Trollope, Anthony.MareMagnum
Antiquariat.de
A list of Pegasus Books exhibited by J. & E. Bumpus Ltd.
1930Best.-Nr. 13907ABLondon, Pegasus Books, 1930. 20,5 : 14,5 cm. Original green wrappers.
Antiquariat Michael Steinbach · Österreich50,00 €
6.399 Ergebnisse
194632p. + frontis. Wood engraved color frontis, chapter heading and colophon by Mallette Dean. Title page bordered in red. Number 5 of the Colt Press Series of California Classics. Uncut. 8vo. Original cloth backed decorated paper binding. Hardbound. Limited Edition of only 500 copies. Nice copy. PRESS/W32
1930Best.-Nr. 13907ABLondon, Pegasus Books, 1930. 20,5 : 14,5 cm. Original green wrappers.
1949Best.-Nr. 6894ABPhiladelphia / New York, Westcott & Thomson, (1949). 8° (19,5 x 12 cm). [3] Blatt, 33 S. Typographisch gestalteter Original-Karton.
1949Best.-Nr. 6895ABPhiladelphia / New York, Westcott & Thomson, (1949). 8° (19,5 x 12 cm). [3] Blatt, 33 S. Typographisch gestalteter Original-Karton.
1905pp. viii, 42. Title page and limitation pages decorated with Mosher's design in red. Printed on Van Gelder hand-made paper. Tall 12mo. Original full paper binding. Original spine and front cover paper labels. Spine stained with loss at tail. Hardbound. Limited Edition of only 950 copies. First Edition. Bishop 214. PRESS/W39
192348 Leaves. Printed on recto only. Illustrated with woodcuts from William Dodd's "Specimens of Early Wood Engraving". Also some wood blocks by A. O. Decorative title page. 8vo. Original full marble boards with original spine and front cover paper labels. Extremities worn. Hardbound. PRESS/W32
1877Best.-Nr. 7616Nantes, Imprimerie Vincent Forest et Émile Grimaud, 1877. 240 x 150 mm, (1) f. blanc, 4 pp., (1) f. blanc. Fascicule broché sous couverture imprimée en bleu et or, traces d'usage à la couverture, salissures, trace de pli angulaire, les 2 premiers feuillets effrangés en tête suite au découpage. Tirage à 50 exemplaires sur un beau papier vergé, impression en rouge et noir.Éloge de Vincent Forest sous la forme d'un poème.
1947Best.-Nr. 14597Zollikofer, St.Gall 1947. Mit 22 Schrifttafeln. XXII S. Quer-Gr.-8°. OPpbd. Wenige radierbare Bleistiftanmerkungen und Unterstreichungen.
Third Edition, corrected, xix,117,[3]pp., 2 fold-out lithographed plates, the first containing twelve figures of tools and implements, the second nine figures of printing presses and parts, both plates are lightly water-marked affecting the image, & with 1" marginal tear to vertical fold of each, final leaf includes publisher's advertisements for two additional titles by Hullmandel; front & back endpapers soiled, with early owner's signature (L. Stilson) & date on front pastedown, final two blank leaves bit stained, half calf with early marbled paper over boards, red leather label (3x2") with gilt border & title, "A Manual of Lithography", & the name "L. Stilson" added to front board; spine worn & rubbed with 1-1/4" piece missing at head & small label with black "C" at foot; 3" split in front joint; corners, edges & joints worn, paper boards chipped, edges of cover label chipped. Hullmandel's best know work and most influential publication is his book 'The art of drawing on stone' which was first published in 1824. But in terms of establishing lithography in Britain, his translation from the French of this treatise by Raucourt de Charleville was probably just as important. This third and final edition contains some important new additions. Colonel Antoine Raucourt was chief engineer at the Ecole des Ponts et Chauss?es in Paris and ran its in-plant lithographic press. His book was originally published in Toulon in 1819. Hullmandel thought highly of Raucourt's treatise and wrote in the preface: "The books which have hitherto been published on lithography are very imperfect, and are much more adapted to persons who already understand the art than those who wish to learn it... I have repeatedly wished for a guide to explain the new accidents which occur every instant, and which... appear each time so new and intricate, that the beginner is consequently tempted to give up all hopes of ever succeeding. I am consequently better enabled to appreciate the value of this excellent treatise on lithography, and hesitate not an instant to pronounce it the best work which has ever been published on the art." Bigmore & Wyman II, p.240; Twyman, pp.110-14.
1988280x215 mm. Unpaginated. Softcover. Rear cover slightly stained. Several first pages slightly age stained. In good condition.
Second Edition, iv, 72pp., one of 150 copies, vignette of title page, a little and light occasional foxing, recent quarter calf, uncut, t.e.g. Willett, 1719-95, English book collector, discusses the origin of printing; the work of Gutenberg and Caxton, the Coster legend, etc., and favours the claims of Mainz to the invention.
