1.279 Ergebnisse
1841Best.-Nr. 1034London: John Murray 1841. First Edition. Fine Leather Kelliegram Binding. Fine. George Cruikshank. DIBDIN Charles; CRUIKSHANK George Illustrator Songs Naval and National of the Late Charles Dibdin; with a Memoir and Addenda. London: John Murray 1841. First Edition. The Binding An exceptional and striking mid-19th-century nautical binding stamped "Kelliegram Binding" to the rear. Bound in full navy crushed morocco. The upper board features a magnificent large gilt-tooled vignette of a fully rigged galleon in full sail cresting stylized turbulent waves. The lower board is centered with a brilliant gilt trident. The spine is divided into six compartments by five raised bands lettered in gilt in the second compartment with the remaining compartments featuring distinct gilt nautical motifs: a pennant a camp tent a ship an anchor and a leaping dolphin. Finished with gilt-ruled edges intricate gilt inner dentelles solid endpapers and a gilt top edge. The absolute precision lavish tooling and premium materials are characteristic of the famed Kelliegram style produced by Kelly & Sons placing this remarkable piece firmly alongside the finest work of Golden Age peers like Riviere Zaehnsdorf and Bayntun. The Work & Maritime Significance This volume represents the definitive collection of Charles Dibdin 1745-1814 the undisputed master of the sea song whose music forms the absolute bedrock of the traditional sea shanty. For collectors interested in the tall ships era the Golden Age of Piracy and naval history Dibdin's works offer the authentic rugged soundtrack of that world-the very drinking songs working chants and tavern ballads sung by sailors privateers and smugglers below decks. Notably this text features Dibdin's wildly famous sea ballad "Poor Jack" the genuine 18th-century archetype that inspired centuries of maritime folklore and modern cinematic characters. In the era of sail "Jack Tar" or simply "Jack" was the universal moniker for the fearless and fatalistic British sailor. "Poor Jack" perfectly encapsulates the adventurous spirit of the men who lived and died by the unforgiving ocean dealing heavily in shipwrecks naval battles grog and tavern brawls. The Illustrations The volume is vastly elevated by the etchings of George Cruikshank one of the most important British illustrators of the 19th century. Cruikshank's brilliant style perfectly captures the grit and humor of naval life. Plates such as "Saturday Night at Sea"-depicting sailors drinking smoking and carousing below decks-offer incredible visual appeal and provide exactly the kind of authentic maritime aesthetic sought after by discerning collectors. Finding a highly thematic heavily gilt nautical Kelliegram binding in such a brilliant state of preservation is highly uncommon. The magnificent gilt galleon on the upper cover makes this an undeniable shelf-piece and a cornerstone acquisition for any fine maritime library. A book in fine condition. Measures 6.5"x4.25". Internally bright and clean with very little foxing. Extra illustrated. . John Murray unknown
Best.-Nr. 0365117676.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1804Best.-Nr. 500034882London: Barker & Son 1804. First Edition. . Hardcover. Good. 19pp 23 p. A new edition. 27pp 23pp 30pp new edition 28pp published Woodfall not in British Library8pp8pp8pp8pp. All bound in one contemporary volume disbound Barker & Son hardcover
1820Best.-Nr. 9959London: J. Duncombe; John Cumberland; T. Dolby c1820 -1830. Six imprints bound as one in half calf over marbled boards; bumped and scuffed to corners and boards; six panelled spine good; a sound and square copy. Endpapers and flyleaves age toned and water marked; a handwritten 1961 ownership inscription to top of front free endpaper; text block unmarked; tender over gutters front and rear. 1. Demon of the Desert; or The Murderer's Sacrifice: A Melo Dramatic Spectacle in Two Acts. By A L Campbell. J. Duncombe: London c1830. 36pp. 2. Ivanhoe; or The Jew's Daughter: a Romantic Melo Drama in Three Parts. By Thomas Dibdin. John Cumberland: London c1820. 64 pp. 3. The Gambler's Fate; or a lapse of Twenty Years. By Charles Thompson. John Cumberland: London c1827. 52pp. 4. The Maid of Genoa; or The Bandit Merchant. By John Farrell. J. Duncombe: London 1848. 24pp. 5. The Duenna A Comic Opera. By Rt Hon R.B. Sheridan. T. Dolby: London 1823. 59pp. 6. Clari; Or the Maid of Milan in Two Acts. By John Howard Payne. John Cumberland: London c1830. 40pp. Please contact Christian White Rare Books Ltd for more information or images of this item 1823 J. Duncombe; John Cumberland; T. Dolby hardcover
Best.-Nr. BBS-032502David Longworth. Hardcover. Good. Six plays bound together into one book. Title pages dated 1808-1812. 12mo. 3.5 inx5.5 in. 433 total pages. All published by David Longworth at the Dramatic Repository Shakespeare Gallery New York. lacks indramatis personae in page for Family Quarrels. full calf. gilt spine titling. cover rubbed and shelfworn at edges. light foxing throughout. bookplate. withdrawn from academic library. remains of pocket on rear endpapers. owner's notations on verso of front flyleaf. expected library markings and property stamps. interior pages unmarked. binding tight and solid. David Longworth hardcover
