44 030 résultats
2002réf. 83065Couverture souple illustrée. Une illustration dans chaque page.
2002réf. 24150Le 9ème monde, 2002. Petit in-12 broché, couverture illustrée.
2004réf. 4411Le 9eme monde, 2004. Tout petit volume broché, à l'état de neuf.
1900réf. 63411ca. 1900. Le Monde Intellectuel. - La France Contemporaine 10205. - Berlin-Charlottenburg Adolf Eckstein Editeur o.J. ca.1900 300 x 460 mm; beigelegt 1 Blatt Biographie. François Antoine Philippe Barbier 1848-1922 französischer organischer Chemiker. Er gilt als Vater der metallorganischen Chemie und hat 1899 die erste Organomagnesiumverbindung synthetisiert. Sein Name ist aber am meisten bekannt durch die nach ihm benannte Barbier-Reaktion. unknown
1700réf. 537731700. Les Hommes Illustre 2. - Ed. Charles Peraullt. - Paris 1700 264 x 184 auf 305 x 240 mm. Philippe Collot 1593-1656 Lithotomist at hte Hôtel Dieu Paris. Portr. Wellcome Inst. Hist. Med. Nr.650.1; Mortzfeld A 3892; Drugulin Ä. 1008; Singer 16165; Robert-Dumesnil 7 244 Nr.173; IFF XVIIs 453 Nr.223. unknown
1865réf. 397261865. Pantheon des Illustr. Franc. 19 Siecle. - Paris Lemercier 1865 Lith. J.B.A. Lafosse after a photograph by Piere Petit Folio 235 x 187 auf 37 x 252 cm Philippe Ricord 1800-1889 M.D. Surgeon and syphilologist. Portr. Wellcome Inst. Hist. Med. R.Burgess No.2492.3 unknown
1866réf. 535501866. Panthéon des Illstr. Franc. au XIX Siècle. Publ. sous la direction Victor Frond. - Paris Abel Pilon Éditeur; Lemercier Imprimeur 1866 Lithographie 210 x 270 auf 388 x 265 mm 2 pp. Bibliographie 1 Blatt Facsimile der Handschrift. Charles-Philippe Robin 1821-1885 französischer Biologe und Histologe. Sein botanisches Autorenkürzel er beschrieb neue Algenarten lautet "C.P.Robin". unknown
réf. GF6237Gravure à l'eau forte sur papier du Marais - Format 14 x 10 cms environ à la cuvette sur une feuille de 24,5 x 15,5 cms - Paris - Pour la Société des Amis du Livre - 1899 -
réf. GF20546Gravure originale à l'eau forte et aquatinte - format 13,5 x 13,5 cm sur une feuille de 29,5 x 21 cm - Vers 1820 - bon état malgré quelques petites piqures marginales sans gravité -
réf. GF20548Gravure originale à l'eau forte et aquatinte - format 13,5 x 13,5 cm sur une feuille de 29,5 x 21 cm - Vers 1820 - bon état malgré quelques petites piqures marginales sans gravité -
1599réf. 41163Frankfurt 1599. The composer is depicted bust-length within an oval border lettered "Philippus de Monte Belga DD Max et Rod 11 Impp Musici Canon et Thesaur Camaracensis" within a decorative border incorporating floral motifs. He wears a short full beard is in simple dress and wears a tall cap. With 2 lines of text to cartouche below. Image size to plate mark ca. 147 x 110; sheet size 200 x 156 mm. With "318" and "XLIX" printed to upper margin of recto and signature designation "Rr3" to verso. Very slightly worn and browned; margins foxed; one small stain to background not affecting image; inner edge slightly ragged from disbinding. Komma 256. The present engraving was published in the famous 16th century biographical work "Icones Quinquaginta virorum illustrium doctrina & eruditione" Icons of Fifty Illustrious Men Outstanding in Doctrine and Erudition" by Jean Jacques Boissard 1528-1602 containing engraved portraits of prominent cultural figures by noted goldsmith and engraver de Bry. It is most probably after the Raphael Sadeler portrait of 1594. Komma 256. Le Blanc 143. Hollstein 255-314. "Monte was an important representative of the last generation of great Flemish composers of the Renaissance and was one of the major composers of Italian madrigals." Robert Lindell and Brian Mann in Grove Music Online. unknown books
1599réf. 41174Frankfurt 1599. Image size to platemark 142 x 107 mm; sheet size 178 x 138 mm. The composer is depicted bust-length within an oval border lettered "Philippus de Monte Belga DD Max et Rod 11 Impp Musici Canon et Thesaur Camaracensis" within a decorative border incorporating floral motifs. He wears a short full beard is in simple dress and wears a tall cap. With 2 lines of text to cartouche below. On lightweight laid paper. Komma 256. Le Blanc 143. Hollstein 255-314. The present engraving was also published in the famous 16th century biographical work "Icones Quinquaginta virorum illustrium doctrina & eruditione" Icons of Fifty Illustrious Men Outstanding in Doctrine and Erudition by Jean Jacques Boissard 1528-1602 containing engraved portraits of prominent cultural figures by noted goldsmith and engraver de Bry. It is most probably after the Raphael Sadeler portrait of 1594. "Monte was an important representative of the last generation of great Flemish composers of the Renaissance and was one of the major composers of Italian madrigals." Robert Lindell and Brian Mann in Grove Music Online. unknown books
1696réf. 41464Paris 1696. Quinault is depicted head-and-shoulders turned quarter right wearing a robe and long wig. Coat of arms to lower portion of oval border with "Philippe Quinault Auditeur des Comptes de l'Academie francoise" printed below Image size 255 x 192 mm; sheet size 290 x 212 mm. With an 18 mm tear to upper right margin just touching printed area. "Edelinck's engraving beautifully encapsulates Quinault's position as a dramatist auditor and member of the Académie Française during the reign of Louis XIV. To contextualize Philippe Quinault wrote the librettos for several of Jean-Baptiste Lully's operas a partnership crucial in establishing French opera as its own distinctive art form. How might that relationship to power through music have played out in society. a striking example of Baroque portraiture." Artera website. unknown books
