6 366 résultats
1935réf. 18058New York City NY: Heller-Edwards Typography 1935. Stiff wraps. Good. Publishers binding with metal spine panel black painted with some rusting and limp leatherette boards with "Heller Edwards Typography" and emblem on front cover faded. Included in this binding is first the "Supplement to the Heller-Edwards Type Specimen Book October 15 1935" 12 pages unnumbered a "Type Area Calculator" working with sliding insert insect damage to surface soiling and the main catalogue 144 leaves most one-sided each with a different typeface plus additions 56A 94A 129A 139A 139B. Last leaf is "Trade Customs". Last few pages of the main catalogue are bent with some edge tearing upper right corner and last page has some insect damage. A useful reference for this firm. Stiff wraps. Heller-Edwards Typography unknown
réf. 1670Lovely "oriental" type samples from one of the oldest and most prestigious European scientific institutions. Very rare: WorldCat traces only one copy in Uni. California Santa Barbara. No copy traced in the Italian Union catalogue OPAC SBN. In 1611 Galileo Galilei became a member of the Italian "Academy of the Lynx-Eyed" founded just a few years before in 1603 with a focus on natural sciences and mathematics. In the late 19th c. the Accademia dei Lincei became "Reale" growing into a famous centre of studies which would soon host the greatest scholars such as Pasteur Einstein Mommsen and others. As its programme was expanded with many humanitarian disciplines including Oriental studies the Reale Accademia published this elegant booklet with relatively new samples of Sanskrit Armenian Syriac Samaritan Arabic Turkish and Persian Aramaic Hieroglyphic Coptic Chinese Greek and Russian types in two sizes. As the introduction states the Academy's press was in reality the Tipografia Salviucci founded in 1747 and renamed in 1885. Description Small 4to 25.5 x 17.5 cm. First blank leaf title printed in red and black and within ornamental framed and 29 pp. printed on recto only text within decorative frames. Binding Original light grey wrappers printed in reddish brown bound in contemporary marbled boards flat spine with red label with gilt lettering. Condition Covers lightly rubbed at extremities spine a bit faded and worn with old paper repair to upper half wrappers a bit spotted; except some minimal light browning at the very edge of pages a fresh copy internally. R. Accademia dei Lincei, Roma, 1889. hardcover
réf. 0666390436.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0666663297.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 048488767X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0332955818.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0332817768.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0282126732.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0259859222.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1168159598.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1928réf. 55499München: Albert Langen 1928. First edition. Softcover. Good- to good condition. Quarto. 251pp. Original tan wraps with brown lettering on cover and spine. Dedicated to E. H. F. Porsche. Cover by E. A. Enders. Font and typography similar to the Bauhaus book-series. 'Style seen strictly aesthetically demands foremost a consistent uniform character of an object or matter. We know that because we easily detect violations against this rule finding the objects violating it tasteless in bad style;' this is how Kollmann opens his introduction. Therefore Kollmann concludes: "Style is a basic aesthetic demand that is to say that of unity not to be confused with the delight humans take in the decorative. An extensive treatise of industrial architecture and design including factories bridges cranes masts ships airplanes and Zeppelins cars trains machines and their pats. The book is profusely illustrated with 151 b/w reproductions of photographs and some technical drawings. Contains notes on text and pictures and bibliography at rear. Text in German. Light wear along edges of covers. Minor foxing of endpapers and foredge of block. Previous owner's stamp on half-title. Albert Langen unknown
réf. 0282115013.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1791réf. 0005591Worcester & Boston: Isaiah Thomas 1791. First edition. Hardcover. Good. With two of the 50 copperplate engravings from the folio edition plates 29 & 48. Royal quarto 1310 pages contemporary blindstamped full sheep repaired joints and head and foot spine panels replaced and with new endpapers; The frontispiece has been tipped-in on the new endpaper; rear cover very scuffed foxing and spots throughout edgeworn a few minor marginal tears and chips some leaves imperfectly sewn in. The Family Record leaves have extensive handwritten notes of the families of Gen. Joseph Badger Jr. Signed by him of Gilmanton Belmont NH father of Gov. Wm. Badger 1834-36. & Charles Jacobs of Gilmanton. Isaiah Thomas whom Benjamin Franklin called 'the Baskerville of America' was one of the notable publishers during the early days of the Republic.He made every effort to ensure accuracy of the text by comparing some thirty different editions and having the text carefully examined by several clergymen and others who compared it with eight Bibles - Herbert 1353." The First Illustrated Bible printed