618 résultats
1993réf. 182310Zurich: Das Museum 1993. Softcover. VG. Black wraps color illustrated white lettering on spine; 120 pp; illustrated throughout in color and bw. Text in German. Catalogue of an exhibition held October 6 1993 through January 1994 at Museum Bellerive Zurich. Das Museum paperback books
1971réf. 9014860New York: Viking Press 1971. Hardcover. Fine condition / Fine condition dust jacket. Viking Press hardcover books
1999réf. 9001462Koln Germany: Evergreen 1999. Hardcover. Fine/fine. Text translated into English. Contains more than 300 illustrations. Fine condition in fine dust jacket. Evergreen hardcover books
1996réf. 9006276Koln: Taschen 1996. Hardcover. Book fine Dust jacket fine. Illustrated throughout. Bound in the publisher's original boards with the spine stamped in white. Text is in English German and French. Taschen hardcover books
1971réf. 168714Bergamo: Galleria Lorenzelli 1971. Softcover. First Italian Edition. Catalog for an exhibition which ran from April through May of 1971 at Galleria Lorenzelli. Text in Italian. Very Good plus in perfect-bound wrappers. Galleria Lorenzelli unknown books
réf. B171014-2Poitiers Musées de la ville de Poitiers et de la Société des Antiquaires de lOuest 1998. 120pp. Prof. illus. 21 color. Sm. 4to. Wraps. Published in conjunction with an exhibition at the Musée Sainte-Croix Poitiers Feb.-May 1998. Poitiers (Musées de la ville de Poitiers et de la Société des Antiquaires de lOuest), 1998. paperback books
1987réf. 213260Paris: Galerie H. Odermatt - Ph. Cazeau 1987. Softcover. VG-. Wear and fanning around wrapper edges bumping at head/tail otherwise clean and unmarked. Quarto. Softcover. Illustrated wraps. 115 : color illustrations ; 30 cm. Galerie H. Odermatt - Ph. Cazeau paperback books
1987réf. 223776Geneva: Editions Poesie Vivante 1987. Paperback. 173p. text in French illustrated with erotic drawings personal inscription in French signed by the author dated February 27 1987very good first trade edition after a limited edition in 1986 paperback in cream pictorial wraps. "The pebbles of hope" the next-to-last book by Congolese poet/playwright Elebe who lived and worked for the UN in Geneva until his death in 1996. Editions Poesie Vivante paperback books
1995réf. 180486New York: Stewart Tabori & Chang 1995. Hardcover. VG/VG. scuffs & scratches to covers. pgs edge-toned; clean. dustjacket has scuffs & edge-wear; upper edge upturned tear at corner; edges toned. black cloth boards w/ silver spine printing. 319 pgs w/ bw 7 color illustrations. white dustjacket w/ multiple illustrations & red/silver printing. Cecil Beaton 1904-1980 was a tirelessly busy man whose career included theater and film design writing arbitrating taste to London's High Bohemia and gardening in his country estate. However it was as a photographer that Beaton achieved immortality. This opulently produced monograph is the first comprehensive presentation of his work. 265 duotone & color photos.--Amazon. Stewart, Tabori & Chang hardcover books
1986réf. 194792Paris France: Philippe Sers / Reunion Des Musees Nationaux 1986. Hardcover. VG-/VG bruising/bumping to lower corners w/ rubbing; rubbing to lower pg corners. spine end bumped & rubbed. dustjacket scuffed & scratched; creasing to corners & spine ends. tan cloth w/ maroon stamped printing; spine printing. 187 pgs w/ bw duo-tone & select color illustrations. glossy tan maroon speckled dustjacket w/ bw illustration. Text in French. 176 plates. Philippe Sers / Reunion Des Musees Nationaux hardcover books
1986réf. 196327Paris: Ecole Nationale Superieure des Beaux-Arts 1986. Paperback. Very Good. French laguage text. Illustrated wraps. 436 pages : illustrations chiefly color maps plans portraits. "Présentation de l'exposition conçue par Marie-Louise Cazalas . et al."--Page 2./ Exhibition held at the Ecole nationale supérieure des beaux-arts May 12-July 18 1982 and three other locations through Mar. 1984./ Includes bibliographical references pages 427-429-and indexes. Ecole Nationale Superieure des Beaux-Arts paperback books
