemente recopilar toda la producción artística del gran Giovan Battista Montano Milanese. RARISIMA OBRA. ARQUITECTURA Y URBANISMO Libro in italiano Giovanni Domenico de Rossi hardcover
1959ref. 4928Saltese Mt. and various places across the American West 1959. Very good to near fine. Approximately 2150 photo negatives each about 3 x 5 inches contained in twenty-two fully-annotated Kodak negative albums. A bit of exposure bleeding at edges hardly affecting image areas. Occasional light scratching visible in margins. Fine strong images overall. A comprehensive and meticulous collection of photo negatives comprising well over 2000 images of Saltese Montana -- its industry development and culture -- over the first six decades of the 20th century. The images present here were compiled across two generations of the Rogers family primarily by Herbert Rogers and his son Gale Rogers both influential citizens in the very small town of Saltese during its brief heyday. Herbert moved to Montana in the late-19th century and began this photo record soon after; and until his retirement in the late 1920s he was the chief owner and operator of the power and water services for the town. Gale attended a small business school in Butte and thereafter was involved in many of the Rogers' local business interests including the Woodburn Mining Company the aforementioned Saltese Electric Light and Water Company and the Rogers Tourist Cabins and Standard Service Station. The elder Rogers was perhaps the prime mover of this archive's generation as the photo series ends in 1959 following quickly upon his death the year prior. Today the town of Saltese in the northwest corner of Montana near the border with Idaho is a small collection of houses with a bar and a general store sandwiched between Interstate 90 and the St. Regis River. The 2020 census recorded a population of ten souls. In its former life Saltese was a gold and silver mining town established in the 1880s as Silver City and renamed after the Nez Perce chief in 1891; for a time in the early-20th century and during the period covered by the present archive it could boast over 2000 residents and a stop on the Northern Pacific Railroad. The twenty-two albums that house the negative collection each contains an index filled with manuscript dates and descriptions for each image. The core of this archive is an almost sixty-year visual record of life in Saltese with images of town architecture views industry business social activity and citizens. The preponderance of images date from the early 1920s to the late 1950s with one album covering the period before World War I. The negatives include classic mining images railroad views and town floods; floods of the St. Regis River winter storms and their effects and various weather mitigation efforts; social events town baseball games and family gatherings; group and individual portraits of town citizens friends and members of the Rogers family. In addition to the images of mining efforts there is ample documentation of other industry in the region such as lumbering and milling; the local water and power plants which the Rogers owned; and construction of various edifices and businesses. The negatives are also an excellent record of town life showing schoolhouse gatherings town sports teams fire lookouts and Rogers family activities. A substantial portion of the collection documents automobile journeys taken across the intermountain West by the Rogers who traveled extensively in Montana Idaho Wyoming Utah Colorado and elsewhere. A subset of these is an interesting group of major dam projects and construction such as Polson Dam on the Flathead River and the Grand Coulee Dam on the Columbia River. In all a fabulous and expansive visual archive of a small town in northwestern Montana and life in the mountain West as it was lived by the Rogers family during the first half of the 20th century. unknown
1959ref. 4928Saltese Mt. and various places across the American West 1959. Very good to near fine. Approximately 2150 photo negatives each about 3 x 5 inches contained in twenty-two fully-annotated Kodak negative albums. A bit of exposure bleeding at edges hardly affecting image areas. Occasional light scratching visible in margins. Fine strong images overall. A comprehensive and meticulous collection of photo negatives comprising well over 2000 images of Saltese Montana -- its industry development and culture -- over the first six decades of the 20th century. The images present here were compiled across two generations of the Rogers family primarily by Herbert Rogers and his son Gale Rogers both influential citizens in the very small town of Saltese during its brief heyday. Herbert moved to Montana in the late-19th century and began this photo record soon after; and until his retirement in the late 1920s he was the chief owner and operator of the power and water services for the town. Gale attended a small business school in Butte and thereafter was involved in many of the Rogers' local business interests including the Woodburn Mining Company the aforementioned Saltese Electric Light and Water Company and the Rogers Tourist Cabins and Standard Service Station. The elder Rogers was perhaps the prime mover of this