HARPERS BAZAAR MAGAZINE. BOUTET DE MONVEL (Bernard).Livre Rare Book
106 823 résultats
1930réf. 125381930 1 Mine de plomb signée du monogramme de l'artiste en bas à droite, 1930, 32 x 45 cm, encadrée.
1944réf. 19029Los Angeles: Plantin Press 1944. FIRST EDITIONS. Each bound in the original publisher’s cloth-backed boards author and title in gilt on spine; uncut. Set number 22 of the 150 Subscriber’s editions printed and signed by the author on the colophon. Each volume is a superb copy like new. THE SIGNED AND LIMITED SUBSCRIBER’S EDITION 1. MANN Thomas. Thamar. Los Angeles: Pazifische Presse 1942. 2. WERFEL Franz. Die wahre Geschichte vom wiederhergestellten Kreuz. Los Angeles: Pazifische Presse 1942. 3. FRANK Bruno. Sechzehntausend Francs. Los Angeles: Pazifische Presse 1943. 4. FRANK Leonhard. Mathilde. Los Angeles: Pazifische Presse 1943. 5. NEUMANN Alfred. Giterwerk des Lebens. Los Angeles: Pazifische Presse 1943. 6. TORBERG Friedrich. Mein is die Rache. Los Angeles: Pazifische Presse 1943. 7. DÖBLIN Alfred. Nocturno. Los Angeles: Pazifische Presse 1944. Original editions of the first seven books published by the Pazifische Presse. The Pazifische Presse was the sole representative on the west coast of the United States of those publishers who left Germany and Austria following the rise to power of National Socialists in 1933. Many European refugees came to America and though most settled in New York a large number did go to Los Angeles which became an important center of German-speaking immigration. Artists authors and intellectuals such as Thomas Mann Theodore W. Adorno Bertolt Brecht Fritz Lang and Arnold Schoenberg were but a few who represented the community of Germans exiled from their native land and who produced major works to address the world crisis. The Pazifische Presse was founded by Ernst Gottlieb and Felix Guggenheim both of whom had emigrated to the west coast in around 1939. The publisher “afforded its participants an arena for presenting the best of Weimar culture not only for the emigree community but for their American friends and colleagues” Jaeger p. 9. They announced the initial publication of seven volumes by distinguished authors who themselves had immigrated to the United States. These included Thomas Mann the Nobel Laureate for literature in 1929 Franz Werfel Bruno Frank Leonhard Frank Alfred Neumann Fredrich Toberg Alfred Döblin and Lion Feuchtwanger. Many of these renowned writers continued to publish during their exile; some even went on to screen writing positions in Hollywood. Most of the authors were selected based upon a personal relationship between them and the publishers. Gottlieb and Guggenheim worked with Saul and Lillian Marks of the renowned Plantin Press of Los Angeles to print their material. Founded in 1931 and named after Christopher Plantin the famous sixteenth century printer from Antwerps the Marks built a strong reputation as printers of artistic and beautiful works. Each of the first seven volumes of a total of eleven books ultimately released were printed at the Plantin Press in a run of 250 copies; the first 150 copies were the “Subscriber editions” signed by the author and bound in half-leather. The remaining 100 copies were a more simply bound unsigned trade edition. 1. The novella Thamar is a partial pre-printing of the fifth section of Joseph der Ernährer Joseph the Provider later published in December 1943 in Stockholm. This excerpt depicts the story of the young woman Thamar and her education by Jacob. Thomas Mann 1875-1955 was probably Germany’s most influential author of the twentieth century receiving the Nobel Prize in Literature in 1929. He lived in Munich where he wrote some of his most successful novels like Buddenbrooks 1901 Death in Venice 1912 and The Magic Mountain 1924. He emigrated to Switzerland then to Princeton before settling in Southern California where he finished his great tetralogy Joseph and His Brothers in 1942. 