44 036 résultats
1594réf. 395572In Genoua: Appresso gli Heredi di Gier. Bartoli 1594. Softcover. Good. First Italian edition. Translated by Lorenzo Conti. Quarto. 40 803 1pp. woodcut title vignette and illustrated woodcut initials. Contemporary pastepaper boards with original sewing along the joints edges sprinkled red. Signed manuscript note dated from: "Malta 2 December 1839" laid-down on the front pastedown identifying this copy as belonging to: "the Library of the Knights of Malta of the Order of St. John of Jerusalem." Two small laid-paper strips are pasted over an early ownership signature on the title page to the left and right of the woodcut vignette. The pastepaper binding is frayed at the edges and torn along the front joint both free endpapers are nearly detached modest intermittent old dampstaining and some worming to the top margin good. The scarce first Italian edition of Commynes celebrated Mémoires in a contemporary binding and with a compelling provenance. Appresso gli Heredi di Gier. Bartoli unknown books
2007réf. __0470033916John Wiley & Sons Inc 2007. Hardcover. New. 1st edition. 467 pages. 10.00x7.00x1.25 inches. John Wiley & Sons Inc hardcover
2007réf. SONG0470033916Wiley 2007-11-28. 1. hardcover. Used: Good. 6.88x1.30x9.90. Buy with confidence. Excellent Customer Service & Return policy. Wiley hardcover
2003réf. 42800Milan: 5 Continents 2003. Hardcover. Very Good. Hard cover. Very good condition. A couple of light bumps around the edge otherwise as new copy. 5 Continents hardcover
1797réf. 13514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach. This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown
1797réf. 13514London: Published by P. J. de Loutherbourg and Sold by V. & R. Green No 14 Percy Street Bedford Square 1797. Coloured aquatint. Printed on wove paper watermarked 1794. In excellent condition. Image size: 9 1/2 x 15 3/4 inches. A wonderful early separately published impression of Loutherbourg's celebrated image of fishermen on Brighton Beach. This delicate aquatint is an early separately published state of a print which was later included in Phillip Jacques Loutherbourg's seminal work "Picturesque Scenery of Great Britain." The print which was re-engraved in 1801 by J. C. Stadler was enlarged and re-titled "Brighthelmstone Fishermen Returning." This early example of Loutherbourg's work wonderfully shows his skill as an artist. The composition and arrangement of the image provides a fluidity to the picture that is truly compelling and demonstrates Loutherbourg's abilities as a draftsman. The son of a court painter in Darmstadt the versatile artist Philippe Jacques Loutherbourg was born in Fulda Germany and was a pupil of J. H. Tischbein and Carle Vanloo and Francis Casanova the elder in Paris. His romantic landscapes battle scenes portraits and biblical subjects were highly esteemed and lauded by influential colleagues such as Diderot. He frequently exhibited at the Salon and became a venerated member of the Académie Royale in 1767. In 1771 he moved to England where he was employed as the principal scenery designer at London's Drury Lane Theatre. His creative and minutely detailed sets revolutionized the genre of scene painting and he soon began dabbling in costume design. Loutherbourg once again astounded contemporaries in 1782 with his pioneering invention of the "Eidophusikon" a novel variety of moving panorama that was accompanied by music. His substantial and varied oeuvre also included book illustrations and a series of aquatints of British scenery that was published in 1801 and 1805. Aside from a brief trip to Switzerland in 1782 he remained in London for the duration of his life and became heavily engrossed in mysticism. Published by P. J. de Loutherbourg, and Sold by V. & R. Green, No 14 Percy Street, Bedford Square unknown books
1983réf. 36043Pau: Le Musee De Beaux-Arts. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 156-pages. "This catalogue produced in conjunction with a 1983 traveling exhibition in France entitled Les Peintres Orientalistes 1985-1914 provides an excellent overview of its subject. It includes an essay by Philippe Comte an annotated list of the works exhibited and 67 illustrations in black and white of works by dozens of artists. All text is in French. The softcover volume measures 8¼ x 8¼ inches." Among the artists represented: Ziem; Gerome; Crapelet; Fromentin; Guillaumet; and others. -- with a bonus offer--; T-Comte; Comte Philippe; Le Musee De Beaux-Arts Pau Les Peintres Orientalistes 1850 - 1914 - Le Musee De Beaux-Arts Pau - May - June 1983 "This catalogue produced in conjunction with a 1983 traveling exhibition in France entitled Les Peintres Orientalistes 1985-1914 provides an excellent overview of its subject. It includes an essay by Philippe Comte an annotated list of the works exhibited and 67 illustrations in black and white of works by dozens of artists. All text is in French. The softcover volume measures 8¼ x 8¼ inches." Among the artists represented: Ziem; Gerome; Crapelet; Fromentin; Guillaumet; and others. . 1983. 2853020959 . Le Musee De Beaux-Arts paperback
