MORNAY (Philippe de, dit Duplessis-Mornay).Livre Rare Book
43 871 résultats
1612réf. 41741A Genève, par Philippe Albert, 1612. In-8 de (48)-1355-(1)-(31) pp, vélin (reliure de l'époque).
1905réf. 733Paris Librairie universelle 1905 DAVID Salvador In-8 (192x135mm.), demi maroquin grenat à coins, dos plat orné d'un décor mosaïqué à froid, évoquant le personnage central du roman, tête dorée, non rogné, couverture imprimée. Reliure de l'époque signée S. DAVID.
1587réf. 87613Chez Mamert Patisson | A Paris 1587 | 8.50 x 15 cm | relié
1946réf. 82253Reliure box gris à encadrement. Dos lisse avec titre en long à loeser bleu. Plats ornés dun papier peigné gris à impressions abstraites noires et bleues. Couverture et dos conservés. Reliure signée FROGER. Ouvrage illustré de 6 dessins et dune lithographie originale dAndré MASSON.
Bulino misure: mm 418 x 280 Editore ed incisore francese stabilitosi a Roma nel 1585 dove lavora nella bottega dello stampatore Claudio Duchetti allievo di Antonio Lafrery. Abbiamo scarse notizie riguardanti la sua vita, ma sappiamo che è stato il primo maestro di Jacques Callot il quale ha imparato la professione di incisore nel laboratorio di Thomassin al suo arrivo a Roma nel 1609 all'età di 17 anni. Nel 1588 insieme al cognato, il pittore Jean Turpin, crea una società ristampando vecchie lastre che Thomassin aveva restaurato o realizzandone di nuove (soprattutto soggetti religiosi da Barocci, Antonio Tempesta e Francesco Vanni), a Turpin invece spettava il compito della loro edizione e commercializzazione. Il loro sodalizio si concluse nel 1602 in seguito alla morte della moglie di Thomassin sorella della moglie di Turpin. L’autore lasciò a Turpin circa duecentoquaranta lastre che Turpin continuò a stampare prive del nome di Thomassin. Questa stampa è tratta da un'invenzione di Michelangelo Buonarroti. Tra il 1532 e il 1533 Michelangelo creò una serie di disegni mitologici, di altissima qualità, per il giovane nobile Tommaso de Cavalieri come segno della loro amicizia. Questi disegni a gessetto acquisirono grande fama e subito dopo la loro esecuzione divennero oggetti molto ambiti dai collezionisti e per questo copiati da diversi incisori. In questa stampa, nella parte superiore del foglio, assistiamo al rapimento del giovane pastore Ganimede. Egli viene portato in cielo tra un turbinio di nubi da Giove il quale ha assunto le sembianze di un aquila. Il giovane ragazzo ha un corpo scultoreo, classicheggiante, il volto sofferente è incorniciato da folti capelli mossi dal vento così come il mantello rigonfio e ricco di contrasti chiaroscurali. La posa ci fa pensare che egli si abbandoni alla presa dell'aquila che spiega le sue ali e affonda gli artigli nelle gambe del ragazzo separandolo con sguardo fiero e pauroso dalla terra. In basso, in un paesaggio contraddistinto da catene montuose, città arroccate e imbarcazioni a vela che solcano, sulla sinistra, il mare in lontananza, troviamo su di una roccia il cane del giovane. L’animale abbaia rivolgendo il muso al suo padrone. ha i muscoli in tensione e la bocca aperta con i denti ben visibili. In basso entro il paesaggio si legge "Michael Ang. Bonar. In. / Phil. Thomassinus exc. Romae" e il titolo entro una sorta di cartiglio. Impressione eccellente, toni nitidi e neri decisi. Con grande abilità dell'uso del bulino i contrasti chiaroscurali creano profondità e definiscono i volumi. Ottimo stato di conservazione. Margini regolari oltre la battuta del rame. Filigrana: "giglio nel cerchio con le lettere B e V" simile a Briquet n7118, 7119. Italia centrale, carta databile alla fine del Cinquecento. Si conosce un’altra versione simile alla nostra e attribuita dalla Bianchi a Beatricetto con l'indicazione della data 1542 incisa sulla lingua del cane e con l’indirizzo di Lafrery nel secondo stato. Della lastra di Thomassin si segnalano due esemplari: uno presso il British Museum (V,2.111) e l’altro a Brescia presso la Pinacoteca Tosio Martinengo. Bibliografia: (per la versione di Beatricetto) Silvia Bianchi "Contributi per l'opera incisa di Nicolas Beatrizet" Rassegna di studi e di notizie. IX, 1981.
