3 988 résultats
1942réf. P-27801Paris: Gallimard 1942. Paperback. Very Good/First Edition. Octavo. Single date on the copyright page of this the first French edition of Camus's philosophical essay. Small 8vo perfect bound grey printed wrappers 185 pages. A near fine unmarked copy with pages uncut. Extremely scarce. Gallimard paperback
1951réf. 92185Paris: Gallimard 1951. Fine. Gallimard Paris 1951 12 x 19 cm Relié sous étui First edition one of 45 numbered copies on hollande most limited deluxe issue. Contemporary full red morocco spine with four raised bands framed with black fillets date gilt at foot taupe morocco doublures red silk endleaves gilt fillets and dots to board edges all edges gilt slipcase an elegant binding signed Favre-Petit-Mermet. A fine copy handsomely bound in full morocco with morocco doublures by Favre-Petit-Mermet. Gallimard hardcover
1989réf. C219604London: Hamish Hamilton 1989. Hardcover Hardcover. Very Good. Octavo. 155pp. Original black boards with gilt spine titles. Light tanning to pages as usual otherwise a near fine copy in a very good indeed price-clipped dust jacket. Owner label and ink details to pastedown. Hamish Hamilton, hardcover
réf. 67771912-6Mellen Press The Edwin. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Mellen Press, The, Edwin unknown
1947réf. 92332Lausanne: Formes et couleurs 1947. Fine. Pre-original edition of a text on New York by Albert Camus Formes et couleurs Lausanne 1947 22.8 x 30.7 cm Broché Sixth issue of the year 1947 richly illustrated with photographic reproductions including numerous works by Henri Cartier-Bresson. Illustrated cover by Jean Lurçat. Contributions by Albert Camus Alexandre Astruc Darius Milhaud Iain Lang Robert Sabin Nancy Newhall Newton Arvin Jacques Delamain Beaumont Newhall Jean Vermandoy and Woody Guthrie. Cover slightly rubbed and soiled a loss to the spine leaves slightly browned. Ex-libris of Pierre Mercier. « C'est peut-être que New York nest plus rien sans son ciel. Tendu aux quatre coins de lhorizon nu et démesuré il donne à la ville sa gloire matinale et la grandeur de ses soirs à lheure où un couchant enflammé sabat sur la huitième avenue et sur le peuple immense qui roule entre ses devantures illuminées bien avant la nuit. » Albert Camus Pluies de New-York 1947.This poignant piece on New York which Albert Camus drew from his 1946 trip to the United States first appeared in this issue of the Swiss review before being reprinted under the same title in the Essais published posthumously in 1965 in Gallimard's «Bibliothèque de la Pléiade». Formes et couleurs unknown
1953réf. 92226Paris: Gallimard 1953. Fine. The Stranger and a Stranger Gallimard Paris 1953 12 x 19 cm Broché sous chemise étui New edition. A handsome copy covers very lightly browned discreet restorations to the joints. Rare presentation copy signed and inscribed by Albert Camus: ""to Madame Jean Labattut whom I thank three times in respectful homage Albert Camus."" Inscribed copies of Camus' masterpiece are exceedingly scarce. Our copy is housed in a custom brown half morocco chemise handmade paper boards title and author gilt stamped beige pastedowns slipcase edged with morocco handmade beige paper boards a handsome set signed by Boichot. The recipient could be Streline Mercedes Terradell who served as a nurse in France during WW1. In 1929 she married Jean Labatut also spelled Labattut architect and teacher who a primary force behind the development of Princeton University's School of Architecture 1928-1967 and designed architectural projects around the world including Spain Havana Cuba and Princeton. In 1953 Labatut became a member of the American Academy in Rome. That same year at Le Corbusier's request Albert Camus wrote the commentary for Jean Sacha's documentary on the Cité Radieuse. Could this have been the occasion on which Camus approached the Labatut couple for information on the subject thereby explaining the mysterious ""triples remerciements"" triple thanks in the inscription on this rare presentation copy Despite the wealth of scholarship devoted to Albert Camus our copy reveals that the life of one of the twentieth century's greatest writers still holds intriguing mysteries not least this curious encounter between the Stranger and a stranger. Gallimard hardcover
