6.414 Ergebnisse
1882gr. vol. in-8, pp. 366, bross. edit. con cop. fig. Con molte tavv. anche ripiegate. [208]
1858Cm. 27,5, bellissima legatura in cart. in rilievo riccamente decorato, dorso in seta, tagli dorati, pag. (1 c.b.) XVI,101 (3) più bel frontespizio in litografia a colori e 8 belle tavole in rame f.t. protette da veline. Album dedicato al cav. Pasquale Revoltella. Bellissimo frontespizio litografico a colori, testo entro cornice. Scritti di Filippo Villani, Lodovico Gatta, A. Zoncada, M. Gatta, Giuseppe Sacchi, Pier Ambrogio Curti, Ignazio Cantù. Le incisioni sono realizzate da Gandini, Cherbuin, Marzini (bella litografia) e Clerici. Importante anche quale repertorio per i quadri e le sculture riportate. Lievi arrossamenti ma ottimo esemplare.
17932 volumi, rilegature coeve in mezza pelle con titoli in oro e fregi impressi ai dorsi, piatti marmorizzati, p. XXII, 449; VIII, 428; LXX. Le ultime pagine del secondo volume sono "Quadro critico a cura dell'abate Mauro Bono".
1927Best.-Nr. 867Dijon, Darantière, 1927, 23 X 28 cm., broché, 83 pp. + un feuillet non paginé et non cousu. Deuxième présentation tirée spécialement à 300 exemplaires pour les amis de l'imprimeur Darantière. Chaque page de l'ouvrage présente des caractères typographiques différents, de taille dégressive. Couverture rempliée illustrée par Robert BONFILS. Coiffes légèrement émoussées, sinon très bon état.
1988Best.-Nr. T827Hamburg, Maximilian-Gesellschaft, 1988. Eines von 1400 Exemplaren. Erste Ausgabe. Die Veröffentlichung erschien als Jahresgabe 1988 für die Mitglieder der Maximilian-Gesellschaft in Hamburg. - Selten.
Best.-Nr. 19786Paris, Flammarion, 1923. 12 x 18, 5 volumes, 328 + 374 + 398 + 415 + 544 pages, broché, état moyen (dos défraîchis et recollés, cachets du collège jésuite, Saint Stanislas à Mons, papier jauni).
1926Best.-Nr. 46402183Paris, Le Livre Français, 1926 ; grand in-8, bradel, demi-maroquin havane, coins, tête dorée, non rogné, couverture et dos. (Aussourd) XXV pp., 176 pp., 2 ff.Superbe édition typographique, avec ornements et grandes initiales en bistre.En 1922, un groupe de bibliophiles, pour la plupart écrivains, fonde “Le Livre Français”, société d’édition des chefs-d’oeuvre français du roman et du conte. Chaque volume était préfacé par Edmond Pilon. Typographie, mise en page, qualité du papier donnent aux livres de cette collection un caractère bibliophilique. Tous les titres ont été tirés à 4500 exemplaires dont 500 de tête sur japon. Piazza s’était chargé de l’édition, l’imprimerie Nationale de l’impression.Un des 500 de tête sur japon, bien relié par Aussourd.
1894Best.-Nr. G92113Chalons-sur-Marne/ Paris, Martin frères/ A. Claudin 1894 xii + 230 + [6] pp. illustré de figures dans le text et d'une frontispice en couleurs et plusieures planches hors-texte (dont quelques-unes dépliantes et un blason en couleurs), Edition originale de 1894, tirage numéroté de 210 exemplaires: ceci porte le no. 49/210, 26cm., br.orig. (qqs. manques de papier aux bords sans perte de texte, dos renforcé, bien protégée par une couv. de papier cristal), imprimé sur papier de luxe, texte et intérieur frais et en très bon état, rare, G92113
1894xii + 230 + [6] pp. illustré de figures dans le text et d'une frontispice en couleurs et plusieures planches hors-texte (dont quelques-unes dépliantes et un blason en couleurs), Edition originale de 1894, tirage numéroté de 210 exemplaires: ceci porte le no. 49/210, 26cm., br.orig. (qqs. manques de papier aux bords sans perte de texte, dos renforcé, bien protégée par une couv. de papier cristal), imprimé sur papier de luxe, texte et intérieur frais et en très bon état, rare, G92113
2000fascicolo in-4 con 7 quartini sciolti raccoli da una copertina figurata. Impressi su carta a mano di Pescia. Tiratura di 270 esemplari num. in cifre arabe e 20 in numeri romani destinati agli autori dei testi (ns. 98 di 270, firmato al lapis da Schialvino e Verna). Testi di Paolo Brunati, Roberto Carretta, Vincenzo Gatti, Stefano Delprete, Alan Dugan, Mehmet Gayuk, Nico Orengo, Guido Ceronetti, Adriana Zarri e altri. Con 24 xilografie originali di cui molte a colori di: Giulia Napoleone, Alberto Rocco, Gianni Verna, Mauro Baudino, Ugo Giletta, Ezio Gribaudo, Guido Navaretti, Elisabetta Viarengo Miniotti. Copertina di Gianfranco Schialvino. Cfr. Nico Orengo. La tipografia come arte: Con Smens Schialvino e Verna hanno recuperato uno spazio da tempo abbandonato nell'editoria di riviste, quello, antico, del rapporto scrittura-segno, e di un segno fatto di tecniche antiche e nobili". Perfetto esemplare, con cartolina ripiegata di invito alla mostra SMENS Pagine and Figure 2001.. .
