6 366 résultats
1940réf. 7548CMünchen:, Eher., [ca. 1940]. (ca. 34,3 x 22,5 cm). 1 Blatt. Original-Kartonblatt mit golddekorierter Typografie. Obere Ecke des Blatts mit leichtem Knick, sonst gut erhalten. Insgesamt guter Zustand.
(ca. 34,3 x 22,5 cm). 1 Blatt. Original-Kartonblatt mit golddekorierter Typografie. Obere Ecke des Blatts mit leichtem Knick, sonst gut erhalten. Insgesamt guter Zustand. Die aufwändige Schriftkunstbeilage zitiert Hitler aus seiner Reichstagsrede zu Kriegsbeginn mit einem längeren Zitat: "So wie ich selber bereit bin jederzeit mein Leben für mein Volk und für Deutschland einzusetzen, so verlange ich dasselbe auch von jedem anderen! [...]". Das Zitat besitzt insgesamt 15 Zeilen, die schwarze Schrift ist an den Rändern golddekoriert.
1998réf. 60295(Stuttgart). (Ohne Jahr. 1998). Ein zweifach gefaltetes, Informationsblatt und ca. 80 kart. Tafeln (Kärtchen) mit teils mehrfarbigen Abbildungen der Entwürfe (verschiedener Schulen u. Vereinigungen). Zusammengehalten an einer Ecke mit einer Messingschraube u. mit ausgestanztem Titelblatt auf Spiegelfolie. 9x5,x11 cm
réf. 92046Paris, Institut Géographique National, 1945. 21 x 27, 374 pp., 38 planches, 134 figures, broché, bon état.
1929np. Title page printed in red and black. Printed by Peter Beilenson. Uncut. Tall thin 8vo. Original cloth backed paper boards. Original spine paper label with slight loss. Top of boards slightly sun faded. Limited Edition of only 500 copies. 475 are for sale by Random House. Nice copy. First edition. PRESS/W32
1958réf. 4465New York: Lester Rossin Associates 1958. Very good. 4to 295 x 230 mm. Original 4-flap portfolio of brown pictorial paper containing three folders of bifolium sample illustrations designs and photographs loose as issued collated complete. Portfolio margins and folds with a little wear and creasing contents in excellent state. "MAD MEN" ERA GRAPHIC DESIGN BEING A PROMOTIONAL PORTFOLIO FOR A NOTED NYC ADVERTISING AND MARKETING AGENCY. THE PORTFOLIO IS ITSELF INGENIOUSLY DESIGNED AND THE CONTENTS PRESENT A "STABLE" OF INTERNATIONALLY RECOGNIZED ILLUSTRATORS DESIGNERS AND PHOTOGRAPHERS INCLUDING RAY PROHASKA AND D. STONE MARTIN. Lester Rossin is recognized as being one of the original "Mad Men" an elevated advertising art and marketing firm that thrived in the 1950s and 1960s. Offered here is an original portfolio of design work that was no doubt distributed to potential clients. The portfolio was designed by Clifford Condak and contains three color-coded folders with samples from the firm's three divisions. The folders are: Illustrators blue folder with a circle: 13 samples; Photographers green / square: 4 samples; and Designers red / triangle: 6 samples. Each folder bears the names of the individuals whose work was contained therein. On the front of the portfolio is an extraordinary "raison d'etre" by the firm which bears reprinting: "Design is the basis of a creative illustration. Whatever the medium message or technique only a heightened sense of design will raise the work from craftsmanship to the level of art. This is our belief. It is the basis of our achievement the discipline of our daily work and the guarantee of our future." On the back of the portfolio is a long list of the company's "Distinctions" including "Bests" at the 1957 International Poster Annual and the American Institute of Graphic Arts. Here the potential client is informed that "In the past 12 months we have designed and produced art for 2198 advertisers 1561 mailing pieces and 932 point-of-sale units." On the upper cover is the statement that this "First in a series"; no other subsequent portfolio has been located by us and not even this one is listed in WorldCat. Lester Rossin Associates unknown books
