Ariosto, LodovicoBiblio.com
M Lodovico AriostoBiblio.com
Poeti Volume 2: Orlando furioso ed i cinque canti
rif. 44080185-nnew. unknown
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1772rif. b9006Venice: Antonio Zatta 1772 vols. 1-3 1773 vol. 4 1772. First printing of this edition . Hardcover. Near Fine. Zuliani Daniotto Baratta Leonardis Novelli engravings. Four volumes. Large 4to. Volume one: a-b xxiv LX 324; volume two: 456; volume three: 446; volume four: 520. Four engraved title-pages 58 full-page engravings within decorative ornate borders 36 smaller engravings and 51 engraved "argomenti" . Uniformly bound in sheepskin with gilt devices on the boards dark red leather spine labels and marbled endpapers. Four ribbon markers in place. All edges are stained in a coated red. Boards are somewhat soiled two small nicks on the volume-four foredge and one small nick on the volume-three foredge. Edges are somewhat mottled. Small nineteenth-century bookplates. Interiors are generally fine with occasional widely scattered foxing. Among the full-page engravings are a portrait of Ariosto the floorplan of his house and a facsimile of a holograph passage. A handsome and desirable set. Uncommon. Antonio Zatta, 1772 (vols. 1-3), 1773 (vol. 4) hardcover
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2005rif. 005811Firenze: Pagliai Polistampa 2005. 1st Edition 1st Printing. Hardcover. Fine/Fine. Paul and Gaetan Brizzi. First edition/printing. Book and jacket each in As New unread condition. Laid in Bud Plant Comic Art bookplate signed by both artists! Italian French and English text accompanies each gorgeous illustration. Pagliai Polistampa hardcover
rif. DADAX0826204457New unknown
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2002rif. DADAX2251730060Les Belles Lettres 2002-01-01. 3e tirage. paperback. New. 5.20x1.65x7.68. Buy with confidence. Excellent Customer Service & Return policy. Les Belles Lettres paperback
2008rif. DADAX2251730273Les Belles Lettres 2008-11-28. Bilingual. paperback. New. 5.12x1.18x7.60. Buy with confidence. Excellent Customer Service & Return policy. Les Belles Lettres paperback
1987rif. 21919CB1987. München Deutscher Taschenbuch Verlag = dtv klassik 1987 8° 815 und 838 Dünndruck-S. jeweils mit zahlr. s/w-Illustr. von Gustav Dore illustr. original Kartonagen Paperbacks ohne Schuber Band 1: untere Ecke des Vorderdeckels mit Knickspur / Band 2: Buchrücken mit vier Stecknadelkopf-großen Fleckchen sonst zwei schöne saubere Exemplare Seitenidentisch mit der Winkler Dünndruck-Ausgabe von 1980 Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. paperback
rif. 25087London: C Bathurst T. Payne et al. 1783. 5 volumes. cxxxii336 iv408 iv428 iv438 and iv322pp. half-title present in each volume. Original quarter calf over marbled boards marbled edges vellum corners. 8 engraved plates as called for including the Blake illustration in volume 3. An impressive set. . First edition thus. A very pure eighteenth century binding with some chips and wear the most serious being a weakness to the upper hinge of volume 1. Please ask for condition notes. London: C, Bathurst, T. Payne et al. 1783. hardcover
1839rif. 77042Paris: Knab 1839. Fine. Knab Paris 1839 12.50 x 21.80 cm 3 volumes reliés New translation by A. Mazuy. The 3 volumes are illustrated with a portrait of Ariosto as frontispiece and 85 wood-engraved figures printed on China paper and mounted on strong paper. They are numbered from 1 to 85. The 3 volumes properly contain the placement sheets for the engravings at the end and the errata. This beautiful illustration a romantic vision of the chivalrous Middle Ages is the work of Meissonnier Baron Français Girardet. Contemporary full glazed calf binding in violet. Smooth spine decorated with Rocaille tools in long and mirror patterns. Gilt title. Boards stamped in blind with a large ornamental plate in Renaissance style. Gilt framing fillets. Interior frieze. Lemon-yellow endpapers. Tissue guards present. Some occasional scattered foxing on an otherwise clean set the tissue guards often browned or foxed. Signs of rubbing. Cracks on one lower joint at foot. Spine uniformly blue-green. Very handsome copy rare in this condition. The work is completed with several studies by the translator notes on chivalric romances oriental traditions chronicles songs of the trouvères and troubadours. An index of proper names in Orlando Furioso. Knab hardcover
1972rif. DADAX0198124074OXFORD UNIVERSITY PRESS 1972-05-28. 1. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. OXFORD UNIVERSITY PRESS hardcover