1831réf. 116171831 1831 Paris. Richard, Caille et Ravier. A IX. 1 volume in-8, plein veau, dos lisse orné, pièce de titre en maroquin rouge. Discrètes épidermures sur les plats. LVI pp. ; 318 pp.
1949réf. 54092(Rolle) Editions Eynard 1949 In-8, bradel, papier orn d'un dcor vein et sinueux imprim dans des nuances grises et noires, dos portant le titre de l'ouvrage pouss or sur une pice de maroquin bordeaux; doublures et gardes de papier crme, couverture imprime.Edition originale de ce recueil de pomes, illustre en frontispice d'un portrait de l'auteur par Andr Masson. Un des 50 exemplaires sur vlin d'Arches, seul tirage sur grand papier avec 3 exemplaires sur chine. Exemplaire enrichi d'un manuscrit autographe sign du pome intitul Les yeux qui volent, recopi l'encre noire (une page et demie). Ce pome figure page 68 du prsent recueil.
1923réf. 877Paris Sagittaire, Kra Simon 1923 In-8(210x180mm.) broché, couverture imprimée.
1665réf. 122984Paris: par la Compagnie des Libraires du Palais 1665. Later edition first 1633 of one of the great political treatises of the 17th century by the diplomat-bibliophile Philippe de Béthune 1561/6-1649. Béthune started his career as a "mignon" of Henri III before becoming conseiller du roi in 1599 and ambassador in Rome for Henri IV in 1601 after which point he completed several other diplomatic missions to Rome in 1624 and 1630. "Béthune's treatise was the work of a man at the end of his career who had served the monarchy at home and abroad through the bumpy years of dynastic transition and who thanks to his longevity had witnessed the crisis of the religious wars as well as France's slow rise from the ashes thereafter. He brought to bear his wide knowledge and experience of French government but also his thorough acquaintance with Rome and Italy and both informed the political ideas he mobilised in his treatise" Reinhardt p. 56. Le conseiller d'Etat ran to five editions between 1632 and 1665 testament to its profound influence at the time. It is scarce: WorldCat locates only three copies in institutional holdings worldwide SCD Paris BM Lyon and Bayerische Staatsbibliothek. Duodecimo 147 x 80 mm. Additional vignette title page which states "divise en trois parties" engraved head- and tailpieces. Contemporary speckled calf tan morocco spine label compartments elaborately tooled in gilt raised bands edges sprinkled red. Headcap chipped extremities rubbed and corners bumped joints starting contents browned with the occasional spotting and very faint dampstain to the fore edges of S3 and V4 otherwise a very good copy. INED 481 first edition. Nicole Reinhardt Voices of Conscience: Royal Confessors and Political Counsel in 17th-Century Spain and France 2016. hardcover
1892réf. 185348Paris: G. Masson 1892. An infrastructural and political revolution First and sole edition presentation copy signed on the dedication page "Hommage à Monsieur Gournay curé de Vertou. P. Bunau-Varilla 12 Septembre 1893". This comprehensive study was written by one of the driving forces behind the Panama Canal alongside de Lesseps. Most institutions list the text volume alone lacking the elaborate prospectus volume. Bunau-Varilla 1859-1940 was first sent to Panama in 1884 by the Compagnie Universelle du Canal Interocéanique where he rose to the position of chief engineer of the new canal. The attempt failed in 1889 and the company was dissolved after which he wrote a number of books to document and build support for the project's resumption. In this volume he both describes the work completed so far and his plan to complete the canal with locks. He "distributed copies of his book to the French Parliamentaries. However it did not meet any audience. as the Champer of Deputies' members did no want to be involved again in the burning subject of the Panama Canal" Loizillon p. 333 Bunau-Varilla tried again in 1894 and soon became a prominent figure in US-Panama relations. In particular when Colombia refused to ratify a treaty granting the United States rights to build the canal he encouraged the Panamanians to declare independence and his wife designed their new flag. He later signed the Hay-Bunau-Varilla Treaty giving the US control over the canal despite local protests. The canal would continue to occupy a central position in both the infrastructural and political development of Central America. This work contains a large number of photographic illustrations showing the construction as well as colour diagrams describing the geology of the area. The identity of Monsieur Gournay is unclear and there are no records linking Bunau-Varilla to the commune of Vertou. 