2. First and only edition in German; an English version was published the following year. “The story is about the difficulties confronting the Christian and Jewish faiths in Austria after 1938 and about a rabbi who courageously reconstructs a Christian crucifix that had been desecrated by a Nazi swastika.” Franz Werfel 1890-1945 emigrated from Vienna in 1938 and moved to Los Angeles at the end of 1940 living in the Hollywood Hills where he completed his acclaimed novel Das Lied der Bernadette The song of Bernadette 1941 which was later made into a movie. 3. A reprint of the text which was first published in Amsterdam in 1940. The story of a young German who misappropriates the money of a fallen World War I French soldier and suffers the resulting guilt and his path leading to the rise of National Socialism. Bruno Frank 1887-1945 was a novelist lyricist and dramatist. He came to Los Angeles in 1938 where he worked as a scriptwriter in Hollywood. 4. A partial pre-printing the book includes two chapters of the novel by the same title published in 1948 in Amsterdam. The story of a young woman’s formative journey through reality and fantasy. Leonhard Frank 1882-1961 moved to Los Angeles to accept a contract at Warner Brothers later penning an autobiographical novel Links wo das Herz ist Heart on the left 1952. He returned to Germany in 1950. 5. Also a partial pre-printing of the first and third chapters of the novel Der Pakt published in 1949 in Amsterdam. The first part deals with the childhood of American idealist William Walker; the second part takes place in Southern California. The dramatist and historical novelist Alfred Neumann 1895-1952 wrote two works while living in Los Angeles as well as working for the film industry as a screenwriter. He moved to Italy in 1949. 6. First printing of this novella dealing with the sadistic cruelties in a concentration camp and with Jewish self-identity. Friedrich Torberg pseudonym of Friedrich Kantor-Berg 1908-1979 wrote the screenplay for Voice in the Wind Warner Brothers 1943. 7. A partial pre-printing from the novel trilogy November 1918 published in three volumes between 1948 and 1950 in Munich. This book deals with the political events in Germany during the November 1918 revolution. The physician Alfred Döblin 1878-1957 was best-known for his novel Berlin Alexanderplatz 1929. Jaeger New Weimar on the Pacific. The Pazifische Presse and German exile publishing in Los Angeles 1942-48 Los Angeles 2000. Plantin Press unknown
1901réf. 31051ABParis, Schwarz, S., 1901-1912. 4° (33,5 x 25 cm). Mit über 9600 meist farbigen, teils ganzseitigen oder doppelblattgrossen Lithographien von Steinlen, Vallotton, F. Kupka, K. van Dongen, Gris, Cheret, Redon, Jossot Willette und vielen anderen Künstlern. Inkl. die Almanche für die Jahre 1907, 1908 sowie 3 Sonderhefte "Les Masques de l'Assiette au Beurre" und alle Nummern "hors série". Orginal Jugendstil-Verlegereinbanddecken mit verschiedenen reliefartig blindgeprägten Pappintarsien von V. Preissig. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A 11 Bände, 3 Sonderhefte.
1972réf. ZB394896London: Journal of Contemporary Asia 1972. volumes 3-5; 14; 18; 21-22; 24-30. 1972-2000. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. London: Journal of Contemporary Asia unknown
1901réf. 31051AB11 Bände, 3 Sonderhefte. Paris, Schwarz, S. 1901-1912 4° (33,5 x 25 cm). Mit über 9600 meist farbigen, teils ganzseitigen oder doppelblattgrossen Lithographien von Steinlen, Vallotton, F. Kupka, K. van Dongen, Gris, Cheret, Redon, Jossot Willette und vielen anderen Künstlern. Inkl. die Almanche für die Jahre 1907, 1908 sowie 3 Sonderhefte "Les Masques de l'Assiette au Beurre" und alle Nummern "hors série". Orginal Jugendstil-Verlegereinbanddecken mit verschiedenen reliefartig blindgeprägten Pappintarsien von V. Preissig.
