6 366 résultats
1907pp. v, 91. Title page printed in red and black. Printed by Smith & Sale on Van Gelder paper. Bookseller's label. Uncut. Small 8vo. Original stiff wraps, decorated and lettered. Yapp fore edges. Binding slightly soiled. Limited Edition of only 925 copies. Second Edition. Old World Series. **PRICE JUST REDUCED! PRESS/W39
1907pp. xvi, 54. Ruled throughout in black. Title page printed in red and black. Decorative head and tail pieces. Uncut. 24mo. Original stiff wraps, decorated in gold.**PRICE JUST REDUCED! . PRESS/W39
19748vo., on laid paper, black-letter throughout, neat signature on front free endpaper; original buckram, gilt back, a near fine copy in publisher's board slip-case. The first facsimile of Caxton's famous work was published by Elliot Stock in 1877.
1988réf. 004229Genf/ Geneva., RotoVision., 1988. 340S. Beilage: 24seitiger Katalog von RotoVision Herbst-Winter 1987-88. Neuwetig. 4°. H OLeinen mit OUmschlag.
1995réf. 256468Tokyo: Robundo 1995. 237 S., überaus zahlr. Schriftmuster u. Abb. Lit.verz.4° Ln.mS. *japanische Ausgabe*. *nahezu neuwertig*
189693p. (xciii). Title page printed in red and black. Uncut. Tall 8vo. Original full stiff paper binding, decorated and lettered in gold. Yapp edges. Binding stained with slight loss at head and tail of spine. Limited Edition of only 925 copies. Bibelot Series. PRESS/W39
1944This is a very good softcover copy in colorful pictorial wrappers designed by Paul Rand with just light wear. Completely clean inside and very clean outside, some toning to the front cover, top right corner a bit abraded, back cover also some toning, two very small tan stains, and a number of tiny marks along the edge near the spine. This is the stated first edition. 10" high X 7.5" wide, 35 pages. This book will be securely packed and shipped with tracking.
1937pp. viii, 190. Water-colors by Sylvain Sauvage, printed in process offset by Duenewald Printing Corporation; designed and printed by Edward Alonzo Miller at The Marchbanks Press; set in linotype Caslon; Miliani Gilio paper; bound by Russell-Rutter Company in full green linen, stamped in green and gold from design by LeRoy H. Appleton. 4to. 9 1/8 x 11 3/8 inches. Top edge gold. Front inner hinges cracked. Paste downs and fly leaves slightly stained. Original black slip case chipped at corners. Number 413 of an edition limited to only 1500 copies, signed by the Illustrator. The books published by the Limited Editions Club are justly treasured for the quality of the texts, the beauty and artistry of the illustrations, the creativity of design, and the overall excellence of the paper, presswork, and binding. Each book would make a wonderful gift for any occasion. W38 x2
1932228p. + Frontis. Full page illustrations. Top edge gold. Uncut. 8vo. Original suede backed textured cloth binding. Gilt lettered spine. Spine faded. Boards slightly soiled. Hardbound. Nice copy. PRESS/W32
1990réf. 242447London: Lund Humphries 1990. 184 S., überaus zahlr. Abb., Schrift-Muster 4° Br.