2 vols quarto. With 45 halftone photographic plates 5 folding colour folding map 5 colour diagrams 4 folding tables in text; text in French. Original buff paper wrappers spines and front wrappers lettered in black rear wrapper of text vol. decorated with publisher's device. Worn and soiled spines split sometime repaired with tape in gutters map loose in annex volume contents bright with a little toning at edges: a good copy. Gabriel J. Loizillon The Bunau-Varilla Brothers and the Panama Canal 2012. unknown
1876réf. 25551Paris.: Librairie de l'Art / Charles Delagrave. 1876. Loose as issued later cloth-backed portfolio with flaps and cloth ties titles to front cover in red and black. Folio. 470 x 325 mm. Half-title in red and black printed title in red and black with large engraved vignette by de Goncourt nine leaves with Burty's text illustrated with 11 monochrome vignettes and plates three full-page ten leaves with 'Catalogue de l'Oeuvre de Jules de Goncourt' with monochrome vignette tail-piece leaf with 'Index des Eaux-Fortes' recto and 'Liste des Bois' verso leaf with printer's monochrome vignette final leaf with justification recto and 20 original monochrome etchings by de Goncourt each printed recto only on uncut sheets of Hollande; sheet size: c.440 x 310 mm or the reverse. Philippe Burty's catalogue raisonné of Jules de Goncourt's etchings.From the edition limited to 300 numbered copies with this one of 200 examples with the text on papier teinté and the plates on Hollande.The catalogue raisonné of Jules de Goncourt's engraved work with a biography by Philippe Burty. The catalogue lists 86 examples listing their states dimensions and sources where applicable. The catalogue gives printed examples of 20 of them ranging from the vignette title engraving 'Le Pantin de Mademoiselle Marcille' to etchings after Fragonard de Saint-Aubin Chardin Monnier and Gavarni among others as well as those original compositions described as 'd'après nature'. The plates were printed in an edition of 302 copies by François Lienard including 2 on peau de vélin. Librairie de l'Art / Charles Delagrave. hardcover
1648réf. 311279A Leide: chez les Elzevirs 1648. First Elzevier edition. Engraved title 2476519pp. 1 vols. 12mo 13.3 x 7.5 cm. Beautifully bound in 19th century polished claret red crushed levant with spine and corners richly tooled in gilt with a intricately gilt center ornament of inlaid black morocco gilt inner dentelles a.e.g. by Duru dated 1850. Three bookseller's descriptions tipped to binders blank some minor foxing but a very near fine copy. With the bookplate of Thomas Westwood and of Ex Musaeo PIN Elzéar-Stern. First Elzevier edition. Engraved title 2476519pp. 1 vols. 12mo 13.3 x 7.5 cm. The celebrated memoirs of the foremost French Renaissance historian 1445-1509 notable as an important analysis of 15th century culture politics and personality. ".The graphic style of his narrative and above all the keenness of his insight into the motives of his contemporaries an insight undimmed by undue regard for principles of right and wrong make this work one of the great classics of history" - ENCYC. BRITANNICA. "Authoritative and rare.printed in Paris probably by Le Gras" - Rostenberg & Stern THE HOUSE OF ELZEVIR 27 referencing this edition in their offering of the 1661 edition. "Jolie édition dont les exemplaires grands de marge et bien conservés sont fort recherchés" - Brunet. Rahir 630; Brunet II:191. Willems 634 chez les Elzevirs unknown
1851réf. 53791Paris, Paul Dupont, 1851-52. Royal8vo a. Large 4to. Bound in 4 uniform contemp. hcalf. Gilt spines and with gilt lettering. Stamp on title-pages. Light wear to edges of atlas-volume. XIV,(2),532(4),604(2),VII,392,(2) pp. Atlasvolume: Engraved title-page. (6) pp. and 57 engraved plates depicting numerous landfalls. Internally clean and fine.
