615 résultats
1979réf. 100404Paris: Arthena 1979. VG/VG- with somewear to the dj. Ex archival art library copy hardly used very few marks and very nice copy. Blue cloth with illustrated dustjacket. 110-117-104-159-119 pp. Illustrated with bw plates and 4 color plates. Preface to this volume written by Jacques Foucart and Louis-Antoine Prat. The four parts reprinted in this volume were originally issued between 1883 and 1889. Arthena hardcover books
2011réf. 215892Miami FL: Cisneros Fontanals Art Foundation 2011. Softcover. VG. Bw illustrated wraps with orange text on cover. 217 pp. Color and bw illustrations. Exhibition held November 30 2011-March 4 2012. curated by Jesús Fuenmayor and Philippe Pirotte. Cisneros Fontanals Art Foundation paperback books
2000réf. 9030198Cologne: Konemann 2000. 1st. Hardcover. Fine/fine. Edited by Olivier Binst. Photography by Robert Pilidori. Bound in publisher's original orange cloth with spine and front cover stamped in white. Profusely illustrated. 10 1/2 x 12 1/4 inches. 319 pages. Konemann hardcover books
1972réf. 213141Houston TX: Museum of Fine Arts Houston 1972. Softcover. VG. Light shelf wear and rubbing to wraps otherwise clean and unmarked. Oblong quarto. Softcover exhibition catalogue. Red illustrated wraps with black titles. 70 pages illustrations 18 x 26 cm. Exhibition Museum of Fine Arts Houston Feb. 5-Mar. 5 1972. Foreword by Philippe de Montebello. Chronology and catalogue by Dennis Harrington. Museum of Fine Arts, Houston paperback books
1974réf. 30972Paris: Éditions Seghers. Near Fine with no dj. Later Printing. Softcover. a nice tight clean copy light edgewear to covers mild crease on spine. Cinéma d'aujourd'hui no. 46 Trade PB B&W photographs French-language monograph on the great American film director in the typical format of this long-running series including a long critical survey of Ford's ouevre a word he would have hated! comments on his work by critics and other filmmakers brief essays on some of his creative collaborators including screenwriters Dudley Nichols Nunnally Johnson and James R. Webb and cinematographer Winton C. Hoch a filmography and a bibliography. This is a later printing 1974; the original had been issued in 1966 possibly prompted by Ford's death in 1973 but only minimally updated with a 3-page "Postface" discussing various projects the director was associated with in his later years and a couple of post-1966 additions to the bibliography. . 1974. Éditions Seghers paperback books
1971réf. 70330New York: Harlin Quist Incorporated 1971. Presumed first U.S. edition no other U.S. editions listed. Hardcover. Very good/very good. Unpaginated. Slim quarto 29 cm Brown paper over boards with white stamped illustration to front cover and white stamped title on spine. Boards just a hair warped. In the dust jacket with a 2" closed tear to the top edge and a 4" squiggly line impression to the rear panel. With pictures by Philippe Corentin. "STORY NUMBER 1 and STORY NUMBER 2 must be considered among the most imaginative picture books of the Last decade." - Maurice Sendak. Harlin Quist, Incorporated hardcover books
1987réf. 101931Newbury Park: Sage Publications 1987. Hardcover. Very Good. First edition. Foreword by Harriet Zuckerman. Black cloth with spine stamped in silver. A few pages with faint highlighting small stains on topedge bleeding a little into top margin covers rubbed with corners bumped very good without dust jacket as issued. Sage Publications hardcover books
2013réf. 159560Newport Beach CA and Munich: Orange County Museum of Art / DelMonica Books / Prestel 2013. First edition. Hardcover. 304 pages. Published in conjunction with an exhibition that ran February 17 through May 5 2013 at the Orange County Museum of Art and then traveled to two other locations for additional dates. Essays by Dennis Szakacs Michael Darling Jeffrey Weiss and John C. Welchman. Also features the text of a conversation between Jackson and Hans Ulrich Obrist along with a chronology and contributions by Fatima Manalili David Mather Andrew Berardini and Alberta Mayo. Includes numerous color illustrations. A fine copy in boards. No dust jacket as issued. Orange County Museum of Art / DelMonica Books / Prestel unknown books
