3.091 resultados
1729ref. 28931Florence: Philippo di Giunta 1729. Large 8vo. 9 1/2 x 6 1/2 inches. 8 284 ff. Contemporary vellum spine lettered direct in gilt The classic masterpiece of early Italian prose. This series of one hundred novellas set against the background of a plague-ridden Florence would have a profound influence on Renaissance literature throughout Europe. Although dated 1527 on the title this edition edited by Stefano Orlandini and printed at the cost of Salvatore Ferrari was in fact printed in Venice in 1729 as a facsimile of the Giunta 1527 edition. It is sometimes referred to as the Consul Smith edition after Joseph Smith 1682-1770 the British consul at Venice and noted book collector who was involved in its production. Adams B 2147; Brunet I 999; Graesse I 440; Gamba 172 Note; Zambrini 87; Cat. Mostra Boccacio Bibl. Laurenziana II 71; Olschki Cat. XCV No.20. Philippo di Giunta unknown
1729ref. 28931Florence: Philippo di Giunta 1729. Large 8vo. 9 1/2 x 6 1/2 inches. 8 284 ff. Contemporary vellum spine lettered direct in gilt The classic masterpiece of early Italian prose. This series of one hundred novellas set against the background of a plague-ridden Florence would have a profound influence on Renaissance literature throughout Europe. Although dated 1527 on the title this edition edited by Stefano Orlandini and printed at the cost of Salvatore Ferrari was in fact printed in Venice in 1729 as a facsimile of the Giunta 1527 edition. It is sometimes referred to as the Consul Smith edition after Joseph Smith 1682-1770 the British consul at Venice and noted book collector who was involved in its production. Adams B 2147; Brunet I 999; Graesse I 440; Gamba 172 Note; Zambrini 87; Cat. Mostra Boccacio Bibl. Laurenziana II 71; Olschki Cat. XCV No.20. Philippo di Giunta unknown books
ref. 25621Paris, Gibert Jeune, 1934. 2 volumes in-4°, 343-282p. Reliures demi-chagrin à coins, dos à nerfs, têtes dorées, gardes marbrées, couvertures et dos conservés.
1527ref. 155126Firenze ma Venezia: Philippo Giunta ma Pasiniello 1527 ma 1729. Cm. 26 pp. 16 284. Stemma giuntino al frontespizio ed all'ultima carta. Solida legatura d'amatore con piatti ottocenteschi dorso e punte di fattura più recente con titoli e belle decorazioni in oro al dorso. Bell'esemplare a pieni margini. Si tratta della celebre ristampa della 'Ventisettana' fatta da Stefano Orlandelli coi torchi del Pasinello e a spese di Salvatore Ferrari impressa su carta di finissima qualità in numero di 300 esemplari. Cfr. Gamba 172: "Ristampa che mal a proposito suole indicarsi come contraffazione" ; Bacchi della Lega p. 36. Philippo Giunta (ma Pasiniello) unknown
2007ref. 1242Decameron The Decameron of Giovanni Boccaccio. Translated by Richard Aldington. The Folio Society London 2007. With the addition of the pamphlet 'The Happy Art of Narration' Readings of Boccaccio and the Decameron. Red goatskin binding. Gold geometric designs on the covers and spine by Jeff Clements. Gilt top edge. Slipcase. Limited edition of 1750 copies. English language. Excellent condition. The Folio Society hardcover
1940ref. 65435New York:: The Grolier Club 1940. First edition; one of 300 copies printed on Italian hand-made paper at the De Vinne Press. publisher's elaborately decorated art vellum. Very slight rubbing at extremities; a very few slight marks to a very few leaves of text; a very attractive copy overall almost entirely free of the foxing often seen. . Small 4to. Frontispiece portrait; folding city view of Florence. With an Introduction and a Note on the Portraits of Dante by G. R. Carpenter. The Grolier Club, hardcover
1729ref. 047470Florence i.e. Venice: Heirs of Filippo Giunta i.e. Pasinello Printed by Stefano Orlandelli at the expense of Salvatore Ferrar 1729. Later Edition. Hardcover Half Vellum. Near Fine Condition. Modern half vellum over early marbled paper. Contemporary bookplate to title slight browning to first few and last few pages otherwise a bright wide margined copy edges untrimmed. A lovely facsimile of the famed Giunta edition. 284ll. Adams B 2147; Brunet I 999; Graesse I 440 Pettas Giunti of Florence 217 refers to it as a counterfeit but notes the errors in foliation have been corrected. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 047470. Heirs of Filippo Giunta (i.e. Pasinello, Printed by Stefano Orlandelli at the expense of Salvatore Ferrar) hardcover
1665Volume in 16º legato in mezza pelle, titolo al tassello al dorso ornato, sguardie, bianca, frontespizio, prefazione dello stampatore, (24), 744 pp.. Bella e curata edizione delle novelle arcinote del Boccaccio, assai apprezzata per la correttezza del testo, stampata sulla famosa ventisettana, in bel carattere romano tondo. La carta è forte e frusciante, seppur in qualche pagina (le ultime dieci carte) persista una sporadita brunitura, la bella impaginazione e la chiarezza dell'impressione fanno sì che malgrado la piccolezza del carattere la lettura sia facile e scorrevole, arricchita da bei capilettera ornati. Menzionata ed apprezzata in molte bibliografie, l'opera si presenta in bello stato, con i soli pochi arrossamenti citati dovuti al tipo di carta. Preziosa edizione secentesca difficilmente reperibile in questo stato.
