6 422 résultats
1974In-8° (cm. 24,5) pp. XII, 596 con 428 illustrazioni, una a colori su tavola ripiegata. Vari e vasti indici. Cartone lucido edit. ill. Dall'antico Oriente al Medioevo europeo. PUGNO, ingegnere, architetto, docente poi preside della Facoltà di architettura del Politecnico di Torino, direttore della Scuola a fini speciali di scienze ed arti nel campo della stampa. Ottimo esemplare.
1967In-8° (cm. 24,5) pp. VII, 543 con 287 illustrazioni in b.n. Vari e vastissimi INDICI. Cartone lucido edit. ill.. PUGNO, ingegnere, architetto, docente poi preside della Facoltà di architettura del Politecnico di Torino, direttore della Scuola a fini speciali di scienze ed arti nel campo della stampa. Ottimo esemplare.
1969In-8° (cm. 24,5) pp. pp.VII,634 con 450 ILLUSTRAZIONI in b.n. Vari e vastissimi INDICI. Cartone lucido edit. ill.. PUGNO, ingegnere, architetto, docente poi preside della Facoltà di architettura del Politecnico di Torino, direttore della Scuola a fini speciali di scienze ed arti nel campo della stampa. Ottimo esemplare.
1980réf. 7055CBerlin., Edition Sirene., 1980. (ca. 21 x 14,8 cm). 3 S. Original-Karton zum Aufklappen mit gestaltetem Deckeltitel. Hellroter Druck auf grauem Karton. Karton gering gegilbt, sonst sehr gut erhalten. Insgesamt guter Zustand.
(ca. 21 x 14,8 cm). 3 S. Original-Karton zum Aufklappen mit gestaltetem Deckeltitel. Hellroter Druck auf grauem Karton. Karton gering gegilbt, sonst sehr gut erhalten. Insgesamt guter Zustand. Deckeltitel mit typografischer Gestaltung, Text auf den folgenden drei Seiten. Auf der letzten Seite mit zeitgenössischem Impressum der Edition Sirene Anfang der 80er Jahre (Gneisenaustraße 114, 1000 Berlin 61).
1988réf. 3494Zürich, Die Arche, 1988. 8°, 107 Seiten. mit zahlreichen farbigen Abbildungen und 13 s/w. Photos von Jens Rheinländer und Wolfgang Franz. Illustrierter Orig.Pappband mit Cellophan-SU im Schuber.
1988réf. 85044ABZürich, Arche, 1988. 107 S. OPp. mit Plastikschutzumschlag.
1994réf. 76595Mch.: W. Ludwig (c 1994). 208 Ss. Gr.8°. Illustr. Pp. mit Rücken- u. Deckeltitel.
1933réf. ra421Chambre syndicale typographique parisienne Relié 1933 In-4, (32x24.5 cm), relié demi-toile vert, non paginé, recueil de travaux d'élèves ; petites traces sur les mors frottés, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
Prato, Tipografia Guasti, 1861, in-16, pubblicazione priva di copp., pp. 12. Contiene avviso agli associati, su foglio sciolto, relativo al volume delle Lettere da pubblicarsi in volume invece che in dispense, come previsto dal piano editoriale.
Torino, Frassinelli Tipografo Editore, 1947, in-16, cartonatura edit. con sovraccoperta, pp. XIII, [3], 137, [1]. "Collana di opere brevi", XVIII. Perfette condizioni.
réf. 0282808108.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 048488767X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976réf. T465London, Fraser, 1976. Erste Ausgabe. Gutes Exemplar.
1985réf. 13844Hertfordshire, Omega, (1985). Mit sehr zahlreichen Abbildungen auf Tafeln. 4°. 236,4 S. OPappband mit Schutzumschlag.
1985réf. 13953Ware, Hertfordshire, Omega Books, 1985. Mit zahlr. typrogr. Beispielen. 236 S. 4to. Orig.-Leinen mit RTitel und Schutzumschl.
