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1960Best.-Nr. 64757Portland OR: Portland Linotyping Company 512 NW 17th Ave. ca. 1960. Oblong folio. 14.25 x 10.25 in. iv 2 206 i.e. 250 pp added supplement pages in assorted sections. printed throughout w/ peach-coloured border at lower fore-edge type specimens included throughout with each section divided by thick cardstock divider and thumb tab. Original publisher’s blue buckram 16-ring binder gilt lettering stamped on front cover & spine slight shelfwear NF copy from the library of David Kohl 1946-2025 former art teacher at the Hong Kong International School musician artist and historian. First edition of this exceedingly scarce and massive type font specimen book issued by the Portland Linotyping Company who specialized in commercial trade typesetting for many local Pacific Northwest regional newspapers magazines and job printers. This particular type specimen catalogue was intended to be expanded as per the additional 34 supplement pages and note on colophon specifying “New type faces are being constantly added to our library and when they become available new insert sheets will be printed and distributed to the holders of our specimen books.” Their Linotype Composition faces encompassed Baskerville to Condensed Gothic Garamond to Oldstyle Antique as well as Spartan Book and Times Roman; Monotype Composition included Bodoni Copperplate Gothic Garamond Modern Rockwell Antique and 20th-Century Medium; while the Handset Display typefaces ranged from Aurora Condensed to Bulmer Italic Craw Modern to a series of Gothics as well as Optima Italic P.T. Barnum and more. Through the 1960’s under Ray Sneddon 1926-2017 the company would evolve into Phototypesetting and further into film and computer-based advertising typefaces for PNW designers and ad agencies. Sneddon was recruited out of Canada and in 1958 he became printer owner/operator of Portland Linotyping Company where he remained overseeing the operation until his retirement in 1989. No copies in Worldcat. Portland Linotyping Company, 512 NW 17th Ave., hardcover
1959Best.-Nr. 4604New York / Basel SW: Hastings House / Teufen Ar. A. Niggli 1959 . First edition. Hardcover. Very Good/issued without. Square octavo 248 pages clothbacked boards rear joint repaired in publisher's worn slipcase. Scarce. "This international pictorial survey takes modern graphic art from its origins through the present-day achievements and concludes with a look into the future. Although 'graphic art' is limited here to art in the service of advertising there is no limit to the artistic value of the means employed - this is a selection of the best work in the field past and present. Contemporary graphic art - work done since the end of the World War II - is presented in the second and more comprehensive part of the book. It includes a wide range of media and techniques among which are: Newspaper advertisements leaflets catalogues posters displays lettering packages business stationery trade markes and devices." Trilingual text in Englilsh German and French. 432 illustrations of which 12 are in full colour. Printed in Switzerland. "Gerstner is one of the most important innovators in typography commercial art and corporate design - Swiss National Library." Includes treatments of trade marks book jackets posters magazines etc. Hastings House / Teufen, Ar., A. Niggli hardcover
1978Best.-Nr. 0007014Boston & Lexington KY: D. R. Godine 1978. First Limited edition. Hardcover. Fine/issued without. Quartos 57 213 pages quarter brown morocco brown cloth covered boards in matching cloth slipcase. These are copies XXXII of 50 deluxe copies of printings of 500 and 550 copies. The second title carries the imprint of The Anvil Press 1981. Both volumes were designed by Martino Mardersteig and printed at his Stamperia Valdonega Verona Italy. These two companion volumes were later joined by VICTOR HAMMER: AN ARTIST'S TESTAMENT. Sir John Rothenstein was the Director of London's Tate Gallery. His volume includes 19 color plates. Hammer''s volume includes bibliographies of Victor Hammer and his four presses. D. R. Godine hardcover
