47.733 risultati
1968rif. 191189New York: American Society of Magazine Photographers 1968. First edition. Softcover. August 1968. Volume XVII No. 8. Includes Philippe Halsman's article "Magazines Television and Advertising." Also includes a portfolio of images by George Haling. A near fine copy in stapled wrappers. American Society of Magazine Photographers unknown books
2007rif. 185621Minneapolis MN: Walker Art Center 2007. First edition. Hardcover. 418 pages. Published in conjunction a traveling exhibition that ran February 17 through May 13 2007 at the Walker Art Center tand then traveled to New York and Los Angeles for additional dates. Features texts by Sander L. Gilman Thomas McEvilley Yasmil Raymond Robert Storr Philippe Vergne and Kevin Young. Includes numerous black and white and some color illustrations. A clean and tight near fine copy in cloth boards. No dust jacket as issued and lacking the wraparound band. Walker Art Center unknown books
1980rif. 187850London: Coo Press Ltd 1980. First edition. Softcover. April 1980. The highlight of this issue is 8 images by Josef Sudek. Includes additional Simon Marsden Susan Eve Jahoda Philippe Monnet A near fine copy in stapled wrappers with some light wear. Coo Press Ltd unknown books
1991rif. 188079Vancouver British Columbia Canada: Or Gallery 1991. First edition. Softcover. 20 pages. Exhibition catalog for a show that ran June 18 through July 13 1991. Features text by Scott Watson. Includes color and black and white illustrations biographical information list of previous exhibitions and a selected bibliography. A near fine copy in stapled wrappers and with a rubber stamp from the SF Camerawork Reference Library they sold their books. Uncommon. Or Gallery unknown books
1952rif. 184147New York: Simon and Schuster 1952. First edition. Softcover. 118 pages. Interesting collection of black and white photographs by Philippe Halsman Schuyler Crail Yvonne Halsman and Ylla. A clean near fine copy in photo-illustrated wrappers with some very minor wear. Internally a clean copy. Simon and Schuster unknown books
2004rif. 180822New York: Howard Greenberg Gallery 2004. First edition. Softcover. Exhibition catalog for a show that ran February 6 through March 13 2004. Two portfolios bound dos a dos. Text by Mary Panzer. Includes with the covers over 30 black and white images. A very near fine copy in wrappers. An attractive catalog. Howard Greenberg Gallery unknown books
1970rif. 445532New York: Praeger Publishers 1970. Hardcover. Very Good. Later printing. 412pp. Translated from the French by Stephen Cox. Illustrated from black and white plates. Ex-library with the usual markings page edges foxed very good lacking the dust jacket. Praeger Publishers hardcover books
2013rif. 159560Newport Beach CA and Munich: Orange County Museum of Art / DelMonica Books / Prestel 2013. First edition. Hardcover. 304 pages. Published in conjunction with an exhibition that ran February 17 through May 5 2013 at the Orange County Museum of Art and then traveled to two other locations for additional dates. Essays by Dennis Szakacs Michael Darling Jeffrey Weiss and John C. Welchman. Also features the text of a conversation between Jackson and Hans Ulrich Obrist along with a chronology and contributions by Fatima Manalili David Mather Andrew Berardini and Alberta Mayo. Includes numerous color illustrations. A fine copy in boards. No dust jacket as issued. Orange County Museum of Art / DelMonica Books / Prestel unknown books
rif. WELLER9780872867277New. New book. unknown books
1801rif. 66795Paris: Chez Richard Caille et Ravier 1801. The Textual Foundation of Psychiatry PINEL Philippe. Traité médico-philosophique sur l'aliénation mentale ou la Manie.Avec figures représentant des formes de crâne ou des portraits d'aliénés. Paris: Chez Richard Caille et Ravier An IX 1800/1801. First edition. Octavo. lvi 318 pp. Folding letterpress table between pp. 250 and 251 and two engraved plates. Contemporary French quarter mottled sheep over paste paper boards. Smooth spine ruled in gilt with gilt red morocco lettering label. Occasional very light spotting. Housed in a custom brown cloth clamshell. Overall a superb copy. "Philippe Pinel's Traité médico-philosophique sur l'aliénation mentale ou la manie which presented the textual foundation of psychiatry stands as the first great publication of the nineteenth century in clinical medicine" Grolier Medicine. "In October 1793 