1957réf. 92308Paris: Gallimard 1957. Fine. Deluxe Copy in a Sunset-like Inlaid Binding by Miguet Gallimard Paris 1957 12 x 18.8 cm Relié sous chemise et étui The majority of the text in in first edition. One of 45 numbered copies on hollande the most limited deluxe issue. Full black morocco binding flat spine covers decorated with some hundred inlays of red orange-red and orange morocco evoking the chromatic variations of a setting sun white morocco frame on the red suede endleaves and doublures monogram blind-stamped on one doublure original wrappers and spine bound in all edges gilt; matching chemise in half black morocco with flaps flat spine date gilt at the foot marbled paper sides beige suede lining matching slipcase edged in black morocco marbled paper sides white felt lining a splendid binding signed and dated 2003 by Jean-Paul Miguet. A very fine copy of the most limited issue magnificently bound in a mosaic sunset binding by Jean-Paul Miguet one of the most prestigious binders of the second half of the twentieth century. Gallimard unknown
1954réf. 92381Paris: Gallimard 1954. Fine. Gallimard Paris 1954 12.7 x 19.1 cm Broché sous chemise et étui Partly original edition one of 25 numbered copies on Holland paper the deluxe issue. A few small creases to the margins of the boards otherwise a fine copy. Our copy is housed in a grey half-morocco chemise with a flat spine and date at foot lined with suede lambskin and a grey paper-covered slipcase signed Elbel and dated 2020. Gallimard hardcover
1953réf. 63533Paris Gallimard 1953. 8vo. Uncut in the original printed wrappers. An excellent fresh copy evenly browned througfhout as always due to the quality of the paper. 186 1. Housed in an exquisite dark blue half morocco box with blue marbled paper and gilt lettering to spine Henning Jensen. Gilt super ex libris to front board. Some browning to pages otherwise neat and clean. In half calf box with marbled boards gilt title to spine and gilt ex libris on the top. Some wear to edges. Signed copy dedicated to Jean Ballard 1893-1973. First edition presentation-copy inscribed to Jean Ballard of Camus' second collection of three published betweeen 1950 and 1958 of chronicles. Camus started preparing this second volume in 1953 which brings togther articles interviews polemical letters etc. dealing with world affairs since 1948 the cut-off point of the first volume. Actuelles II covers the troubling moments of the Cold War from the Prague coup 1948 to Stalin's death 1953 see Vanney. In this volume he summed his hopes in a brief preface: "The new world true liberation was not yet just around the corner but nihilism was a thing of the past and creation always possible now became more than ever necessary. A long section of Actuelles II looked backward . But a final section entitled 'Création et Liberté' was an attempt to demonstrate the continuing need for art. 'It's not enough to criticize one's times one must also try to give them a form and a future.'" Lottman: 521 Camus completed the reading of the proofs in Thonon-les-Bains "at the last moment adding the speech he had recently delivered at Saint Etienne". This speech was delivered in May 1953 at the Labor Exchange where a group of labor organizations had called a meeting. Camus "denounced threats to freedom in Western societies as well as Eastern ones pleaded for freedom as the one good the one heritage of the great revolutionary conquests of two centuries." Lottman: 522 Actuelles II is also strongly tied to his book-long essay L'homme révolté EN: The Rebel published in 1951. According to Vanney "The book's significance can be gauged if necessary by the sheer volume of commentary and criticism it generated from both the right and the left." own translation. In 1952 Camus had written a defense of his work but decided not to publish it and instead prepared the current volume of which seven out of sixteen texts revisit his controversial book. "Since Camus had decided against publishing Défense de L’Homme révolt written in the wake of these polemics reading them becomes essential to understanding the nuances and interpretations he brings to his essay. Apart from an interview with Pierre Berger they are presented in epistolary form and therefore should be read alongside the criticisms that prompted them." own translation see Vanney After WWII Albert Camus 1913-1960 became as a novelist and playwright moralist and political theorist "the spokesman of his own generation and the mentor of the next not