20.742 resultados
1977ref. 87939Paris: École des Hautes Études en Sciences Sociales 1977. First Edition. Softcover. Quarto 29.5cm; beige paper wrappers; printed on recto only; vi4153pp. Recherche Coopérative sur Programme No. 294. Text in French. Modest shelf-wear with soil and inked scribbles to wrappers edges of textblock and text; Good. Sociologist and later worker for the United Nations and chairholder of the European Commission shares his doctoral thesis third cycle on Agrarian Society which focuses on class struggles location and religion. Touraine was a pioneer in sociology and founder of the Centre D'etude des Mouvements Sociaux. 87939. École des Hautes Études en Sciences Sociales unknown books
1981ref. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown
1974ref. 148219Los Angeles: Twentieth Century-Fox 1974. Eight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made imposing a wild psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s on the heels of "Sisters" 1973. Singer Paul Williams is unforgettably ambitiously nasty as Swan the head of an evil conglomerate that ruins the life of young Winslow William Finley with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars the largest sum ever paid by the company for an independent film but failed to properly market it and the film did not reach a large audience. "Phantom" did please the critics however notably Pauline Kael who called the film "a new Guignol in a modern idiom out of the Guignol of the past." Shot on location in Beverly Hills California and Dallas Texas. 14 x 11 inches. Near Fine. Twentieth Century-Fox unknown
1981ref. 142109US: Filmways 1981. Vintage borderless color photograph from the 1981 film. Director Brian De Palma and Nancy Allen confer on the set with the stage setup for the film's wild parade sequence ending clearly in the background. Conceptual remake of Michelangelo Antonioni's 1966 film "Blow Up" with an audio recording replacing a photograph early 80s Philadelphia replacing Swinging London and a tight political thriller plot replacing the looser and less immediate one in the original. Shot on location in Philadelphia. 7 x 9.5 inches. Fine. Criterion Collection 562. Grant US. Spicer US Neo-Noir. Filmways unknown books
1974ref. 148219Los Angeles: Twentieth Century-Fox 1974. Eight vintage color lobby cards from the 1974 film. One of the greatest and most garish rock musicals ever made imposing a wild psychedelic pop veneer on the "Phantom of the Opera" and Faust stories and updating them to the present-day of 1970s mega-record-label-dominated culture. Written and directed by De Palma at the beginning of his "classic" period of the 1970s and 1980s on the heels of "Sisters" 1973. Singer Paul Williams is unforgettably ambitiously nasty as Swan the head of an evil conglomerate that ruins the life of young Winslow William Finley with a teeth-clenching opening narration by Rod Serling. Twentieth Century-Fox bought the film for two million dollars the largest sum ever paid by the company for an independent film but failed to properly market it and the film did not reach a large audience. "Phantom" did please the critics however notably Pauline Kael who called the film "a new Guignol in a modern idiom out of the Guignol of the past." Shot on location in Beverly Hills California and Dallas Texas. 14 x 11 inches. Near Fine. Twentieth Century-Fox unknown books
1964ref. 173037Burbank CA: Walt Disney Productions 1964. Three vintage double weight British front-of-house cards from the 1964 Disney film. Based on the 1960 novel by Ian Niall. A little girl wants to save an escaped circus tiger after it escapes in a residential town and the National Guard has orders to kill it on sight. 8 x 10 inches. Very Good plus with pinholes and slight creasing at the corners. One card with creasing at the left margin. Walt Disney Productions unknown
1964ref. 173037Burbank CA: Walt Disney Productions 1964. Three vintage double weight British front-of-house cards from the 1964 Disney film. Based on the 1960 novel by Ian Niall. A little girl wants to save an escaped circus tiger after it escapes in a residential town and the National Guard has orders to kill it on sight. 8 x 10 inches. Very Good plus with pinholes and slight creasing at the corners. One card with creasing at the left margin. Walt Disney Productions unknown books
2012ref. 314286NP BERKELEY: DISNEY ENTERPRISES. Fine with no dust jacket. 2012. First Edition. Softcover. Wonderful flip-book viewed backwards and forewords presenting a charming animated sequence. Fine in small oblong pictorial printed wrapppers. 3" X 7" Not produced for retail distribution and uncommon. . DISNEY ENTERPRISES. paperback