while serving as médecin des infirmeries at Bicêtre Hospital Pinel 1745-1826 had the chains struck off from forty-nine male psychiatric patients in order to substitute for this cruel oppression his 'traitement morale' a humane form of psychiatric therapy that identified insanity with illness rather than moral perversity or demonic possession. This dramatic act performed in the liberating spirit of the American and French Revolutions found immediate and enduring favor in the popular imagination as a symbol of a new attitude toward the insane and ignited a general desire for more humane treatment of the mentally ill that culminated in the English non-restraint movement of the mid-nineteenth century. Yet humanitarian treatment of the insane although crucial to Pinel's psychiatric work was not that work's sole focus for Pinel also devoted himself to establishing psychiatry as a scientifically based branch of medicine. His Traité replaced the speculation and theorizing characteristic of earlier discussions of insanity with his own practical observations of the lunatics of the Bicêtre whose illnesses could now be observed undistorted by cruel treatment. He retained the old classifications of mental illness stating that contemporary medicine was as yet too primitive for more precise categories but did introduce some subdivisions isolating mania from delirium and recognizing the relationships between periodic mania melancholy and hypochondria. He recognized emotional disorders to be the main cause of intellectual dysfunction but also took into account heredity predisposition and hypersensitivity and attempted to find relationships between insanity and cranial deformity" Norman Library. Cushing P286. Garrison and Morton 4922. Grolier Medicine 54. Heirs of Hippocrates 668. Hunter & Macalpine pp. 602-610. Norman Library 1701. Waller 7456. Wellcome IV p. 388. HBS 66795. $3250. Chez Richard, Caille et Ravier unknown books
1999rif. UWAMKIN00EMDutton 1999. Very Good. Wamba Philippe E. Kinship : a Family's Journey In Africa and America. New York: Dutton 1999. xiv 383pp. Indexed. Bibliography. 8vo. Hardcover. Book condition: Very good. Dust Jacket Condition: Very good. Light shelf wear. Dutton hardcover books
1982rif. 110605Lausanne: La Bibliotheque des Arts 1982. First edition. Hardcover. Text in French. Profusely illustrated monograph. A fine and tight copy in a fine dust jacket and in a fine cardstock slipcase. La Bibliotheque des Arts unknown books
2009rif. 170591New York: Monacelli Press 2009. First Edition. Hardcover. First Edition. With over 500 black-and-white and color illustrations. As New. Fine and unread in a Fine dust jacket still in publisher's shrinkwrap. Oversize volume shipping billed at cost. Monacelli Press unknown books
1969rif. 25821Paris: Librairie Academique Perrin 1969. Cloth. Near Fine/Very Good . The uncommon 1969 1st edition of this seminal study of The Symbolist painters of the 1890s. Translated later into English as "Dreamers of Decadence" this original French edition is bright and very well-preserved. Clean and Near Fine in a crisp VG to Near Fine example of the elusive dustjacket with very light soiling along the spine and the rear panel. THIS COPY IS BOTH SIGNED BY AND FROM THE LIBRARY OF THE PRE-EMINENT BRITISH ART HISTORIAN AND PICASSO BIOGRAPHER JOHN RICHARDSON 1924-2019. Librairie Academique Perrin unknown books
1987rif. 110146London:: Andersen Press. Fine. Hardcover. Illustrated by the author. First printing. Fine in glossy illustrated boards. No dust jacket as issued. . 1987. 0862641675 . Andersen Press, hardcover books
1957rif. 168392Brussels: Plus 1957. The first issue of influential avant-garde French periodical "Plus" which only published three issues in total. Text in French. Features contributions by Dylan Thomas Sanguinetti Alechinsky Verbruggen and others. Cover art by Karel Appel. Wrappers lightly toned on the edges else Near Fine in saddle-stapled wrappers. Plus unknown books
1954rif. 25008New York: Simon and Schuster 1954. Pictorial boards. Very Good. A solid tight copy of the 1954 1st edition of this playful collaboration between artist and photographer. Crisp and VG in its wonderful pictorial boards with very light rubbing and soiling along the panels and a small neat ink inscription at the front free endpaper. 12mo rich gravure photographs throughout. Lacking its original dustjacket. Simon and Schuster unknown books