1702ref. 20881A Cologne, chez Jacques Gaillard, 1702. 2 volumes in-12 de [16]-366-[5] et 427-[13] pages, plein veau blond, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison rouge et verte, triple filet doré encadrant les plats, tranches dorées.
1590ref. 56659Venetia Fabio & Agostin Zoppini Fratelli & Onofrio Farri 1590. 4to. Contemp. full vellum. Marbled edges. Printers woodcut-device on title-page. 854490 pp. Many large initial in woodcut 10 large woodcut illustrations in the text 3/4-page woodcut portrait on verso of fol.4. A few faint brownspots. Clean and fine. Brunet I1002. - Not in Adams. hardcover
1590ref. 56659Venetia, Fabio & Agostin Zoppini Fratelli & Onofrio Farri, (1590). 4to. Contemp. full vellum. Marbled edges. Printers woodcut-device on title-page. (8),544,(90) pp., Many large initial in woodcut, 10 large woodcut illustrations in the text (3/4-page), woodcut portrait on verso of fol.4. A few faint brownspots. Clean and fine.
1569ref. 146435Paris: Federigo Morello 1569. Rare sixteenth century edition of this literary work in the original Italian. Duodecimo original full vellum. In near fine condition with light splitting to the front interior hinge. Giovanni Boccaccio was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Often referred to as one of the "Three Crowns" of Italian literature along with Dante Alighieri and Petrarch Boccaccio is responsible for the creation of classic works of imaginative literature such as 'The Decameron' and setting the stage of Renaissance Humanism in Italy. Federigo Morello hardcover
1582ref. 72228Firenze Florence: Nellastamperia 1582. Seconda Editione. Hardcover. Good. 23 x 16 cm. Octavo. 585pp 78pp. Bound into worn flexible vellum paper spine label. Second edition with the censorship of Lionardo Salviati: Italian humanist philogist and writer. Salviati modified 52 of the short stories leaving 48 intact. Decorative initials. Previous owners stamps on title page Giusep: Talinu. There is staining effecting some of the last and first few dozen pages. The staining avoids the text on most but not all pages. Binding remains tight. Nellastamperia hardcover
1952ref. 8592Verona. Editiones Officinae Bodoni. 1952. Bound in half gilt ruled Vellum and paper covered boards. Gilt titles to spine. t.e.g. 4to. 7.5" x 11.5 This Edition has been pinted in Griffo type on the hand-press in 225 numbered copies on hand-made Fabrino paper of which this is number 93. Illustrated with Woodcuts by Bartolommeo Di Giovanni for a lost Quattrocentro Edition which were used to illustrate various later texts and now been reesembled and recut by Fritz Kredel. Very mild usual foxing to fore-edge. Very slight foxing to front and rear pastedowns. A Very Fine crisp copy. Editiones Officinae Bodoni. hardcover
1952ref. 8592Verona. Editiones Officinae Bodoni. 1952. Bound in half gilt ruled Vellum and paper covered boards. Gilt titles to spine. t.e.g. 4to. 7.5" x 11.5 This Edition has been pinted in Griffo type on the hand-press in 225 numbered copies on hand-made Fabrino paper of which this is number 93. Illustrated with Woodcuts by Bartolommeo Di Giovanni for a lost Quattrocentro Edition which were used to illustrate various later texts and now been reesembled and recut by Fritz Kredel. Very mild usual foxing to fore-edge. Very slight foxing to front and rear pastedowns. A Very Fine crisp copy. Editiones Officinae Bodoni. hardcover books
1761ref. 222141761. 1/4 leather. Very Good. Very impressive 1761 edition with the text carefully re-written and re-deciphered from Boccaccio's original by Franco d'Amaretto Mannelli. Clean solid and VG with the text in its original Italian crisp and eminently readable with very milddarkening at a number of te pages. Lovely engraved portraits of Boccaccio the frontispiece and Franco d'Amaretto Mannelli. Several woodblocks large fold-out plate a genealogical chart of Francesco di Amaretto Mannelli complementing the timeless Renaissance text. Re-bound in a sturdy perfectly presentable 1/4 brown leatherette over veined light-brown boards which show a bit of abrading at the rear panel. Thick quarto 373 pgs. all told. unknown