1926Best.-Nr. 46402182Paris, Le Livre Français, Piazza, 1926 ; grand in-8, bradel, demi-maroquin havane, coins, tête dorée, non rogné, couverture et dos. (Aussourd) XXIII pp., 233 pp., 2 ff. n. ch.Superbe édition typographique, avec ornements et grandes initiales en bistre.En 1922, un groupe de bibliophiles, pour la plupart écrivains, fonde “Le Livre Français”, société d’édition des chefs-d’oeuvre français du roman et du conte. Chaque volume était préfacé par Edmond Pilon. Typographie, mise en page, qualité du papier donnent aux livres de cette collection un caractère bibliophilique. Tous les titres ont été tirés à 4500 exemplaires dont 500 de tête sur japon. Piazza s’était chargé de l’édition, l’imprimerie Nationale de l’impression.Un des 500 de tête sur japon, bien relié par Aussourd.
2024Best.-Nr. __475625781XPie International 2024. Hardcover. New. annual edition. 292 pages. 12.00x8.60x1.20 inches. Pie International hardcover
2008Best.-Nr. XO-GUGD-GREB2008 De Gruyter large format hardcover edition. Light reading wear small tear to dustjacket else very good condition. From the dustjacket: Adrian Frutiger - Typefaces. The Complete Works is based on interviews and conversations with the designer and on comprehensive research by the editors. Its depth and range make it an indispensable reference work. Completed in the year of Adrian Frutiger's 80th birthday it represents as is his wish his legacy to further generations of type designers and typographers. De Gruyter hardcover
1964Best.-Nr. 94972Paris, Compagnie française d'éditions, impr. Georges Lang 1964 In-4 31,5 x 24 cm. Cartonnage éditeur, couverture originale de Georges Mathieu, non paginé, abondamment illustré. Bon exemplaire.
Best.-Nr. 19208PARIS, Imprimerie des Cours Professionnels - 1911 - Grand in-4, 25 x 33 cms - Reliure de l'époque demi-basane havane - Dos orné à nerfs - Titre doré - Gardes ornées - importante iconographie, très nombreux modèles Nb ou couleurs in et Ht - 480 ages - très bel exemplaireCet ouvrage qui se présente comme le Manuel Typographique du XXe siècle, est rédigé à l'usage des imprimeurs ayant déjà une pratique du métier assez complète. , conçus ou interprétés par les professeurs des cours professionels. Bel exemplaire
PARIS, Imprimerie des Cours Professionnels - 1911 - Grand in-4, 25 x 33 cms - Reliure de l'époque demi-basane havane - Dos orné à nerfs - Titre doré - Gardes ornées - importante iconographie, très nombreux modèles Nb ou couleurs in et Ht - 480 ages - très bel exemplaire Cet ouvrage qui se présente comme le Manuel Typographique du XXe siècle, est rédigé à l'usage des imprimeurs ayant déjà une pratique du métier assez complète. , conçus ou interprétés par les professeurs des cours professionels. Bel exemplaire
2004Best.-Nr. 278996Meran: Offizien S 2004. 21 S. auf Bütten. Kart. *Nr. 89 von 101 Exemplaren. Von Max Caflisch im Impressum signiert* schönes Expl.*.
First edition, 4to, liii, 98pp., a very good ex-library copy, 24 plates (4 folding), orig. cloth-backed boards, extremities rubbed, uncut. A scarce and most important bibliography of thirty-five type founders specimens.
