Tipografia Degli Operai PublisherBiblio.com
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2010ref. DADAX1160798796Kessinger Publishing 2010-03-19. paperback. New. 6.00x1.48x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1160875197Kessinger Publishing 2010-03-19. paperback. New. 6.00x0.86x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1160776482Kessinger Publishing 2010-03-19. paperback. New. 6.00x0.85x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1161035397Kessinger Publishing 2010-04-18. paperback. New. 6.00x1.27x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1161030999Kessinger Publishing 2010-04-18. paperback. New. 6.00x0.92x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1160836868Kessinger Publishing 2010-03-19. paperback. New. 6.00x0.82x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1160718695Kessinger Publishing 2010-03-19. paperback. New. 6.00x1.33x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1161035028Kessinger Publishing 2010-04-18. paperback. New. 6.00x1.21x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
2010ref. DADAX1161044418Kessinger Publishing 2010-04-18. paperback. New. 6.00x0.88x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1940ref. 63235Boston: Technical Composition Company 1940. Quarto. Tan linen hardcover; 386pp. Small tear to upper margin of first two preliminary leaves else Fine and unmarked. A specimen book containing "Linotype and Monotype faces suitable for book work and available to customers of the Technical Composition Company. There is illustrated also a selection of foundry type for title pages and special work" from Foreword. Technical Composition Company unknown
1925ref. 016544London: The Beaumont Press 1925. 1st Edition . Hardcover. Very Good. First edition limited to 390 copies this being no. 103 printed on hand-made paper. Hardback cloth spine titled in gilt boards covered in leaf patterned paper. Fore-edge untrimmed. 23 × 15cm 58pp. This book collects 35 poems by Edmund Blunden the first twenty are more pastoral and meditative in style the second section containing fifteen poems are Great War poems each poem has a decorated initial and both sections have an illustrations the first section has goats drinking from a neo-classical the second has a skeleton in World War One equipment gasmask tin hat barbed wire pole. Condition: This copy is in very good condition. There is a little light tanning to the page edges and spine but otherwise it remains a good solid copy with clean pages and secure binding. The Beaumont Press hardcover
2009ref. BN424800Amsterdam : Ideas on Paper 2009. 2009. Hardcover. Memory Traces Memory Traces Markerink Cary & Irma Boom typography and book design Amsterdam : Ideas on Paper hardcover
1985ref. BN547808Aussencover leicht läsiert sonst in Ordnung 1985. 1985. Softcover. LTSPJi Lu Ji --Ri Ben taipogurahuiXie Hui Shou Fu Ji Lu 1984-1985 Japanese edition LTSPJi Lu Ji --Ri Ben taipogurahuiXie Hui Shou Fu Ji Lu 1984-1985 Japanese edition Japan Typography Association Aussencover leicht läsiert sonst in Ordnung paperback
1974ref. 111022736United States of America: Theater of the Universt Inc. 1974. Book. Near Fine. Hardcover. 4to - over 9¾" - 12" Tall Oblong. Black front embossed cover with gilt title lower front. Secure binding with clean pages. Color illustrated book about the Bible. About 14 x 11-1/4 with 95 pages. Scarce!. Theater of the Universt, Inc. Hardcover
1960ref. 75786V.p.: V.p. 1960-1968. VAN KRIMPEN Jan. On Designing and Devising Type. New York: The Typophiles 1967. First edition. One of 350 copies with the Typophile imprint. Small ocatvo.107 3 colophon and slug pp. Illustrated. Publisher's red cloth with gilt spine lettering original typographic dust jacket. Excellent copy of Typophile Chapbook XXXII.ZAPF Hermann. About Alphabets; Some Marginal Notes on Type Design. New York: The Typophiles 1960. First edition and one of 400 copies with the Typophile Imprint. Small octavo. Frontispiece photographic portrait 117 1 colophon pp. Numerous alphabet examples. Publisher's blue cloth with brown morocco gilt spine label. As issued. Excellent copy of Typophile Chapbook XXXVII.MORISON Stanley. Letter Forms Typographic And Scriptorial Two Essays On Their Classification History And Bibliography. London; Nattali & Maurice 1968. First edition. This is Typhophile Capbool but does not beiar their name. Small octavo. 2 161 1 pp. Publisher's light blue cloth with gilt spine lettering just jacket to match. An excellent copy of Typopphile Chapook 37. V.p. hardcover