1972réf. 176793Brussels Belgium: Imprimerie Laconti 1972. Hardcover. VG. covers worn/scuffed. black scuffs to lower text-block fore-edge. glossy plates edge toned; pgs clean. dustjacket has edge-wear scuffs indentations & tear to top edge. black cloth boards w/ white spine printing. 199 pgs w/ bw & color illustrations/plates. black pictorial dustjacket w/ white printing; protective plastic cover. Text In English. Imprimerie Laconti hardcover books
1976réf. 589306Boston: Houghton Mifflin Company 1976. Hardcover. Fine/Very Good. First edition. 256pp. Illustrated with black and white plates. About fine in a very good dust jacket with rubbing and a little sunning. Includes previously unpublished correspondence with Vita Sackville-West. Houghton Mifflin Company hardcover books
1976réf. 549891London: Hamish Hamilton 1976. Hardcover. Very Good/Near Fine. First edition. 244pp. Illustrated with black and white photographic plates. Blue cloth. Faint foxing on flyleaves topstain lightly sunned very good in a near fine dust jacket with light foxing on the flaps. Hamish Hamilton hardcover books
réf. 28625Albany: State University of New York Press. Very Good. 1st printing. Softcover. surface rubbing/scuffing along bottom edge of front cover slight ripple in text block previous owner's name in ink at top of front endpaper but no markings in text. Intersections: Philosophy and Critical Theory Series Trade PB Originally published in France in 1978 this is "the first authoritative study of the emergence of the modern concept of literature in German romanticism. It situates the Jena romantics' 'fragmentary' model of literature -- a model of literature as the production of its own theory -- in relation to the development of a post-Kantian conception of philosophy as the total and reflective auto-production of the thinking subject. Analyzing key texts of the period the authors articulate the characteristics of romantic thought and at the same time show historical and systematic connections with modern literary theory. Thus the book renews contemporary scholarship showing the romantic origins of some of the leading issues in current critical theory." Or: Why I Got the Hell Out of Academia. . State University of New York Press paperback books
1979réf. 167339New York: Italian Cultural Institute 1979. Paperback. G. Covers slightly tanned show shelf wear such as minor creasing. Contents clean and tight. BW stapled wraps. 23 pp. 23 BW illustrations. An instruction guide showing 1 Technique materials used taking apart of the plate for "Joyeux" and 2 Printing equipment printing stages. A demonstration of how Boni used metal in his works. Italian Cultural Institute paperback books
réf. B194793-2Milano/New York Edizioni Philippe Daverio 1990. 48pp. Prof. illus. 4to. Wraps. D.j. Milano/New York (Edizioni Philippe Daverio), 1990. paperback books
2014réf. 215793London and Paris: Koenig Books and Palais De Tokyo 2014. First edition. Softcover. 188 pages. Exhibition catalog for a show that ran October 23 2013 through January 12 2014. Text in English and French. Features contributions by Jean de Loisy Carlos Basualdo Darius Khondji Mouna Mekouar Michel Serres and Hans Ulrich Obrist and the text of a conversation between Basualdo and Parreno. Includes numerous illustrations a checklist list of previous exhibitions and biographical information. A clean near fine copy in wrappers with some minor wear. Koenig Books and Palais De Tokyo unknown books
2010réf. 207430New York: Sternberg Press 2010. Paperback. VG Light edgewear to wraps and bookblock. Blue wraps with white lettering; 43 pages; illustrations some color. Published on the occasion of the exhibition presented at the Center for Curatorial Studies Bard College Annandale-on Hudson NY June 26-September 26 2010 -- WorldCat. Sternberg Press paperback books
1990réf. 173450New York: Philippe Daverio Gallery 1990. Paperback. Good exlibrary with labels and stamps still solid. Light soiling top covvers. Pink card wraps with color-illustration and black lettering. 29 unnumbered pages. Color and BW illustrations. Catalogue of an exhibition from February 7th to March 10th 1990. Philippe Daverio Gallery paperback books
1965réf. 208788New York: American Society of Magazine Photographers 1965. First edition. Softcover. 26 pages. August 1965. Volume XIV No. 8. Cover features an image by Philippe Halsman. Terrific issue that features portfolios of images by Philippe Halsman and Eliott Erwitt. Also includes a portfolio of images on the KKK by David Cupp. A near fine copy in stapled wrappers with printed mailing label to the front cover. American Society of Magazine Photographers unknown books
