47.215 risultati
rif. 201005939Paris, Herscher le musée miniature , 1995 ; in-8, 62 pp., cartonnage de l'éditeur.
rif. 200611931Paris, Herscher le musée miniature , 1995 ; in-8, 62 pp., cartonnage de l'éditeur.
rif. 62490P., NRF, Gallimard, 1957, in 8° relié pleine toile blanche décorée en couleurs de l'éditeur, 387 pages ; minuscules défauts.
1746rif. 4391The Hague i.e. Paris: s.n. 1746. 8vo 168 x 101 mm. 2 parts separately titled and paginated: 3-vi-xxiv 182 pages 1 blank leaf; 2 leaves 128 pages. Engraved frontispiece by Fessard after Cochin fils apparently included in the pagination typographic title ornaments head- and tailpieces. An attractive copy stain to fols. A2-3 in second part 2 or 3 minor marginal tears some spotting. Contemporary red morocco triple gilt fillet on sides smooth spine sparingly gold-tooled and lettered board edges gilt gilt edges scuffing to lower board edges and extremities of spine corners a bit bumped. Provenance: early purchase note on lower flyleaf; John Wodehouse 3rd Earl of Kimberley 1883-1941 bookplate; Leonard Forrer 1869-1953 his bookshop ticket of L. S. Forrer Ltd. Numismatic Booksellers London; Charles Van der Elst 1904-1982 bookplate. Only Edition of an extended literary joke by the brilliant antiquarian engraver art patron and connoisseur the Comte de Caylus. He exercised his stylistic muscles in this peculiar collection of two dozen literary pieces revolving around the word manteau: in part 1 racy anecdotes short stories fairy tales and a chivalric tale written in pseudo-archaic French; and in part 2 tongue-in-cheek erudite essays in several styles — the religious history the antiquarian disquisition the etymological or bibliographical analysis — all laced with fictional and a few real references including imaginary medieval manuscripts. A glance at the entry for manteau in the online Trésor de la Langue Française gives an idea of the semantic opportunities offered by this word whose appearances in many idiomatic expressions are exhaustively exploited by Caylus. In part 1 appear the manteau de fourrure fur coat the manteau de lit a short bed-jacket into which a jealous husband is metamorphosed by his fairy mother-in-law to teach him a lesson the long and short coat the chimney mantel same word in French and a portrait of a remarkable old man presented as the fictional originator of the term “sous le manteau” clandestine or clandestinely. In part 2 which its title notes with a wink “one doesn’t need to read” the author delves into the Roman pallium a cloak the coats of saints and clerics those both heraldic and actual of Dukes and Peers and the order of the Blancs-Manteaux. Completing the picture are a florilegium of dictionary extracts and a satirical etymological comparison of the French manteau with other languages containing sentences like: “As for the letter L which is found at the end of words like Mantel and Mantello one can very well understand it to be a diminutive of the Arabic word Allah meaning God” p. 103. The self-imposition of arbitrary constraints onto one’s writing while an ancient practice viz. poetic meter have been associated more recently with a French literary movement from the 1960s known as Oulipo short for Ouvroir de littérature potentielle ”workship of potential literature” which included the great French authors Raymond Queneau and Georges Perec whose wry humor and doggedness in pursuing the conceit to the end Caylus foreshadowed. Cochin’s frontispiece shows a rather shifty-looking merchant in the doorway of his shop filled with coats. OCLC locates 4 copies in North American libraries. Cohen-De Ricci 210; Gay-Lemonnyer 3:23; Barbier III: 34 a 1775 edition not seen elsewhere. s.n. unknown
1746rif. 4391The Hague i.e. Paris: s.n. 1746. 8vo 168 x 101 mm. 2 parts separately titled and paginated: 3-vi-xxiv 182 pages 1 blank leaf; 2 leaves 128 pages. Engraved frontispiece by Fessard after Cochin fils apparently included in the pagination typographic title ornaments head- and tailpieces. An attractive copy stain to fols. A2-3 in second part 2 or 3 minor marginal tears some spotting. Contemporary red morocco triple gilt fillet on sides smooth spine sparingly gold-tooled and lettered board edges gilt gilt edges scuffing to lower board edges and extremities of spine corners a bit bumped. Provenance: early purchase note on lower flyleaf; John Wodehouse 3rd Earl of Kimberley 1883-1941 bookplate; Leonard Forrer 1869-1953 his bookshop ticket of L. S. Forrer Ltd. Numismatic Booksellers London; Charles Van der Elst 1904-1982 bookplate. Only Edition of an extended literary joke by the brilliant antiquarian engraver art patron and connoisseur the Comte de Caylus. He exercised his stylistic muscles in this peculiar collection of two dozen literary pieces revolving around the word manteau: in part 1 racy anecdotes short stories fairy tales and a chivalric tale written in pseudo-archaic French; and in part 2 tongue-in-cheek erudite essays in several styles — the religious history the antiquarian disquisition the etymological or bibliographical analysis — all laced with fictional and a few real references including imaginary medieval manuscripts. A glance at the entry for manteau in the online Trésor de la Langue Française gives an idea of the semantic opportunities offered by this word whose appearances in many idiomatic expressions are exhaustively exploited by Caylus. In part 1 appear the manteau de fourrure fur coat the manteau de lit a short bed-jacket into which a jealous husband is metamorphosed by his fairy mother-in-law to teach him a lesson the long and short coat the chimney mantel same word in French and a portrait of a remarkable old man presented as the fictional originator of the term “sous le manteau” clandestine or clandestinely. In part 2 which its title notes with a wink “one doesn’t need to read” the author delves into the Roman pallium a cloak the coats of saints and clerics those both heraldic and actual of Dukes and Peers and the order of the Blancs-Manteaux. Completing the picture are a florilegium of dictionary extracts and a satirical etymological comparison of the French manteau with other languages containing sentences like: “As for the letter L which is found at the end of words like Mantel and Mantello one can very well understand it to be a diminutive of the Arabic word Allah meaning God” p. 103. The self-imposition of arbitrary constraints onto one’s writing while an ancient practice viz. poetic meter have been associated more recently with a French literary movement from the 1960s known as Oulipo short for Ouvroir de littérature potentielle ”workship of potential literature” which included the great French authors Raymond Queneau and Georges Perec whose wry humor and doggedness in pursuing the conceit to the end Caylus foreshadowed. Cochin’s frontispiece shows a rather shifty-looking merchant in the doorway of his shop filled with coats. OCLC locates 4 copies in North American libraries. Cohen-De Ricci 210; Gay-Lemonnyer 3:23; Barbier III: 34 a 1775 edition not seen elsewhere. s.n. unknown books
rif. 85059Paris, Opta (Collection "Aventures Fantastiques", AF N°8), 1972, petit in 8° reliure pleine toile rouge décorée de l'éditeur, jaquette rhodoïd, 380 page ; infime tache brune dans la gouttière.