1932ref. 75873Munich: Zeitverlag 1932-33. 8 issues of this innovative typographic and advertising journal. Text in German. Issues Nos. 59 to 70/71 a double issue. Lacks no. 62 for a consecutive run. Octavos. Generally about 28 pp. each. Extremely rich in illustrations. Many in color and tipped-in. Issue 61 seems to be entirely comprised of full page reproductions of company logos. Three issues with spines strengthened with cloth tape of various hues. Owner's name on every issue Alice Rosenblatt. Very good copies of this visually entertaining periodical/ Zeitverlag hardcover
1887ref. 26512London: Macmillan 1887. People's Edition. Hardcover. Very Good. Illustrations by John Tenniel. Duodecimo 208 pages pictorial green cloth edges of spine rubbed; unusual publisher's monogram on rear cover The rear advertisements state fifty-eight thousandth printing for TTL. Macmillan hardcover
1931ref. 8949New York: Bauer Type Foundry 1931. 3 volumes of specimens of Weiss types bound together. Illustrated with numerous specimens of Weiss types available through the Bauer Type Foundry. 4to. each part sewn in original printed paper wrappers string bound into blue cloth-backed grey paper covered boards printed title label to upper cover. A very good set of specimens of the German Weiss types. Bauer Type Foundry hardcover
1910ref. 58183New York: The Century Co. 1910. 8vo. xi 3 477 1 pp. With 100’s of text illustrations type specimens diagrams woodcut engravings 1 in colour historiated vignettes decorated initials. Brown publisher’s cloth gilt lettering on spine gilt & red morocco spine label t.e.g. minor bumping to corners edgewear some rubbing still a VG copy. Second edition of this classic and surprisingly scarce printer’s manual originally issued in 1904 and the third title in De Vinne’s unexcelled series on typography. This work devoted to mechanical methods of book composition encompasses chapters on equipment composition of books composing & printing mathematics and music books foreign languages such as Greek Hebrew & German stone work and more. De Vinne 1828-1914 was often designated the “Dean of American Printers” founded the Grolier Club collaborated with Robert Hoe to advance fine printing and presses and embraced the concept of the book as objet d’art. The Century Co., hardcover
1936ref. 56351Kansas City MO: Western Typesetting Co. 1936. Two vols. 1st. - 4to. 220 pp. Title and section titles printed in colour on thick cover stock typefaces throughout. Black pictorial cloth Western motif cowboy riding typeface on front cover silver Art Deco lettering slight shelfwear; 2nd - 8vo. 81 1 pp. Typeface alphabets throughout self-printed black & silver softcovers minor shelfwear inserted into front pocket of Specimen book NF set. First editions of both these excellent volumes on American type faces produced by the noted company during the 1930s. Western offered Linotype Monotype Ludlow and Hand-set types reproduction proofs long wearing unconditionally guaranteed types and other advantages towards their clients. The type specimens included hear encompass Scripts Gothics Spartans Bodoni Moderns extensive special figures and more. The Type Identifier lists over 400 different faces from ATF Baltimore Bauer Continental Intertype Monotype Ludlow and other sources. Western Typesetting Co., paperback
1957ref. 56526Washington D.C.: United States Government Printing Office 1957. 4to. xxii 201 1 pp. Printing layout diagrams throughout. Black pebbled cloth gilt lettering & lozenge illust. of printing press on front cover red comb binding as issued minor dustsoiling edgewear still VG copy. Second edition revised & expanded of this work designed to meet production problems of the US Government Printing Office composed of a signature size chart and series of face-up impositions. It does note that not every possible folding imposition is contained but those dummies can be inserted or laid-in to this work as necessary. United States Government Printing Office, hardcover