1935réf. 6911935 - reliure - Sanjian Shuwu 三閒書屋 - Yinyu ji 引玉集 (« Recueil pour attirer le jade ») 木刻五十九幅 - Deuxième tirage, avril 1935 - In-8 (19,5 × 15,5 cm) reliure cartonnée de l'éditeur, dos noir, pièce de titre contrecollée sur le premier plat - 68 pages - 59 reproductions de gravures sur bois soviétiques imprimées au procédé collotype (珂羅版) d'après les tirages originaux fournis par les artistes - Comprend un texte de Chen Jie (陳節), traduction abrégée d'un essai de A. D. Chegodaev consacré à la gravure soviétique contemporaine - Tirage limité à 215 exemplaires, dont 15 exemplaires hors commerce - Diffusion assurée par la librairie Uchiyama (內山書店), Shanghai - Ouvrage en chinois - Avec des œuvres de Dmitri Isidorovich Mitrokhin, A. Kravchenko, N. Piskarev, Vladimir Andreevich Favorsky, P. Pavlinov, A. Goncharov, M. Pikov, Sergei Mikhalovich Mocharov, L. Khizhinsky, Nikolai Vasilievich Alekseev et Sergei Mikhailovich Pozharsky - A PROPOS : Rare anthologie consacrée à la gravure soviétique moderne, publiée à Shanghai par 三閒書屋 et diffusée par la librairie Uchiyama (內山書店). L'ouvrage réunit cinquante-neuf reproductions en collotype de gravures sur bois réalisées par plusieurs figures majeures de l'école russe et soviétique de la gravure des années 1920-1930, parmi lesquelles Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko et Pavel Pavlinov. Accompagné d'une traduction abrégée par Chen Jie d'un essai de l'historien de l'art soviétique A. D. Chegodaev, ainsi que d'une préface, d'un catalogue des planches et d'une postface, le volume fut conçu comme une introduction à l'estampe contemporaine soviétique pour le public chinois. Témoignage remarquable des échanges artistiques sino-soviétiques dans le Shanghai républicain des années 1930, il s'inscrit dans le contexte du mouvement de la Nouvelle Gravure (新興木刻運動), alors en plein essor sous l'influence des milieux intellectuels de gauche et des réseaux culturels gravitant autour de la librairie Uchiyama et de la figure de Lu Xun. Les reproductions furent réunies à partir de documents et publications soviétiques découverts au début des années 1930, notamment par l'intermédiaire de la revue Graphika. /// ENGLISH: Sanjian Shuwu (三閒書屋) - Yinyu ji (引玉集, “Collection to Draw Forth Jade”): Fifty-Nine Woodcuts (木刻五十九幅) - Second printing, April 1935 - Octavo (19.5 × 15.5 cm), publisher's boards with black spine and mounted title label on upper cover - 68 pages - 59 collotype (珂羅版) reproductions of Soviet woodcuts printed from original impressions supplied by the artists - Includes a text by Chen Jie (陳節), an abridged translation of an essay by A. D. Chegodaev on contemporary Soviet printmaking - Limited edition of 215 copies, including 15 non-commercial presentation copies - Distributed by Uchiyama Bookstore (內山書店), Shanghai - Text in Chinese - Featuring works by Dmitri Isidorovich Mitrokhin, Alexei Kravchenko, Nikolai Piskarev, Vladimir Andreevich Favorsky, Pavel Pavlinov, Aleksandr Goncharov, Mikhail Pikov, Sergei Mikhailovich Mocharov, Leonid Khizhinsky, Nikolai Vasilievich Alekseev and Sergei Mikhailovich Pozharsky. ABOUT: Rare anthology devoted to modern Soviet wood engraving and printmaking, published in Shanghai by Sanjian Shuwu and