6,432 results
1926235p. + engraved illustration with tissue guard. Uncut and unopened. 8vo. Original vellum like spine over paper boards. Original spine paper label. Spine slightly soiled. Hardbound. Limited Edition. Number 1196 of only 1250 copies. Signed by the author. Nice copy. PRESS/W33
190228p. + Frontis. Intricately decorated frontis, title page and text illustrations by Louis Rhead. Title page printed in red and black. Square 8vo. Original vellum like paper binding decorated in green and red. Lacks spine and front edge ties. Binding worn. Hardbound. PRESS/W34
1977IN HEBREW. 25x17.5 cm. 206 pages. Hardcover. Cover upper corner slightly curved. Else in good condition.
2004This is a near fine hardcover copy in red illustrated boards with virtually no wear. Text in Danish. Study of Jorgen Nash's posters from 1960 to 2004. Illustrated throughout in color. 12" high X 10" wide, 163 pages. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1900This is a very good softcover copy in the printed soft card covers with a glassine wrapper, though just the front panel and spine of the wrapper survive. Very clean inside and out. Text in French. This catalog was prepared by the Comite d'Installation for the Exposition International in Paris in 1900. This section contained books, musical works, bindings, newspapers and posters. Well illustrated in black & white. 11" high X 7.5" wide, 139 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1981pp. xvii, 224 + Eight plates after water-colors by Paul Hogarth. Large 8vo. The typography was designed by Dennis Grastorf; printed at the Anthoensen Press; set in Linotype Baskerville; on soft-white Monadnock egg-shell paper. Bound by A. Horowitz & Sons in full natural-tone rough linen. Slip-case. Number 1818 of an edition limited to only 2000 copies, signed by the artist. A very fine copy of this handsomely produced edition. It would make a great gift. W36
1937This is a very good softcover copy with light cover wear. One front corner clipped or torn off. Very clean inside and out. This is issue No. 7, November, 1937 of this important journal of modern typography, edited by Oliver Simon. Articles by Geoffrey Grigson, Paul Beaujon, John Piper and Francis Meynell. Color frontispiece and many black & white illustrations. Missing one illustration: a reproduction of a drawing by Miro. 10" high X 7" wide, 52 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
190436p. Printed on Japan vellum. Title and limitation pages decorated with Mosher's device in red. Inked ownership of J. F. Oller, 1924. Small 8vo. Original full Japan vellum binding, lettered in red and black. Original slip case. Hardbound. Limited Edition. Number 83 of only 100 copies. Very nice copy. PRESS/W39
This is a very good softcover copy with just light cover wear. Completely clean inside and out. Binding firm, spine not creased. No date but published 1960's-70's. About 60 pages full of old type face samples printed on different colored papers. Hundreds of examples. 9" high X 8" wide. This book will be securely packed and shipped with tracking.
1970This is a very good copy in a plastic comb binding (intact), stiff paper covers printed in color with Weyerhaeuser paper sample names: 'Weycroft', 'Louvain', 'Carousel', 'Kashmir', 'Gainsborough', etc. No date but ca. 1970's. Each of the 10 paper sample sections has a color printed title page with the different paper weights and characteristics available in that sample, followed by a number of blank sheets in different colors that are available with that sample. A typical early to mid 1970's Weyerhaeuser trade catalog. 11" high X 10" wide. All printing in offset lithography. Publisher's 'Complimentary Copy' business reply card laid in. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
ref. DADAX0470542519New unknown
2009ref. 40782Basel, Birkhäuser, 2009.
ref. 4766107470.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1932ref. 75873Munich: Zeitverlag 1932-33. 8 issues of this innovative typographic and advertising journal. Text in German. Issues Nos. 59 to 70/71 a double issue. Lacks no. 62 for a consecutive run. Octavos. Generally about 28 pp. each. Extremely rich in illustrations. Many in color and tipped-in. Issue 61 seems to be entirely comprised of full page reproductions of company logos. Three issues with spines strengthened with cloth tape of various hues. Owner's name on every issue Alice Rosenblatt. Very good copies of this visually entertaining periodical/ Zeitverlag hardcover
1949ref. 48711Chicago: Society of Typographic Arts 1949. Folio. xx 181 3 pp. Title in red & black numerous facsimile leaves of type fonts illustrations tipped-in facsimiles photo illustrations some leaves printed in red & black others blue & black some rubricated & decorated initials. Brick-red cloth gilt design on front cover gilt lettering on spine still a NF bright copy. First edition of this splendidly printed homage to the famed American type designer lettering artist and graphic designer. Cooper 1879-1940 headed the firm of Bertsch & Cooper who developed the ad campaigns for such companies as Packard Motor Car Company and Anheuser-Busch Breweries at the beginning of the 20th century. This work includes unfinished autobiographical notes by Cooper Notes on Oz by W.A. Dwiggins famed type designer as well as numerous examples of his Cooper Series Typefaces. Society of Typographic Arts, hardcover
