6.399 Ergebnisse
1795Best.-Nr. 46401750Paris, Renouard, 1795 ; 4 volumes in-12, demi-maroquin prune à longs grains, coins, dos lisses ornés, tranches marbrées. (Reliures de l’époque.) 2 ff., XL pp., 273 pp. - 2 ff., 264 pp., 1 f. - 2 f., 250 pp., 1 f. - 2 ff., 277 (1) pp., 1 f., 2 ff. d’avertissement aux textes de Diderot insérés p. 156. - 3 portraits par Denon, Graff et Vanloo et 48 figures de Moreau le Jeune gravées par Baquoy, Dambrun, Delvaux, Dupréel, de Ghendt, Girardet, Lemire, Petit, Simonet et Trière...hors textePremier tirage. Splendide édition typographique imprimée à Dijon par Pierre Causse. Les traductions sont de Huber et Turgot pour Daphnis et Chloe, les Idylles et la Mort d’Abel, de Meister pour Les nouvelles idylles, de l’abbé Bruté de Loirelle pour Les Pastorales. On a ajouté deux contes de Diderot, Les deux amis de Bourbonne et Entretien d’un père avec ses enfants. Édition curieusement inconnue de Cohen - Quérard III, p. 340. - Mahérault, L’Oeuvre de Moreau le Jeune, n°189.L’imprimeur dijonnais Pierre Causse, né en 1761, avait repris les presses de son père en 1788. “Il imprima presque toutes les brochures locales sur la Révolution. Quelques-unes sont devenues fort rares ; toutes se distinguent par le bon goût , la correction, la beauté de l’impression... C’est notre meilleur typographe.” écrit M. Clément-Janin dans Les Imprimeurs et les Libraires dans la Côte-d’Or. Il s’agit d’une des toutes dernières impressions de ce grand typographe dijonnais puisque c’est en 1795 qu’il se retire définitivement dans son château de Vantoux qu’il avait acheté un an auparavant. Bel exemplaire sur papier vélin avec les figures en état définitif. Il est d’une parfaite fraîcheur.
1851Best.-Nr. 46401157Lyon, , Louis Perrin, , 1851 ; in-8, demi-chagrin rouge, nerfs, caissons à froid, tête dor. (Martin). - 2 ff., XXXVII pp., (1p.), 1 f.n.ch., 136 ff., 2 ff.n.ch.- Frontispice sur fond teinté, 1 planche hors-texte lithographiée ( fragment lapidaire des armes de Bellièvre), 1 fac-similé de la charte-partie entre l'Abbé de Savigny et le vicaire de l'abbaye. Belle réalisation du typographe lyonnais Perrin, ce livre est dédié au célèbre bibliophile Yéméniz. Important recueil lyonnais composé par Paul Allut qui n'a pas signé l'avant-propos. Contient l'inventaire des manuscrits de S. Guichenon, les tables de l'Histoire des Dombes, des pièces diverses concernant l'histoire de Lyon, un extrait du Cartulaire de Savigny, une lettre de P. Menestier à M. de La Valette, une requête de Cl. De Bellièvre à François Ier, le testament mystique de Guichenon, etc.- Saffroy 19165- Yemeniz 2632.
Best.-Nr. 489Aurelianis (Orléans) : Couret De Villeneuve, 1767. ÉDITION EN CARACTÈRES MINUSCULES EN RARE MAROQUIN SOUPLE DE L'ÉPOQUE
1790In 8° piccolo ducale (144x98); pagg. XV. Cartoncino editoriale. Elegante pubblicazione nella sua primitiva veste editoriale. Minime piccole fioriture ma perfettamente conservato. Brooks, 419.
1957Best.-Nr. 22441ABBasel, Birkhäuser, 1957. 213 S. OLn., OU.
1975pp. LXXXVIII, 256 su carta Ventura a bordi intonsi, taglio super. dorato. Ediz. di 470 esempl. numer., impressa con caratteri talloniani e Garamond e composta a mano nella Stamperia di A. Tallone . Il vol. oltre a raccogliere molte ammirate testimonianze di E. Serra, A. Pézard, E. Falqui, F. Mazzoni, G. Petrocchi e Pablo Neruda che scrive: "…en tus libros, pequeños castillos del hombre, se quedaron viviendo la belleza y la claridad: por esas ventanas no entrarà la noche". L'opera riporta anche l'importante e definitivo elenco commentato delle 153 edizioni Tallone (1931-70). Rara e ricercatissima bibliografia nell'ediz. di lusso.