distributed through Uchiyama Bookstore (內山書店). The volume gathers fifty-nine collotype reproductions of woodcuts by several leading figures of the Russian and Soviet printmaking revival of the 1920s and 1930s, including Vladimir Favorsky, Dmitri Mitrokhin, Alexei Kravchenko and Pavel Pavlinov. Accompanied by Chen Jie's abridged translation of an essay by Soviet art historian A. D. Chegodaev, as well as a preface, plate catalogue and postface, the work was conceived as an introduction to contemporary Soviet printmaking for Chinese readers. A remarkable testimony to Sino-Soviet artistic exchanges in Republican-era Shanghai, it belongs to the context of the New Woodcut Movement (新興木刻運動), then flourishing under the influence of left-wing intellectual circles and cultural networks associated with Uchiyama Bookstore and the figure of Lu Xun. The reproductions were assembled from Soviet books, periodicals and documentary sources discovered in the early 1930s, notably through the journal Graphika. /// 中文：三閒書屋出版 — 《引玉集：木刻五十九幅》 — 1935年4月再版 — 32開（19.5 × 15.5厘米）精裝本，黑色書脊，封面貼書名籤 — 68頁 — 收錄蘇聯木刻作品59幅，以珂羅版工藝依據藝術家提供之原拓本複製印製 — 附陳節摘譯 A. D. Chegodaev（契戈達耶夫）論蘇聯現代版畫藝術之文章 — 限印215部，其中15部為非賣贈送本 — 上海內山書店代售 — 中文版 — 收錄 Dmitri Isidorovich Mitrokhin、Alexei Kravchenko、Nikolai Piskarev、Vladimir Andreevich Favorsky、Pavel Pavlinov、Aleksandr Goncharov、Mikhail Pikov、Sergei Mikhailovich Mocharov、Leonid Khizhinsky、Nikolai Vasilievich Alekseev 及 Sergei Mikhailovich Pozharsky 等藝術家作品。關於本書：本書為三閒書屋於上海出版、由內山書店代售之珍稀蘇聯現代木刻版畫選集。全書收錄59幅以珂羅版精印之蘇聯木刻作品，作者均為1920至1930年代俄羅斯及蘇聯版畫復興運動的重要藝術家，其中包括弗拉基米爾·法沃爾斯基（Vladimir Favorsky）、德米特里·米特羅欣（Dmitri Mitrokhin）、阿列克謝·克拉夫琴科（Alexei Kravchenko）及帕維爾·帕夫利諾夫（Pavel Pavlinov）等人。書中除收錄陳節摘譯之蘇聯藝術史家 A. D. Chegodaev 論文外，尚附序言、圖版目錄及後記，旨在向中國讀者介紹蘇聯當代版畫藝術。本書不僅是研究俄蘇版畫的重要文獻，亦是1930年代上海中蘇藝術交流的珍貴見證。其出版背景與中國新興木刻運動（新興木刻運動）密切相關，反映了左翼知識界、內山書店文化網絡以及魯迅所倡導之版畫思想的深遠影響。書中圖版主要彙集自1930年代初傳入中國之蘇聯書籍、期刊及藝術資料，其中包括《Graphika》等重要出版物。
1928réf. 104584BBKöln, DuMont, 1928. 8°. 111 S. u. 18-seitiges Foto-Leporello mit zahlr. mont. Abb. (20,5 x 235 cm.). Hellroter OKart. mit Deckeltitel. [8 Warenabbildungen]
1978réf. 66661978 Editions Le Jardin de Flore, illustrations de Fernand Pouillon, 1978, 145 p."Le 10 em ouvrage édité par le Jardin de Flore , tirage limité à 150 exemplaires sur vergé Richard de Bas avec une suite de gravures réservées à l'auteur" . Exemplaire no 74. Parfait état dans un coffret sous un emboitage cuir . Avec sa suite de gravures.
1932réf. 21382Genève, Editions Paul Trembley, 1932. Un volume in-folio, de 190-[6] pages montées sur onglets, plein parchemin blanc, ornements orange et dorés, titre doré au premier plat.
1945réf. 168961945 Aquarelle en couleurs, encre de Chine, signée en bas à droite, 1945, 34 x 25 cm, encadrée.
1960réf. ZB394659International Journal of Neurology 1960-1990. volumes 1; 4; 19-24. 1960-1990. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. International Journal of Neurology unknown
1971réf. 61018Stuttgart, Belser-Presse, 1971. Gr.-Fol. Mit 3 Orig.-Farblithographien von Max Ernst sowie einer signierten Suite der Graphiken auf Japanpapier. 79 S., 1 Bl., Blauer OLdr.-Bd. m. blindgepr. Deckel- u. goldgepr. Rückentitel u. OLwd.-Mappe m. Deckelschild (Suite), zus. in OLwd.-Kassette m. goldgepr. Deckelschild.