4to, [iv],ix,[iii],131,[1]pp., presentation inscription from the author, frontispiece portrait, title-page with typographical border, 31 plates (some in coloured), pictorial endpapers with signs of sellotape residue, orig. boards, uncut, lower spine and corners a little bumped otherwise a nice copy. Jones' library reflected his own career as a printer being almost entirely concerned with fine printing in all its aspects. Several of his designs for Linotype are used, including 'Estienne' for the Incunables, 'Granjon' and 'Bernard' for the American books, and 'Georgian' for the British books. The section devoted to European books is set in 'Venezia' which was originally cut for Jones by Edward Prince before being added to the Linotype list in 1928. "The Second Catalogue... This was the library at his Gough Square premises which, according to Leonard Jay, was complementary to that at Monksbarn which had been sold by Sotheby's in 1936. However, it is likely that some items in the "first" library had been withheld from sale for sentimental reasons and are included here. A study of the contents of both libraries is essential to an understanding of the work of George W. Jones."?Rogerson, George W. Jones. 2.
First edition, 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text spotted, paper wrappers, uncut and unopened. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963". (John Carter). Bigmore & Wyman, III. p.78.
First edition, 8vo (233 x 145 mm), 61, [1 blank]pp., the text appears in Dutch and French on facing pages, 4 folding plates, text lightly spotted, paper wrappers, orig. plain boards. "Containing the first full and authoritative account of the Muller stereotyping process, the earliest known (save the doubtful claim of Valleyre); preceeding Ged's experiments by a comfortable margin. It was overlooked or ignored by the 19th-century historians, who dismissed Muller's products as merely soldered forms of type metal. Its existence was unknown to me or my expert advisor when I was preparing William Ged and the Invention of Stereotype (The Library, 1960). Its significance was recognized (through Ellic Howe's copy) by Percy Muir in 1963"?John Carter. Bigmore & Wyman, III. p.78.
1983Best.-Nr. 0005380Silver Spring MD: The Lewis Carroll Society of America / Univ. of California Press 1983. First Limited edition. Paperback. Fine/fine. Woodcut illustrations by Barry Moser. Folio white stiff wrappers light blue dust jacket Copy no. 318 of only 350 copies numbered and signed by the illustrator. This is Carroll Studies Number 7 with an Introduction by Jame R. Kincaid. Woodcut illustrations by Barry Moser. The Lewis Carroll Society of America / Univ. of California Press paperback
1934Best.-Nr. 004190London: Constable & Co 1934. First Edition. Hardcover. Very Good/Very Good Dj. Plates. Octavo; xii 400 pages maroon cloth corners bumped Classic study which pointed the finger at the esteemed Thomas J. Wise as the greatest book forger. A classic of bibliographical detection. "The whole thing proves once more that easy as it appears to be to fabricate reprints of rare books it is in actual practice absolutely impossible to do so in such a manner that detection cannot follow the result -Thomas J. Wise." Constable & Co hardcover
1952Best.-Nr. 0005400Evanston IL: The Branding Iron Press 1952. First edition thus. Hardcover. Very Good. Decorations by David T. Vernon. Small octavo x 132pp.; variant deluxe binding by Elizabeth Kner in full calf inside glue stain to rear hinge Brock's inked data on blank leaf edgeworn. British emigrant becomes "The Cattle King of Central Illinois". Previously published in two printings of only 25 copies each. This work describes "the transition years between two important periods in the development of the American cattle trade - that of the early prairie feeder-farm business and of the later Texas and western trail era - Introduction." Copy no. 70 of 500 designed and printed by the Printing Office of Philip Reed. Warmly inscribed to Edson M Brock Pres. of the Evanston Historical Society by the publisher/editor Brayer and the illustrator. This is the second book of the press. HERD 1815 - "This book tells of one of the first cattle drives north from Texas.". The Branding Iron Press hardcover
1885Best.-Nr. 5156Leiden: P. Somerwil 1885. Hardcover. Fair. Oblong portfolio 7 pages embossed blue cloth broken ties text block detached. Contains 31 of 36 panels of this chromolithographed panorama 27 x 35 cm. Note: WorldCat cites no copy in the Americas . Offered "as is" with some nicks with panels separating or separated. Note: this is the portfolio only which has a description of the panels but does not have the supplemental historical volume. Ex libris Albert Paul Marin Adrien Storm de Grave 1878-1952 lieutenant de cavalerie ritmestre. This is one of several panoramic costume cavalcades which depict the Leidsche Studenten Corps re-enacting historical sights. In this case it is a parade of personages from the foundation of Leyden University in 1574 to its 310th anniversary in 1884 in 223 figures by Gerardus J. Bos. P. Somerwil hardcover