2004Best.-Nr. 2111902161003980Kawade Shobo Shinsha 2004. Soft Cover. Fine. Number of pages: 341p Size: 15cm Kawade Shobo Shinsha paperback
Best.-Nr. 0483783811.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1357097352.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1146246250.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1298909880.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1241374228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1996Best.-Nr. 51982ECON TASCHENBUCH 1996. 1. softcover. ECON TASCHENBUCH paperback
Best.-Nr. 05844London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. Six Fine Hand-Colored Lithographed Views of Torquay and Babbicombe DIBDIN Thomas Coleman. Vivian Edward. Scenery of Torquay and Babbicombe. London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. First edition. This copy issued without title-page and five text leaves. Oblong folio 12 5/8 x 17 1/2 inches; 321 x 444 mm. Six fine hand colored plates on thick card drawn by T.C. Dibdin from a sketch by Edward Vivian Esquire lithographed on stone by W. Gauchi and printed by M. & N. Hanhart all with tissue guards. Plate image size 8 x 11 3/4 inches; 203 x 298 mm. Plates lightly foxed mainly in blank margins. An excellent example Publisher's maroon roan backed limp brown pebble-grained cloth front cover lettered in gilt "Environs of Torquay" same as the Abbey copy. Spine a little worn at extremities. Housed in a brown buckram clamshell case front panel with black morocco label lettered in gilt "Dibdin / Environs of Torquay / 1841". Abbey Scenery 332 calls for five plates only; Our copy has "Torquay from the summit of Park Hill" lithographed by Day & Haghe after E. Vivian bound as plate number five. Rare: We have been unable to trace any other copies. Thomas Robert Colman Dibdin 1810-1893 was an English water color artist and teacher. He became an artist at the age of 28 and traveled to France Germany and Belgium. He also did paintings in Gibraltar and India although the latter were created in England based on detailed sketches. In 1845 he published a guide to water color painting. Edward Vivian 1808-1893 was an influential figure in the development of Torquay particularly noted for his extensive contributions to the town's social and educational institutions. Born in 1808 Vivian was educated at Oxford University where he developed a broad range of interests and skills. His first encounter with Torquay occurred during a sailing trip along the coasts of Wales and Devon a discovery that ultimately led him to settle in the town. Vivian's dedication to enhancing the lives of the working classes was a driving force behind his involvement in numerous local initiatives. As the first treasurer of the Torquay Museum Society he played a pivotal role in its establishment and growth. His work Scenery of Torquay and Babbicombe published around 1841 featured five hand-colored lithographs and depicted the picturesque landscapes of Torquay and Babbicombe reflecting his artistic talents and his appreciation for the area's natural beauty. Vivian was also an avid sportsman horticulturist photographer artist and illustrator. These interests were not only personal hobbies but also areas in which he sought to engage and elevate the community. His artistic skills in particular are well represented in the Torquay Museum's collections showcasing his ability to capture and convey the beauty of his surroundings. Edward Vivian's multifaceted contributions to Torquay left a lasting legacy cementing his reputation as a great Victorian polymath whose work significantly impacted the moral and intellectual upliftment of the local working classes. His diverse skills and relentless dedication to social improvement continue to be celebrated through the institutions and collections that thrive in Torquay today. The Plates: 1. Tor Church 2. Torbay from Tor Abbey Sands 3. Torquay from Waldron Hill 4. Torquay from Park Hill 5. Torquay from the summit of Park Hill lithographed by Day & Haghe 6. Babbicombe from Petit Tor Abbey Scenery 332; Bobins IV 1427. London: Cockrem, Elliott, and Barrett; R. Ackermann and Co., ca. 1841 unknown books
Best.-Nr. 05844London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. Six Fine Hand-Colored Lithographed Views of Torquay and Babbicombe DIBDIN Thomas Coleman. Vivian Edward. Scenery of Torquay and Babbicombe. London: Cockrem Elliott and Barrett; R. Ackermann and Co. ca. 1841. First edition. This copy issued without title-page and five text leaves. Oblong folio 12 5/8 x 17 1/2 inches; 321 x 444 mm. Six fine hand colored plates on thick card drawn by T.C. Dibdin from a sketch by Edward Vivian Esquire lithographed on stone by W. Gauchi and printed by M. & N. Hanhart all with tissue guards. Plate image size 8 x 11 3/4 inches; 203 x 298 mm. Plates lightly foxed mainly in blank margins. An excellent example Publisher's maroon roan backed limp brown pebble-grained cloth front cover lettered in gilt "Environs of Torquay" same as