1928Best.-Nr. 55499München: Albert Langen 1928. First edition. Softcover. Good- to good condition. Quarto. 251pp. Original tan wraps with brown lettering on cover and spine. Dedicated to E. H. F. Porsche. Cover by E. A. Enders. Font and typography similar to the Bauhaus book-series. 'Style seen strictly aesthetically demands foremost a consistent uniform character of an object or matter. We know that because we easily detect violations against this rule finding the objects violating it tasteless in bad style;' this is how Kollmann opens his introduction. Therefore Kollmann concludes: "Style is a basic aesthetic demand that is to say that of unity not to be confused with the delight humans take in the decorative. An extensive treatise of industrial architecture and design including factories bridges cranes masts ships airplanes and Zeppelins cars trains machines and their pats. The book is profusely illustrated with 151 b/w reproductions of photographs and some technical drawings. Contains notes on text and pictures and bibliography at rear. Text in German. Light wear along edges of covers. Minor foxing of endpapers and foredge of block. Previous owner's stamp on half-title. Albert Langen unknown
1928Best.-Nr. 55499München: Albert Langen 1928. First edition. Softcover. Good- to good condition. Quarto. 251pp. Original tan wraps with brown lettering on cover and spine. Dedicated to E. H. F. Porsche. Cover by E. A. Enders. Font and typography similar to the Bauhaus book-series. 'Style seen strictly aesthetically demands foremost a consistent uniform character of an object or matter. We know that because we easily detect violations against this rule finding the objects violating it tasteless in bad style;' this is how Kollmann opens his introduction. Therefore Kollmann concludes: "Style is a basic aesthetic demand that is to say that of unity not to be confused with the delight humans take in the decorative. An extensive treatise of industrial architecture and design including factories bridges cranes masts ships airplanes and Zeppelins cars trains machines and their pats. The book is profusely illustrated with 151 b/w reproductions of photographs and some technical drawings. Contains notes on text and pictures and bibliography at rear. Text in German. Light wear along edges of covers. Minor foxing of endpapers and foredge of block. Previous owner's stamp on half-title. Albert Langen unknown books
1838Best.-Nr. 88994ABBern, Schweizerischer Typographenbund, Jan. - Dez., 1838. 4°. 456 S. Mit vielen teils farb., teils montierten Abb. Leinenband mit Rückenschildern. Heft 1-12. Einband mit kleinen Stockflecken.
1936Best.-Nr. 88992ABBern, Schweizerischer Typographenbund, Jan. - Dez., 1936. 4°. 303 S., 1 S. Mit vielen teils farb., teils montierten Abb. Leinenband mit Rückenschildern. Heft 1-12.
1937Best.-Nr. 88993ABBern, Schweizerischer Typographenbund, Jan. - Dez., 1937. 4°. 384 S., 8 S. (Jungbuchdrucker). Mit vielen teils farb., teils montierten Abb. Leinenband mit Rückenschildern. Heft 1-12.
1934Best.-Nr. 89034ABBern, Schweizerischer Typographenbund, Jan. - Dez., 1934. 4°. 402 S., 1 S. Inhalt. Mit vielen teils farb., teils montierten Abb. Leinenband mit Rückenschildern. Heft 1-12.
1935Best.-Nr. 89033ABBern, Schweizerischer Typographenbund, Jan. - Dez., 1935. 4°. 400 S. Mit vielen teils farb., teils montierten Abb. Leinenband mit Rückenschildern. Heft 1-12.
1933Best.-Nr. 89035ABBern, Schweizerischer Typographenbund, Oktober 1932 + Jan. - Dez., 1933. 4°. 24 S., 444 S. Mit vielen teils farb., teils montierten Abb. Leinenband mit Rückenschildern. Probenummer + Heft 1-12.
2004Best.-Nr. gb372Kickshaws Feuilles sous couverture et emboîtage 2004 TRES RARE. In-8 (21,5 x 22 cm), exemplaire en feuilles sous couverture à rabats et étui cartonné toilé, non paginé, 1 de 50 exemplaires numérotés (ici le n°14), brillant exercice typographique signé John Crombie qui reprends ici les titres typographiques et mise en page des livres édités par la presse privée Kickshaws pendant 25 ans. Ce volume a été imprimé en France à la Charité-sur-Loire sur la presse Deberny & Peignot ; très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1932Best.-Nr. 94100ABParis, La Compagnie Typographique, 1932. 29,5x20,5 cm. 1 w. Bl., 18 S., 2 Bl. OPappband mit Fadenbindung, Schutzumschlag. Schutzumschlag am Rücken gebräunt und mit winzigem Einriss am Vorderdeckel oben.
Best.-Nr. 289498Poésie Clandestine - Jean Vodaine Basse-Yutz 1961 In-8 ( 220 X 140 mn ) broché sous couverture imprimée. La page de titre annonce "Linogravures de l'auteur", elles ne sont pas présentes ici. EDITION ORIGINALE fort rare. Mention et correction manuscrites de Jean VODAINE. Bon exemplaire.
1914Best.-Nr. 12566Turin, Libreria Editrice Internationale, 1914. XXII S., 1 Bl., 713 S., 1 Bl. mit zahlr. Textabb. 15 Tafeln in verschiedenen graphischen Techniken. 8°. OLwd. (etw. gebräunt und leicht bestoßen).
1830Best.-Nr. 56945BBParma, Co'Tipi Bodoniani., 1830. 4°. 8 n.n. S., 40 S. Interimspappband der Zeit.