1958réf. 4465New York: Lester Rossin Associates 1958. Very good. 4to 295 x 230 mm. Original 4-flap portfolio of brown pictorial paper containing three folders of bifolium sample illustrations designs and photographs loose as issued collated complete. Portfolio margins and folds with a little wear and creasing contents in excellent state. "MAD MEN" ERA GRAPHIC DESIGN BEING A PROMOTIONAL PORTFOLIO FOR A NOTED NYC ADVERTISING AND MARKETING AGENCY. THE PORTFOLIO IS ITSELF INGENIOUSLY DESIGNED AND THE CONTENTS PRESENT A "STABLE" OF INTERNATIONALLY RECOGNIZED ILLUSTRATORS DESIGNERS AND PHOTOGRAPHERS INCLUDING RAY PROHASKA AND D. STONE MARTIN. Lester Rossin is recognized as being one of the original "Mad Men" an elevated advertising art and marketing firm that thrived in the 1950s and 1960s. Offered here is an original portfolio of design work that was no doubt distributed to potential clients. The portfolio was designed by Clifford Condak and contains three color-coded folders with samples from the firm's three divisions. The folders are: Illustrators blue folder with a circle: 13 samples; Photographers green / square: 4 samples; and Designers red / triangle: 6 samples. Each folder bears the names of the individuals whose work was contained therein. On the front of the portfolio is an extraordinary "raison d'etre" by the firm which bears reprinting: "Design is the basis of a creative illustration. Whatever the medium message or technique only a heightened sense of design will raise the work from craftsmanship to the level of art. This is our belief. It is the basis of our achievement the discipline of our daily work and the guarantee of our future." On the back of the portfolio is a long list of the company's "Distinctions" including "Bests" at the 1957 International Poster Annual and the American Institute of Graphic Arts. Here the potential client is informed that "In the past 12 months we have designed and produced art for 2198 advertisers 1561 mailing pieces and 932 point-of-sale units." On the upper cover is the statement that this "First in a series"; no other subsequent portfolio has been located by us and not even this one is listed in WorldCat. Lester Rossin Associates unknown
1930réf. 12488Bauersche Giesserei, Frankfurt, o.J (ca 1930). 16 nn Seiten, ca 27x19,5cm, OBroschur, z.T. farbige Druckbespiele für den von Bernhard geschaffenen Schrifttyp. Minimal stockfleckig, der Umschlag etwas verschmutzt. Auf dem Titelblatt `Vertreter Adressaufkleber für Belgien`. Sehr seltenes Exemplar. Very rare document about a writing type. Lucian Bernhard, eigentlich Emil Kahn (* 15. März 1883 in Cannstatt bei Stuttgart; ? 29. Mai 1972 in New York City), oft auch Lucien Bernhard, war ein deutscher Grafiker und Designer der Neuen Sachlichkeit, Typograf, Architekt und erster Professor für Plakatkunst überhaupt. Die Familie von Schriften, die er entwickelte, wird als Bernhard bezeichnet. Kaffee Hag, Pelikan und die Bosch-Zündkerze sind noch heute stilistisch von Lucian Bernhard geprägt. (Quelle: Wikipedia).
réf. 46833Paris : Guy Lévis Mano (GLM), mai 1958. Un volume agrafé ( 18,4x13,6 cm), (16) pages. Edition originale (tirage non précisé) sur vélin. Couverture légèrement jaunie aux angles sinon bon état.
réf. 48616Bruxelles, Office de Publicité, J. Lebègue/Albert Dewit, 1913. 17 x 25, 255 pp., nombreuses illustrations en couleurs et en N/B, broché, très bon état (sauf couverture très légèrement défraîchie).
réf. 48615Bruxelles, Office de Publicité, J. Lebègue/Albert Dewit, 1920. 17 x 25, 292 pp., nombreuses planches en N/B, broché, bon état couverture défraîchie).
réf. 48613Bruxelles, Librairie National d'art et d'histoire, G. Van Oest, 1918. 15 x 25, 314 pp., broché, non coupé, bon état (couverture défraîchie).