in America is the 1791 folio Bible by Isaiah Thomas "The most sumptuous American Bible of the eighteenth century" : thus this quarto-sized version of that work is the Second Illustrated Bible printed in America and the first Royal Quarto Bible in English published in American both editions were announced as "completed" on the same date altho vol. 2 of the folio was still in progress. Rumball-Petre 172; Sabin 5173 variant; O'Callaghan pp. 40-42; Hills 30. Evans 23185 states that some copies were issued with no Concordance and 48 additional plates. This state however has only two copperplates as frontispieces of the 50 copperplate engravings from the folio edition plates 29 & 48 . Included are 200 pages of Tables Apocrypha and Family Records Index etc. The subscription price was $7 but half the price could be paid in wheat rye Indian corn butter or pork! It is believed that 1500 copies of each format were printed. "The two Thomas Bibles of 1791 were without doubt far in advance of any other publications of the same kind that had appeared in America in point of typography excellence of paper binding and general execution - Wright EARLY BIBLES OF AMERICA." Isaiah Thomas hardcover
réf. 24431Slug: ‘Monotype set and printed by students of the London School of Printing and Kindred Trades 61 Stamford Street London S.E. Session 1926-27’. Of the five copies on JISC only that at the BL is from one of the deposit libraries. 21pp 4to. Collotype of engraving of Caxton as frontispiece. Sewn into grey card wraps with Yapp-style edges and title repeated on cover. In good condition lightly aged. Slug: ‘Monotype set and printed by students of the London School of Printing and Kindred Trades, 61, Stamford Street, London, paperback
1934réf. 251203002Garden City: Garden City Publishing Co. 1934. First Edition Reprint. Hardcover. Very Good Plus/Very Good. Kent Rockwell. 8vo heavy light brown buckram over boards with front and spine blind stamps. Decorative gilt stamp to front and spine outlining illustrated paste on labels illustrated endpapers. The text block of the book has sagged so there is slight wear to the bottom edge. Out of an abundance of modesty I am grading this book merely VG. Jacket presents well with slight chipping and wear to the spine ends and flap fold edges. There is also minor soiling to the jacket which overall if VG.This gorgeous deluxe reprint edition of the Covici Friede Canterbury Tales is both beautifully bound and illustrated. Don't let the copyright page confuse things - this is published by Garden City. Although not the true first after reviewing online photos of the original I greatly prefer the binding choices for this Garden City edition. This is a really beautiful book and it's hard to convey its aesthetic impact with words and pictures. Garden City Publishing Co. hardcover
1982réf. s241228e87 issues of U&lc Upper and lower Case Magazine 1982 through 2000. New York: International Typeface Corporation. 11"x17" staple-bound newsprint averaging 36-100 pages per issue. Published quarterly between 1973 and 2000 U&lc magazine was a defining voice in graphic design. Initially created to showcase the ITC typeface library the magazine became a showpiece for creative typography unique graphic design and a wide variety of technical historical and cultural surveys and insights. Contributors included prominent writers artists and designers such as Herb Lubalin; Steven Heller and Seymour Chwast. Approximately 120 issues were published before it ceased publication in 1999. Though these 87 issues are not a complete run many of the annual volumes have all four issues present. Five of the later issues were printed in reduced size at 8-1/2x11" CONDITION: Mostly Very Good; none less than Good. A few issues have edgewear and minor tears or creases; some with yellowing pages at margins. Some have original mailing labels present. Exemplar photos are at: International Typeface Corporation paperback
réf. 1166485935.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 116852363X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1120208289.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 116123988X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1166836924.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1105698157.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1948réf. 250370Chicago: The Caxton Club 1948. First Limited edition. Hardcover. Very Good/issued without. 4to tan cloth 287 pages spine darkened Text & drawings by McCutcheon. Limited. to 1000 copies with a unique bawdy Bruce ROGERS tail-piece featuring a dog and one of Rogers' thorn bushes. Printed by The Lakeside Press CCXLVI. McCutcheon was a Pulitzer Prize-winning editorial cartoonist for half a century at The Chicago Tribune. The Caxton Club hardcover
réf. 4766107470.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1977réf. 0008484Boston: David R. Godine 1977. First Limited edition. Hardcover. Very Good. Folio 406 pages half red morocco cloth raised bands of spine scuffed in matching publisher's slipcase in near-fine condition. Copy no. 378 of only 400 in the Collector's Edition each with an original lithograph by Lansdowne signed commissioned only for this issue. Printed by Martino Mardersteig on Magnani of Pescia for this edition. Colophon signed by Ripley and Lansdowne. David R. Godine hardcover