Philippe HEDUYBiblio.com
1951rif. 85034Paris: Gallimard 1951. Fine. Gallimard Paris 1951 12 x 19 cm broché First edition one of 48 numbered copies on pure linen paper the only deluxe copies. Handsome copy. Gallimard unknown
1952rif. 62751Paris: Plon 1952. Fine. Plon Paris 1952 12.50 x 19.50 cm broché First edition of the French translation by Philippe Jaccottet one of 85 numbered copies on Alfa paper only leading copies. Nice copy despite a stain at the bottom of the first board. Autograph signed by Carlo Cocciolo in French Maurice Bourdel: "". this little puppet theater ."" ' Plon unknown
1930rif. 47649Lille: Mercure de Flandre 1930. Fine. Mercure de Flandre Lille 1930 12 x 19 cm broché Original edition on the current paper. Autograph full page of the author in Mauritius Mauriaucourt "". in cordial and friendly memories of our days of Erfurt Gotha and other places this descent"" to the underworld of crime ""then go to Paradise Haubourdin "". Preface by Marie Bonaparte. Complete copy of its large trailer. Rare. Quilted dishes. Mercure de Flandre unknown
1871rif. 23672s. l.: Chez tous les libraires 1871. Fine. Chez tous les libraires s. l. 1871 11.50 x 15.50 cm broché First edition. Our copy is presented in plain lemon waiting wrappers. Aux ouvriers des villes et des campagnes petits et bons propriétaires ruraux bourgeois industriles et commerçants barons ducs et princes ministres de la religion. Rare. Chez tous les libraires unknown
1975rif. 74456s. l. 1975. Fine. s. l. s. d. circa 1975 10 x 13.50 cm une feuille une enveloppe Autograph note signed by Philippe Sollers addressed to his friend Jani Brun 6 lines in blue ink informing him that he is overwhelmed: "". pas mal de contre-temps etc."" "". quite a few setbacks etc."" but suggesting the possibility of an appointment for the weekend in which case he will not fail to notify her: "". si oui je te fais signe samedi matin. Excuse-moi."" "". if so I'll let you know Saturday morning. Forgive me."" Envelope included on which Philippe Sollers has simply indicated the surname and first name of his correspondent a date indicated in pencil probably that of the receipt of the note by Jani Brun. Central fold inherent to the envelope. unknown
1977rif. 74455s. l. 1977. Fine. s. l. s. d. Août 1977 10 x 13.50 cm une feuille une enveloppe Autograph signed note from Philippe Sollers addressed to his friend Jani Brun 7 lines in black ink informing her that his health is not good: "". je ne vais pas très bien en ce moment."" "". I am not doing very well at the moment."" but that he will let her know when he feels better. Envelope included on which Philippe Sollers has simply indicated the surname and first name of his correspondent with a date noted in pencil probably that of the receipt of the note by Jani Brun. Central fold inherent to being placed in the envelope. unknown
1989rif. 78991Paris: Gallimard 1989. Fine. Gallimard Paris 1989 14 x 20.50 cm broché First edition on ordinary paper. Spine yellowed otherwise a handsome copy. Dated autograph inscription signed by Philippe Sollers to Ulrike Bergweiler who was Antoine Gallimard's secretary. Gallimard unknown
1924rif. 59244Paris: Grasset 1924. Fine. Grasset Paris 1924 13.50 x 20.50 cm broché First edition one of 50 numbered copies on Hollande paper. Spine sunned light marginal foxing to the front cover. A full-margined copy. Grasset unknown
1975rif. 74457s. l. 1975. Fine. s. l. s. d. circa 1975 13.50 x 21 cm une feuille Autograph letter signed by Philippe Sollers addressed to his friend Jani Brun 9 lines in blue ink apologizing for having been unavailable for health reasons: "". la vérité c'est que j'ai été supper-grippé à 40°. à plus tenir debout ni rien avaler."" "". the truth is that I've been super-sick with flu at 40°. couldn't stand up or swallow anything."" but that he will not fail to let him know when he feels better soon as he is still convalescing. Central fold inherent to the envelope. unknown
1974rif. 74458s. l. 1974. Fine. s. l. s. d. Décembre 1974 13.50 x 21 cm une feuille une enveloppe Autograph letter signed by Philippe Sollers addressed to his friend Jani Brun 7 lines in blue ink apologizing for having to cancel their appointment: "".ça ne marche pas malheureusement pour ce soir."" "".it doesn't work out unfortunately for tonight."" but that he will not fail to let her know when he is back in Paris: "". je pars sans doute quelques jours. Je te fais signe à mon retour."" "".I'm probably leaving for a few days. I'll get in touch when I return."" Central fold inherent to the envelope preparation. Envelope included on which Philippe Sollers has simply indicated the surname and first name of his correspondent a date indicated in pencil probably that of the receipt of the note by Jani Brun. unknown
1925rif. 28764Paris: Simon Kra 1925. Fine. Simon Kra Paris 1925 12 x 16 cm broché First edition one of 950 numbered copies on Rives paper the only issue with 50 Japan copies. Spine slightly warped discreet gift inscription at head of first endpaper. Simon Kra unknown