1570RARE 16th-century edition of the "Thesaurus Linguae Sanctae", a Hebrew-Latin dictionary for Catholic ministers, originally composed during the early 16th century by the Dominican Bible scholar St.Pagnini. The dictionary appended a list of nominalization patterns and a list of irregular nouns. This edition was printed by the famous Dutch publisher Christopher Plantin at 1570, during the first years of the religious strife that came to be known as the Eighty Years' War. The book features the publisher's elaborate emblem on the title page, a decorative first capital letter on the first text page, and floral title bars in several places throughout the book. The book ends with a royal privilege from Emperor Maximilian II. 115x165mm. Unpaginated preface and appendix. 380 pages (irregular pagination: [188] + [193-380], but the text is COMPLETE. Rebound in black cloth Hardcover. Gilt lettering on spine. Ex libris and binder's stickers on endpaper. Pen inscriptions (dated 1752) on title page, and outside the text on few other pages. Last text page upper edge slightly torn - NO damage to text. Pages yellowing. [SUMMARY]: This 16th-century old Plantin dictionary is surprisingly preserved in very good condition.
1994réf. 16646Austellungskatalog von Krakau: Warschau und Mainz. 1994. 31 nn. Bll. 8°, EA. OKarton, OU.
1994réf. 72442Mainz: Selbstverlag (1994). (64) Seiten. 8° (17,5 - 22,5 cm). Orig.-Broschur. [Softcover / Paperback].
réf. 39793Bruxelles, Le Musée du Livre, 1926. 23 x 30, 86 pp., 76 figures, broché, non coupé, bon état (couverture légèrement défraîchie).
réf. 67757Bruxelles, Le Musée du Livre, 1925. 23 x 30, 132 pp., 73 figures, broché, non coupé, très bon état (dos légèrement défraîchi).
réf. 67758Bruxelles, Le Musée du Livre, 1926. 23 x 30, 86 pp., 76 figures, broché, non coupé, très bon état.
réf. 102.857Bruxelles, Le Musée du Livre, 1934. 23 x 30, 180 pp., très nombreuses illustrations en N/B, certaines en couleurs, broché, bon état.
réf. 32902Bruxelles, Musée du Livre, 1934. 23 x 30, 180 pp., nombreuses illustrations, broché, bon état.
réf. 67760Bruxelles, Musée du Livre, 1934. 23 x 30, 180 pp., nombreuses illustrations, broché, non coupé, très bon état.
réf. 67761Bruxelles, Musée du Livre, 1934. 23 x 30, 85 pp., nombreuses illustrations, broché, non coupé, bon état (couverture légèrement défraîchie).
réf. 68915Brugge (Belgique), Sint-Catharina Drukkerij, 1931. 19 x 25, 5 volumes, 53 + 52 + 34 + 54 + 68 pages, broché, non coupé, couverture rempliée, sous étui carton, très bon état (étui défraîchi).
1940réf. 7549CMünchen:, Eher., [ca. 1940]. (ca. 34,3 x 22,5 cm). 1 Blatt. Original-Kartonblatt mit golddekorierter Typografie. Oberer Rand des Blatts etwas fleckig, sonst gut erhalten.
(ca. 34,3 x 22,5 cm). 1 Blatt. Original-Kartonblatt mit golddekorierter Typografie. Oberer Rand des Blatts etwas fleckig, sonst gut erhalten. Die aufwändige Schriftkunstbeilage zitiert Hitler aus seiner Rede am 1. Mai 1935 mit einem längeren Zitat: "Große Aufgaben sind stets nur von starken Führungen geleitet worden. Allein, die stärkste Führung muß versagen, wenn hinter ihr nicht ein gläubiges, in sich gefestigtes, wahrhaft starkes Volk steht." Das Zitat besitzt insgesamt 15 Zeilen, die schwarze Schrift ist an den Rändern golddekoriert.