47 215 résultats
1795réf. 41061Paris 1795. Uncolored oval bust portrait of a bespectacled Benjamin Franklin. 8-1/4" x 9-3/4" on a 10-1/2" x 13-3/4" sheet. Portrait surrounded by a black oval border. The portrait is captioned "Francklin." Directly beneath the oval border in small type is printed "Vanloo Pinxt" to the left and "P.M. Alex Sculpt" to the right. Very Good. According to Sellers's BENJAMIN FRANKLIN IN PORTRAITURE the engraving was done after an original portrait by the famed French painter Charles Philippe Vanloo in which Franklin was wearing fur-trimmed costume. The original portrait was painted while Franklin resided in Paris a "life portrait" dated between 1777 and 1785 and is now in the collection of the American Philosophical Society which was founded by Franklin. Sellers discusses our print: "the substitution a simple gray coat for the fur-trimmed costume of the original was undoubtedly in deference to the revolutionary feeling." It is one of a series of portraits begun in July 1790 and finished in September 1797. The 'Francklin' was exhibited in 1795 so the estimated date of the portrait is between July 1790 and 1795. This print was engraved after Vanloo's portrait by the noted French engraver Pierre-Michel Alix who was known for his portraits of leading French citizens and prominent personalities. Sellers Charles Coleman: BENJAMIN FRANKLIN IN PORTRAITURE Yale University Press: 1962 pp. 393-394. Charles Philippe Amedee Vanloo 1715 -1795 was the member of a Flemish family of painters that settled in France. He was known for painting landscapes and portraits and he had an affinity for scientific subjects. Pierre-Michel Alix 1762-1817 was a French engraver and printmaker specializing in multiple-platecolor printing. He studied under Jacques-Philippe Le Bas and was best known for his portraits of notable figures during the French Revolution and First French Empire. unknown books
1790réf. 45754Paris: Marie Francois Drouhin ca. 1790. An Unusual Portrait Print of Franklin An attractive mezzotint portrait of Benjamin Franklin with delicate contemporary coloring. The engraving was done after an original portrait by the famed French painter Charles Philippe Vanloo sometimes spelled Van Loo. The original portrait was done while Franklin resided in Paris in the years during and after the American Revolution and is now in the collection of the American Philosophical Society which was founded by Franklin. Sellers asserts that it is "beyond question a life portrait" done between 1777 and 1785. In Vanloo's original portrait Franklin wears a fur coat. In this print of the painting the fur coat has been replaced by a simpler cloth coat. Franklin wears glasses his hair is long and gray and he has a slight smile on his face. In the caption below the image his name is spelled "Francklin." "The substitution of a simple gray coat for the fur-trimmed costume of the original was undoubtedly in deference to revolutionary feeling" - Sellers. This print was engraved after Vanloo's portrait by the noted French engraver Pierre-Michel Alix who was known for his portraits of leading French citizens and prominent personalities. A handsome contemporary portrait of the American who dazzled France as a diplomat scientist philosopher and gentleman of society. Sheet lightly browned more so around the edges. Overall very good. Matted. SELLERS BENJAMIN FRANKLIN IN PORTRAITURE p.394. hardcover books
1991réf. 5428Comset éditions, 1991. In-4, pleine toile bleue, titre argenté, jaquette couleurs. Flambant neuf: nous ne l'avons déballé que pour vous en montrer l'intérieur (voir images).
1982réf. 1890S.E.D.L.I / Jacky Goupil éditeur, 1982. In-4, cartonnage illustré. Cartonnage jauni (comme très souvent hélas), 2 infimes chocs en bords (voir photo).
1983réf. 130499Herscher 1983 In-8 broché 24,1 cm sur 17,2. 255 pages. Bon état d’occasion.
réf. 201201182Rennes, Ouest france, 2001 ; in-8, 123 pp., br.
1923réf. 147471923 P., Chez Armand Huart, 1923, 1 vol. in-4° (250 x 195 mm) broché sous couverture écrue illustrée et imprimée en noir, de 29 pp. - (1) f. (table et achevé d'imprimer).Très pâles rousseurs en couverture, à peine perceptibles, très bel exemplaire par ailleurs.