1898Un volume in 16mo (11,7x15 cm) di 54 pagine. Cartonato editoriale con etichetta di titolo al piatto. Dorso brunito. Edizione di 210 copie. All'ultimo foglio: “Printed at the Ballantyne Press under the supervision of Charles Picketts, MDCCCXCVIII”. “Sold by Hacon & Ricletts, at The Sign of The Dial”. Stampa e fregi in due colori. Raro e in perfette condizioni, salvo la brunitura al dorso della legatura originale in cartone.
in-4 gr., ff. (13), 23 tavole a colori, 4 tavole silografiche, leg. in cart. edit. figurata a colori. Con uno scritto postumo di Adolfo Albertazzi. Tiratura limitata di 200 esemplari (n. 174).. .
1966Best.-Nr. 52403München : Hanser Verlag 1966. 85 S. : 1 Beil. mit 4 Bl. Interpretationen u. 4 Bl. Abb. ; 4° Pp., gebundene Ausgabe, Halbpergament, im Schuber, Exemplar in sehr gutem Erhaltungszustand
1909Best.-Nr. 65456Boston and New York: Printed at The Riverside Press for Houghton Mifflin Company 1909. Limited Edition. Hardcover. Very Good. SIGNED. 332pp. Quarto 28.5 cm Black cloth spine with green paper over boards with ornamental gilt stamping. Deckled fore and bottom edges. Printed on English handmade paper. With areas of fading to the head and foot of the backstrip. The most prominent area of fading is to the foot of the backstrip measuring approximately 2 inches tall by 1 and 3/4 inches wide. Internally bright and fresh. Publisher's prospectus laid in. Prolific engraver Geofroy Geoffroy Tory 1480-1533 was primarily responsible for the French Renaissance style of book decoration and played a leading role in popularizing the Roman letter over the prevailing Gothic letter in France. Number 270 in an edition of 370 copies designed by Bruce Rogers. This copy is signed by Bruce Rogers on the limitation page. American typographer and book designer Bruce Rogers 1870-1957 was highly influential in fine book design in the United States during the early 20th century. Rogers began his career as an illustrator for an Indianapolis newspaper. He moved to Boston in 1895. There he met a number of men who were revolutionizing the book publishing industry including George Mifflin of Houghton Mifflin who put him to work at the Riverside Press. The press opened a limited editions department in 1900 and Rogers was put in charge and given the responsibility of designing and printing fine books. During the next 12 years he produced over 100 Riverside Press editions which are still held in high esteem today. Information from Britannica.com. Printed at The Riverside Press for Houghton Mifflin Company hardcover
1909Best.-Nr. 65456Boston and New York: Printed at The Riverside Press for Houghton Mifflin Company 1909. Limited Edition. Hardcover. Very Good. SIGNED. 332pp. Quarto 28.5 cm Black cloth spine with green paper over boards with ornamental gilt stamping. Deckled fore and bottom edges. Printed on English handmade paper. With areas of fading to the head and foot of the backstrip. The most prominent area of fading is to the foot of the backstrip measuring approximately 2 inches tall by 1 and 3/4 inches wide. Internally bright and fresh. Publisher's prospectus laid in. Prolific engraver Geofroy Geoffroy Tory 1480-1533 was primarily responsible for the French Renaissance style of book decoration and played a leading role in popularizing the Roman letter over the prevailing Gothic letter in France. Number 270 in an edition of 370 copies designed by Bruce Rogers. This copy is signed by Bruce Rogers on the limitation page. American typographer and book designer Bruce Rogers 1870-1957 was highly influential in fine book design in the United States during the early 20th century. Rogers began his career as an illustrator for an Indianapolis newspaper. He moved to Boston in 1895. There he met a number of men who were revolutionizing the book publishing industry including George Mifflin of Houghton Mifflin who put him to work at the Riverside Press. The press opened a limited editions department in 1900 and Rogers was put in charge and given the responsibility of designing and printing fine books. During the next 12 years he produced over 100 Riverside Press editions which are still held in high esteem today. Information from Britannica.com. Printed at The Riverside Press for Houghton Mifflin Company hardcover books