1984réf. 91380Monte Rio: Doris Green Editions 1984. First edition. 4to. Some scattered foxing along the lower edge of the front panel else near fine in side-stapled wrappers. Translated from the original French by Pat Nolan with his introduction. Monte Rio: Doris Green Editions, unknown books
1927réf. 199255Paris: Editions des Quartre Chemins 1927. Paperback. Good- Wraps are edgeworn/scuffed/smudged; front cover is reinforced with tape; spine strip is heavily chipped and edgeworn; textblock is cracked; textblock edges are toned/scuffed/smudged; interior is clean but toned with the occasional smudge. Brown wraps with mounted title card on the cover with black lettering; black hand-written title on the spine; 49 pp. many uncut; richly illustrated with plates and portraits. Text in French. Editions des Quartre Chemins paperback books
1989réf. 202561Paris: Cercle D'Art 1989. First edition. Hardcover. 174 pages. Features text in French by Serge Fauchereau. Includes 286 illustrations with 65 in color biographical information checklist and an index. A clean very near fine copy in cloth boards and in a very near fine dust jacket. Cercle D'Art unknown books
2022réf. 213964New York: Metropolitan Museum of Art 2022. Hardcover. As new. Square quarto. Hardcover. Bound in maroon cloth with illustrated jacket. 308 pages : illustrations some color portraits facsimiles ; 28 cm. Text in American English with translations from the French. "Jacques Louis David: Radical Draftsman will be the first exhibition devoted to works on paper by the celebrated French artist who navigated vast artistic and political divides throughout his life -- from his birth in Paris in 1748 to his death in exile in Brussels in 1825. His iconic works captured the aspirations and suffering of a nation while addressing timeless themes that continue to resonate today. Through the lens of his preparatory studies the exhibition looks beyond his public successes to chart the moments of inspiration and the progress of ideas. Visitors will follow the artist's process as he gave form to the neoclassical style and created major canvases that shaped the public's perceptions of historical events in the years before during and after the French Revolution. Organized chronologically the exhibition will feature more than eighty drawings and oil sketches -- including rarely loaned or newly discovered works -- drawn from the collections of The Met and dozens of institutional and private lenders."-- "The paintings of Jacques Louis David 1748-1825 are among the most iconic in the history of Western art but comparatively little is known about his nearly two thousand drawings that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman accompanies the first major exhibition to focus on the artist's often yearlong process of trial and experimentation from initial idea to finished canvas. Including several recently discovered drawings published here for the first time this volume provides a new perspective on the celebrated master. Essays by international experts explore what David's preparatory works on paper reveal about his creative process and how they bear witness to the tumultuous years before during and after the French Revolution. As both a participant and an observer David helped establish the new French society while documenting the drama violence and triumphs of modern history in the making."--. Metropolitan Museum of Art hardcover books
2000réf. 295146Paris: Belin 2000. Paperback. 496p. softbound in 8.5x5 inch white wraps slight handling soil to the fore edge otherwise clean and sound this copy inscribed and signed by Verstraten with contact information. L'extreme contemporain. Belin paperback books
2002réf. 309782New York: Abrams 2002. hardcover. fine/fine. Bruegel. Profusely illustrated in color & b/w. 351 pages. Folio navy cloth d.w. New York: Harry N. Abrams 2002. A near fine copy in a near fine dust wrapper. Abrams unknown books
1989réf. 143354Cambridge: Harvard University Press 1989. cloth dust jacket. large 8vo. cloth dust jacket. x 304 pages. First edition. Small tear along the bottom of the spine of the jacket else a near fine copy. Index at rear. Harvard University Press unknown books