1930réf. 252511930-1935 29 Aquarelles, gouaches collages et maquettes originales, 9 études à l'encre et à la mine de plomb et 48 éditions diverses, (1929-1935), in 8 et in 4.
1959réf. 223131959. Journal of the Aerospace Sciences 1959 documents foundational research in American aerospace engineering during the early Cold War space race. Published the year after the establishment of NASA and amid intensified U.S. efforts to match Soviet rocket achievements following the 1957 launch of Sputnik these issues contain contemporary technical studies on hypersonic aerodynamics missile stability spacecraft propulsion and planetary trajectory design. Articles by scientists and engineers working at leading research institutions and government laboratories record the theoretical groundwork that would shape the next decade of American spaceflight including early analytical work on Mars trajectories reentry materials and competing propulsion systems for interplanetary travel. Journal of the Aerospace Sciences. Volume 26 numbers 1 2 4 5 6 7 8 9 10 11 and 12. New York: Institute of the Aeronautical Sciences 1959. Eleven issues from the journal's 1959 volume lacking only the March issue. The periodical served as the principal research forum of the Institute of the Aeronautical Sciences the professional organization that later became the American Institute of Aeronautics and Astronautics. Together these figures represent a cohort of scientists who would define American spaceflight theory and practice in the decade to come.Archive consists of 11 printed volumes in original wrappers approx. 50-80 pages per issue totaling over 800 pages. This archive includes: Volume 26 No. 1 January 1959: Features research on turbulent skin-friction drag at supersonic speeds jet nozzle structures nonlinear flutter problems and B-47 gust response. Includes Frank E. Goddard Jr. T.C. Adamson Jr. S.P. Shen. Vol. 26 No. 2 February 1959: Contains work on spiked bodies at hypersonic speeds reentry missile stability and panel flutter. Contributors include Seymour M. Bogdonoff E.V. Laitone and Frederick L. Ryder. Vol. 26 No. 4 April 1959: Publishes the Twenty-Second Wright Brothers Lecture by Maurice Roy of ONERA France. Other articles include thermal stresses hypersonic shock tunnels and boundary-layer transition. Vol. 26 No. 5 May 1959: Focuses on heat transfer at hypersonic speeds lift-drag ratios at supersonic speeds low-thrust spacecraft flight mechanics and chemically reacting boundary layers. Authors include A.J. Hanawalt Clinton E. Brown and Daniel E. Rosner. Vol. 26 No. 6 June 1959: Includes Hans Bethe's paper on the ablation of glassy materials structural matrix analysis and free-molecule flow dynamics. Vol. 26 No. 7 July 1959: Features M.A. Biot on thermomechanical reciprocity airplane turbulence responses and reentry motion. Also includes research on fatigue stress and laminar dissociated airflows. Vol. 26 No. 8 August 1959: Discusses transonic wing/body aerodynamics supersonic plate divergence mercury plasma tunnels and propellant burning models. Includes Hans U. Eckert. Vol. 26 No. 9 September 1959: Opens with Richard H. Battin's landmark article on planetary reconnaissance trajectories from MIT along with contributions on missile drag optimization rocket flight variational problems and real-gas flows. Vol. 26 No. 10 October 1959: Features George Paul Sutton's comprehensive comparison of interplanetary propulsion systems addressing ion rockets nuclear heating and solar sails. Also includes optimal aircraft climb paths and spherical cap snapping. Vol. 26 No. 11 November 1959: Includes studies on flutter energy equations jet-flap compressors porous-wall cooling and actuator disc dynamics in turbomachinery. Vol. 26 No. 12 December 1959: Closes the year with work on thermal buckling subsonic turbulence reattachment zoom climb optimization and hypersonic similitude. Contributors include Carl Gazley Jr. Wallace D. Hayes and George Gerard. In 1959 the Journal of the Aerospace Sciences served as the official scientific platform for