Philippe DjianLivre Rare Book
47.215 Ergebnisse
Best.-Nr. 500379777folio Sans date.
1996Best.-Nr. RO20252324épigones. 1996. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 93 pages - nombreuses illustrations en noir et blanc dans et hors texte - tampon sur la page de garde - étiquette sur le 2ème contre plat.. . . . Classification Dewey : 843.0692-Livres d'enfants
Best.-Nr. BN272513Ägypten Ägypten Emilie Beaumont Philippe Lamarque unknown
Best.-Nr. ria9782322217724_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Une nouvelle exploration de l' Histoire menant de front les recherches linguistiques théologiques et archéologiques car tous les pans de l' Histoire sont reliés entre eux. On ne peut comprendre les trouvailles archéologiques sans l paperback
Best.-Nr. ria9782322394562_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Cette compilation des premières études de Philippe POTEL-BELNER permet de retracer les hypothèses et raisonnements qui ont conduit à de nouvelles théories linguistiques et ethnogénétiques. Les sujets de ces études sont variés des inscr paperback
Best.-Nr. ria9782322380190_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Ces études couvrent de nombreux champs d' études depuis les inscriptions gauloises et latines jusqu' aux attributs et épithètes divins en passant par les noms de famille et les prénoms de toutes les époques les toponymes de toutes é paperback
Best.-Nr. Juanpebooks038767WE ship worldwide. Brand new 100%guarentee unknown
Best.-Nr. LDM0013661We ship worldwide. 100% guarentee. BRAND NEW unknown
1755Best.-Nr. 25093A work from Loutherbourg`s early career when he was in Paris 1755 – 1770. This series is outstandingly rare. Ca. 11.9 x 8.5 cm; plate mark not visible; in fine condition. Literature: Le Blanc. Loutherbourg an Alsatian painter who studied etching in Johann Georg Wille's academy clearly admired the prints of the seventeenth-century Neapolitan painter Salvator Rosa as did many other French printmakers of the time. In the set entitled "First suite of Soldiers"Loutherbourg took up a format associated with Rosa in order to showcase his own inventiveness and fluency. Philip James de Loutherbourg RA 31 October 1740 – 11 March 1812 whose name is sometimes given in the French form of Philippe-Jacques the German form of Philipp Jakob or with the English-language epithet of the Younger was a French-born British painter who became known for his large naval works his elaborate set designs for London theatres and his invention of a mechanical theatre called the "Eidophusikon". He also had an interest in faith-healing and the occult and was a companion of the confidence-trickster Alessandro Cagliostro <input type="checkbox"> Loutherbourg was born in Strasbourg in 1740 the son of an expatriate Polish miniature painter.1 Intended for the Lutheran ministry he was educated at the University of Strasbourg.2 Rejecting a religious calling Loutherbourg decided to become a painter and in 1755 placed himself under >Charles-André van Loo in Paris and later under Francesco Giuseppe Casanova. His talent developed rapidly and he became a figure in the fashionable society of the day. In 1767 he was elected to the French Academy although below the age required by the rules of the institution and painted landscapes sea storms and battles all of which work had a celebrity above those of the specialists then working in Paris. He made his debut with the exhibition of twelve pictures including Storm at Sunset Night and Morning after Rain.2 Loutherbourg then travelled through Switzerland Germany and Italy distinguishing himself as much by his mechanical inventions as by his painting. One of these showing new effects produced in a model theatre was the wonder of the day with its use of lights behind canvas representing the moon and stars and the illusory appearance of running water produced by clear blue sheets of metal and gauze with loose threads of silver.2 In 1771 he settled in London where David Garrick paid him £500 a year to design scenery and costumes and oversee the stage machinery at the Drury Lane Theatre.3 His stage effects attracted the admiration not just of the general public but also of artists including Joshua Reynolds. He devised scenic effects in which for instance green trees gradually became russet and the moon rose and lit the edges of passing clouds:2 illusions achieved through the use of coloured lantern-slides and the ingenious lighting of transparencies.4 He continued to work at the theatre until 1785.3 He achieved an even greater