1931ref. DEMO007006ISan Francisco: The Limited Editions Club 1931. Limited edition. Hardcover. Good. 4to 243 pages calf spine marbled bds. extremities worn Signed by the printer John Henry Nash. Copy 905 of 1500 numbered copies. A printer's book about a printer. Frontispiece portrait etched by William Wilke. With the Newsletter laid in. "There was no such thing as Franklin's 'autobiography' until well into the nineteenth century. . Franklin wrote his autobiography at four different times in his life and for many years only the first part circulated in print in a version based on an unauthorized and unrevised copy of his manuscript. That first part went only up to his 25th year ." Included here are Notes by John Bigelow who was the first editor to collect and publish all four parts of Franklin's Autobiography. "It is our profound conviction . that this book is the finest instance of book making which we have yet sent to our members that it is the best and most satisfying book production of all the twenty-seven volumes which we have had!" - LEC Monthly Letter #30 Nov. 1931. The Limited Editions Club hardcover
1949ref. 48711Chicago: Society of Typographic Arts 1949. Folio. xx 181 3 pp. Title in red & black numerous facsimile leaves of type fonts illustrations tipped-in facsimiles photo illustrations some leaves printed in red & black others blue & black some rubricated & decorated initials. Brick-red cloth gilt design on front cover gilt lettering on spine still a NF bright copy. First edition of this splendidly printed homage to the famed American type designer lettering artist and graphic designer. Cooper 1879-1940 headed the firm of Bertsch & Cooper who developed the ad campaigns for such companies as Packard Motor Car Company and Anheuser-Busch Breweries at the beginning of the 20th century. This work includes unfinished autobiographical notes by Cooper Notes on Oz by W.A. Dwiggins famed type designer as well as numerous examples of his Cooper Series Typefaces. Society of Typographic Arts, hardcover
2011ref. 22032603Claremont California: Scripps College Press 2011. Limited Edition. Stitched Binding. Fine. One of 103 copies folio size 28 pp. signed by the students and Kitty Marryatt. The publications by the students of the Book Arts and Typography Class at Scripps College are some of the most imaginative we have ever seen and this publication is no exception. The work was inspired by the the 13th-century poet Jalaud'din Rumil now known by most simply as "Rumi". Although a Muslim by faith his poetry "seeks to deal with the more universal aspects of the human condition. He discusses the aspects of existance encountered by all individuals and continues to make profound beautiful statements regarding even the most ortinary tasks and occurences." n.b from the book's bio of Rumi. The students in the Class chose a medieval text and provided their own commentaries as exegesis. This book unfolded as a poem by Rumi as interpreted by Coleman Barks with the students' commentaries. The visual images "were inspired by the geometric structures of medieval book imagery. The colors of the linoleum blocks reflect the preponderance of lapis lazuli blue crimson red and royal purple in medieval miniatures" n.b. from the Colophon. A true delight for both the eye and the soul. Scarce in the online markeplace as of this writing there are no other copies online; our search of OCLC locates twenty-three institutional holdings. ___DESCRIPTION: Boards bound in Ginga Iridescent Orange bookcloth introducing gold which was prevalent in medival manuscrips binding Tyvek-reinforced tapes with gold thread which are attached to the covers each page with a geometric design in various colours signed by each of the students in the class and Professor Maryatt on the page facing the Colophon; types Scripps Old Style Centaur Arrighi and Weiss Initials on Rives BFK paper binding folio size 14 1/4" by 11 1/8" unpaginated with fourteen leaves; limited edition of 103 copies this no. 73. ___CONDITION: Fine overall the cloth over the boards clean the tape binding strong straight corners with a modicum of rubbing a square text block the interior is clean and bright and entirely free of prior owner markings; a lovely production. ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Scripps College Press unknown
ref. SONG0385093268Doubleday 0000-00-00. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Doubleday paperback