cutting-edge American aerospace research marking the transition from aeronautical to astronautical engineering. That year saw sustained focus on hypersonics ballistic missile trajectories spacecraft propulsion and heat transfer under extreme atmospheric conditions as the U.S. sought to stabilize its strategic position after the 1957 Sputnik crisis and ahead of the 1960 Mercury program. Research in these volumes was underwritten by military contracts NASA collaboration established in 1958 and Cold War exigencies. Light foxing to several wrappers particularly July issue; some edge wear and surface abrasions. Two issues show sticker residue at spine or lower edge. Interiors uniformly clean bindings firm and covers largely bright and intact. Overall very good condition. The studies record the technical environment that produced early American satellite programs and later lunar navigation systems linking university laboratories defense contractors and federal research agencies. unknown
1923réf. ST20562Munich: Bremer Press 1923. No. LVIII of 615 COPIES. 351 x 356 mm. 13 3/4 x 8 7/8". 243 leaves.Edited by Dr. Eduard Schwartz. ELEGANT CONTEMPORARY RED CRUSHED MOROCCO blind meander roll at head and foot of covers and spine raised bands gilt Greek lettering leather hinges top edge gilt other edges untrimmed. In a linen clamshell box lined with silk and backed with matching red morocco. Grolier Club "A Century for the Century" 12; Ransom p. 256; Cave pp. 143-45; Franklin pp. 162-63. In immaculate condition. Virtually unchanged from the day it left the Bremer premises this is a pristine copy of one of the finest works produced by an important Continental private press. The Bremer Presse was founded in 1911 by Willy Wiegand 1884-1961 and others and was active until just before World War II. Cave flatly declares that Bremer had an influence that "was probably greater and longer lasting than that of any of the other fine presses." It certainly is universally considered the most successful and influential of the German private presses and Ransom says that "perhaps no other organization private or public has attempted closer coordination and interrelation of scholarship type design and book design." The considerable success enjoyed by Bremer resided in typography both refined and innovative with the highest quality of materials and with meticulous presswork. As was often the case with Bremer publications the exceptionally attractive Greek type used here was designed especially for this production by Wiegand. This "Iliad" was followed the next year by a companion volume of the "Odyssey" and these two volumes which often appear on the market separately are widely considered among the great 20th century private press productions. The Grolier Club included them in "A Century for the Century" their millennium exhibition of 100 "superlative" 20th century books; the exhibition catalog describes the Bremer Presse Homer as "among the most beautiful" of the press' works. Franklin writes that the "Iliad" and "Odyssey" "are magnificent examples of controlled printing." The oversized text block on thick paper here is heavy enough that it needs more substantial support than is given by the publisher's paper-covered boards and our refined and too-good-to-be-unsigned red morocco binding--made with top quality materials and worked with superb skill--furnishes that all the while providing a decidedly premium appearance. Bremer Press unknown