1926Three volumes. Uncut. XLib. 4to. Original cloth backed paper bindings. Original spine labels. Limited Edition. Number 742 of only 1250 sets. Nice set. **PRICE JUST REDUCED! PRESS/W43
1930Two volumes. Uncut and unopened. With original invoice from John & Edward Bumpus, Ltd. to Alfred Reginald Allen, Philadelphia, 1930. Dr. Allen was a prominent Philadelphia physician who is most famous for founding the Savoy Company to perform Gilbert & Sullivan Operettas. Linen backed paper bindings. Original spine labels. Limited Edition. Number 846 of only 900 sets. Very nice set. PRESS/W43
1948pp. lxii, 316 (1). Illustrated with wash drawings and engravings. Partially unopened. Folio. Designed by George Macy; printed by Aldus Printers; set in , the design by Bruce Rogers on the Janson type face; on Worthy Special Paper. Bound by Russell-Rutter Co. in decorated blue paper boards, backed in ivory calf gold. The spine slightly rubbed. Heavy slipcase, sunned and cracked at edges. Number 794 of an edition limited to only 1500 copies, signed by the artist. A nice copy of this wonderfully entertaining English classic. It would make a great gift for any fisherman. **PRICE JUST REDUCED! W38
189846p. Title page printed in red and black. Printed on Japan vellum. Stamped ownership of Mrs. Frank T. Griswold. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Original floral pattern slip case, with small loss at top and bottom. Limited Edition of only 425 copies. Seventh Edition. Nice copy. PRESS/W39x2
1909pp. xix, 42. Title page printed in red and black. Printed on Japan vellum. Tall 32mo. Original stiff printed Japan vellum wraps decorated in red and brown. Nice copy. PRESS/W39
1955pp. xx, 392. Illustrated with two-color lithographs by Rafaello Busoni, printed by Reehl Lithograph Company; designed by George Macy; printed by the Printing House of Leo Hart; set in monotype Cochin; Curtis rag paper. 6 7/8 x 10 1/4 inches. Bound by Russell-Rutter Company in quarter imported natural linen stamped in brown leaf, French marbled-paper sides. Spine very slightly soiled. Original slip case, spine darkened. Fifteen hundred copies have been made, of which this is copy number 769 and it is signed by the illustrator, Rafaello Busoni (1900-1962). Born in Germany, Busoni gained fame in the U.S. as an artist, illustrator, and children's book author. Fine. Fine Books from the Limited Editions Club make great gifts. SHELF W89
Folio (340 x 215 mm), 4pp., caption-title, disbound. The Will of Colonel Barwick who lived in Barbados in the 17th century. Barwick sent his daughter to be educated in England and his Will provided her with a sum of money upon marriage with further sums to be paid on the birth of any children. "All the rest of my Landes, and Negroes, Goods' and Chattles, Rightes, and Credites,, I give to my Son, Samuel Barwick...". Shortly after making this Will in 1673 he moved to Bermuda where he made a codicill which greatly complicated matters. Holzenberg 74.
1934pp. xxii, 330; 670 (2) + Frontis. Color floriated initials. Each page set within a light ruled frame. Small folio. Designed, printed, and bound (in quarter cream linen, brown paper sides with Chaucer's arms in color) by George W. Jones, at the Sign of the Dolphin; set in Linotype Granjon; on Malling Mills Special paper. Slipcase shows some soiling and wear. Number 1465 of an edition limited to only 1500 copies, signed by Jones. A handsomely produced edition, of these immortal bawdy and satirical tales. *PRICE JUST REDUCED! W37/44
1822Twelve Volumes. Engraved illustrations. All edges marbled. Slightly age stained. 12mo. Original full cloth bindings, decorated in blind. Gilt lettered spines. Slight loss at head and tail of spines. Hardbound. A large collection of English plays. Each work bound with an individual title page, and sometimes an engraved frontispiece. Pagination not continuous. Fascinating collection of early nineteenth century plays. A very nice set. **PRICE JUST REDUCED! SET/W56
1981pp. xx [ii], 70 (1) + Illustrated with one double-page and four full-page photographs by Richard Benson, superbly printed in a 300 line screen process by Meriden Gravure Co. Small folio. Designed by Stephen Stinehour; printed by Michael & Winifred Bixler; set in Monotype Dante; on soft-white Mohawk smooth wove paper. Bound at the Stinehour Press in full silver-gray Dutch natural finish cloth, stamped in blue and blind. Original glassine wraps. Original blue paper covered cloth slipcase. The beautiful endpaper designs and slipcase decorations are reproduced from original paste papers designed by Carol Blinn. Copy number 1848 of and edition limited to 2,000 numbered copies signed by the photographer, Richard Benson. "Bright, volatile, short-lived and hard-drinking, Crane was in some ways an archetype of the Roaring Twenties author. Crane is best known for The Bridge (1930), an epic vision of American life with the Brooklyn Bridge as a central image. Crane is often compared to Walt Whitman, both for his modern American sensibilities and for the homoerotic imagery some find in his work. In sheer style Crane also resembled T.S. Eliot, whom he admired. Crane committed suicide by leaping from the S.S. Orizaba in 1932. Slipcase has some soiling on the top and bottom edge. There is also a small (less than 1/2") loss of colored paper in the lower corner of the slipcase. A brilliantly photo illustrated work. It would make a great gift. W37
1915pp. x, 295 + Frontis. Uncut. Top edge gold. 8vo. Original full green cloth binding, gold lettered. Hardbound. Very nice copy. SET/W47
1762réf. 18193Cambridge J. Baskerville, 1762 ; grand in-12, maroquin rouge, dentelle d’encadrement des plats, dos très décoré et doré, roulette sur les coupes et d’intérieur, tranches dorées (reliure de l’époque), 202 ff. non chiffrés (coll. a, b, c, A-Z, Aa-Hh 6 ; A3, B-I 6, K 1).