1827rif. 35472AB1827. zweite rechtmäßige Auflage neue Bearbeitung Jena Friedrich Frommann 1827 8° 366 S. / 357 S. beide auf besserem Papier gedruckt Halbleder-Einbände der Zeit mit goldener Rückenbeschriftung und reicher goldener Rückenverzierung altersgemäß erstaunlich schöne saubere Exemplare mit dekorativem Rücken Ti2 Insg. erschienen 5 Bände. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1756rif. 50805Arezzo Michele Belotti 1756. Large 4to. 2 contemp. full vellum with handwritten titles on spine. Marbled edges. VII435;4213 pp. and 2 engraved portraits Ariosto and Barbolani. printed on good paper clean and fine. Italian and Latin text in 2 columns. A fine copy of the first translation of Orlando Furioso into Latin. - Brunet I 440. hardcover
1547rif. 48296In Vinegia Venice Venise Venice: appresso Gabriel Giolito de Ferrari 1547. Fine. appresso Gabriel Giolito de Ferrari In Vinegia Venice Venise Venice 1547 10.50 x 16 cm relié A handsome illustrated edition and one of the first printed by Gabriele Giolito de Ferrari dedicated to the Dauphin of France. It has a superb engraved title with Giolito's printer's device a phoenix being reborn from its ashes on a globe marked with the printer's initials 56 attractive woodcuts and numerous large ornate capitals as well as a portrait of Ariosto after Titian in a medallion at the end of the poem and two states of the printer's device. The end of the work is made up of a vocabulary of obscure words and an explanation of the difficult passages in the work compiled by Lodovico Dolce with a separate title and not included in the pagination. Giolito published more than twenty books in thirteen years of printing this is the third edition of this work the first appearing in 1542 and the second in 1543. Printed in round Roman type double column. Late 17th or early 18th century red morocco spine richly gilt in six compartments one compartment marked with lettres rondes round Roman type. Covers with a frame of triple gilt fillets gilt roulette frame to insides of covers all edges gilt. Binding a little rubbed faint dampstaining to end of volume. A handsome copy in a lovely red morocco binding. appresso Gabriel Giolito de Ferrari unknown
rif. 11109Paris chez Nepveu et Aimé André 1822. 3 volumes in/8 reliure en plein maroquin rouge signé Niedré dos à nerfs à caissons dorés plats à triples filets dorés doré toutes tranches double filets sur les coupes dentelle intérieure vol1 : frontispice xliii ff 1 fac-similé dun autographe dArioste 2 vignettes 36 planche 463 pages. - vol. 2 : 31 planches 480 pages. - vol.3 : 27 planches 486 pages. Beaux exemplaires avec de très rares rousseurs Traduction par le Comte de TRESSAN. Le relieur Niedree fut distingué pour son travail en 1844. Il était réputé pour ses reliures de style Renaissance ; la conservation des marges était pour lui lobjet des plus grands soins. Orlando Furioso ou Roland furieux est un poème épique de 40 chants écrit par Ludovico Ariosto dit en français l'Arioste écrit au début du XVIe siècle le Cinquecento italien il sera publié en 1516. S'inscrivant dans le cycle carolingien comme un lointain descendant de la Chanson de Roland ou Chanson de Roncevaux et présenté à sa sortie comme une suite de l'Orlando Innamorato Roland amoureux de Matteo Maria Boiardo. Le poème fut écrit en ferrarais le dialecte utilisé à Ferrare puis l'Arioste lui-même l'adapta en toscan littéraire afin qu'il soit plus accessible pour le reste de l'Italie. Roger et Bradamante y sont présentés comme les ancêtres légendaires des ducs de Ferrare et donc du cardinal Alphonse d'Este qui était le protecteur de l'Arioste et sans doute le commanditaire du livre. unknown
1844rif. 36422Paris: J. Mallet & Cie 1844. Fine. J. Mallet & Cie Paris 1844 17 x 25.50 cm relié New edition of the French prose translation established by V. Philipon de La Madelaine and first printing of the illustrations. Half red shagreen binding spine with four raised bands decorated with triple gilt compartments adorned with gilt floral motifs red paper boards a light scratch to front board marbled endpapers and pastedowns top edge gilt. Work illustrated with 300 vignettes as well as 25 plates printed separately on China paper by T. Johannot Baron Français and C. Nanteuil. Occasional light foxing without serious consequence. J. Mallet & Cie hardcover
1603rif. 004548Venice: F. Valgrisi and N. Moretti 1603. Early Printing. Hardcover. Some of the impressions are weak but most are quite presentable. Trimmed at the top close to the text and plate lines affecting one line of text in the dedication; other margins quite adequate. Vellum soiled. Very Good or better. Large octavo 7" x 10" bound in early full vellum 16 654 32 pages. The complete and corrected ORLANDO FURIOSO with Ruscelli's dedication to the Duke of Ferrara dated 1556 and an account of the life of Ariosto by Battista Pigna. Illustrated with an engraved title page 51 full-page woodcuts ornamental headpieces and initial letters. The woodcuts within decorative borders are after the designs of Dossa Dossi the Ferrarese painter and are printed from the blocks of the first Valgrisi quarto editon of 1556. First