success with an entertainment called the Eidophusikon meaning "image of nature". This was a miniature mechanical theatre measuring six by eight feet and described as displaying "Various Imitations of Natural Phenomena represented by Moving Pictures". It was presented at Loutherbourg's home from March 1781 in an auditorium seating about 130 people. He used Argand lamps to light the stage and stained glass to change colours. At Christmas 1781 Loutherbourg mounted a spectacle at a party in the Egyptian Hall at Fonthill for William Beckford promising according to Beckford to "present a mysterious something that the eye has not seen or heart of man conceived".4 Following this he attempted rather more fantastical subjects for the Eidophusikon presenting a scene from Paradise Lost with "Satan arraying his troops on the banks of the Fiery Lake and the rising of the Palace of Pandemonium".4 The Eidophusikon soon closed however as the income did not cover the costs and the audience demanded new productions faster than Loutherbourg could create them. He has been called the inventor of the panorama but although it first appeared about the same time as the Eidophusikon the first panorama was painted and exhibited by the Scottish painter Robert Barker. Despite these other projects Loutherbourg still found time for painting. Lord Howe's action or the Glorious First of June exhibited 1795 and other large naval pictures were commissioned to commemorate British naval victories many of them ending up soon afterwards in the Greenwich Hospital Gallery in whose successor the National Maritime Museum they still remain. His finest work was the Destruction of the Armada. He also painted the Great Fire of London and several historical works including the Attack of the Combined Armies on Valenciennes 1793.2 He was interested in the industrial revolution and his 1801 painting Coalbrookdale by Night shows iron foundries at work. Seven of his paintings including Lodore Waterfall and Skating in Hyde Park are in the Government Art Collection.5 He was made a member of the Royal Academy in 1781. Two sets of drawings by de Loutherbourg were published reproduced in aquatint under the title Picturesque English Scenery in 1801 and 1805. He also contributed illustrations to a Bible published by Thomas Macklin in 1800.3 After his death Cadell and Davies published a volume of the Apocrypha. All 110 of his drawings for the vignettes but not the Apocrypha are pasted in the Bowyer Bible in Bolton Museum in Greater Manchester. Esoteric interests In 1789 Loutherbourg temporarily gave up painting in order to pursue an interest in alchemy and the supernatural.3 He met Alessandro di Cagliostro who instructed him in the occult.3 He travelled about with Cagliostro leaving him however before his condemnation to death.2 He and his wife also took up faith-healing. A pamphlet called A List of a Few Cures performed by Mr and Mrs De Loutherbourg of Hammersmith Terrace without Medicine was published in 1789. Written by a follower named Mary Pratt it claimed that the Loutherbourgs had cured two thousand people between Christmas 1788 and the following July "having been made proper recipients to receive divine manuductions".6 Death Loutherbourg died in Chiswick in 1812. There are paintings by him in the collections of many British institutions including Tate Britain The Victoria and Albert Museum The National Portrait Gallery The Royal Academy of Art Leicester Farnham and Derby Art Gallery.7 Loutherbourg was buried in Chiswick Old Cemetery adjoining the graveyard of St Nicholas Church Chiswick. Buried nearby are the artists William Hogarth and James Abbott McNeill Whistler.
2011Best.-Nr. 400016914editions persée 2011 2011. Philippe Cauvin: Âmes en perdition/ Les Editions Persée 2011 . Philippe Cauvin: Âmes en perdition/ Les Editions Persée 2011
Best.-Nr. 048324449X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 048321213X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 22368Montpellier, Fata Morgana, 1975. In-4, 49 pp. 3 pl., en feuilles, couverture originale imprimée (petites rousseurs marginales).
Best.-Nr. 9750À REBOURS. Paris (2, rue des Francs-Bourgeois, puis 51, rue des Archives). Directeur : Paul Bénard. Comité de rédaction : Léopold Saint-Brice, Aurélien Marfée, Philippe Gras, Jean Hautepierre. In-8° broché. 56 numéros ont paru de 1977 à mars 1992. // Malgré ses airs de modeste fanzine tapuscrit, " À Rebours " est une revue d'excellent niveau, spécialisée dans le mouvement symboliste et la littérature fin-de-siècle.