1939ref. 137986Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage photograph from the 1939 film musical based on the 1937 Rogers and Hart Broadway musical play of the same name. With a printed snipe on the verso along with the stamp of Culver Pictures photo bureau a date stamp of "Dec 1939" and manuscript annotations regarding layout. Rooney and Garland sing "God's Country" from the finale of the musical in a scene spoofing Franklin and Eleanor Roosevelt and the FDR's fireside chats. This scene was cut from the film after Roosevelt's death and believed lost until it was rediscovered and restored in 1990s. Rooney received a Best Actor nomination for his role in the film. 10 x 8 inches. Very Good. Pinholes to the corners with pinholes at the corners and light wear to the margins. Hirschhorn p. 167. Metro-Goldwyn-Mayer [MGM] unknown
1939ref. 137986Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1939. Vintage photograph from the 1939 film musical based on the 1937 Rogers and Hart Broadway musical play of the same name. With a printed snipe on the verso along with the stamp of Culver Pictures photo bureau a date stamp of "Dec 1939" and manuscript annotations regarding layout. Rooney and Garland sing "God's Country" from the finale of the musical in a scene spoofing Franklin and Eleanor Roosevelt and the FDR's fireside chats. This scene was cut from the film after Roosevelt's death and believed lost until it was rediscovered and restored in 1990s. Rooney received a Best Actor nomination for his role in the film. 10 x 8 inches. Very Good. Pinholes to the corners with pinholes at the corners and light wear to the margins. Hirschhorn p. 167. Metro-Goldwyn-Mayer [MGM] unknown books
1944ref. 165423Universal City: Universal Pictures 1944. Vintage publicity photograph of Buster Keaton from the 1944 film with a mimeo snipe affixed to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Louise Allbritton stars as the harried daughter of Jon Hall an eccentric widowed high school teacher who is trying to sell his new invention a self-inflating life raft. Featuring Buster Keaton in a cameo as a bus driver in which he breaks out in laughter one of the very few times the "Great Stoneface" smiled on camera. Shot on location in San Diego. 8 x 10 inches. With light even toning else Near Fine. Universal Pictures unknown
1944ref. 165423Universal City: Universal Pictures 1944. Vintage publicity photograph of Buster Keaton from the 1944 film with a mimeo snipe affixed to the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Louise Allbritton stars as the harried daughter of Jon Hall an eccentric widowed high school teacher who is trying to sell his new invention a self-inflating life raft. Featuring Buster Keaton in a cameo as a bus driver in which he breaks out in laughter one of the very few times the "Great Stoneface" smiled on camera. Shot on location in San Diego. 8 x 10 inches. With light even toning else Near Fine. Universal Pictures unknown books
2000ref. 77-1787Butterfields 2000. 2000. 271p. Auction catalogue. 840 items. Color photos. Predominantly pre-WW II. Large wraps. SIGNED and inscrbed by Flayderman to Glen Sweeting curator at the Air & Space museum who wrote the introduction to this catalogue. Prices realized lad-in. Oversize. Near Fine Copy. Signed VIP. Paperback. Near Fine. Butterfields, 2000. Paperback
1970ref. 162282N.p.: Distribpix 1970. Three vintage studio still photographs from the 1970 film. Provenance stamps on the versos. Obscure sexploitation comedy from 1970. 8 x 10 inches. Near Fine. Distribpix unknown
1970ref. 162282N.p.: Distribpix 1970. Three vintage studio still photographs from the 1970 film. Provenance stamps on the versos. Obscure sexploitation comedy from 1970. 8 x 10 inches. Near Fine. Distribpix unknown books
1971ref. 162265N.p.: N.p. 1971. Two vintage borderless reference photographs from the 1971 film. One with a Québec censorship stamp on the verso and stamps noting the same on the recto. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A British sexploitation film about the sexual goings-on at a medical clinic. 8 x 10 inches. Near Fine. N.p. unknown
1971ref. 162265N.p.: N.p. 1971. Two vintage borderless reference photographs from the 1971 film. One with a Québec censorship stamp on the verso and stamps noting the same on the recto. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A British sexploitation film about the sexual goings-on at a medical clinic. 8 x 10 inches. Near Fine. N.p. unknown books
1979ref. 158775Culver City CA: Columbia Pictures / Melvin Simon Productions 1979. Seven vintage reference photographs from the 1979 film. A film that left an indelible imprint on the horror genre with one of the most terrifying opening acts of cinema history. The film derives its plot from the 1974 classic "Black Christmas" and was the basis for a made-for-television sequel as well as Wes Craven's 1996 film "Scream." Shot on location in Los Angeles and Sacramento California. Two photographs 8 x 10 inches five photographs 10 x 8 inches. Fine. Weldon 1983. Columbia Pictures / Melvin Simon Productions unknown