1934ref. 251203002Garden City: Garden City Publishing Co. 1934. First Edition Reprint. Hardcover. Very Good Plus/Very Good. Kent Rockwell. 8vo heavy light brown buckram over boards with front and spine blind stamps. Decorative gilt stamp to front and spine outlining illustrated paste on labels illustrated endpapers. The text block of the book has sagged so there is slight wear to the bottom edge. Out of an abundance of modesty I am grading this book merely VG. Jacket presents well with slight chipping and wear to the spine ends and flap fold edges. There is also minor soiling to the jacket which overall if VG.This gorgeous deluxe reprint edition of the Covici Friede Canterbury Tales is both beautifully bound and illustrated. Don't let the copyright page confuse things - this is published by Garden City. Although not the true first after reviewing online photos of the original I greatly prefer the binding choices for this Garden City edition. This is a really beautiful book and it's hard to convey its aesthetic impact with words and pictures. Garden City Publishing Co. hardcover
1983ref. 0005866New York: Purgatory Pie Press 1983. First Limited edition. Wrappers. Fine. Octavo bright yellow wrappers Copy no. 107 of only 180 copies signed with colored pencils by the author its designer and printers Esther K. Smith and Dikko Faust. Printed on their handpress with 22 impressions for all of the colors used in its making. Im-pressive and provocative. Scarce Purgatory Pie Press unknown
1976ref. 5591London: Officyna Stanislaw Gliwa 1976. First Limited edition. Hardcover. Fine/issued without. Oblong 8vo 29 pages brown cloth deckle-edged. Rare. Copy no. 100 of 275 only being publication no. 37 by the Gliwa Press. Handset by Maria Gliwa with presswork and linocuts by Stanislaw Gliwa. Printed on mould-made Italian paper 'Della Robbia' . Stankiewicz was a prominent political philosopher having lectured on politics history economics history and jurisprudence at over 40 universities. Both he and Stanislaw fought with the Polish forces in exile during WWII. This is an aphoristic dictionary e.g. " ELITISM: A now-derogatory terms revealing democracy's essentially anti-intellectual mood and its fear of 'meritocracy'. " Officyna Stanislaw Gliwa hardcover
1987ref. 299683Köln : Edition Fundamental, 1987. 29 Blatt. Dreifarbiger Druck ; 30 x 38 cm Originalpappband. 38x29 cm. [2 Warenabbildungen]
1926ref. 1629Leipzig, Verlag des Dt. Buchgewerbevereins, 1926. 4°, Seiten 327-371 mit zahlreichen Abbildungen im Text, 19 Beilagen zum Hochdruck und 20 Beilagen zum Flachdruck sowie 13 Seiten Anzeigen; 4 Seiten Anzeigen, Seiten 373-415 mit Textabbildungen, 8 Seiten Anzeigen und 5 Beilagen; 4 Seiten Anzeigen, Seiten 417-453, Sonderbeilage Heinrich Jost LVIII Seiten mit zahlreichen Abbildungen, 10 Seiten Anzeigen und 4 Beilagen; 4 Seiten Anzeigen, Seiten 455-532 mit zahlreichen Abbildungen im Text und 2 Beilagen, 8 Beilagen zu Hans Bohn, Sonderbeilage Wandlungen des Leipziger Buchgeschmacks in den letzten hundert Jahren von Friedrich Schulze 15 Seiten und 16 Tafeln, 12 Seiten Anzeigen und 15 Beilagen. Privater Halbleinen mit Goldprägung.
1923ref. 15109Numéro 2, novembre 1923. Lyon, Aux dépens de la Société des Amis de la Bibliothèque (Mâcon, Imprimerie Protat) ; in-4, sous chemise crème.I- L’Ysopet de Lyon. Notice et 18 planches. II- La Résurrection de Lazare, xylographie ; fac-similé en couleurs. III- Lyon et les Incunables de la Broderie, I. Domenico da Sera. Etude par M. Louis Fière. 8 figures. IV- Reliures : 1° à l’effigie de St Sébastien ; 2° reliure “enchainée” ; 3° aux armes de Louis XIV, 3 pl. V- Heleyne. Bois colorié de la fin du XVe siècle, fac-similé et notice par M. G. Guigue. VI- Un dessin d’Auguste Rodin, fac-similé. VII- Correspondance, 1 figure.
1923ref. 003759Frankfurt am Main, Privatdruck, 1923. 24 ungezählte Blatt. Kleinformatige Orig.-Broschur. Eins von 200 numerierten Exemplaren. Ein gut erhaltenes Exemplar mit nur leichten Gebrauchsspuren.
1921ref. 1243632Paris, G. de Malherbe, 1921). Gr.-4to. 15, (1) S. m. zahlr. OHolzschnitten, 2 Portraittafeln in Lichtdruck. OKart. m. goldgeprägter Deckelillustration (Einbd leicht fleckig u. bestoßen).
19732 voll. in-4°, pp. 118, (2); 117, (3); legatura editoriale in t. tela Brillianata figurata realizzata dallo Stabilimento Olivotto di Vicenza. Custodia. Interamente illustrati in rosso e nero con riproduzioni fedelissime in fotolitografia di frontespizi, pagine, caratteri, xilografie, marche tipografiche, filigrane, fregi di edizioni veneziane cinquecentesche. Stato di nuovo. Seconda edizione, tirata a 1000 copie numerate (n° 333) e riproducente la rara edizione originale dell'Ongania di Venezia del 1894 di questa superba opera sulla tipografia veneziana del Rinascimento, realizzata "nel gran nome di Aldo Manuzio". "Divenuta rarissima, per tali ragioni è sembrato utile riproporre la preziosa fatica di Ferdinando Ongania in questa ristampa che vuol essere considerata un deferente omaggio alla sua opera illuminata.." (dalla presentazione di Nereo Vianello). Italiano