1851réf. 53791Paris Paul Dupont 1851-52. Royal8vo a. Large 4to. Bound in 4 uniform contemp. hcalf. Gilt spines and with gilt lettering. Stamp on title-pages. Light wear to edges of atlas-volume. XIV2532;4604;2VII3922 pp. Atlasvolume: Engraved title-page. 6 pp. and 57 engraved plates depicting numerous landfalls. Internally clean and fine. First edition. unknown
1648réf. 311279A Leide: chez les Elzevirs 1648. First Elzevier edition. Engraved title 2476519pp. 1 vols. 12mo 13.3 x 7.5 cm. Beautifully bound in 19th century polished claret red crushed levant with spine and corners richly tooled in gilt with a intricately gilt center ornament of inlaid black morocco gilt inner dentelles a.e.g. by Duru dated 1850. Three bookseller's descriptions tipped to binders blank some minor foxing but a very near fine copy. With the bookplate of Thomas Westwood and of Ex Musaeo PIN Elzéar-Stern. First Elzevier edition. Engraved title 2476519pp. 1 vols. 12mo 13.3 x 7.5 cm. The celebrated memoirs of the foremost French Renaissance historian 1445-1509 notable as an important analysis of 15th century culture politics and personality. ".The graphic style of his narrative and above all the keenness of his insight into the motives of his contemporaries an insight undimmed by undue regard for principles of right and wrong make this work one of the great classics of history" - ENCYC. BRITANNICA. "Authoritative and rare.printed in Paris probably by Le Gras" - Rostenberg & Stern THE HOUSE OF ELZEVIR 27 referencing this edition in their offering of the 1661 edition. "Jolie édition dont les exemplaires grands de marge et bien conservés sont fort recherchés" - Brunet. Rahir 630; Brunet II:191. Willems 634 chez les Elzevirs unknown books
réf. 27890PARIS, C. L. F. Panckoucke, 1817/1821 - EDITION ORIGINALE - In-8 (13,5 x 20,5 cm - Reliure uniforme 1/2 basane - dos lisse - Pièces de titre & de tomaison en maroquin rouge - Tranches jaunes - 23 tomes reliés sur 26 volumes (Manque 6, 8 & 10) + Couronne Poétique (1 volume) - légères rousseurs - Bon exemplaire Portraits de Généraux Français : PARIS, C. L. F. Panckoucke, 1818 - EDITION ORIGINALE - reliure plein veau de l'époque - dos lise très orné -Pièces de titre en maroquin rouge - 31 pages + 151 Portraits + 1 page de texte - rousseurs éparses - - Bon exemplaire - Envoi rapide et soigné - SOIT au Total 25 VOLUMES - Envoi rapide et soigné - Photographies sur demande
1692réf. BS44GLTBN504Paris: Claude Barbin 1692. Hardback later mottled calf gilt title to spine label. 24.5cm x 19cm. Engraved portrait of Stanislaus Jablonowski by Picart one folding map 3 engraved plates engraved headpieces all by Vallet historiated initials. 1st edition 1692. Binding is slightly rubbed and worn with a few very small worm holes not going all the way through. Some dampstaining to front free end-paper and to inner lower margin of last few pages of the Table at rear but otherwise contents is generally clean. Scarce. bs44. 1st Edition. Hard Cover. Good. Claude Barbin Hardcover
1876réf. 21881Paris.: Librairie de l'art. 1876. Bound in contemporary red calf-backed boards. Folio. 20 original etchings by Goncourt. From the edition limited to 300 copies with this one of 200 examples with the plates printed on Hollande. Librairie de l'art. hardcover
réf. Bloomsbury-9780810861374Scarecrow Press. New. 1488 pages Scarecrow Press unknown