réf. 41555Print: 182x135 mm. Mount: 198x152. Mounted on cardstock with an ink boarder edges of mount are trimmed. Print is in very good condition. unknown books
réf. GF14704Eau-forte sur chine appliquée sur papier blanc - XIXéme siècle - format 22,5 x 16 cm pour le papier de chine - rousseurs sur les marges de papier blanc -
réf. 41555Print: 182x135 mm. Mount: 198x152. Mounted on cardstock with an ink boarder edges of mount are trimmed. Print is in very good condition. unknown
1599réf. 41163Frankfurt 1599. The composer is depicted bust-length within an oval border lettered "Philippus de Monte Belga DD Max et Rod 11 Impp Musici Canon et Thesaur Camaracensis" within a decorative border incorporating floral motifs. He wears a short full beard is in simple dress and wears a tall cap. With 2 lines of text to cartouche below. Image size to plate mark ca. 147 x 110; sheet size 200 x 156 mm. With "318" and "XLIX" printed to upper margin of recto and signature designation "Rr3" to verso. Very slightly worn and browned; margins foxed; one small stain to background not affecting image; inner edge slightly ragged from disbinding. Komma 256. The present engraving was published in the famous 16th century biographical work "Icones Quinquaginta virorum illustrium doctrina & eruditione" Icons of Fifty Illustrious Men Outstanding in Doctrine and Erudition" by Jean Jacques Boissard 1528-1602 containing engraved portraits of prominent cultural figures by noted goldsmith and engraver de Bry. It is most probably after the Raphael Sadeler portrait of 1594. Komma 256. Le Blanc 143. Hollstein 255-314. "Monte was an important representative of the last generation of great Flemish composers of the Renaissance and was one of the major composers of Italian madrigals." Robert Lindell and Brian Mann in Grove Music Online. unknown
1599réf. 41174Frankfurt 1599. Image size to platemark 142 x 107 mm; sheet size 178 x 138 mm. The composer is depicted bust-length within an oval border lettered "Philippus de Monte Belga DD Max et Rod 11 Impp Musici Canon et Thesaur Camaracensis" within a decorative border incorporating floral motifs. He wears a short full beard is in simple dress and wears a tall cap. With 2 lines of text to cartouche below. On lightweight laid paper. Komma 256. Le Blanc 143. Hollstein 255-314. The present engraving was also published in the famous 16th century biographical work "Icones Quinquaginta virorum illustrium doctrina & eruditione" Icons of Fifty Illustrious Men Outstanding in Doctrine and Erudition by Jean Jacques Boissard 1528-1602 containing engraved portraits of prominent cultural figures by noted goldsmith and engraver de Bry. It is most probably after the Raphael Sadeler portrait of 1594. "Monte was an important representative of the last generation of great Flemish composers of the Renaissance and was one of the major composers of Italian madrigals." Robert Lindell and Brian Mann in Grove Music Online. unknown
1696réf. 41464Paris 1696. Quinault is depicted head-and-shoulders turned quarter right wearing a robe and long wig. Coat of arms to lower portion of oval border with "Philippe Quinault Auditeur des Comptes de l'Academie francoise" printed below Image size 255 x 192 mm; sheet size 290 x 212 mm. With an 18 mm tear to upper right margin just touching printed area. "Edelinck's engraving beautifully encapsulates Quinault's position as a dramatist auditor and member of the Académie Française during the reign of Louis XIV. To contextualize Philippe Quinault wrote the librettos for several of Jean-Baptiste Lully's operas a partnership crucial in establishing French opera as its own distinctive art form. How might that relationship to power through music have played out in society. a striking example of Baroque portraiture." Artera website. unknown
réf. 18215Le maréchal est en uniforme militaire, avec képi de maréchal et une seule décoration, la médaille militaire ; le portrait se détache sur un fond semé de feuilles de chêne et dessous, la signature Ph. Pétain.
1984réf. RO20133689GALLIMARD / NRF. 1984. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 312 pages. Envoi sur la page de faux titre: Pour Jean B..... avec l'amicale pensée de Philippe Sollers.. Avec Jaquette. . . Classification Dewey : 840.091-XX ème siècle
1991réf. _202100300Paris, Futuropolis / Gallimard, 1991 ; in-4, 188 pp., broché. Illustrations de Martin Veyron en noir et blanc.
1984réf. 28375Paris, Gallimard, (19 décembre) 1984 1 vol. (145 x 220 mm) de 311 p. Broché. On y joint la jaquette du premier tirage, réservée au tirage courant. Édition originale. Un des 47 exemplaires sur vélin d'Arches (n° 63) - après 27 sur hollande. On y joint la jaquette du premier tirage, réservée au tirage courant.
1984réf. 37813Paris Gallimard 1984 1 vol. broché in-8, broché, jaquette, 312 pp. Edition originale avec un envoi autographe signé de l'auteur. En bonne condition.
1984réf. 37813Paris Gallimard 1984 1 vol. broché in-8, broché, jaquette, 312 pp. Edition originale avec un envoi autographe signé de l'auteur. En bonne condition.
