Heller-Edwards TypographyBiblio.com
Dalla Tipografia Trani PublisherBiblio.com
Archivio Di Curiosita E Novita Interessanti E Dilettevoli V12-28 1833
réf. B9781168163097New. unknown
The Saint Bookstore · Royaume-Uni62,14 £GB≈ 74,22 €
6 415 résultats
1935réf. 18058New York City NY: Heller-Edwards Typography 1935. Stiff wraps. Good. Publishers binding with metal spine panel black painted with some rusting and limp leatherette boards with "Heller Edwards Typography" and emblem on front cover faded. Included in this binding is first the "Supplement to the Heller-Edwards Type Specimen Book October 15 1935" 12 pages unnumbered a "Type Area Calculator" working with sliding insert insect damage to surface soiling and the main catalogue 144 leaves most one-sided each with a different typeface plus additions 56A 94A 129A 139A 139B. Last leaf is "Trade Customs". Last few pages of the main catalogue are bent with some edge tearing upper right corner and last page has some insect damage. A useful reference for this firm. Stiff wraps. Heller-Edwards Typography unknown
1935réf. 18058New York City NY: Heller-Edwards Typography 1935. Stiff wraps. Good. Publishers binding with metal spine panel black painted with some rusting and limp leatherette boards with "Heller Edwards Typography" and emblem on front cover faded. Included in this binding is first the "Supplement to the Heller-Edwards Type Specimen Book October 15 1935" 12 pages unnumbered a "Type Area Calculator" working with sliding insert insect damage to surface soiling and the main catalogue 144 leaves most one-sided each with a different typeface plus additions 56A 94A 129A 139A 139B. Last leaf is "Trade Customs". Last few pages of the main catalogue are bent with some edge tearing upper right corner and last page has some insect damage. A useful reference for this firm. Stiff wraps. Heller-Edwards Typography unknown books
1947Two Volumes. Illustrated with pencil drawings by Honore Guilbeau; designed and decorated by W. A. Dwiggins; set in linotype Electra on Worthy special paper. Sm. 4to. 6 3/4 x 9 1/4 inches. Bound by The Russell-Rutter Company in half calf, gold-stamped rose paper sides printed with design by Mr. Dwiggins. Volume One rubbed. Volume Two darkened and rubbed. Original gold design slip cases which houses both volumes, very slightly worn. Inked ownerships. Number 794 of an edition limited to only 1500 copies, signed by the illustrator, Honore Guilbeau. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W90
1926Three volumes. Uncut. XLib. 4to. Original cloth backed paper bindings. Original spine labels. Limited Edition. Number 742 of only 1250 sets. Nice set. **PRICE JUST REDUCED! PRESS/W43
1955161p. Illustrated with wood-engravings in color by Demetrios Galanis; designed by Jan van Krimpen; printed by Joh. Enschede en Zonen; the Greek test set in monotype Antigone, the English in monotype Romulus; Pannekoek special paper; bound by J. Brandt & Zoon in full black buckram, stamped with lettering by Mr. van Krimpen in gold, and with a design by Mr. Galanis in white and terra-cotta. 4to. 8 x 12 inches. Original slip case. Number 769 of an edition limited to only 1500 copies, signed by the artist. Fine copy. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W44
réf. B9781168163097New. unknown
réf. DADAX1858947073New unknown
réf. 29465o.J. Ital. Typograph und Buchdrucker. 1768 Leiter der herzoglichen Druckerei in Parma, seit 1791 Besitzer einer eigenen Druckerei. 1740 Saluzzo /Piemont - 1813 Parma. Ganze Figur am Tisch sitzend, in der rechten Hand Schreibfeder. Kupferstich von Rados. 222 x 154 mm.-
Paris, Compagnie Française d´Editions, 1953, 32 x 26 cm., cartoné editorial, 145 hojas sin paginar inclusi más de 50 láminas de colores brillantes, muestras de papel y ejemplos de tipografía. (Leve deterioro por la unión del lomo. Maximilien Vox imaginó un restablecimiento de la paridad entre la impresión comercial, la composición tipográfica y la publicación de bellos libros. Un total de 74 imprentas diferentes contribuyeron a este volumen, así como 17 fabricantes de papel).
Con un ritratto di Bodoni al controfrontespizio; ristampa anastatica dell'edizione di Firenze, Tipografia Barbera, 1927; esemplare n. 68 dei soli 150 ristampati; Sc. G.
2008réf. 21895Köln, Detsch, 2008. 4°. 351,(1) S., mit zahlreichen farbigen Abbildungen. Orig.-Leinenband mit Ganzgoldschnitt und Umschlag. Und: Schriften-CD in Orig.-Pappmappe. Im Orig.-Leinenschuber.
30 x 21,5 cm. (10) 688; (8) 481 S. Original Pappbände mit Rücken- und Deckeltitel.Leichte Gebrauchsspuren, guter Gesamtzustand.
1960réf. 25043Mainz am Rhein, Druckerei Karl Theyer, (ca. 1960). Quer-Folio. Mit 82 Farbtaf. u. Titelbl. Farbig illustr. OBrosch.