1994réf. 34533Editions La Boussole. 1994. First Edition; First Printing. Hardcover. Fine hardcover photography of remote region of Nepal bordering Tibet. Text is in French. ; 8vo 8" - 9" tall . Editions La Boussole hardcover books
1969réf. 5726New York. The Viking Press. 1969. Cloth. 4to. Color and monochrome illustration. Fine in Fine dustwrapper. The Viking Press. hardcover books
réf. 1087New York. Praeger Publishers. 1969. 4to. Fine condition. unknown books
1905réf. 118745Paris: Maison Mazarin 1905. Hardcover. Very Good. Very good The Immortal Series. Hinge starting to crack. Rough page ends. Cover is leather and cracked along spine. Rubbed on corners and edges. Gilt design with coin embedded on front. Chipping wear on spine ends. Maison Mazarin hardcover books
1914réf. 4433Paris: Perrin 1914. Good. 21 cm; 412 pages. Original printed wraps. Shelf-worn well-read copy yet sound and entire. Old signature erased from title page. Perrin paperback books
1980réf. 193638Paris: Inspection Generale Des Musees Classes et Controles 1980. Paperback. Good Wraps show age-toning foxing and shelf/edgewear; first page has first top inch removed so the book will be sold AS IS; interior is clean; binding is solid. White wraps with sepia illustration and brown lettering; 115 pp.; richly illustrated in bw. Text in French. Inspection Generale Des Musees Classes et Controles paperback books
1752réf. 1418356Paris: Chez Michel Lambert 1752. Hardcover. 12mo 23 298 pages. In Fair condition. Spine is brown with faded gold print raised bands. Boards in brown leather; worn spine caps and corners torn hinges leather dry and cracking surface tears toning. Text block has marbled endpapers red tinted edges; cracked hinges name stamp on half-title page. NOTE: Shelved in Netdesk Column F ND-F . 1418356. FP New Rockville Stock. Chez Michel Lambert hardcover books
1978réf. 296219New York: Oxford University Press 1978. Hardcover. Very Good/Very Good. First edition. Very good in a very good dustwrapper with a small scrape on the front panel short tear at the bottom of the spine. Oxford University Press hardcover books
1977réf. 167443Oxford/New York: Oxford University Press 19778. Hardcover. VG-/VG- title page loose at bottom light shelf wear and interior tanning to dust jacket some scuffing and small scratches to dj. Forest green cloth boards with gilt stamped spine lettering. Glossy color-illustrated dust jacket with yellow and cream lettering. 228 pp. BW and some color illustrations. "The author describes and illustrates a tradition of nineteenth-century painting which he writes was 'a deep current running right through the century that had its source in the strange the imaginary and the fantastic. Often governed by that queen of all the faculties the imagination this 'alternative' tradition drew its eloquence from the individual's power of expression whether in silence or in a cry in dream or in waking clarity Goya with his extravagances was a contemporary of Louis David; the visionary Blake was a contemporary of Canova and his marbles.' The recurrent themes- nature and its horizons the individual and his depths sleep and its empire the elsewhere or the beyond woman and her faces light and shade- are traced from Goya Blake and Fuseli through many less obvious figures in the world of nineteenth-century art to Whistler to Munch to Klimt." -Jacket. Oxford University Press hardcover books
2009réf. 214858Milano: Abscondita 2009. Softcover. VG. Octavo. Softcover. Black and white paper wraps with color illustration. 89 p. 25 leaves illustrations ; 23 cm. Italian text. Abscondita paperback books