Third edition of this classic work on calendars and time-keeping among the ancients. [8], 384 pp. Greek, Hebrew, Indic, Samaritan, Syriac, and Ethiopic types used throughout. 8vo. Attractively bound in contemporary paneled calf, spine with gilt fleurons in six compartments, covers decorated in blind. Moderate wear to binding, front joint split but holding. Internally FINE AND BRIGHT. A scarce and important book.
Best.-Nr. 19078Leipzig, B.G. Teubner 1840, 292x225mm, 15 ff 406Seiten, Halbperkalin. Etiquette de titre manuscrite au dos, un coin du plat supérieur plié.
1830Best.-Nr. 56945BBParma, Co'Tipi Bodoniani. 1830. 4°. 8 n.n. S., 40 S. Interimspappband der Zeit.
1942Best.-Nr. kk2986Bettencourt Pierre Sélection Abraxas-libris Feuilles sous chemise 1942 In-8 (20,2 x 25,7 cm), exemplaire en feuilles sous une belle chemise pour cet étrange ouvrage à la typographie et l'organisation soignées, avec trois beaux tirages de gravures couleurs numérotées et signées, accompagnant un long texte sur le bonheur, suivi de feuillets proposant des portraits (avec citations sur une autre page) de Jules Laforgue, Sainte-Beuve, Paul Valéry, André Breton, Thiers, Charles Baudelaire, Alphonse de Lamartine, Arthur Rimbaud, La Mennais, Mirabeau, Jammes, Ernest Renan et Jean de La Fontaine, un ouvrage dont la mise en page et la typographie font un objet bibliographique magnifique, tirage total à 220 exemplaires, le nôtre est un des 100 EXEMPLAIRES NUMEROTES (n°123) sur vélin des papeteries de France ; TRES BEL ETAT. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1948Best.-Nr. 23592Aurora, NY : Hammerpresse 1948. VI, 171 S. ; 24 cm, ohne Schutzumschlag, Ex-Libris auf Vorsatzblatt Lw., gebundene Ausgabe, Leinen, Exemplar in sehr gutem Erhaltungszustand
1932Best.-Nr. 39018Paris: Editions du Belier 1932. A PERFECT COPY ON IMPERIAL JAPANESE PAPER of this beautifully-illustrated edition of Dante´s Paradiso with art déco typography by François-Louis Schmied. 141 pp. From a total edition of 500 copies this is ONE OF ONLY 54 COPIES ON IMPERIAL JAPANESE PAPER WITH AN EXTRA SUITE OF COSTETTI'S WOOD-ENGRAVINGS PRINTED WITHOUT THE TEXT ON FINE CHINESE PAPER. Laid in is a cordial handwritten letter dated 1932 from Maurice Tahon co-founder with Schmied of Editions du Belier to the original purchaser of this volume. 4to. Sewn in original printed wraps. Suite of wood-engravings loose as issued. FINE AND BRIGHT WITH NO DEFECTS in the original board chemise and slipcase. Editions du Belier paperback
First Edition, 12mo, 156pp., some light foxing, orig. half calf, rubbed, upper cover detached, uncut. Bigmore & Wyman I, p.431. Lemoine was a translator and compiler for various London publishers. For some time he was also a bookseller in Bishopsgate Churchyard, in the city of London.
1918Best.-Nr. T292München, Verlag der Marées-Gesellschaft (R. Piper & Co.), 1918. Nummer 133 von 150 Exemplaren (Gesamtauflage 200). Erste Ausgabe. Selten in der OBroschur. ? Erster Druck der Marées-Gesellschaft, herausgegeben von Julius Meier-Graefe. Gedruckt als bei W. Drugulin in Leipzig auf festem Bütten. Die farbigen Illustrationen sind handkolorierte Wiedergaben von Emil Wöllner nach Aquarellen von Götz Freiherr von Seckendorf, der im August 1914 im Krieg gefallen war. Erste und letzte Seite minimalst stockfleckig, die unbeschnittenen Lagen tls. vom Buchblock gelöst. Sehr sauber und gut erhalten.Rodenberg 362.
Best.-Nr. 22431o.J. 12 Karton-Blätter, beklebt mit ca. 164 mehrfarbigen Flaschen-Etiketten, meist Druckerei Karl Theyer, Mainz oder Gebr. Illert, einige aus den USA. Fol. (ca.25 x 32 cm), schwarzes Halbleinen, Titeldeckel goldgeprägt "Cabinettpost". Einband, Ecken und Kapitale berieben.