1978Milano, Franco Sciardelli Editore, 1978, n° 1, 2, 3. Tutti :
1911Bologna, 1911, 4to cop. ill. (di Majani) pp. 20 con num. ill. n.t. + 2 tav. (una a col.) f.t. Numero speciale a ricordo del XXX anniversario della fondazione della sezione bolognese della Federazione Lavoratori del Libro.
réf. L7873Ed. du Cercle de la Librairie, 1995. In-4 reliure pleine toile éditeur, jaquette illustrée en couleurs. Préface de François Caradec. Propos, textes et témoignages recueillis par M.-Ch. Marquat. Très belle et importante iconographie en couleurs, chronologie, entretien avec Faucheux (1985), etc. E.O.
1964Grande album in-folio oblungo (cm. 44,6x34), pp. (6) + 9 TAVOLE a COLORI applicate su cartoncino, con riprod. di VEDUTE e scene di vita e militari di TORINO: 2 di Giov. Michele GRANERI, 1 di Bernardo BELLOTTO detto il Canaletto, 1 di Angelo Antonio CIGNAROLI, 1 di Massimo D'AZEGLIO, 3 di Carlo BOSSOLI, 1 di Enrico REYCEND. Fogli doppi legati da elegante cordoncino blu e giallo. Edizione speciale di 350 copie num., ns. n. 70.
1889Alessandria, Casa d'Arte "Ariel", (1924). In-4to piccolo (cm. 24 x 19), pp. 31-(3) con XLV tav. e, pp. (4). Testo e tav. impressi in seppia. Brossura editoriale con illustrazione applicata al piatto anteriore. Disegni del Battaglini (1889-1953), eseguiti tra il 1914 ed il 1923, corredati da una introduzione di Cesare Ratta, tipografo e cultore della xilografia moderna.
1965réf. 043238Berlin - Stuttgart, H. Berthold AG, 1965. 4°, Halblwd., 311 S. - Einband etwas angestaubt und mit länglichem Fleck an der Vorderseite, innen sehr sauberes Exemplar
1917In-8° (cm. 24x16,8), pp. 26 con 4 FOTO in bianco e nero applicate nel testo su pagine bianche al verso (Palazzo Poldi Pezzoli ove ha sede la Galleria, e tre foto di sale interne con dipinti e arredi. Capilettera grandi in rosso, finalino. Elegante e sobria brossura editoriale. Distinta e pregiata veste editoriale, Carta di pregio filigranata, nelle sue barbe. In copertina il piccolo tondo marchio della Galleria Pesaro con un albero e il motto "Durando vinces fiducia fortitudinis". Al verso del piatto posteriore la preziosa LISTA delle Esposizioni e Vendite dal 1909 dall'apertura (aprile 1909) al maggio 1917. La GALLERIA PESARO, fondata nel 1909 come "Casa di Vendita" dal collezionista Lino PESARO, promosse il movimento "Novecento" e il Futurismo. L'attività si concluse tragicamente il 31 dicembre 1937 con la «Mostra dei sette di Brera», a causa del suicidio di Lino Pesaro, di origini ebraiche: erano già cominciate le persecuzioni antisemite che darebbero sfociate l'anno dopo nelle leggi razziste della Stato fascista. Raffaello BERTIERI (Firenze 1875 - Asso 1941), dal 1904 anima del "Risorgimento Grafico", tipografo e inventore di caratteri tipografici di fama mondiale. Censito in 6 biblioteche it.
1964réf. 126289Berlin, Staatliches Lehrinstitut für Graphik Druck und Werbung (1964). * Mit einem Porträt und einigen Faksimiles. 164 Seiten, 1 Blatt. 26 x 17,5 cm. Original-Halbpergamentband. Eins von 400 nummerierten Exemplaren.
2007réf. 7816Triton Verlag, Laubach / Berlin, 2007. 461 S., OLeinen im Schuber, Lesebändchen, Folio, mit 207 meist farbigen Abbildungen. Umfangreiche Veröffentlichung zum Werk van de Veldes (1863-1957), die anlässlich seines 150. Geburtstages erschien. Neuwertiges Exemplar. Fine copy.
1961réf. 15061Paris, Imprimerie Française d Paris, Imprimerie Française d'éditions 1961. Publié par la Fédération Française des Syndicats Patronnaux de l'Imprimerie et des Industries Graphiques. Sous la direction de Maximilien VOX. In-4 relié plein cartonnage illustré de l'éditeur.Parfait état.
1961Paris, Imprimerie Française d'éditions 1961. Publié par la Fédération Française des Syndicats Patronnaux de l'Imprimerie et des Industries Graphiques. Sous la direction de Maximilien VOX. In-4 relié plein cartonnage illustré de l'éditeur.Parfait état. LOBEL RICHE : Illustrations pour les bars de Maurice GUILLEMOT. Jean COCTEAU. Pierre Yves TREMOIS. BALTHUS. Photos de DOISNEAU, WILLIY RONIS. John CRAVEN : La journée d'un banc Parisien.
réf. 19353, Neuchatel, Ides et Calendes, 2007, Relie, couverture carton illustree avec dito jaquette, 230 x 265mm., 104pp., illustration belle et profonde en couleurs. bon etat.. ISBN 9782825802250.