1979ref. 158775Culver City CA: Columbia Pictures / Melvin Simon Productions 1979. Seven vintage reference photographs from the 1979 film. A film that left an indelible imprint on the horror genre with one of the most terrifying opening acts of cinema history. The film derives its plot from the 1974 classic "Black Christmas" and was the basis for a made-for-television sequel as well as Wes Craven's 1996 film "Scream." Shot on location in Los Angeles and Sacramento California. Two photographs 8 x 10 inches five photographs 10 x 8 inches. Fine. Weldon 1983. Columbia Pictures / Melvin Simon Productions unknown books
ref. 97078Very good. - An 18-word close typed on 3-1/4 inch high by 8-1/2 inch wide watermarked paper clipped from a larger document. "This consent is given for your benefit as well as for the benefit of your successors or assigns." Signed "Earl Carroll" in black ink at bottom right. There is vertical fold at left else near fine. The American theatrical producer & director Earl Carroll 1893-1948 was also a songwriter and composer. He produced numerous Broadway musicals including his "Earl Carroll's Vanities" "Earl Carroll's Sketchbook" and "Murder at the Vanities". Famous for featuring lightly clad showgirls in his productions Carroll was known as "the troubadour of the nude". He built the Earl Carroll Theatre in New York and later another on Sunset Boulevard in Hollywood. Carroll was prosecuted and served time for perjury following a 1926 scandal. Carroll had thrown a lavish private party in honor of Harry Kendall Thaw at which a young nude woman was featured bathing in a tub full of illegal liquor. The editor of the New York Mirror Philip Payne was a guest and published a report of the event which drew the attention of Federal authorities. Prohibition being in force authorities investigated and though Carroll denied it happened other guests confirmed the story. Accused of perjury Carroll served six months at the Atlanta Penitentiary. Carroll wrote the scores for the Broadway shows "So Long Letty" "Canary Cottage" and "The Love Mill" even writing the libretto for the latter. unknown
1963ref. 162115N.p.: N.p. 1963. Vintage US borderless reference photograph from the 1963 Italian film a striking shot of Catherine Spaak and Horst Buchholz. Universal Photo stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on Alberto Moravia's 1960 novel "La noia." A talentless painter from a wealthy family drowns his disappointment in his lack of artistry in a passionate relationship with a free-spirited model. Shot on location in Rome. 7.25 x 9.5 inches. About Near Fine. N.p. unknown
1963ref. 162115N.p.: N.p. 1963. Vintage US borderless reference photograph from the 1963 Italian film a striking shot of Catherine Spaak and Horst Buchholz. Universal Photo stamp on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on Alberto Moravia's 1960 novel "La noia." A talentless painter from a wealthy family drowns his disappointment in his lack of artistry in a passionate relationship with a free-spirited model. Shot on location in Rome. 7.25 x 9.5 inches. About Near Fine. N.p. unknown books
1939ref. 150873Hollywood: Paramount Pictures 1939. Post-production Release Dialogue script for the 1939 documentary film. Documentary following the history of the United States from before the American Revolution up to 1939. Exhibited at the New York World's Fair a compilation of newsreel clips stock shots and feature film segments. Tall white titled wrappers dated JUNE 20 1939 noting 14 reels. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus with front wrapper detached from the binding and faintly dampstained to the top left corner bound with three staples. Paramount Pictures unknown
1939ref. 150873Hollywood: Paramount Pictures 1939. Post-production Release Dialogue script for the 1939 documentary film. Documentary following the history of the United States from before the American Revolution up to 1939. Exhibited at the New York World's Fair a compilation of newsreel clips stock shots and feature film segments. Tall white titled wrappers dated JUNE 20 1939 noting 14 reels. Title page integral with the front wrapper as issued. Mimeograph duplication rectos only. Pages Very Good plus with front wrapper detached from the binding and faintly dampstained to the top left corner bound with three staples. Paramount Pictures unknown books
1957ref. 267137Attica Film Company 1957. First Edition. Trade Paperback. One sheet folded into thirds 13.2 x 6.4 inches when folded creating 6 pages. With an additional order sheet folded to create 4 pages 12 x 6 inches when folded with examples of posters and other advertising materials. Satirical British comedy with Chaplin in his last leading role which co-stars among others his son Michael. The film presents a satirical view of the McCarthy communist-hunt era and certain other aspects of United States politics and society. The film which was produced in Europe after Chaplin's exile from the U.S. in 1952 did not open in the United States until 1972. First edition first printing. Very good copy. Closed tear along top cover fold. Attica Film Company paperback