1991réf. AMTulCOM57New York: Mallard Press 1991. 1991. folio. pp. 259 1. 409 illus. 112 colour. biblio. bds. dw. extremities slightly chipped 2 short tears. Hardcover. [New York]: Mallard Press, [1991]. Hardcover
1976réf. 498540Paris: Les Éditions de Minuit 1976. Softcover. Fine/Near Fine. First edition “La Librairie des Editions de Minuit sur Bouffant" issue limited to 92 numbered copies this copy is number 87. 12mo. White printed wrappers. A fine unopened copy in publisher’s unprinted near fine glassine dust jacket lightly tanned on the spine and with a small chip at tail of spine. Publisher’s numbered slip laid into the book matching the limitation number on verso of title page. Les Éditions de Minuit unknown
1976réf. 498540Paris: Les Éditions de Minuit 1976. Softcover. Fine/Near Fine. First edition “La Librairie des Editions de Minuit sur Bouffant" issue limited to 92 numbered copies this copy is number 87. 12mo. White printed wrappers. A fine unopened copy in publisher’s unprinted near fine glassine dust jacket lightly tanned on the spine and with a small chip at tail of spine. Publisher’s numbered slip laid into the book matching the limitation number on verso of title page. Les Éditions de Minuit unknown books
2000réf. R320148970France Loisirs. 2000. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 455 pages - nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 641.5-Cuisine, art culinaire
2013réf. R260259258La Martinière. 2013. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages augmentées de nombreuses photos en couleurs hors texte.. . . . Classification Dewey : 641.5-Cuisine, art culinaire
réf. 54693Hachette "La vie quotidienne" 1994, in-12 broché, couverture illustrée à rabats, 263 p. (très bon exemplaire ; non réédité) Notes et bibliographie. Nouvelle édition de ce bon classique de la collection, par un spécialiste de l'histoire militaire au Moyen Age.
réf. 75445Coll. "Archives" n° 5, Paris, éd. Julliard, 1964, in-12, cartonnage souple, couv. illl. en mauve sur blanc éd., 196 pp., nb. reproductions en noir de documents anciens, sommaire, glossaire, bibliographie, L'histoire de la bataille d'Azincourt entre les français et les anglais qui marque la fin du Moyen Âge. Très bon état
1981réf. R150109174GALLIMARD .. 1981. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 185 pages. Illustration en noir et blanc sur la 1ère de couverture et la 4ème de couverture. Tampon sur la page de garde, sur la page de titre et sur la 1ère page de lecture, n'altérant pas la lecture.. . . . Classification Dewey : 843.0872-Le roman policier
1982réf. R150109226GALLIMARD .. 1982. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 219 pages. Illustration en noir et blanc sur la 1ère de couverture et la 4ème de couverture.. . . . Classification Dewey : 843.0872-Le roman policier
réf. 72545LXXXXe session - Saint-Etienne - 15-19 juin 1992 - Masson Editeur - in-8 broché - 112 pages
1999réf. RO20012372Grand livre du mois. 1999. In-8. Relié. Très bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 279p, illustré de photos couleurs hors texte, cartonné, couverture illustrée d'une photo couleurs.. . . . Classification Dewey : 641.5-Cuisine, art culinaire
réf. 41096Lausanne, 1991, 185x125mm, 147pages, broché. Bel exemplaire.
réf. 523670P., Presses de l'ENS, 1992. Grand in-8 broché, 270 pp., 4 pl. dont 2 en coul., index.
1992réf. vk2365Presses de l'École Normale Supérieure Broché 1992 In-8 (15,3 x 24 cm), broché, 270 pages ; très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
réf. 111632Pézilla-la-Rivière, DLM Editions 1995, 210x100mm, 118pages, broché. Exemplaire à l'état de neuf.
réf. 18813,Paris, Mouton 1972, XXXVIII-757 pp., 1 vol. in fort in 8 relié plein toile editeur, pièce de titre, illustrations hors-texte, cartes in-texte . Bon etat.
réf. 058196Paris - La Haye Mouton & Co 1972 in 8 (24x15,5) 1 fort volume reliure cartonnée de l'éditeur sous jaquette illustrée, XXXVIII et 757 pages, avec 18 figures hors-texte, dont 7 cartes. Annexes, Index, bibliographie, table des matières. Ecole Pratique des hautes Etudes, collection '' Civilisations et Sociétés '', 24. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
réf. 570280P., Mouton & Co, 1972. In-8°, rel. d'édition pleine toile bleue, dos lisse, pièce de titre rouge, Médaillon doré sur le 1er plat, XXXVIII-757 pp., 18 illustrations réunies en 16 pl. h.-t. dont 7 cartes. Annexes, Index, bibliographie, table des matières (Ecole Pratique des hautes Etudes: Civilisations et Sociétés, n°24).