published in 1516 this classic Italian romantic epic influenced many later works including Spenser's THE FAERIE QUEENE and Shakespeare's MUCH ADO ABOUT NOTHING. The action takes place against the background of the war between Charlemagne and his Christian paladins and the Saracen army which is attempting to invade Europe. However Ariosto has little concern for historical or geographical accuracy and the poem wanders at will from Japan to the Hebrides as well as including many fantastical and magical elements such as a trip to the moon and an array of fantastical creatures including a gigantic sea monster called the orc and the hippogriff. The poem grew in popularity as well in size after Ariosto's death increasing from 40 to 46 cantos in 1532 and finally to the finished form of 51 cantos. F. Valgrisi and N. Moretti hardcover
rif. 61147413Guidance Centre University of Toronto Faculty of Education . Hardback. New. pp. xiii 328 Map Index Guidance Centre, University of Toronto, Faculty of Education hardcover
1634rif. 69070London: Printed by G. Miller for J. Parker 1634. HARRINGTON John. . Orlando Furioso. in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Full Description: ARIOSTO Lodovico. HARRINGTON John translator. Orlando Furioso in English Heroical Verse by Sir John Harrington of Bath Knight. Now thirdly revised and amended with the Addition of the Author's Epigrams. London: Printed by G. Miller for J. Parker 1634. Third edition of Harrington's 1591 translation which was the first English edition and remained the only English translation of many years. This third edition is further expanded by the addition of the "Author's Epigrams." Two works in one small folio in sixes 10 5/8 x 7 1/4 inches; 270 x 185 mm. 16 1 Ads 1 plate 423 9 table 1 Title 1 blank 43 1 blank pp. With engraved title-page for the first work and 46 full-page engravings included in the pagination accompanying each Canto. Separate title-page for "Epigrams" with an engraved vignette. Epigrams have a separate title but continuous register. Elaborate engraved head and tail pieces and initials. Contemporary full calf rebacked to style. Spine with red morocco spine label lettered in gilt. Spine stamped in gilt. All edges speckled red. Newer endpapers Fore-edge margins are trimmed close a few times just touching printed marginal notes. Closed tear to bottom margin of S1 barley touching a few letters. T6 with a tear to fore-edge margin with a bit of loss to marginal note. Some various dampstains and other soiling throughout. Some minor occasional offsetting from plates. Overall a very good copy. "Lodovico Ariosto represented the sentiments the passions and the vices and virtues of 16th-century Italians in his epic poem L'Orlando Furioso The Crazy Orlando. This Renaissance classic based on romances popular at the time furnished the framework for the chivalric narrative in Edmund Spenser's The Faerie Queene. Orlando Furioso is a tale of knights dames and courtesies when the Moors invaded France to avenge the death of their king's father. In the story Orlando Roland Charlemagne's nephew and most famous knight falls madly in love with Angelica who is also pursued by many other Christian and Moorish knights. She flees these attentions only to bestow her love in the end on a poor man without rank. Ariosto's view of life reflected throughout the poem is one of ironic disillusionment-love is madness. John Harington 1561-1612 was a witty courtier and godson of Queen Elizabeth. He is also the acknowledged inventor of the flush toilet. According to lore Harington first translated the racy tale of Jocundo from Canto XXVIII and circulated it among the ladies of the Court. The Queen feigned to be shocked by some passages and reprimanded her godson for endangering the morals of her maids of honor. Elizabeth sentenced Harington to stay away from the Court until he had translated the whole of Ariosto's poem. Harington completed the translation by 1591. Harington's Orlando Furioso is one of the major translations of the age freely executed but faithful to the spirit and style of the original. At 33000 lines in length and nearly 6000 lines shorter than the original the translation is seldom exactly what Ariosto wrote shorter in places and expanded elsewhere-with moral truisms added. Each of the forty-six cantos of the poem is preceded by a full-page illustration including the especially risqué one for Canto XXVIII. All are copied strictly or with slight variation from the plates used by Girolamo Porro in a Venice edition printed in 1584. The engravings are unsigned purportedly the work of several engravers including possibly Jodocus Hondius. Clark Library UCLA Chrzanowski 1607a : Regarding the 1607 Second edition. STC 748. Pforzheimer 447. HBS 69070. $3000. Printed by G. Miller for J. Parker unknown
rif. GOR012825696Paperback. Very Good. paperback