1949This is a very good hardcover copy bound in quarter rust cloth and decorated paper-covered boards, with paper label with Wynkyn de Worde's device on upper cover, printed paper title label on spine. Corners rubbed. Completely clean. This is a limited edition of 375 copies. This copy has the original leaf from Wynken de Worde's 'The Golden Legend' number CCCXXIIII, tipped in. 14" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1955This is a very good hardcover copy in a very good dust jacket. Completely clean inside and out. Short crease to the margin or edge of about 20 plates, not affecting image. Text in French. Scarce history of Bulgarian graphic art from the middle ages to the modern period. Illustrated in black & white with a number of tipped-in color plates. List of plates identifies each artist, medium, and size.13" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Best.-Nr. 6811imprimerie spécialisée dans les menus,6 rue Servan,Paris, sans date,vers 1920.Très bel album pour représentant de commerce.Format grand in 4,11 feuillets de bristol, feuillets intercalaires de papier cristal légendés. Cartonnage d’éditeur,demi-toile verte,titre doré sur le premier plat.L’Album contient un étonnant ensemble de 100 modèles de superbes menusgaufrés, imprimés,en or,en argent ou en couleurs, avec une typographie et des ornements très typique des années 20,ainsi que des cartes de table et de visite.Le tout,classé par série et mode d’impression,est contrecollé et en parfait état de conservation.On joint 3 albums,in 8 étroit broché, Novembre 1931 mai 1932(tarif) janvier 1939 tarif producteur en suspension de taxe. Peu courant
Best.-Nr. 216999Vodaine Basse-Yutz 1967 In-4 ( 330 X 260 mm ) de 80 pages, en feuilles sous couverture imprimée rempliée. 6 gravures hors-texte de Jean VODAINE. EDITION ORIGINALE, Tirage à 150 exemplaires celui-ci 1 des 20 d'auteur H. C. sur Lana signé par Edmond DUNE et Jean VODAINE au colophon. Bel exemplaire.
1928Best.-Nr. 2348Bruxelles, Plantin, sans date (circa 1928). Grand in-8 - 20 x 27,5 cm. Reliure à la Bradel de l’éditeur, en pleine toile noire, dos lisse et premier plat titrés à l’or, filet à froid en encadrement des plats, tranches aubergines. XII, (1 f.), 106 pp., (I f.), 107-159 pp. (I f.), 160- 200 pp. (pagination continue), 3 pp. (supplément). Ouvrage multilingue : principalement en français, flamand et néerlandais mais aussi en anglais, allemand, espagnol et latin. Exemplaire enrichi d'une lettre commerciale tapuscrite (2 feuillets), signée du directeur C. Vreeling, datée du 1er mars 1932, à destination de l'Imprimerie Bastiaire à Chamalières (63). Fondés en 1911, les établissements Plantin avaient pour but la fabrication et le commerce de tous articles employés dans l’industrie de l’imprimerie, notamment typographique et lithographique. A partir de 1920, ils édifièrent un important complexe industriel, fleuron de la société, rue de la Braie à Bruxelles, pour la fonte de caractères typographiques. Cette fabrique porta le nom de Plantin aux quatre coins du monde.
1912Best.-Nr. 2172Paris, G. Peignot & Fils, sans date (circa 1912). Format oblong, 28,5 x 23 cm. Broché, premier plat titré. 36 pages. Grâce à la qualité graphique de ses lettres, Bellery-Desfontaines se fit remarquer par le fondeur Georges Peignot, qui lui commanda un véritable alphabet. Ce caractère, qui porte le nom de son créateur, fut disponible à partir de 1911, après avoir été présenté au Salon des Artistes Décorateurs de 1910, lors de l’exposition rétrospective des oeuvres de l’artiste. Exemplaire complet des 6 feuillets en papier gris (3 en début et 3 en fin d’ouvrage) présentant les ornements : vignettes et galvanos.
Thick 8vo, 24pp., followed by [212] leaves (mostly printed on one side only), a couple of samples excised from to leaves, orig. decorated cloth, gilt, a very good copy. This specimen book presents a fine and extensive example of the period. Provenance: From the library of Ruari McLean with his signature to front-endpaper.