only in France but also in Europe and eventually the world" Cruickshank 2026. Jean Ballard 1893-1973 was a French actor poet and editor. Between 1925-66 he ran the publisher Les Cahiers du Sud “The Southern Notebooks”. Sources and further reading: Aronson Ronald. Winter 2022 Edition. Albert Camus. In Edward N. Zalta & Uri Nodelman eds. The Stanford Encyclopedia of Philosophy. https://plato.stanford.edu/archives/win2022/entries/camus/ Cruickshank J. 2026 July 31. Albert Camus. Encyclopedia Britannica. https://www.britannica.com/biography/Albert-Camus Lottman H. R. 1979. Albert Camus: A biography. Weidenfeld & Nicolson. Todd O. 1998. Albert Camus: A life B. Ivry Trans. Vintage. Vanney Philippe. n.d. Actuelles II 1953. Société de Éstudes Camusiennes. https://www.etudes-camusiennes.fr/actuelles-ii-1953/ hardcover
1957réf. 63532Paris Gallimard 1957. 8vo. Bound uncut with the original printed wrappers in an exquisite full red morrocco binding with quadruple gilt lines over boards and spie and gilt lettering to spine bound by Henning Jensen and gilt by Hagel Olsen. Top edge red. Gilt super ex libris to inside of front board. A splendid near mint copy in a wonderful elegant binding. First edition - nr. 3089 out of 3265 numbered copies on alfa Libert preceded by 65 copies on Lafuma Navarre - wonderful presentation-copy from Camus to Jean Marchat of Camus' translation of an early 17th century historical play by the Spanish dramatist Lope de Vega 1562-1635 Le chevalier d'Olmedo ES: El caballero de Olmedo; EN: The Knight from Olmedo. "For his historical plays Vega ransacked the medieval chronicle the romancero and popular legend and song for heroic themes chosen for the most part as throwing into relief some aspect either of the national character or of that social solidarity on which contemporary Spain’s greatness rested. The conception of the crown as fount of justice and bulwark of the humble against oppression inspires some of his finest plays. Peribáñez y el comendador de Ocaña Peribáñez and the Commander of Ocaña El mejor alcalde el rey The King the Greatest Alcalde and Fuente Ovejuna All Citizens Are Soldiers are still memorable and highly dramatic vindications of the inalienable rights of the individual as is El caballero de Olmedo The Knight from Olmedo on a more exalted social plane." see britannica.com Camus selected this play along with his own Caligula for the Festival D'Angers – founded in 1950 and still existing today as Festival D'Anjou – of which he was together with Jean Marchat artistic director in 1953 where he had translated the play La dévotion de la croix EN: Devotion to the Cross by Calderon de la Barca who succeeded de Vega. Camus returned as artistic director again in 1957: "For the month of June 1957 Camus had once more agreed to direct plays at the Festival D'Angers for the Théâtre des Mathurins. He told Maria Casarès that it was sheer baraka – Arabic for 'divine favor' but that baraka also meant seventy rehearsals . He had gone over it line by line with Maria Casarès and he was to spend the final weeks of that winter of 1957 polishing it" Lottman: 595. Starring the play were "Michel Herbault in the title role the knight who is murdered by his treacherous rival Don Rodrigo played by Jorris; Jean-Pierre Marielle; and Dominique Blanchar." Lottman: 597 After WWII Albert Camus 1913-1960 became as a novelist and playwright moralist and political theorist "the spokesman of his own generation and the mentor of the next not only in France but also in Europe and eventually the world" Cruickshank 2026.Jean Marchat 1902-1966 was a French actor and stage director who had starred in the festival in 1953 in the Calderón play. Together with marcel Herrand he was associate director of the Théâtre des Mathurins between 1939–1953. The presenation-inscription reads: "pour toi mon cher Jean / qui a présenté / à la cour d'Angers / avec l'affection de / ton vieil ami / Albert Camus". Sources and further reading: Aronson Ronald. Winter 2022 Edition. Albert Camus. In Edward N. Zalta & Uri Nodelman eds. The Stanford Encyclopedia of Philosophy. https://plato.stanford.edu/archives/win2022/entries/camus/ Britannica Editors 2026 August 23. Lope de Vega. Encyclopedia Britannica. https://www.britannica.com/biography/Lope-de-Vega Cruickshank J. 2026 July 31. Albert Camus. Encyclopedia Britannica. https://www.britannica.com/biography/Albert-Camus Lottman H. R. 1979. Albert Camus: A biography. Weidenfeld & Nicolson. Todd O. 1998. Albert Camus: A life B. Ivry Trans. Vintage. Zaretsky Robert 4 March 2018. 'No Longer the Person I Was': The Dazzling Correspondence of Albert Camus and Maria Casarès. Los Angeles Review of Books. Retrieved 04 September 2026. hardcover