rif. 66470P., Cercle du Nouveau Livre d'Histoire, 1969, in 8° relié pleine toile bleue décorée de l'éditeur, 530 pages et un cahier de 47 pages d'iconographie.
2007rif. 34573Boston: MFA Publications 2007. First edition. With well over 200 stunning colour illustrations all throughout of artifacts photographed by Michael Gould of the Imaging Studios Boston MFA except where otherwise noted. 4to publisher's original green buckram lettered on the spine in gilt in the original photographically-decorated dustjacket. ix 261pp. A very fine copy book and jacket both as pristine and mint. A BEAUTIFULLY PHOTOGRAPHED CATALOGUE FROM THE BOSTON MUSEUM OF FINE ART'S HOLDINGS OF VIETNAMESE CERAMICS. "The focus of conflict from the colonial era to the cold war Vietnam at long last is emerging as a global force in trade and culture. Likewise its ceramics tradition a fusion of eclectic influences and unique forms and forces is exciting the imagination and delighting the senses of a widening circle of collectors and connoisseurs. The Elephant and the Lotus explores this vital tradition by highlighting over two hundred objects in the Museum of Fine Arts Boston." - Jacket MFA Publications hardcover
1975rif. 165Galerie Noëlla Gest, Saint-Rémy-de-Provence, 1975. - Format : 21 x 21 cm. - Non paginé (44 pages). - Broché. - Très bon état.
rif. 11413Tryes, Dufour-Bouquot, 1882. In-8 de 227 pages et 2 grandes cartes dépliantes en couleurs. Quelques rousseurs. Broché, couverture beige imprimée en noir (dos cassé avec manque de papier).
rif. 202601707Paris, Rustica , 1997 ; in-4, 183 pp., cartonnage de l'éditeur.
rif. 5511Balland. 1981. In-8° broché. Couverture illustrée. Nombreux documents et photographies. 253 pages. E.O.
rif. 200906934Paris, Balland, 1981 ; grand in-8, 253 pp., broché, couverture illustr.
1931rif. 300241931 Paris, Plon, (Collection "La Grande Fable"), 1931, in 12 broché, V-201 pages ; non coupé.
Paris, Plon, 1957. In-12, broché, couverture illustrée, 210 pp. Avec 16 illustrations hors-texte (photographies). Bel exemplaire.
rif. 3861Paris, Plon, 1957. In-12, broché, couverture illustrée, 210 pp.
rif. 016031Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 35*27cm, 1968. Charles de Gaulle, retour d'Allemagne. Titre et crédit photo au dos. Pli en bordure. Rare tirage.
rif. 016032Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 35*27cm, 1968. Charles de Gaulle, retour d'Allemagne. Titre et crédit photo au dos. Pli aux angles. Rare tirage.
rif. 016033Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 35*27cm, ca.1965. Charles de Gaulle. Cachet au dos. Rare tirage.
rif. 016034Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 40*30cm, ca.1965. Charles de Gaulle sur le tarmac. Inscriptions au crayon rouge , probablement pour une édition. Rare tirage.
rif. 016035Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 27*35cm, ca.1965. Charles de Gaulle. Cachet au dos. Petit pli à un coin. Rare tirage.
rif. 016036Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 35*27cm, mai 1968. Charles de Gaulle, l'annonce du référendum en mai 1968 à Brest. Titre et crédit photo au dos. Plis aux coins. Rare tirage.
rif. 016037Philippe d'Argencé (né en 1936), photographe, peintre. Photographie originale, tirage argentique, 40*30cm, mai 1968. Charles de Gaulle, l'annonce du référendum en mai 1968 à Brest. Cachet au dos. Rare tirage.
1924rif. LIQ-6249P. Editions du Sagittaire 1924. Petit in-4°demi basane rouge à bande, dos lisse, titre en long doré, couverture conservée (dos légèrement et uniformément insolé).
rif. 201701655Strasbourg, La nuee bleue, 2008 ; grand in-4, 238 pp., cartonnage de l'éditeur. Deux mille ans d art et d histoire - avec jaquette - comme neuf.