archive's generation as the photo series ends in 1959 following quickly upon his death the year prior. Today the town of Saltese in the northwest corner of Montana near the border with Idaho is a small collection of houses with a bar and a general store sandwiched between Interstate 90 and the St. Regis River. The 2020 census recorded a population of ten souls. In its former life Saltese was a gold and silver mining town established in the 1880s as Silver City and renamed after the Nez Perce chief in 1891; for a time in the early-20th century and during the period covered by the present archive it could boast over 2000 residents and a stop on the Northern Pacific Railroad. The twenty-two albums that house the negative collection each contains an index filled with manuscript dates and descriptions for each image. The core of this archive is an almost sixty-year visual record of life in Saltese with images of town architecture views industry business social activity and citizens. The preponderance of images date from the early 1920s to the late 1950s with one album covering the period before World War I. The negatives include classic mining images railroad views and town floods; floods of the St. Regis River winter storms and their effects and various weather mitigation efforts; social events town baseball games and family gatherings; group and individual portraits of town citizens friends and members of the Rogers family. In addition to the images of mining efforts there is ample documentation of other industry in the region such as lumbering and milling; the local water and power plants which the Rogers owned; and construction of various edifices and businesses. The negatives are also an excellent record of town life showing schoolhouse gatherings town sports teams fire lookouts and Rogers family activities. A substantial portion of the collection documents automobile journeys taken across the intermountain West by the Rogers who traveled extensively in Montana Idaho Wyoming Utah Colorado and elsewhere. A subset of these is an interesting group of major dam projects and construction such as Polson Dam on the Flathead River and the Grand Coulee Dam on the Columbia River. In all a fabulous and expansive visual archive of a small town in northwestern Montana and life in the mountain West as it was lived by the Rogers family during the first half of the 20th century. unknown books
1899ref. 365579Montana 1899. 21 silver print photographs. Captioned in pencil on verso. Approx. 4-3/4x7 inches each. Uniformly matted. 21 silver print photographs. Captioned in pencil on verso. Approx. 4-3/4x7 inches each. Although the photographer is unidentified the captions on the verso are in the same hand and the image quality suggests a pictorialist such as Dan Dutro or an extremely talented amateur. The group if noted for its images on the Blackfeet reservation including several of the Grass Dance dated 1899. The captions comprise: Grass Dance 1899 Grass Dance 1899 Inside Medicine Lodge Camp on Cut Bank on Reserve Cut Bank Cut Bank Creek Cut Bank in winter Cut Bank in winter Camp in Cut Bank in winter View in the large park on Cut Bank Peak up Two Medicine Upper St. Mary's Lake Upper St. Mary's Up Birch River Birch Creek south line of reserve Birch Creek Birch Creek Fish Lake south of reserve Fish Lake Grinnell Mt and Swift Current Fall On the trail to Bull's Head Mine in the Swift Current country back of Grinnell Mt. Mt Wilbur in distance. unknown
1899ref. 365579Montana 1899. 21 silver print photographs. Captioned in pencil on verso. Approx. 4-3/4x7 inches each. Uniformly matted. 21 silver print photographs. Captioned in pencil on verso. Approx. 4-3/4x7 inches each. Although the photographer is unidentified the captions on the verso are in the same hand and the image quality suggests a pictorialist such as Dan Dutro or an extremely talented amateur. The group if noted for its images on the Blackfeet reservation including several of the Grass Dance dated 1899. The captions comprise: Grass Dance 1899 Grass Dance 1899 Inside Medicine Lodge Camp on Cut Bank on Reserve Cut Bank Cut Bank Creek Cut Bank in winter Cut Bank in winter Camp in Cut Bank in winter View in the large park on Cut Bank Peak up Two Medicine Upper St. Mary's Lake Upper St. Mary's Up Birch River Birch Creek south line of reserve Birch Creek Birch Creek Fish Lake south of reserve Fish Lake Grinnell Mt and Swift Current Fall On the trail to Bull's Head Mine in the Swift Current country back of Grinnell Mt. Mt Wilbur in distance. unknown books
ref. 2081502111906888Guangxi Normal University Publishing House N.A. Soft Cover. Fine. The book is in fine condition. Guangxi Normal University Publishing House paperback
ref. UUI-9510Gravure en couleurs, "Pont du Diable", format 15/16 cm pour la feuille, 6,8/9,3 pour la gravure elle-même. Bel état. Éditée par Fuessli à Zürich, sans date, vers 1840. Une date manuscrite en revanche sur la feuille, peut-être une date de voyage dans la région. Frais d'envoi 3,80 euros sur la France, 6 euros UE et Suisse, 6,50 euros pour le reste du monde (tarifs de base hors envois suivis). Possibilité de remise en mains propres sur Paris, n'hésitez pas à me contacter avant de passer commande. Twitter : @Pontneuf06.
