47 158 résultats
1995réf. 32908CARLSEN 09/1995. 1. softcover. CARLSEN paperback
1994réf. 32879CARLSEN 04/1994. 3. softcover. CARLSEN paperback
1797réf. 13514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach. This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown
1797réf. 13514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach. This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown books
réf. 125101Taschen America Llc 2015-08-20. hardcover. Like New. 12x2x12. Looks unread with just a touch of shelf wear. Massive hardcover in pictorial boards. oversized and overweight. Please email for photos. Taschen America Llc hardcover
1968réf. 019130Crown Publishers. First Printing. No Statement Of Printing DJ Price Clipped But Exactly Same As First And Came With This Book Publisher's Address As 419 Fourth Avenue On Front And Rear Flaps.Clipped DJ in archival cover edge wear small chips. . Fine. Hardcover. 1st Edition. 1968. Crown Publishers hardcover
1808réf. 13510London: Published by I. & W. Macgavin No. 107 New Bond Street 1808. Coloured aquatint. Printed on wove Whatman paper. In excellent condition. Image size: 13 5/8 x 20 1/4 inches. A dramatic view of fishermen at Worthing from Philippe Loutherbourg's great work "Picturesque Scenery of Great Britain". This impressive aquatint is plate six of Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." This accomplished text is comprised of six large aquatint views engraved after Loutherbourg's acclaimed paintings. The work which was first engraved in 1801 by J. C. Stadler was later re-engraved in 1808 by J. Hill. Reminiscent of Rowlandson's superb paintings this image depicts fisherman rowing out from the seashore on a stormy day. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Abbey Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860 no.6 plate 6. Published by I. & W. Macgavin, No. 107 New Bond Street unknown
1808réf. 13508London: Published by I. & W. Macgavin No. 107 New Bond Street 1808. Coloured aquatint. Printed on wove paper. In excellent condition. Image size: 13 1/2 x 20 inches. A beautiful view of Ramsgate Pier from Philippe Loutherbourg's great work "Picturesque Scenery of Great Britain." This impressive aquatint is plate two of Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." This accomplished text is comprised of six large aquatint views engraved after Loutherbourg's acclaimed paintings. The work which was first engraved in 1801 by J. C. Stadler was later re-engraved in 1808 by J. Hill. Reminiscent of Rowlandson's superb paintings this image depicts the stormy docks of Ramsgate pier. While a group of hardy sailors converse at ease a party of three figures are battered by the fierce winds that beat the shoreline. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Abbey Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860 no.6 plate 2. Published by I. & W. Macgavin, No. 107 New Bond Street unknown
1808réf. 13510London: Published by I. & W. Macgavin No. 107 New Bond Street 1808. Coloured aquatint. Printed on wove Whatman paper. In excellent condition. Image size: 13 5/8 x 20 1/4 inches. A dramatic view of fishermen at Worthing from Philippe Loutherbourg's great work "Picturesque Scenery of Great Britain". This impressive aquatint is plate six of Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." This accomplished text is comprised of six large aquatint views engraved after Loutherbourg's acclaimed paintings. The work which was first engraved in 1801 by J. C. Stadler was later re-engraved in 1808 by J. Hill. Reminiscent of Rowlandson's superb paintings this image depicts fisherman rowing out from the seashore on a stormy day. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Abbey Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860 no.6 plate 6. Published by I. & W. Macgavin, No. 107 New Bond Street unknown books