19408vo., First Edition, with portrait frontispiece and plates; handsomely bound in dark red full crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt top, hand-made endpapers, a most attractive copy ideal as a gift or for presentation.
1995Best.-Nr. 78263Ffm., Basel, Göttingen: Stroemfeld u. Wallstein 1995-2020. Zus. 3.590 Ss., 24 Bll. Gr.8° (Hefte 1-6) u. 4° (Heft 7 ff.). Kt.
1957Best.-Nr. EDZZ1989Teufen, Niggli 1957. gr.-8°. 213 Seiten, OLn. mit schwarz geprägtem Rückentitel, Orig.-Umschlag, dieser leicht gebräunt, sonst sehr gutes Exemplar. Typographisch die erste bedeutende Äußerung der schweizer Typographie nach Tschichold. Umschlag und Typographie von Karl Gerstner, wie Kutter einer der drei Mitbegründer der seinerzeit bedeutenden Werbeagentur GGK.
Best.-Nr. SONG0385093268Doubleday 0000-00-00. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Doubleday paperback
1822Best.-Nr. BB1085London: Published By R. Ackermann At The Repository Of Arts 101 Strand London; And To Be Had Of All The Booksellers In The United Kingdom 1822. Full Leather. Very Good . First Edition of the "last of the genuine or 'authorized' Syntax books" Abbey first issued in eight monthly parts. Royal 8vo 236 x 1452mm: iv267pagination irregular but text complete1pp with 24 hand-colored aquatints by Thomas Rowlandson. Contemporary straight-grain morocco gilt boards framed in gilt and in blind with leaf-and-flower rolls rebacked with part of original spine and red morocco lettering piece laid down marbled end papers. A Very Good or better copy generally clean and bright with first and final leaves including title page foxed usual offsetting from plates very occasional finger-soiling. Abbey Life 268. Tooley 413. Grolier Rowlandson 48. Martin Hardie 174-75. As early as 1809 the publisher Ackermann had hired Combe to write the letterpress to accompany many of Rowlandson's most successful illustrations including those for the final volume of the "Microcosm of London" and perhaps especially for the illustrations that resulted in the series of comic poetry for which Combe is still most famous and which earned him his nickname Doctor Syntax: The Tour of Doctor Syntax in Search of the Picturesque and its two sequels 1812 1820 1821 The English Dance of Death 1815 1816 The Dance of Life 1817 and finally The History of Johnny Quae Genus the Little Foundling of the Late Doctor Syntax 1822. "Combining light-hearted satire of William Gilpin's theory of the picturesque in art with a central character modelled on Cervantes' Don Quixote and Henry Fielding's Parson Adams Combe created a lovable eccentric whose misadventures on the road structure the Tour. For over a century the many editions and numerous imitations of the Tour attested to the popularity of Combe's humorous hero." ODNB N. B. With few exceptions always identified we only stock books in exceptional condition. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. Published By R. Ackermann, At The Repository Of Arts, 101, Strand, London; And To Be Had Of All The Booksellers In The United Ki unknown
1918Best.-Nr. ABE-1693603570673Dill & Collins 1918 Original pictorial paper boards newly rebacked with matching paper. Illustrations throughout featuring the work of 30 graphic designers ranging from decorative initials and ornaments to reproductions of posters and magazine covers many of them full-page one double-page mostly in color. Printed on specimens of 30 different types of paper made by Dill & Collins seven of the leaves with multiple paper. Owner's signature of Jeanette E. Samuelson of the N.Y Herald Tribune dated 1933 on front fly leaf with her gift inscription. Rear paste-down with the bookplate/shelf label of Will Ransom. Corners and portions of edges of the paper boards somewhat worn two-inch tape repair to rear in one leaf crossing a very small portion of a border without loss first few leaves a bit spotted around margins many leaves slightly darkened a few additional trivial spots otherwise an excellent copy generally quite clean. Rare. 1st Edition. Hardcover. Very Good. Dill & Collins hardcover
Best.-Nr. 14776Paris, Nancy, Berger-Levrault et Cie, 1889-1894. 2 volumes. Large thick 8vo. Contemporary half calf, marbled boards, spines with raised bands and gilt lettering, name of 'R. Denis' gilt stamped at foot of spines, some discolouring. First edition.