1990rif. 167144Paris: ACR Art Creation Realisation Edition 1990. Hardcover. First French Edition. Text in French. Near Fine in a Near Fine dust jacket. Slight fray to the top board edges. Jacket has three small spots from old seller stickers on the top left corner of the front flap. Oversize volume shipping billed at cost. ACR [Art Creation Realisation] Edition unknown books
1961rif. 24627New York: Ziff-Davis Barnes and Co. 1961. Cloth. Near Fine/Near Fine. A bright very solid copy of the 1961 1st edition. Tight and Near Fine in a crisp price-intact Near Fine dustjacket with just the slightest hint of light rubbing along the edges. Wonderful black-and-white reproductions throughout by the legendary photographer who gave us "The Jump Book" and "Dali's Mustache" among other titles. Ziff-Davis (Barnes and Co.) unknown books
2007rif. 165606Paris: Editions du Regard 2007. Softcover. First French Edition. Text in English and French. About Fine in a Near Fine dust jacket. Editions du Regard unknown books
2005rif. 23532Dalton Watson Fine Books 2005. Pictorial boards. Fine/Fine. SIGNED BY PHILIPPE DEFECHEREUX on the front free endpaper. A pristine copy to boot of the 2005 1st edition. Clean and Fine in a crisp Fine dustjacket. Oblong quarto remarkable photos throughout many of them documenting the lead up to and the fatal crash itself and its aftermath. Dalton Watson Fine Books unknown books
1971rif. 23681New York: Praeger 1971. Decorative Cloth. Near Fine/Very Good . A handsome copy of the October 1971 1st American edition. An Advance Reading copy to boot with the Praeger ARC slip laid-in. Clean and Near Fine in a crisp VG dustjacket with very mild creasing along the spine ends and fading along the spine. Octavo "with 149 illustrations including 16 in full color Praeger unknown books
1675rif. 39713Paris: Christophe Ballard seul Inprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Quarto. Disbound. 1f. recto title verso blank 1f. "Acteurs du Prologue" 3ff. "Prologue" 1f. "Acteurs de la Tragedie" 70 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; woodcut headpieces to each act; decorative woodcut initials and tailpieces throughout. Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie." Somewhat worn browned foxed soiled and stained a bit heavier to title; some worming especially to lower inner margins; stub of front free endpaper and blank preliminary leaf preceding title; first signature detached; loss to blank outer margin of title repaired with contemporary paper; blank outer margin of all leaves of "Prologue" repaired with contemporary paper; numerous additional leaves with contemporary paper reinforcements to inner margins; other minor defects. Lacking first leaf of Prologue pp. 65-66 and pp. 71-76. First Edition first issue all other issues with a date of first performance as 11 January 1675. This issue not in Sonneck Librettos. Schmidt LLC3-1. Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675. "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Inprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown books
1675rif. 39689Paris: Christophe Ballard seul Imprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Small quarto. Modern marbled boards with paper title label to upper and spine. 1f. recto title verso blank 1f. "Acteurs du Prologue" 4ff. "Prologue" 1f. "Acteurs de la Tragedie" 76 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; exceptionally fine woodcut headpiece to Prologue and additional headpieces to each act; decorative woodcut initials and tailpieces throughout. Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie." Small holes to blank inner margins from previous sewing; slightly worn; very occasional minor foxing soiling and stains; minor loss to blank upper outer corner of pp. 31/32. First Edition fourth issue. Sonneck Librettos p. 1069. Schmidt LLC3-2.3. Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675. "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Imprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown books
1972rif. 21232Garden City New York: Doubleday & Co 1972. Cloth. Near Fine/Near Fine. WARMLY INSCRIBED BY PHILIPPE HALSMAN on the half-title. A very solid copy to boot of the 1972 stated 1st edition. Clean and Near Fine in a bright price-intact VG to Near Fine dustjacket. Quarto crisp examples of Halsman's wonderful black-and-white portraits throughout. Designed by the redoubtable Herb Lubalin. Doubleday & Co unknown books
