6 361 résultats
réf. 044911930 Santpoort C.A.Mees. coverdesign by Margaret Kropholler - 325 x 325 cm - 36 pgs - original cover bindingtype japanese held together with raffia - ills on work by Staal - Le Coultre 10-5/6 1929 - nice copy 1930 Santpoort C.A.Mees
réf. 044901929 Santpoort C.A.Mees. coverdesign by Chris Lebeau - 325 x 325 cm - 18 pgs - original cover bindingtype japanese held together with raffia - illustration: works in glass by Lebeau - Le Coultre 10-2 1929 - nice copy 1929 Santpoort C.A.Mees
Due voll. in 4° piccolo, con astuccio e "emboitage". Legatura edit. il piena Pelle. dorso a 4 nervi, con fregi a secco e titolo oro, piatti ornati di un ricchissimo motivo floreale a freddo, con doppia cornice e 4 borchie di metallo brunito, taglio superiore dorato; pp. 273. Il secondo volume, identico al primo, consiste in una scatola contenente opere su Villon come segue: “Villon et son temps”, étude originale par Louis-Robert Plazolles, legatura in pergamena con titolo al piatto, 78 pp + 5 fac-simili in camicia edit. (Plan de Paris 1552, ripiegato più volte, Danse macabre, Dessins et Bois gravés ; Danse macabre, Documenti di archivio, Stampe e giochi di carte). Tiratura di 2990 es. numerati (ns. 1917) su Vélin de Lana. Esemplare perfetto, come nuovo di questa bellissima opera capolavoro tipografico.
1977THREE VOLUME SET IN HEBREW WITH ENGLISH INTRODUCTION. RARE FACSIMILE LIMITED EDITION OF 550 COPIES - COPY No.165. [CONTENTS]: 1)'Sefer Lekah Tov' - a Commentary on the Book of Esther by Yom Tov ben Moshe Tzahalon (Moses Zahalon), also known as the Maharitatz (c.1559-1638). 'Sefer Lekah Tov' was first printed in 1577 in Safed, thus the first Hebrew book printed in the Land of Israel. Contains a general introduction in English and Hebrew. 2) Kehillat Ya'acov - Commentary on the Book of Ecclesiastes, first printed in 1578 in Safed. This cabalistic commentary on Ecclesiastes was written by Moshe ben Mordechai Galante (d.1608), a 16th-century rabbi and a disciple of Joseph Caro. / 3) Sefer Sar Shalom - Commentary on the Book of Songs of Songs by Samuel ben Isaac Aripul (1540?-ca.1586), first printed in 1579 in Safed. 250x180mm. [35+X+167] + [192] + [206] pages (altogether 610 pages: 212+192+206). Dark-blue leather Hardcover with silver lettering on front cover and spine. Spine edges bumped. [SUMMARY]: These extremely rare three volumes of a limited facsimile edition of Jewish biblical commentaries, which were the first books printed in the Land of Israel, are in very good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
2000réf. TYPOGRAP014734Hyphen Press London. 2000. First edition. Edited with introduction commentary bibliography etc by Robert Kinross. Two volumes. Royal octavo. pp 254; 271. Illustrations. Card wrappers. Anthony Froshaug 1920-1984 was a typographer and designer much influenced by the work of Jan Tschichold.Fine in fine printed card slipcase. Hyphen Press, [London]. unknown
1984Ouvrage de référence sur la vie et l'oeuvre du grand créateur de livres Louis JOU (1881-1968), par André FEUILLE, catalogue raisonné de 169 n°s: 129 livres (avec descriptions très complètes) et 40 réalisations diverses de l'artiste (journaux illustrés, gravures, cartes, affiches, menus, ex-libris, revues, etc), suivi d'une liste d'estampes (non exhaustive) et d'annexes sur les caractères typographiques qu'il a créés, ses papiers, les reliures qu'il a décorées, ses peintures et projets non réalisés (dont les lettrines d'un alphabet reproduit), ses continuateurs; très nombreuses reproductions, vignettes et pleines pages, dont 16 planches couleurs; bibliographie des éditions publiées aux Baux-de-Provence depuis 1968; préface de Jean-Marie ARNOULT, conservateur à la Bibliothèque Nationale; index des auteurs et anonymes, des oeuvres, des éditeurs, des imprimeurs, graveurs, lithographes, des illustrateurs (d'ouvrages auxquels Louis Jou a participé), des autres noms cités; sources et bibliographie. Tirage à 750 exemplaires sur papier vergé de Navarre; couverture et page de titre composées avec les caractères de Louis JOU. Français
1992RARE book on Hebrew printing in Spain and Portugal, Italy, The Mediterranean Islands, Turkey and the Balkans, Poland and Russia, Rumania, Hungary and Czechoslovakia, England and the British Isles, France, Western and Northern Europe, Central Europe, South Africa and North Africa, Asia and Eretz Israel, the Australian continent, North America and Central America, South Americas, as well as addenda, list of erroneous places of printing, Hebrew and foreign languages indices. Also contains 380 pages of facsimile reproductions of title pages arranged by place of publishing, and an introduction in English. 380x280mm. 14+530 pages. Red embossed Hardcover with gilt lettering on both covers and spine. Spine slightly wrinkled (mostly on edges). Hebrew-side pre-title page upper corner slightly tattered - NO damage to text. About sixty pages somewhat wrinkled. [SUMMARY]: This extremely rare comprehensive guide to Jewish printing, of importance to any serious collector of Jewish books, is in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
Second edition, large 12mo (190 x 130 mm), 226pp., text a little stained in places, new endpapers, orig. cloth, spine and fore-edges rather garishly strengthened with black tape, a copy obviously well-used by a working compositor. A scarce printer's manual which was first published in 1859.