1761ref. 222141761. 1/4 leather. Very Good. Very impressive 1761 edition with the text carefully re-written and re-deciphered from Boccaccio's original by Franco d'Amaretto Mannelli. Clean solid and VG with the text in its original Italian crisp and eminently readable with very milddarkening at a number of te pages. Lovely engraved portraits of Boccaccio the frontispiece and Franco d'Amaretto Mannelli. Several woodblocks large fold-out plate a genealogical chart of Francesco di Amaretto Mannelli complementing the timeless Renaissance text. Re-bound in a sturdy perfectly presentable 1/4 brown leatherette over veined light-brown boards which show a bit of abrading at the rear panel. Thick quarto 373 pgs. all told. unknown books
[Contraffazione-Boccaccio] (cm.24,3) bella piena pergamena posteriore con unghie, titolo manoscritto al dorso. -- cc. 8 nn., cc. 284. Marca tipografica all' inizio e in fine. E' questa la celebre contraffazione della ventisettana, stampata a Venezia da Stefano orlandelli coi torchi del Pasinello in soli 300 esemplari. Vedi per le differenze Zambrini, Parenti, De Bure e Renouard "Notice sur les Junte". L' eccezionale rarità dell' edizione indusse il console Smith a finanziare questa preziosa contraffazione riproponendo così un testo universalmente riconosciuto che fu di riferimento fino all' edizione del Mannelli del 1761. Esemplare bellissimo nitido e marginoso. * Bacchi Della Lega p.36; * Gamba 172; * Graesse I 449; * Brunet I 999; * Borromeo: Novellieri Italiani p.9; * Haym III p.20; * Zambrini 87; * Parenti "Falsi Luoghi" p.87.[f68] Libro
1547ref. 008609Venetia: Venice: Pietro dei Nicolini da Sabbio 1547. Book measures 16x11.cm. 6 .4/1 x 4. 4/1 inches .Collation 264216 i.e 4321pp woodcut decorative capital's throughout. Recently bound in full antiquarian calf blind flat bands leather title label ruled blind lines on boards. Slight crease line along edge of spine. Binding in very good clean firm condition. Internally title page slightly dusty very small nick on margin text in remarkably clean condition throughout. A very nice copy in a very good attractive binding.F. Full Calf. Very Good Plus. Small 8vo. Venice: Pietro dei Nicolini da Sabbio, Hardcover
1530ref. 178085Venice: per Nicolo di Aristotile detto Zoppino 1530. An early edition of the first adventure novel of Italian literature in vernacular prose. Written by the author during his student years in Naples this was Boccaccio's first important work a retelling of the popular medieval French romance of Floire and Blancheflor. "Boccaccio demonstrated a vast knowledge of literature classical and medieval and a personal engagement with it giving a strong indication of literary promise and of the masterpieces to come. Boccaccio enlarges and ornaments the story with Florio's travels throughout Italy and the Mediterranean adding digressions geographical historical and mythological at each stop and each new encounter; he weaves into the story autobiographical allegories exotic places and even a lesson in church history and doctrine" Weaver p. 87. The Filocolo was published in 1472. This is one of two Venetian editions printed in 1530 the other by Francesco di Alessandro Bindoni both reproducing the text as edited and published by Marco Guazzo in 1527. Octavo 150 x 115 mm: A-2Y 360 leaves. Title page printed in red and black within elaborate woodcut border and incorporating woodcut portrait of the author similar portrait of St Nicholas on verso of last leaf. Eighteenth-century mottled half sheep smooth spine divided by ornate gilt rolls light brown calf label patterned paper-covered boards edges black. Old library label on spine. Near-contemporary Latin and Greek ownership inscription on title page "Joannis Bonij. kai ton filon in Greek characters C:L:D:S:" indicating it belonged to one Giovanni Boni "and friends". Worming on spine and margins of a few initial and final leaves affecting woodcut decoration and several words corners worn inner hinges cracked title and final page partly detached from gutter but firm some loss to margins of final page intermittent and mainly marginal foxing and toning couple of gathering damp stained. A good copy. EDIT16 6283. Elissa Weaver "A Lover's Tale and Auspicious Beginning Filocolo" in Victoria Kirkham Michael Sherberg & Janet Levarie Smarr eds Boccaccio. A Critical Guide to the Complete Works 2013. hardcover