1964réf. LL 638"Cuadernos del Ciclo de arte de hoy: Bosch Llucia Mensa Pellsjo Amelia Riera Valbuena. " Folio; 7 vols. ALL PUBLISHED. Unbound as issued. With texts by Vicente Aguilera Cerni and Carlos Vivo among others; with original work in each issue; folders with loose sheets; Continuous pagination. COMPLETE RUN OF THIS PRACTICALLY UNKNOWN CATALAN MODERN ART PERIODICAL. ALL ISSUES CONTAIN ORIGINAL ART BY DIFFERENT ARTISTS MAKING EACH ISSUE A UNIQUE COPY: Contents: 1. works by ALL participating artists; 2. with 1 work by Bosch; 3. with 1 work by Llucia; 4. with 1 work by Mensa; 5. with 1 work by Owe Pellsjo; 6. with 1 work by Amelia Riera; 7. with 1 work by Valbuena. Collaborating artists: Bosch i Cruanas Lluis 1929; Llucia Joaquim 1929-1973; Mensa Carlos 1936-1982; Pellsjo Owe 1937; Riera Amelia 1928-2019; Valbuena Francisco; Bosch i Cruañas LluiÌs 1929; Llucià Joaquim 1929-1973; Mensa Carlos 1936-1982; Pellsjö Owe 1937; Riera Amèlia 1928-2019. Issue # 1 contains original illustrations by all six of the founding artist collective members: Lluís Bosch i Cruañas Joaquim Lluciá Carlos Mensa Owe Pellsjö Amèlia Riera and Francisco Valbuena. Accompanying the illustrations are statements about art and form which the collective has associated with six Modernist masters Pablo Picasso Emil Nolde Paul Klee Vasily Kandinsky Piet Mondrian and Wilhelm Lehmbruck. Also in this issue are statements and poems by other Catalan artists. EXTREMELY RARE AS WE FIND ONLY ISSUE # 1 ONLY AT MoMA AND NO OTHER COPIES IN LIBRARIES IN THE US. # WolrdCat US Libraries: No copies Graficas El Tinell
1914réf. 179275Bremen Germany: Bremer Presse 1914. Complete Latin text followed by German translation by Rudolf Borchardt. Pp. xxxviiix34last colophon 2 decorative initials; narrow demy 4to; full dark green morocco spine lettered and ruled in gilt panels between raised bands the boards with single gilt rule border and edges dentelles ruled in gilt; a.e.g.; Bremer Bindery stamp and initial stamp of the binder Frieda Thiersch at foot of lower pastedown upper hinge tender dentelles offset onto the free endpapers part of the title page slightly browned near bottom edge occasional light foxing and faint soiling; Bremer Presse Bremen 1914. Edition limited to 250 numbered copies. Ransom Selective Check Lists Bremer 2 page 254. With the gilt lettered & decorated leather book label of Herman Wm. Kapp on the upper pastedown below his pencilled acquisition note: 'Purchased in Berlin while on Grolier Club trip'. The label lightly offset onto upper free endpaper. Later from the library of David Levine Sydney whose book label is also on the upper pastedown. The second book from the Bremer Press. The title initials and printer's device at colophon were designed by Anna Simons. Bremer Presse unknown
1912réf. 58474[London, Cambridge University Press, 1912]. Gr.-8°. S. (425-)460, Späterer OKart.-Bd.
1902réf. 116300Paris, Félix Juven 1902 15 volumes, 339 numéros. In-4 31,5 x 23,5. Reliures demi-basane rouge, dos à nerfs encadrés de petits fers dorés, 12 pp. par numéro.
1974réf. ZB394232Historical Journal of Massachusetts 1974-2002. volumes 3-30 1974-2002 an uninterrupted run of complete volumes all in original paper wrappers library markings else textually clean & tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Historical Journal of Massachusetts unknown
1969réf. c2305150105xbvkBerlin, überwiegend 1961-1969, minimal auch 2. Hälfte 50er bzw. Anfang 70er Jahre. Insgesamt etwas über 1.500 Original-Fotografien, meist 2 oder 3 meist (seltener 1 oder 4) einseitig auf schwarzen Kartons (meist lose in transparente Fotoecken gesteckt), ausserdem wenige Fotos von Hilfsmittel-Konstruktionszeichnungen und einige Typoskriptblätter zu deren Detailbeschreibung. - Die insgesamt ca. 500 gelochten Trägerkartons befinden sich in 8 grossen Leitz-Ordnern mit handschriftlichen Rückentiteln wie 'Fotos - Dysmelien - u.a.', 'Fotos - Hilfsmittel - Dysmelien' oder 'Fotos - Dysmeliehaus - Jan. 1969'; die Ordner überwiegend alphabetisch nach den Namen der abgebildeten Kinder sortiert.
1959réf. 87544[Cannes] [25 octobre 1959] | 17 x 32 cm | un feuillet remplié
1929réf. 4393Pas de couverture 1ère Édition Mermod 1929 Lausanne 23x15,5 cm (plié)
1995réf. ZB394893Provo: Consumer Satisfaction Dissatisfaction and Complaining Behav 1995. volumes 8-9. 1995-1996. partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Provo: Consumer Satisfaction, Dissatisfaction, and Complaining Behav unknown
1959réf. ZB2113131959-1978. volumes 2-8 & 10-20 complete volumes partly bound ex library else texts clean & bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. unknown