1979réf. 200146AB1979. Munchen Prestel-Verlag 1979. 24 cm x 31 cm. 107 pages. Illustrated throughout with numerous colour and black-and-white plates. Original Hardcover with dustjacket. Very good condition with only minor signs of external wear. Excellent monograph on Gallé. Gallé was the son of a faience and furniture manufacturer and studied philosophy botany and drawing in his youth. His early work was executed using clear glass decorated with enamel but he soon turned to an original style featuring heavy opaque glass carved or etched with plant motifs often in two or more colours as cameo glass. After success at the Paris Exhibition Gallé reached international fame and his style with its emphasis on naturalism and floral motifs was at the forefront of the emerging Art Nouveau movement. He continued to incorporate experimental techniques into his work and revitalized the glass industry by establishing a factory to mass-produce his as well as other artists' designs. hardcover
1998réf. 790101998 Paris, Le Pré aux Clercs, 1998, in 8° broché, 947 pages ; couverture illustrée.
réf. 201804979Paris, ARMAND COLIN - U, 1995 ; in-8, 518 pp., br. Broché très bon état - 4e edition- etat superbe.
1985réf. 14177Gallimard, collection Album de la Pléiade, 1985. Petit in-8, plein cuir d'éditeur, titre et filets dorés au dos, rhodoïd. En belle condition.
1985réf. 13505Paris, Gallimard, coll. Albums de la Pléiade, 1985. In-12 pleine peau dorée à l'or fin, jaquette ornée d'un portrait, rhodoïd, étui de carton gris avec étiquette imprimée contrecollée.
1985réf. 8937Paris, nrf, Gallimard, "Bibliothèque de la Pléiade", 1985. 168 x 105 mm, 254-(2) pp., 311 illustrations n/b in-texte et en pleine page, iconographie choisie et commentée par Philippe Clerc, texte de Maurice Nadeau. Reliure plein cuir d'éditeur, dos lisse orné de filets dorés, sous jaquette, rhodoïd et étui cartonné. Très bel exemplaire.
réf. 28966Neuchâtel, James Guinchard, 1922. Gr. in-8°, 62p. Broché.
réf. L8073Seuil, 1984. In-8 br. Biographie de D. Goodis, photographies hors-texte. Chronologie. E.O.
1976réf. 16854Seghers, collection Humour, 1976. In-12 broché, au même format que la collection "Poètes d'aujourd'hui". Quelques illustrations in et hors-texte en noir.
réf. 21648Amsterdam et se trouve à Paris, veuve Desaint, et à Caen, J. Manoury, 1775. 1 vol. in-12, demi-basane jaspée, dos lisses orné de filets dorés, pièce de titre en maroquin rouge, tranches jonquille jaspées de rouge. Reliure de l'époque. Bon exemplaire. (2) ff., 148 pp. mal chiffrées 150, (1) f. blanc.
réf. 70877Lyon, PUL, Presses Universitaires de Lyon, 1990, in 8° broché, 261 pages ; couverture illustrée.
réf. 202204715Geneve, Editions famot, 1976 ; in-12, 282 pp., cartonnage de l'éditeur.
réf. 202204717Geneve , Editions famot , 1977 ; in-12, 282 pp., cartonnage de l'éditeur.
1995réf. 12419Lausanne, Bibliothèque Historique Vaudoise, 1995. Fort volume in-8 de 717-[3] pages, couverture illustrée aux couleurs vaudoises, sous jaquette bleue illustrée. Légère trace de pli à la jaquette, dos un brin gauchi, pour le reste en très belle condition.
réf. 569471Dreux, Atelier de taille-douce, 1982. Grand in-8, en feuilles sous couv. rempliée cartonnée, non paginé, 12 gravures sous serpentes. Tirage à 68 exemplaires, un des 58 sur vélin blanc Van Gelder, signé par l’artiste et l’auteur.
2015réf. 806222015 Lyon, Fondation Renaud, (2015), in 8° broché, 159 pages ; couverture illustrée.
réf. 202200383S.l., Editions italiques, 2014 ; in-8, 160 pp., cartonnage de l'éditeur. Préface et notes d andré heckendorn, format a l italienne livre neuf.
réf. 202103162S.l., Editions italiques, 2014 ; in-8, 160 pp., cartonnage de l'éditeur. Préface et notes d andré heckendorn, format a l italienne livre neuf.