ref. 054041Nice A l'enseigne du Chant des Sphères. Editions d'Art Sefer, 1976-1978 1976 in 4 (25x20) 5 forts volumes reliures plein cuir havane de l'éditeur sous étuis bordés, dos et plats ornés d'un riche décor de motifs médiévaux estampés à froid et dorés, têtes dorées, 265 pages, 238 pages, 179 pages, 223 pages, 217 pages. Traduction compète par Antoine Le Maçon conseiller du Roy et trésorier de l'extraordinaire de ses guerres, Secrétaire de la Reine de Navarre (1545). Edition ornée d'illustrations miniatures en couleurs de Jean Gradassi, coloriées au pochoir, et rehaussées à l'or et au palladium, 45 illustrations couleurs de Jean Gradassi dont une planche double, 29 hors texte, 5 titres frontispices et 10 en-têtes de chapitres à pleine page, et de nombreuses lettrines et culs-de-lampe couleur et or. Tirage limité à 2500 exemplaires numérotés sur vélin de Lana, celui-ci un des 350 exemplaires numérotés (N° de 301 à 600) avec un dessin original hors-texte en couleurs signé par Jean Gradassi, légendé: '' Le Décaméron, 5e journée, 7e nouvelle '', et une suite en sépia des hors-texte. Bien complet du certificat d'authenticité. Ensemble complet et en bel état ( Photographies sur demande / We can send pictures of this book on simple request )
1779ref. 83792S. n. | à Londres 1779 | 8.50 x 14 cm | 10 volumes reliés
1846ref. 77497Paris: Barbier 1846. Fine. Barbier Paris 1846 18 x 28.20 cm relié Illustrated edition with first printing of vignettes by Tony Johannot Baron Celestin Nanteuil Grandville Geoffroy and 32 plates by the same artists. Half chocolate brown morocco with corners late 19th century signed Bertault at the top of the first endpaper. Smooth spine richly decorated with mirror-pattern tools in Romantic style roulette at head and tail frame fillets. Separating fillets on boards. Top edge gilt. Covers and spine preserved. Uncut copy with full margins. Paper perfectly fresh immaculate. Spine slightly sunned. Some traces of rubbing. Very handsome copy of this rare illustrated Romantic work. Barbier hardcover
1928ref. 2091202133206096Fratelli Alinari 1928. Soft Cover. Fine. Volume: 1 Fratelli Alinari paperback
1594ref. 957P37Firenze: Filippo Giunti 1594. Leather. Very Good Indeed. 6.5" by 4". None. An uncommon early edition of one of the last works written in Italian by Boaccaccio. An uncommon early edition published in Florence at the end of the sixteenth century.In the original Italian.'Il Corbaccio' or 'The Crow' is a satirical novella in which a man has been rebutted by a widow and is subsequently visited by the widow's dead husband in his dream telling him why she is best left alone.By the fourteenth century Italian author Giovanni Boccaccio one of the most important authors of the country's history.Published by Filippo Giunti one of the leading printing firms in Florence in the sixteenth century.Register runs as: 4 A-G8 H-I4. Collated complete.Bookplate of Luigi Strano to the front paste down an author of poetry. In a full calf binding. Externally smart with light marks to the boards and spine. Bookplate to the front paste down. Prior owner's ink to the rear endpaper. Internally firmly bound. Pages are lightly age-toned and generally clean with scattered spots and a small tidemark to the tail of the first few pages. Small patch of worming to the first 2 leaves with no loss of text. Prior owner's ink inscription to the head of the title page. The occasional ink underlining to the text. Very Good Indeed Filippo Giunti hardcover