1953réf. 63531Paris Gallimard 1953. 8vo. Bound uncut with the original printed wrappers in an exquisite full red morrocco binding with quadruple gilt lines over boards and spie and gilt lettering to spine bound by Henning Jensen and gilt by Hagel Olsen. Top edge red. Gilt super ex libris to inside of front board. A splendid near min copy in a wonderful elegant binding. 169 4. First edition - nr. 3140 out of 3265 numbered copies on alfama Marais preceded by 65 copies on Lafuma Navarre - signed presentation-copy from Camus of his translation of an early 17th century historical play by the Spanish dramatist Pedro Calderón de la Barca 1600-1681 La dévotion de la croix ES: La devoción de la cruz; EN: Devotion to the Cross. "A keynote of Calderon’s tragic view of life is his deep-seated realization that a man can be responsible through his own wrongdoing for the wrongdoing of another. This realization probably derives from Calderón’s own family experience. In La devoción de la cruz c. 1625; Devotion to the Cross . the heart of the tragedy lies in the fact that the greatest sinner is also the most sinned against—in that others before he was born had begun to dig his grave" Parker 2026. The play was translated for the Festival D'Angers – founded in 1950 and still existing today as Festival D'Anjou – of which he was an artistic director in 1953 and again in 1957 where he selected another Spanish play The Knight from Olmedo by Lope de Vega the predecessor of Calderon. Camus translated this particular piece upon the request of the actor Marcel Herrand 1897-1953 who passed away before the festival took place see foreword written by Camus p. 11. The stark tradegy was performed in June 1953 starring Maria Casarès who had assisted Camus in the translation Serge Reggiani Paul Oettly and Jean Marchat Lottman: 524-25 and was a success: "Camus' adaptations received national press attention and locally the press would say that the Calderón work was so perfectly performed it could never again be played on an ordinary theater stage." Lottman: 525After WWII Albert Camus 1913-1960 became as a novelist and playwright moralist and political theorist "the spokesman of his own generation and the mentor of the next not only in France but also in Europe and eventually the world" Cruickshank 2026. The presentation-inscription reads: "à Sylvester pour son salut et avec la fidèle et cordiale pensée d'Albert Camus". Sources and further reading: Aronson Ronald. Winter 2022 Edition. Albert Camus. In Edward N. Zalta & Uri Nodelman eds. The Stanford Encyclopedia of Philosophy. https://plato.stanford.edu/archives/win2022/entries/camus/ Cruickshank J. 2026 July 31. Albert Camus. Encyclopedia Britannica. https://www.britannica.com/biography/Albert-Camus Lottman H. R. 1979. Albert Camus: A biography. Weidenfeld & Nicolson. Parker A.A. 2026 May 21. Pedro Calderón de la Barca. Encyclopedia Britannica. https://www.britannica.com/biography/Pedro-Calderon-de-la-Barca Todd O. 1998. Albert Camus: A life B. Ivry Trans. Vintage. Zaretsky Robert 4 March 2018. 'No Longer the Person I Was': The Dazzling Correspondence of Albert Camus and Maria Casarès. Los Angeles Review of Books. Retrieved 04 September 2026. hardcover
1942réf. 92199Paris: Gallimard 1942. Fine. A strange Stranger. Gallimard Paris 1942 12 x 18.70 cm broché First edition with no deluxe issue and bearing the correct printer's imprint date. An unusual copy with no edition statement on the title page but with the spurious mention « deuxième édition » at the head of the rear wrapper. Minor tears at the head and foot of the spine neatly repaired small losses at the head and foot of the front wrapper restored paper browned as usual. When The Stranger appeared in May 1942 French publishing was operating under wartime paper rationing: since December 1941 publishers had received only a fraction of their pre-war allocations. Albert Camus was then virtually unknown in metropolitan France. Pascal Pia had sent his manuscript to André Malraux who supported its publication by Gallimard. With paper scarce and Camus still little known