1946réf. UB-17953New York / Toronto: Rhinehart & Company 1946. First Edition. Hardcover. Very Good/Good. First Edition. Hardcover. Translated from the French by Peter C. Rhodes. Original pictorial dust jacket designed by Paul Galdone with green leaves on a red and yellow ground unclipped with $2.50 price on flap. An early jacket by Galdone who designed many trade jackets in the 1940s before becoming one of the best-known American picture-book illustrators. Jacket is chipped and edgeworn with some losses at head and tail of spine. Red cloth hardcover boards spine in black with gold lettering. Contents lightly foxed more pronounced at endsheets. Date "Sept. 15 - 48" written in ink to front pastedown. FIRST EDITION IN ENGLISH FIRST PRINTING. The copyright page carries Rinehart's circled "R" which the firm used to mark first printings. The French original appeared in New York the same year. This is the brothers' second novel and the follow-up to Canapé-Vert 1944 which won the Second Latin American Prize Novel Competition. The book follows a man from Port-au-Prince who withdraws to the countryside and comes up against the world of peasant belief Vodou and rural folklore that he had dismissed. The Marcelins wrote about Haitian country life from the inside without the exoticizing lens that shaped most American fiction about Haiti at the time. They treated folk belief as a real force in their characters' lives rather than as local color. Philippe Thoby-Marcelin 1904-1975 was a co-founder of La Revue Indigène in 1927 alongside Jacques Roumain Carl Brouard and Émile Roumer. The journal was a central organ of the Haitian indigéniste movement which grew out of opposition to the U.S. occupation. In 1946 the year this book appeared he helped found the short-lived Parti Socialiste Populaire. When the party was outlawed in 1948 he went into exile in the United States and worked as a translator for the Pan American Union. One printing quirk: the leaf facing the copyright page is headed "Frontispiece" but instead of an illustration it carries an epigraph from Emile Caro's study of George Sand. The epigraph describes country people watching for the passage of "the 'Great Beast'" and anticipates the novel's title and theme. The rear jacket panel advertises Canapé-Vert with review excerpts from the Saturday Review of Literature Fanny Butcher in the Chicago Tribune and William McFee in the New York Sun. . Rhinehart & Company hardcover books
1967réf. 127852Baltimore Maryland: Trustees of the Walters Art Gallery 1967. Hardcover. VG. Blue cloth boards with stamped gilt lettering on cover and spine; blue cloth slipcase xxvii 423 pp; color frontispiece 215 plates chiefly bw eight in color. A sharp bright copy. From the introduction: Interest in the Limoges enamels of the Renaissance was aroused in France as a consequence of the romantic movement and in particular of the predilection of such writers as Balzac Theophile Gautier and Prosper Merimee for evoking the drama of life at the Valois court in the Ile de France and the Loire valley during the sixteenth century and the magnificence of the art and fashion there. From the 1830s and 1840s no French art collector in the field of European decorative arts considered his collection complete without including masterpieces of the Limoges enamellers. The quest for Limoges enamels was no less passionate in England. Trustees of the Walters Art Gallery hardcover books
2012réf. 174433Bristol England: Sansom & Company 2012. Softcover. VG corners slightly bumped small nicks/stain to back wraps. Gray and white wraps with color illustrations on front and back 108 pp profusely illustrated in color and bw. Text in English and French. Published to accompany the exhibition held 24 Mar. - 9 June 2012 at the Penlee House Museum and 30 June - 30 September at the Musée Départemental Breton. Includes bibliographical references. Sansom & Company paperback books
1988réf. 195494Birmingham Alabama: Gryphon Editions / The Classics of Psychiatry And Behavioral Sciences Library 1988. Hardcover. As New light wear to leather edges corners. very tightly bound; likely unread. red leather boards w/ gilt tiling & decorative printing; three raised bands & four gilt spine compartments. marbled pastedowns & endpapers. book lv 288 pgs. all edges gilt. A wonderfully designed copy. Gryphon Editions / The Classics of Psychiatry And Behavioral Sciences Library hardcover books