rif. 64807Brepols 2022. Paperback 408 pages Size:210 x 270 mm Illustrations:41 b/w 127 col. Languages:French English. ISBN 9782503599014. Summary Dans l'histoire occidentale la premiere modernite n'est pas seulement l'âge de l'« Humanisme » des « génies » de l'art des « Grandes découvertes » et de la « Révolution scientifique » elle marque aussi l'avènement d'une réflexion inédite sur les origines où les individus se prennent à imaginer et à réinventer les commencements pour mieux penser un présent qui ne cesse de se reconfigurer. Cette Renaissance des origines se nourrit des divers mythes et croyances cosmogoniques et anthropogoniques mais aussi des généalogies symboliques du pouvoir qui se multipliant dans toute l'Europe témoignent de l'investissement politique du temps originel. Pour les artistes - dont les productions furent les principaux agents de cette réflexion - la figuration des origines apparaît inséparable des mythes de naissance de l'art et de la mise en scene du travail artistique. Voir ou revoir la Renaissance à la lumière des origines - du monde de l'humanité de la polis et de l'art - telle est l'ambition de ce volume qui réunit les contributions de spécialistes en sciences humaines - histoire de l'art histoire geographie litterature ou philosophie - intervenus à l'occasion du colloque La Renaissance des origines qui s'est tenu en juin 2018 à l'Université de Tel Aviv et à l'Université Paris 1 Panthéon-Sorbonne. TABLE OF CONTENTS PARTIE INTRODUCTIVE Sefy Hendler Florian Métral et Philippe Morel « À l'origine des origines. Une introduction » Frank Lestringant « Renaissance des origines In memoriam Michel Jeanneret » Michel Jeanneret « La renaissance de la création » I. COSMOGONIE ET ANTHROPOGONIE Philippe Morel « Figurer le chaos à la Renaissance » Angèle Tence « Aux origines des anges. Création et chute angéliques dans la peinture de la Renaissance de la fin du XVe siècle aux premières décennies du XVIe siècle » Florian Métral « Post tenebras lux. Représenter la séparation originelle du monde » Frank Lestringant « La Création du monde selon Du Bartas et les poèmes cosmogoniques à la fin du XVIe siècle » Guillaume Cassegrain « L'origine animale. À propos de la Création des Animaux de Paolo Uccello » Susanna Gambino-Longo « Imaginaire primitiviste et fondation de nouveaux savoirs : l'évocation de l'humanite primitive dans les uvres philosophiques d'Alessandro Piccolomini » II. ORIGINES SPIRITUELLES ET GÉNÉALOGIES DU POUVOIR Anne-Laure Imbert « À chercher comme on fait la source des grands fleuves. La figuration de la genèse érémitique du monachisme dans deux Thébaïdes de Fra Angelico » Flavia Buzzetta « Métamorphose spirituelle et nature originaire : la notion de palingénésie humaine chez les cabbalistes chrétiens de la Renaissance » Elli Doulkaridou « Sanctifier le temps le monde et l'humanité. Figures des origines dans les Heures Farnèse » Henri de Riedmatten « De la fabrique des origines : la figure de Lucrèce à Rome autour de 1500 » Etienne Bourdon « Une lecture politico-religieuse des origines de la France à la Renaissance : la Tenture de l'Histoire des Gaules Beauvais vers 1530 » III. LA GENÈSE DU TRAVAIL ARTISTIQUE Jérémie Koering « Germination : des origines végétales du processus artistique à la Renaissance » Thalia Allington-Wood « Violent Generation and Geologic Origins in the Sacro Bosco at Bomarzo » Juliette Ferdinand « Un art dénué d'artifice Les uvres de Bernard Palissy et la quête des origines entre ambiguïtés esthétiques et revendications religieuses » Claudia La Malfa « On the Composition of the World Vasari and the Arretine Vases and on the Origin of Donatello's Schiacciato » Sefy Hendler « Entre tenebre et luce : la création de l'image de Michel-Ange » Chiara Franceschini « Captive Origins. Giorgio Vasari's Tavola della Concezione as a Manifesto for Artistic Success » EPILOGUE Stephane Toussaint « Eros à l'origine de l'art » INDEX Index des noms d'artistes Index des personnalités historiques Index des personnalités scientifiques Index des oeuvres d'art artistes connus Index des oeuvres d'art artistes anonymes Brepols 2022 paperback
rif. 68562Praha Odeon 1926. J.Jelinek. Softcover 111 pages Czech. 20 x 14 cm. good condition. BRATRI DURANDEAU Praha Odeon 1926 paperback
rif. 40498with a printed signature under the image showing him as a young man seated backwards on a chair with his arms folded on the back 4¼" x 2½" no place 11th February unknown
2007rif. ib8-28ARTOIS Presses Universite 2007. Paperback. Very Good/None. This preowned item is in very good condition with very minimal wear and tear visible. Free tracking provided. International shipping available. 4 . ARTOIS Presses Universite paperback
2014rif. I-484-992DARGAUD 2014. Paperback. Good. Former library book. Volume 3. Ammareal gives back up to 15% of this item's net price to charity organizations. DARGAUD paperback
2002rif. Q-0521001153Cambridge University Press 2002-11-04. Paperback. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
2016rif. 2-2859449299Publications de la Sorbonne 2016. Paperback. New. French language. 9.45x6.30x1.18 inches. Publications de la Sorbonne paperback
2022rif. __0472133195Univ of Michigan Pr 2022. Hardcover. New. 288 pages. 9.00x6.00x1.00 inches. Univ of Michigan Pr hardcover
rif. 697478232John Wiley & Sons . Papeback. New. pp. 164 John Wiley & Sons unknown
rif. 9089643850.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1972rif. SBBIH-MD45E4Y2DTZEAllen & Unwin 1972. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Allen & Unwin hardcover
2005rif. SONG2742005781John Libbey Eurotext 2005-10-03. First Edition. hardcover. Used: Good. 10.91x0.51x10.16. Buy with confidence. Excellent Customer Service & Return policy. John Libbey Eurotext hardcover
rif. 2707812765.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 3837664228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