1992réf. DEMO006065IStatesboro GA: The Boxwood Press 1992. First Limited edition. Hardcover. Fine. In a mahogany and copper scroll case with vertical slot and hidden crank handle; with a protective velvet cloth Only 16cc.Remarkable bilingual presentation / re-interpretation of this Biblical work placing it in the the Reagan / Bush era. Illustrated with 16 color etchings by Bernard Solomon the translator and etcher. He realized there were remarkable parallels between the Biblical story of Esther and that of Anita Hill Clarence Thomas and the U.S. Senate Judiciary Committee. This interpretation unfolds sequentially as each leaf is unrolled from the 33 in. high scroll holder. The body of the scroll holder is one of the original copper plates used for the etchings which is why it is limited to an edition of only 16. The top and bottom of the handcrafted minaret-style case is finely shaped and polished mahogany by Anthony V. Mann. Designed with a hidden crank to rewind the scroll into the case. Altogether remarkable! The Boxwood Press hardcover
1949réf. 48711Chicago: Society of Typographic Arts 1949. Folio. xx 181 3 pp. Title in red & black numerous facsimile leaves of type fonts illustrations tipped-in facsimiles photo illustrations some leaves printed in red & black others blue & black some rubricated & decorated initials. Brick-red cloth gilt design on front cover gilt lettering on spine still a NF bright copy. First edition of this splendidly printed homage to the famed American type designer lettering artist and graphic designer. Cooper 1879-1940 headed the firm of Bertsch & Cooper who developed the ad campaigns for such companies as Packard Motor Car Company and Anheuser-Busch Breweries at the beginning of the 20th century. This work includes unfinished autobiographical notes by Cooper Notes on Oz by W.A. Dwiggins famed type designer as well as numerous examples of his Cooper Series Typefaces. Society of Typographic Arts, hardcover
1853réf. 13061'A TRIUMPH OF PRINTING AS WELL AS OF ILLUSTRATION AND TYPOGRAPHY' IN AN APPROPRIATE SCOTTISH BINDING first edition thus 12mo. in sixes collates a-d6 B-Z6 AA-KK6 a-z6 AA6 that is 720 pages printed in Caslon type title page printed in red and black within a deep and striking woodcut border representing the Tree of Jesse full-page woodcut of Queen Elizabeth on verso of title page text inside varied and complex decorative and pictorial woodcut borders throughout by Mary Byfield decorative initial letters contemporary dark purple morocco over bevelled boards signed on verso of front free endpaper "Orrock Binder Edinb." sides blocked with 8 nesting borders of blind fillets and rolls some crossing at the corners to make small corner compartments with a leaf tool in blind in each spine with raised bands and blind tooling direct lettered gilt all edges gilt purple ribbon marker some very minor and scattered light foxing some light rubbing else a nice copy. Handsome copy of a most attractive book. GRIFFITHS Bibliography . Book of Common Prayer 1853 22 "The cuts harmonize perfectly with the type and this small tome is a triumph of printing as well as of illustration and typography" R. McLean Victorian Book Design 1972 p.12.For this book Mary Byfield 1795-1871 who spent most of her life working for the Chiswick Press cut over 100 wood blocks. These blocks many of great beauty were in the main based on early designs by Holbein Dürer Tory &c. copied from Queen Elizabeth's Book of Christian Prayers London 1581 and 1590 but they also included some based on contemporary designs by Charlotte Whittingham although to distinguish the old from the new is virtually impossible. This edition was afterwards reissued by other publishers. William Pickering [printed by C. Whittingham at the Chiswick Press] hardcover