1808réf. 13508London: Published by I. & W. Macgavin No. 107 New Bond Street 1808. Coloured aquatint. Printed on wove paper. In excellent condition. Image size: 13 1/2 x 20 inches. A beautiful view of Ramsgate Pier from Philippe Loutherbourg's great work "Picturesque Scenery of Great Britain." This impressive aquatint is plate two of Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." This accomplished text is comprised of six large aquatint views engraved after Loutherbourg's acclaimed paintings. The work which was first engraved in 1801 by J. C. Stadler was later re-engraved in 1808 by J. Hill. Reminiscent of Rowlandson's superb paintings this image depicts the stormy docks of Ramsgate pier. While a group of hardy sailors converse at ease a party of three figures are battered by the fierce winds that beat the shoreline. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Abbey Scenery of Great Britain and Ireland in Aquatint and Lithography 1770-1860 no.6 plate 2. Published by I. & W. Macgavin, No. 107 New Bond Street unknown books
1827réf. 220303Brussels: Phillippe Marie Vandermaelen 1827. unbound. very good. Map set of 4. Large format lithograph with original hand outline color. Each image measures 18.75" x 20 5/8" 18 5/8" x 20 5/8" 18.5" x 20 3/8" Beautifully detailed set of four regional maps of northern China and southern Mongolia. Mountains are delicately treated with hachure marks and major rivers waterways and cities are also shown. Notable inclusions from the west to the east: Plate 44 shows the very northwestern tip of China Xinjiang province and part of south central Mongolia with Lac Nor and Hami. Plate 45 shows the eastern portion of Xinjiang province and western Mongolia with Karakorum called here Karakum the medieval capital of Ghengis Khan and the Mongol Empire. Plate 46 demarcates the tribal regions of Khalkha and Tzakhares Mongolians. Plate 47 shows the western portion of the Wall of China delineating the border between Tartary and China. Some minor offsetting several tears and chips to edges. From Vandermaelen's 6 volume "Atlas universel de geographie physique politique statistique et mineralogique sur l'echelle de 1/16411836". Can be combined as gores to form an immense globe. The atlas was the first to map the world on a uniform scale. Phillippe Marie Vandermaelen unknown
1827réf. 220303Brussels: Phillippe Marie Vandermaelen 1827. unbound. very good. Map set of 4. Large format lithograph with original hand outline color. Each image measures 18.75" x 20 5/8" 18 5/8" x 20 5/8" 18.5" x 20 3/8" Beautifully detailed set of four regional maps of northern China and southern Mongolia. Mountains are delicately treated with hachure marks and major rivers waterways and cities are also shown. Notable inclusions from the west to the east: Plate 44 shows the very northwestern tip of China Xinjiang province and part of south central Mongolia with Lac Nor and Hami. Plate 45 shows the eastern portion of Xinjiang province and western Mongolia with Karakorum called here Karakum the medieval capital of Ghengis Khan and the Mongol Empire. Plate 46 demarcates the tribal regions of Khalkha and Tzakhares Mongolians. Plate 47 shows the western portion of the Wall of China delineating the border between Tartary and China. Some minor offsetting several tears and chips to edges. From Vandermaelen's 6 volume "Atlas universel de geographie physique politique statistique et mineralogique sur l'echelle de 1/16411836". Can be combined as gores to form an immense globe. The atlas was the first to map the world on a uniform scale. Phillippe Marie Vandermaelen unknown books
2007réf. DADAX0854042946Royal Society of Chemistry 2007-10-31. 1. hardcover. New. 6.14x1.86x9.21. Buy with confidence. Excellent Customer Service & Return policy. Royal Society of Chemistry hardcover
1657réf. 205761657 Council Trent Catholic Chifflet Popes Banned Book Index Inquisition RARE Philippe Chifflet wrote one of the most famous and important treaties on the Council of Trent in 1640. It saw reprints in various languages for over 100 years after its inception. Chifflet sought to bring clarity and understanding to Europe's attempts at Protestant reforms consequently Chifflet's books were placed on the Prohibited Books Index by the Catholic Church. This late 17th-century printing was published by Ferrand in Rouen France who included a printing of the Prohibited Books Index at the end. Item number: #20576 Price: $599 CHIFFLET Philippe Sacrosancti et oecumenici concilii tridentini sub Paulo III. Iulio. III. et Pio IV. Pont. Max. celebrati canones et decreta Rothomagi Rouen: Apud Antonium Ferrand in gradibus Palatii 1657. Details: · Collation: Complete with all pages o Council of Trent – 32 365 3 o Prohibited Books Index – 109 1 · Language: Latin · Binding: Vellum; secure · Size: ~6.25in X 4.25in 16cm x 10.5cm · Quite scarce Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! 20576 Photos available upon request. Antonium Ferrand, in gradibus Palatii hardcover