First Edition, 4to, [viii],207,[9]pp., title vignette, two old small neat stamps, half calf, marbled sides, slightly rubbed.
First edition, 2 vols., 8vo, [4], viii, 384; [4], 385-745, [23]pp., illustrated throughout, cont. morocco-backed marbled boards, rubbed, slight sign of tape residue to base of spines, but still a very good copy, uncut, t.e.g. A most important reference book picturing, in full size for the most part, and identifying more than 1300 French printers' devices from the fifteenth and sixteenth centuries. Printers, like other manufacturers, put a proprietary mark on their goods?a design cut in wood or metal, printed on the title-page or at the end. It customarily consisted of a pictorial device, sometimes with ornament, sometimes with a motto; an indication of the printer's identity was often included?his name, initials or a personal sign. Bigmore & Wyman, II, p.356.
1927réf. 7214(Am Ende:) Wien, Bibliotheca Typographica, 1927. 30 nn. Bll. 4°. OHPgmt. (leicht bestoßen und leicht lichtrandig).
1970réf. 55513ABZürcher Kunstgesellschaft Helmhaus Zürich, 11. Juli bis 23. August 1970. 21x19 cm. LI und 116 S., 2 Bl. Mit 64 Abbildungen. Originalbroschur.
1970réf. 55513ABZürcher Kunstgesellschaft Helmhaus Zürich, 11. Juli bis 23. August, 1970. 21x19 cm. LI und 116 S., 2 Bl. Mit 64 Abbildungen. Originalbroschur.
1959réf. 5324DBTeufen, Niggli, 1959. 8°. 247 S. mit viielen Illustrationen, vorwiegend in schwarz/weiss Halbleinenband.
1803réf. 56943BBParma, co' Tipi Bodoniani. 1803. 8°. XLV, 19 S. Interimspappband mit Kleisterpapierbezügen.
1803réf. 56943BBParma, co' Tipi Bodoniani., 1803. 8°. XLV, 19 S. Interimspappband mit Kleisterpapierbezügen.
1996réf. 30669ABZürich, Hans-Rudolf Lutz, 1996. 4°. 439 S. Mit zahlr. Illustr. Orig.-Pappband mit Schutzumschlag.
1804réf. 56946BBParma, Imprimé par Bodoni, 1804. 23,5x16 cm. XIX S. Schlichter Halblederband der Zeit.
1804réf. 56946BBParma, Imprimé par Bodoni, 1804. 23,5x16 cm. XIX S. Schlichter Halblederband der Zeit.
réf. EXE-70Paris, Léon Pichon, 1930; in-folio en feuilles, couverture, chemise et étui. Tiré à 325 exemplaires, celui-ci est l'un des 29 sur japon.
réf. 273Paris, Léon Pichon, 1930. In-folio en feuilles, chemise, étui et emboitage. Tiré à 325 exemplaires, l'un des 29 sur japon.
1926réf. 16785ABHalle (S.), Verlag Wilhelm Knapp, 1926-1927. 4° (ca. 28 x 21 cm). VIII, 140 Seiten mit 2 Farbtafeln, 214 (statt 219) Abbildungen auf Tafeln (es fehlen die Abb. 116-120) u. 2 Seiten Werbung; 136 Seiten mit 172 Abb. (meist auf Tafeln), 1 Farbtafel u. 1 farbigen Kleisterpapier-Muster. Halblederband mit Lesebändchen, Buntpapier-Deckelbezügen, farbigen Vorsätzen und Kopfgoldschnitt. Ränder u. Schnitt teils braunfleckig, Schnitt angestaubt u. leicht gebräunt. Einbandecken u. -kanten teils berieben u. etwas bestoßen. Jahrgang 1926 ohne Titelblatt und Inhaltsverzeichnis.
2001fascicolo in-4 con 7 quartini sciolti raccoli da una copertina figurata. Impressi su carta a mano di Pescia. Tiratura di 270 esemplari num. in cifre arabe e 20 in numeri romani destinati agli autori dei testi (ns. 89 di 270). Testi di Marco De Carolis, Alan Dugan, Sergio Pent, Pino Mantovani, Alberto Sinigaglia, Enrico Tallone e altri. Con 19 xilografie originali in nero e a colori, anche a piena e doppia pagina, o su cartoncino applicato, di Eva Aulmann, Felice Casorati, Girolamo Ciulla, Ugo Giletta, Emanuele Luzzati. In questo numero figura anche una xilografia da legno originale del 1913 di Felice Casorati, Testa, eseguita su torchio a mano. Cfr. Nico Orengo. La tipografia come arte: "Con Smens Schialvino e Verna hanno recuperato uno spazio da tempo abbandonato nell'editoria di riviste, quello, antico, del rapporto scrittura-segno, e di un segno fatto di tecniche antiche e nobili". Perfetto esemplare.. .
1928réf. 20952München, 1928. (3),32,(3) Blatt. Orig.-Pappband im Orig.-Schuber.
réf. 13977326Paris: AMG, 1939 in-4, 70 pages, illustrations dont une gravure sur lino de Henri Matisse, bois de Lespinasse, décor pour habillage de coffrets de parfumerie, encart Imédia destiné à "Votre Beauté". Broché, couv. un peu défr., coins cornés. Dernier numéro paru de cette revue. Sommaire: Frederico Garcia Lorca; Serge de Diaghilew; Peintures murales niçoises; Les plans de Paris; Cirque de l'Etoile Filante de Georges Rouault; Escritures; La flore et le cheval dans la peinture du Quattrocento; Marcel Bovis photographe artisan; Le dessin typographique.