Best.-Nr. 9752À REBOURS. Paris (2, rue des Francs-Bourgeois, puis 51, rue des Archives). Directeur : Paul Bénard. Comité de rédaction : Léopold Saint-Brice, Aurélien Marfée, Philippe Gras, Jean Hautepierre. In-8° broché. 56 numéros ont paru de 1977 à mars 1992. // Malgré ses airs de modeste fanzine tapuscrit, " À Rebours " est une revue d'excellent niveau, spécialisée dans le mouvement symboliste et la littérature fin-de-siècle.
Best.-Nr. 2603017071.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. ING9789004433274BRILL. New. Special order direct from the distributor BRILL unknown
Best.-Nr. BN314671FLAMMARION. Hardcover. À la table de l'Ambassadeur: LES RECETTES DE LA RESIDENCE DE L'AMBASSADEUR AMERICAIN A PARIS À la table de l'Ambassadeur: LES RECETTES DE LA RESIDENCE DE L'AMBASSADEUR AMERICAIN A PARIS Dorothy Stapleton et Philippe Excoffier FLAMMARION hardcover
Best.-Nr. 2760333906.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. BN105831FLEURUS. Softcover. À la ferme À la ferme FLEURUS paperback
2005Best.-Nr. H-345-417FLEURUS 2005. Paperback. Good. Ammareal gives back up to 15% of this item's net price to charity organizations. FLEURUS paperback
Best.-Nr. BN383361À l'ombre du laurier. Musique et culture à Florence 1530-1570 À l'ombre du laurier. Musique et culture à Florence 1530-1570 Philippe Canguilhem unknown
Best.-Nr. 65950Brepols 2024. Paperback 675 pages Size:178 x 254 mm Illustrations:6 b/w 47 col. 5 musical examples Language: French. ISBN 9782503612010. Summary Fruit de plus de quinze années de recherches dans les bibliothèques et archives de Florence ce livre souhaite mettre en évidence le rôle de la musique dans le dispositif culturel mis en place par les premiers ducs de Florence Alessandro et Cosimo 1 depuis la chute de la dernière République jusqu'à l'obtention par Cosimo du titre de grand-duc de Toscane par le pape Pie V. Ces quatre décennies marquées par des bouleversements politiques sociaux et culturels ont été scrutées avec la plus grande attention dans les domaines de l'histoire de l'art de l'histoire politique économique ou littéraire mais la place de la musique dans cette société en mouvement n'avait jamais été évaluée en profondeur. Observer la vie musicale florentine de cette période permet pourtant de révéler les mutations profondes des structures de pouvoir des réseaux de sociabilité et des référents culturels. Suivant un plan chronologique le livre s'appuie sur certains personnages-clés qui traversent toute la période les peintres Bronzino et Vasari les écrivains et académiciens Benedetto Varchi Antonfrancesco Grazzini ou Giovan Battista Strozzi dont les collaborations et les amitiés avec les musiciens florentins ont laissé de nombreuses traces. En suivant les activités de cette communauté cette enquête relate la transformation progressive des canti carnascialeschi en mascherate de cour les débats musicaux au sein de l'Accademia Fiorentina le dynamisme de la pratique du madrigal polyphonique dans les milieux amateurs sans oublier les mécanismes du mécénat musical et la construction d'une musique de cour au service du nouveau duché des Médicis. TABLE OF CONTENTS Introduction Première partie : Les années 30 Chapitre 1 : Les Florentins à Rome Chapitre 2 : Florence sous le duc Alessandro Chapitre 3 : Musique et politique à Florence dans les années 30 Deuxième partie : Les années 40 Chapitre 4 : Musique et musiciens à la cour de Cosimo Chapitre 5 : En ville amitiés et rivalités musicales Troisième partie : Les années 50 et 60 Chapitre 6 : La cour en spectacle Chapitre 7 : La noblesse florentine et ses pratiques musicales Annexes biographiques Annexe 1 : Les chanteurs de la chapelle florentine 1540-1570 Annexe 2 : Les musiciens de la cour ducale 1532-1570 Bibliographie Index des noms de personnes Brepols 2024 paperback
Best.-Nr. 202202639Paris, Gallimard, 2018 ; in-8, 189 pp., br. Broché avec jaquette.
2018Best.-Nr. 100094207Mardaga 2018 182 pages 13x21x2cm. 2018. Broché. 182 pages.