1963réf. 25014Buffalo New York: The Gallery Upstairs Press 1963 - 1967. First Edition. Printed glazed white card-stock boards with successive plastic ring binding coil - as issued. Very good / fine; publisher's blind stamp on the title page. . Oblong 4to 2 193 3 pp. Printed on glazed paper; sheet size appx. 173 x 280 mm. Cornelius Cardews Treatise was proffered as an overwhelming visual musical score and remarkable example of graphic notation; being a definitive break with traditional musical notation. Written between 1963 and 1967 Treatise comprises 193 pages of lines symbols and various geometric or abstract shapes that exclude accepted conventions of musical notation. The score is not accompanied by any explicit instructions to the performers in how to perform the work or what sound-producing means were to be used. Although the bottom of each page has two five-line musical staves this is apparently not meant to suggest piano or other keyboard instruments only to indicate that the graphic elements are musical and not purely artistic in character. He had been an assistat to Karlheinz Stockhausen for three years in the late '50s. Stockhausen commented: "As a musician he Cardew was outstanding because he was not only a good pianist but also a good improviser and I hired him to become my assistant in the late 50s and he worked with me for over three years. I gave him work to do which I have never given to any other musician which means to work with me on the score I was composing. He was one of the best examples that you can find among musicians because he was well informed about the latest theories of composition as well as being a performer." He trained as a typographer in London College of Printing and then worked as an assistant art editor at Aldus Books. Many important creative individuals worked there including Germano Facetti who would direct the celebrated redesign of Penguin books during the decade. This is where during lunch breaks in the drawing office he began Treatise. He spent the next four years between 1963 to 1967 working on the score recognizing that he could use abstract shapes as a basis for musical notation. He became occupied more and more with abstract visual work and the transformations of the graphic elements that permit the "reading of the score" as an abstract visual work. An important milestone. New Grove III 773-774; see also the important work by Karkoschka Das Schriftbild der Neuen Musik 1966 - published while Treatise was in press and noting Cardew's work. The Gallery Upstairs Press hardcover books
vii,[i],235pp., ex-library, presentation inscription from the publishers, illustrs., in the text, 2 folding plates of facsimiles, 1 folding plate of a printing-machine, orig. cloth, head of spine chipped, hinges slightly torn. Written by Thomas Curson Hansard, eldest son of the author of 'Typographia', of the same name. Includes a section on lithography written by William Nichol. Bigmore & Wyman I, pp.305.
198020 cm, brossura editoriale, p. 128. Numerose illustrazioni in nero n.t. Interessante nota su foglio sciolto "La giunta regionale toscana ha deliberato l'acquisto in blocco del presente catalogo (n.49) destinando la raccolta alla Bibioteca Comunale degli Intronati di Siena."
1998réf. 265Milano, Lupetti, 1998. 4°. 231,(1) S., mit zahlreichen, teils farbigen Abbildungen. Orig.-Pappband.
réf. 47276Paris : Henry Parville, juin 1927. Un volume (29x22,5 cm) en feuilles sous chemise brune à rabats portant 2 vignettes dont une illustrée, 20 pages. Un portrait de l'auteur et un dessin reproduit au trais de Françoise Nicole. Edition originale tirée à 218 exemplaires numérotés : 1/150 sur alfa. Bon état.
2003LIMITED EDITION OF 32 COPIES SIGNED BY POET AND ARTIST! RARE poetry book by the acclaimed Israeli poet Israel Eliraz (1936-2016), winner of the Bialik Prize (2008), the Brenner Prize (2013), the ACUM lifetime achievement award (2003), the Nathan Alterman Award (2002), the Jerusalem Foundation-Jerusalem Municipality's Belles-Lettres Award (1992 and 1999), the Israeli Council of Culture and Art Award (1963 and 1965), the Ministry of Culture and Sport Award (2009), and the Prime Minister’s Prize for Creative Work (1994, 2008, and 2009). The illustrations and art works which accompany this de-luxe publication are by an eminent Swiss painter and graphic artist Catherine Bolle (b.1956). This copy is marked E (5 exemplaires réservés à l'auteur, lettrés A à E) and contains many illustrations and a large fold-out color print on cloth. Le présent portfolio composé en Bodoni Antiqua de corps 12 a été achevé d'imprimer le 22 avril 2003 par Jo Cocconi, m+h à Chéne-Bourg sur papier BFK Rives 250g et pour la reilure, Jacques Ménétrey à Lausanne. 245x170mm. 10 unbound double sheets with softcover laid in both an illustrated grey cloth folder and illustrated grey cloth slipcase. [SUMMARY]: This extremely rare de-luxe limited edition of poems by an influential 20th-century Israeli poet, lavishly illustrated by an acclaimed Swiss artist, is in very good condition.
1965Contain Plates in black and white. 18X21 cm. No pagination. Softcover. Cover slightly stained. Cover slightly stained and chaffed. Else in good condition.
2006réf. 83908Berlin, Die Gestalten 2006. 2006. Quer Gr. 8°, 508 S. mit s/w und farbigen Abbildungen, Orig.-Leinen mit geprägtem Titel.
réf. 47392Paris: Guy Lévis Mano (collection «Échantillons»), juillet 1934. Un volume 16,4x13cm broché de (40) pages, sous couverture bleue imprimée et rempliée. Édition originale tirée à 175 exemplaires: 1/150 sur papier édita.