the Abbey copy. Spine a little worn at extremities. Housed in a brown buckram clamshell case front panel with black morocco label lettered in gilt "Dibdin / Environs of Torquay / 1841". Abbey Scenery 332 calls for five plates only; Our copy has "Torquay from the summit of Park Hill" lithographed by Day & Haghe after E. Vivian bound as plate number five. Rare: We have been unable to trace any other copies. Thomas Robert Colman Dibdin 1810-1893 was an English water color artist and teacher. He became an artist at the age of 28 and traveled to France Germany and Belgium. He also did paintings in Gibraltar and India although the latter were created in England based on detailed sketches. In 1845 he published a guide to water color painting. Edward Vivian 1808-1893 was an influential figure in the development of Torquay particularly noted for his extensive contributions to the town's social and educational institutions. Born in 1808 Vivian was educated at Oxford University where he developed a broad range of interests and skills. His first encounter with Torquay occurred during a sailing trip along the coasts of Wales and Devon a discovery that ultimately led him to settle in the town. Vivian's dedication to enhancing the lives of the working classes was a driving force behind his involvement in numerous local initiatives. As the first treasurer of the Torquay Museum Society he played a pivotal role in its establishment and growth. His work Scenery of Torquay and Babbicombe published around 1841 featured five hand-colored lithographs and depicted the picturesque landscapes of Torquay and Babbicombe reflecting his artistic talents and his appreciation for the area's natural beauty. Vivian was also an avid sportsman horticulturist photographer artist and illustrator. These interests were not only personal hobbies but also areas in which he sought to engage and elevate the community. His artistic skills in particular are well represented in the Torquay Museum's collections showcasing his ability to capture and convey the beauty of his surroundings. Edward Vivian's multifaceted contributions to Torquay left a lasting legacy cementing his reputation as a great Victorian polymath whose work significantly impacted the moral and intellectual upliftment of the local working classes. His diverse skills and relentless dedication to social improvement continue to be celebrated through the institutions and collections that thrive in Torquay today. The Plates: 1. Tor Church 2. Torbay from Tor Abbey Sands 3. Torquay from Waldron Hill 4. Torquay from Park Hill 5. Torquay from the summit of Park Hill lithographed by Day & Haghe 6. Babbicombe from Petit Tor Abbey Scenery 332; Bobins IV 1427. London: Cockrem, Elliott, and Barrett; R. Ackermann and Co., ca. 1841 unknown
Best.-Nr. 003126London: printed for G. Kearsly No. 46 Fleet-Street 1778. Soft cover. Very Good. Octavo. 28pp. With the half-title present. First edition. Disbound. ESTC T32925. 0 London: printed for G. Kearsly, No. 46, Fleet-Street, 1778. paperback
Best.-Nr. 022402387X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1836Best.-Nr. 26684London: John Major 1836. First edition 2 vols. 8vo pp. xxxii 4 556; 2 557-982; 10 engraved plates a number of illus. in the text; contemporary calf-backed boards joints restored old library pocket inside back cover of both vols.; generally a good sound set or better. Windle A62; Jackson 86; Lowndes I 642. John Major unknown books
1836Best.-Nr. 134551836. DIBDIN THOMAS FROGNALL. Reminiscences of a Literary Life. London: John Major 1836. 2 vols. xxxii 4 556 2 557-982 p. 44 p. index. Plates. Full modern morocco gilt and marbled doublures. Some light foxing on frontispiece and a few plates else a fine copy. First edition. Dibdin's bookish memoirs. unknown books
Best.-Nr. 6618488Cambridge University Press CUP . Papeback. New. pp. 608 Cambridge University Press CUP unknown
1836Best.-Nr. 37569London: John Major 1836. First edition. Very good condition; Toning especiialy to plates; Bit of scratching to cover of Volume II. Two volumes; Bound in half leather with marbled paper over boards raised bands and gilt titles and emplems; pp. xxxii 4 556 4 ads 557-982; 20 plates. John Major unknown
Best.-Nr. 11485967-nnew. unknown
Best.-Nr. 11485967like new. unknown
Best.-Nr. 1146494661.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1836Best.-Nr. A799322John Major. Very Good. 1836. Hardcover. 8vo - over 7¾" - 9¾" tall; 1/2 leather marbled boards raised band gilted spine a bit of edge rubbing remains nice tight clean attractive set . John Major hardcover
1836Best.-Nr. 70666London: John Major 1836. First edition. Full Leather. Very Good. 2 volume set. 22.5 x 13.5 cm. Octavos. xxxii 4 556pp 557-982pp 44 index 4 ads. Illustrated with 10 plates including frontispiece in each volume as well as additional in-text illustrations and facsimiles. Bound into full brown leather with leather spine labels and and gilt designs to spines. Spines have been rebacked. Marble endpapers and foredges. Bookplate of previous owner George H. Brook on front fixed endpapers. Front gutters feel weak but still holding. John Major unknown