réf. Bloomsbury-9780810861374Scarecrow Press. New. 1488 pages Scarecrow Press unknown
1586réf. 11657Pamplona: Thomas Porralis 1586. 204x150mm. 8x6". Pamplona Thomas Porralis 1586 al fin 1587. En 4º 204 x 150mm. 1 lámina a toda página grabada en xilografía 8 205 1 pp. Portada con xilografía real de Felipe II. Marca del impresor en la última página. Encuadernación en pergamino de la época guardas renovadas en el siglo diecinueve. Primera edición poco frecuente impresa en Pamplona en el siglo XVI de la biografía de Carlos de Borgoña 1433-1477 llamado el Audaz que gobernó Borgoña entre 1463 y 1477 momento en que el poder del Ducado de Borgoña alcanzó su máximo apogeo si bien su muerte en 1477 significó el fin del sueño borgoñón de resucitar la antigua Lotaringia. El matrimonio de su hija María con el emperador Maximiliano ligó la herencia borgoñona al linaje de los Habsburgo en la persona del hijo de ambos Felipe el Hermoso que contraería matrimonio con la reina Juana de Castilla. El hijo de ambos Carlos recibiría su nombre en memoria de su bisabuelo. El libro está ilustrado con una preciosa xilografía a toda página representando a Duque de Borgoña a caballo y su leyenda al pie "antes muerto que vencido". Pedro de Aguilón de origen tudelano fue secretario de embajada en Francia del rey Felipe II; escribió este libro basándose en las Memorias de Ph. de Commynes escritas en francés y que tratan de la vida y hechos de Luis XI y Carlos VIII. Buen ejemplar papel ligeramente amarronado algunas pequeñas manchas ocasionales; generalmente limpio y marginoso. Referencias: Palau 3856; Arigita Bibliografía Navarra 79 Thomas Porralis unknown
1807réf. 41017Reliure plein maroquin rouge. Dos à nerfs finement orné de saisons dorés. Triple filets dorés en encadrement sur les plats. Toutes tranches dorées. Reliure signée CAPE. Ouvrage illustré de superbes gravures dessinées par Moreau.
1883réf. 91775Librairie Hachette | Paris 1883 - 1886 | 20 x 27.70 cm | 4 volumes reliés
1858réf. 86634Paris : Imprimerie Imperiale 1858. First Edition. Hardback. Very good copy bound in full contemporary gilt-blocked buckram. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 231 pages; Description: xxxii 231 p. ; 21 cm. Subjects: Tibetan language --Grammar. Scattered minor marginal foxing. Paris : Imprimerie Imperiale hardcover
1928réf. 83013Paris: Librairie José Corti 1928. Fine. Librairie José Corti Paris Décembre 1928 24 x 29 cm agrafé First edition of this important cinema review founded by Pierre Kéfer and Jean George Auriol under the pseudonym Jacques Niel. Two tears repaired with adhesive pieces at head of verso of covers two small angular lacks to second cover printed collection stamp at head of first page. Contributions by Philippe Soupault ""Quand Chaplin apparut"" the editors ""Avez-vous peur du cinéma"" Jean George Auriol ""Le cinéma et les moeurs : la fenêtre magique"" Bernard Brunius ""Le cinéma et les moeurs : le cinéma et l'amour"" André Delons ""Chronique des films perdus"" Louis Chavance ""Le décorateur et le métier"" Pierre Audard and Jean George Auriol ""La critique des films"" André R. Mauge ""Vieux frère gramophone"". Issue illustrated with photographs. Very rare issue of this review which would have only three under this name and which ranks among the first and most important reviews devoted to cinema and nascent surrealism. Librairie José Corti unknown