1698réf. 177461698 Gnomonics Art of SUNDIALS Horology Navigation Astronomy Clocks Science Hire Philippe de La Hire was a French scholar who best-known for his works in mathematics mechanics and astronomy. Though perhaps his best work was a conglomeration of all his studies – 'Gnomonics – Universal Methods of Sundials'. While studying astronomy at the French Academy of Sciences Hire took a fascination in the movements and phases of the Sun Moon and other celestial bodies. He took an interest in the processes in making sundials and published his book on the subject in 1682. This 1698 edition of Hire's "Gnomonics" includes folding engravings and full-page charts and tables. Item number: #17746 Price: $599 HIRE Philippe de la La gnomonique ou MeÌthodes universelles pour tracer des horloges solaires ou cadrans sur toutes sortes de surfaces A Paris : Chez Thomas Moette 1698. Details: · Collation: Complete with all pages o 24 275 o 8 engravings · Provenance: Handwritten – Richard Touly · Language: French · Binding: Leather; tight and secure · Size: ~5.75in X 3.25in 15cm x 8.5cm Our Guarantee: Very Fast. Very Safe. Free Shipping Worldwide. Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation! 17746 Photos available upon request. Thomas Moette hardcover
1682réf. 28968Philippe de Commynes's memoirs document court and state affairs under French kings Louis XI and Charles VIII. This 1682 printing issued at The Hague by Arnout Leers and edited by Denys Godefroy presents Commynes's full narrative across two compact leather-bound volumes. The author served Louis XI yet his notes reveal numerous policy flaws and internal rivalries. The work also comments on Charles VIII's campaigns in Italy. This is considered a reliable primary narrative for the late 15th century. Good condition. Both bindings are leather with wear to corners. Hinges secure. Several leaves are loose but present and placed inside. Four engravings including 3 portraits and a folding chart. Format: duodecimo two volumes. Collation: 600pp / 401pp. No illustrations. Edition: Dernière édition. Publisher: A La Haye: Arnout Leers 1682. #28968. PHOTOS AVAILABLE UPON REQUEST. Arnout Leers hardcover
1638réf. 39397Lugduni Batavorum, Franciscos Hegerum et Hackium, 1638. 12mo. Contemporary full vellum, lower spine cracked, front board stained and with a small crack. With engraved titlepage. (8), 567 pp.
1638réf. 39397Lugduni Batavorum Franciscos Hegerum et Hackium 1638. 12mo. Contemporary full vellum lower spine cracked front board stained and with a small crack. With engraved titlepage. 8 567 pp. 18 texts from different authors among others Nicolas Wynmann De Arte Natandi Joannes Passerat Encomium Asini Juste Lipse Laus Elephantis Philippe Melanchton Laus Formicae Andrea Salernitano Gramaticale Bellum Nominis et Verbi Regum G. Menapio Encomium Febres Quartanae. hardcover
2009réf. x-354088632XSpringer Verlag 2009. Hardcover. New. 1st edition. 1202 pages. 9.45x6.14x1.97 inches. Springer Verlag hardcover
1998réf. 54358CARLSEN 09/1998. 1. softcover. Maloftege! CARLSEN paperback
réf. 5285079-nnew. unknown
1788réf. 52804Dezauche Paris. 1788 French. Fine elaborate cartouche although the title suggests a map of Denmark this handsome map shows the northern halves of Sweden Norway and Finland. The plates were originally made by De l'Isle around 1700. Covens and Mortimer reissued them in the Atlas Novissimo 1730-40. Phillipe Buache de l'Isle's successor and son in law continued to reissue de l'Isle's maps in the later eighteenth century Copper engraving. Fine condition good margins a little browned Original colour. Size: 62 x 45 cm. 24½ x 17½ inches unknown
1995réf. 54117CARLSEN 04/1995. 3. softcover. CARLSEN paperback
réf. 4800Bourg, P.F. Bottier, 1838 - 1844 ; cinq volumes in-8 ; demi-percaline marron à coins, faux-nerfs, titre manuscrit en doré, plats conservés (reliure mi-XXe) ; XXIV, 224 ; XIV, 350 ; XXV, 404 ; XXXIII, 427 ; III, 304, 67, VIII pp.
1996réf. 2668CARLSEN 1996. 1. BS. So rar und begehrt das ein Exemplar auf der Comic-Börse in Köln-Mülheim von einem inzestgeschädigten Bastard geklaut wurde! Maloftege! CARLSEN unknown