Gallimard produced no deluxe issue. The 4400 copies all completed on 21 April 1942 were distributed as follows: 400 press copies marked « S.P. » on the title page and rear wrapper; 500 copies with no edition statement; and 3500 copies divided among seven fictitious « editions » of 500 copies each bearing at the foot of the title page and at the head of the rear wrapper statements ranging from second to eighth edition. In the absence of copies on fine paper the press copies and those without an edition statement effectively constitute the « deluxe issue » of this legendary work. Our copy presents a remarkable intermediate state doubtless accidental: its title page bears no edition statement like copies of the first issue while its wrapper is marked « Deuxième édition ». A bibliographical curiosity unlike any copy we have encountered before. A special mention is surely due to this strange Stranger at once double and unique. Gallimard unknown
réf. R03Q-01356Continuum. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. Continuum unknown
1950réf. 92619Paris: Gallimard 1950. Fine. Gallimard Paris 1950 11.5 x 18 cm Reliure de l'éditeur First edition one of 1050 numbered copies on alfama paper. Publisher's boards after the original design by Mario Prassinos. A tiny sunned area at the head of the spine. A remarkably fresh copy. Gallimard hardcover
1944réf. 92588Paris: Gallimard 1944. Fine. Gallimard Paris 1944 12 x 19 cm reliure de l'éditeur First edition one of 1000 numbered copies the only deluxe issue apart from 13 copies on Hollande paper. Publisher's pictorial boards after an original design by Mario Prassinos. Spine slightly compressed at head and foot otherwise a very good copy. Gallimard hardcover
1948réf. 92581Paris: Gallimard 1948. Fine. The Plague Act II Gallimard Paris 1948 11.50 x 18 cm reliure de l'éditeur First edition one of 1050 numbered copies on alfa paper. Two very faint areas of sunning at the head and foot of the spine otherwise a very good copy. Publisher's illustrated boards after the original design by Mario Prassinos. Gallimard hardcover
1947réf. 92617Paris: Gallimard 1947. Fine. Gallimard Paris 1947 12 x 18.50 cm reliure de l'éditeur First edition one of the numbered copies on alfa paper. Spine sunned as is usual a small dent to one board edge a small dark mark to the lower part of the front board. Publisher's binding after an original design by Mario Prassinos. Â Gallimard unknown
1956réf. 92592Paris: Gallimard 1956. Fine. Gallimard Paris 1956 11.50 x 18 cm reliure de l'éditeur First edition one of 1050 numbered copies printed on vélin labeur paper. Publisher's binding after an original design by Mario Prassinos. A fine copy. Gallimard unknown
réf. 11472460-6Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1946réf. C219417London: Hamish Hamilton 1946. Hardcover Hardcover. Very Good. Small octavo. 104pp. Original grey cloth with gilt spine titles. Covers slightly damp-marked and faded otherwise very good. No jacket. Hamish Hamilton, hardcover
réf. 42875803like new. unknown
1947réf. 91744Buenos Aires: Sur 1947. Fine. Sur Buenos Aires 1947 15.5 x 22.5 cm Broché First edition.This double issue nos. 17-20 is a special number devoted entirely to French literature since the Liberation.Other contributions include Julien Benda ""Exercice d'un enterré vif""; Patrice de La Tour du Pin ""Le jeu du seul""; Francis Ponge ""La réplique des larmes""; Jean-Paul Sartre ""Un collège spirituel""; Henri Michaux ""Ici Poddema""; Jean Paulhan ""Entretiens sur les faits divers"".A very good copy. Sur unknown
réf. 53577727-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1948réf. 91636Alfred A. Knopf. Good in Good dust jacket. First American Edition. Hardcover. 1st American edition Some rubbing and chipping around cover edges and on crown and heel. Small stain on endpaper. Numbered pencil markings on endpapers. Photos upon request. International shipping billed at cost. Please note that the buyer is responsible for any customs duties tariffs or import fees levied by the destination country.; 12mo 7" - 7½" tall; 178 pages . 1948. Alfred A. Knopf hardcover
1957réf. 87811Paris: Gallimard 1957. Fine. Gallimard Paris 1957 12 x 19 cm broché sous chemise et étui First French edition one of 77 numbered copies on pur fil only deluxe issue. Preface by Albert Camus. Nice copy housed under a chemise and slipcase by Devauchelle. Gallimard unknown