1978pp. iv, 72. 8vo. Original red cloth binding. Reprint of the Newcastle edition of 1820. Battery Park Bibliographical Reprint Series. Reprint limited to 600 copies. **PRICE JUST REDUCED REF7
Best.-Nr. 588356At The Sign Of The Pegasus Paris 1927 In-12 carré ( 190 X 130 mm ), demi vélin ivoire, plats de cartonnage vert. Edition en fac-similé par Albert FRISCH, du seul exemplaire connu du premier traité sur la construction des lettres majuscules romaines, Parme vers 1480, avec une introduction de Stanley Morison et la traduction du texte original en anglais. Police et corps en italique Blado 13 et 10. Tirage limité à 350 exemplaires sur papier d'Arches. Très bel exemplaire.
1927Best.-Nr. 100208HBParis:, The Sign of the Pegasus, 1927. 23 Seiten, 1 Bl., 1 leeres Bl., 22 Bll. (Faksimile), 1 Bl., Seiten 77-81, 1 nicht paginierte Seite, 1 Bl., goldgeprägter OHalbpergamentband, 18,5 x 12,5 cm.
137-[141]pp., one of 500 copies, orig. cloth, printed paper label on spine.
1977pp. xvii, 254 + Plus color Portrait Frontis by Jonathan Talbot and full page color drawings by Brian Keogh. Text drawings. Design by Ruari McLean. Moire silk pastedowns and endpapers. Ribbon bookmark. All edges gold. Sm. 4to. Original full dark green embossed leather binding, boards ruled in gold with a clover design. Spine lettered and decorated in gold with raised bands. Hardbound. Collector's Edition of the 100 Greatest Books ever written. A Lovely copy, as new. These Leather Bound Easton Press Books Make Great Gifts! SHELF NW33
8vo (222 x 142 mm), 4pp. The first page displays "Sizes of Types: Ordinarily used for Books, Pamphlets, &c.", centre pages "Corrections for the Press. Illustrations of Typographical Errors", and the final page "A few Specimens of Type."
4to, 39pp., one of 300 copies, illustrs., in the text, orig. cloth-backed patterned boards, signs of label having been removed from base of spine. A bibliography of the Christmas keep-sakes produced by the University Printer, Brooke Crutchley, at Cambridge between 1930 and 1973 `for his friends in printing and publishing'.
1914Best.-Nr. 143857Special Number of "The Studio". Edited by Charles Holmer. London, "The Studio", 1914. Fol. Mit zahlreichen, teils ganzseitigen u. farbigen Abbildungen. IV, VII, 276 S. Or.-Kart.; gebräunt u. mit leichten Gebrauchsspuren, Rücken mit Fehlstellen u. oben u. unten mit Papierstreifen repariert. [4 Warenabbildungen]
1944Edizione originale. Ottimo esemplare (leggeri segni al piatto posteriore). «Edizione di 88 esemplari non venali»: rarissimo. Raffinato omaggio degli amici del celebre editore, stampato e pubblicato dallo storico tipografo Rossi, fondatore della stamperia «Arte tipografica». Tra i sottoscrittori dell’impresa Ada Croce, Gino Doria, Tammaro De Marinis, Lorenzo Giusso, Raffaele Mattioli, Alessandro Longo.
1870Best.-Nr. _201801845New York, Published by Geo. E. Woodward, 1870 ; in-4 oblong (280 x 176 mm), 3-47 ff., reliure d'éditeur pleine percaline, coloris marron, dos lisse, 1er plat estampé et imprimé. Drawn and Arranged by Fred'k S. Copley. Engraved by Korff Bros.
1936pp. vii, 136. Illustrated with full page etchings by Denis Tegetmeier; designed by Eric Gill; printed and bound by Hague & Gill; hand-set in Bunyan type, designed by Gill, and first used in this book; full tan buckram, stamped in blue, red and gold. 4to. 9 1/8 x 11 1/2 inches. Top edge gold. Binding curiously stained at bottom front corner and rear top corner. From the original slip case? Paper slip case paper label has slight chipping. Number 413 of an edition limited to only 1500 copies, signed by Denis Tegetmeier and Eric Gill. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W42
1870New York, Published by Geo. E. Woodward, 1870; in-4 oblong (280 x 176 mm), 3-47 ff., reliure d'éditeur pleine percaline, coloris marron, dos lisse, 1er plat estampé et imprimé. Drawn and Arranged by Fred'k S. Copley. Engraved by Korff Bros.
1949This is a very good hardcover copy bound in quarter rust cloth and decorated paper-covered boards, with paper label with Wynkyn de Worde's device on upper cover, printed paper title label on spine. Corners rubbed. Completely clean. This is a limited edition of 375 copies. This copy has the original leaf from Wynken de Worde's 'The Golden Legend' number CCCXXIIII, tipped in. 14" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1980A clean, unmarked book with a tight binding. Slight wear to cover. 244 pages of text, plus index. Many b&w illustrations.
