20.916 resultados
1936ref. 164527Culver City CA: Columbia Pictures 1936. Vintage publicity photograph of Fay Wray and Chester Morris from the 1936 film with a stamp crediting photographer Ray Jones and a mimeo snipe on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Chester Morris is a taxi driver who picks up Fay Wray a fashion store model falsely accused of stealing jewelry and sets out to prove her innocence. Set in New York City. 10 x 8 inches. Near Fine. Columbia Pictures unknown books
1948ref. 137965Burbank CA: Warner Brothers 1948. Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Warner Brothers unknown
1942ref. 165445Universal City: Universal Pictures 1942. Vintage portrait photograph of Norman Lloyd from the classic 1942 Hitchcock film with a provenance stamp on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers and the director's only collaboration with author Dorothy Parker who contributed to the screenplay. The film included much more location footage than most of the director's pictures including Boulder Dam locations in New York City including Radio City Music Hall and Rockefeller Center and of course Liberty Island for the famed closing scene on the Statue of Liberty. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Universal Pictures unknown
1955ref. 150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. Set and shot in Craftsbury Vermont. 10 x 8 inches. Near Fine. Rosenbaum 1000. Paramount Pictures unknown
1956ref. 143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. 7.25 x 9.25. About Near Fine. Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown
1948ref. 137965Burbank CA: Warner Brothers 1948. Vintage reference photograph of a boardwalk poster advertising the 1948 Alfred Hitchcock film. 10 x 8 inches. Near Fine. Grant US. Selby US. Spicer US. Warner Brothers unknown books
1955ref. 150634Los Angeles: Paramount Pictures 1955. Complete set of ten vintage color studio still photographs from the 1955 film. Stamped production No. 63-71 on the versos and bottom right corner of the rectos. Based on Jack Trevor Story's 1950 novel. The dead body of a local man is discovered in the woods near a small New England town leading the townspeople to speculate on what should be done with the corpse and more importantly the identity of the culprit. One of director Alfred Hitchcock's few true comedies. Set and shot in Craftsbury Vermont. 10 x 8 inches. Near Fine. Rosenbaum 1000. Paramount Pictures unknown books
1956ref. 143359Burbank CA: Warner Brothers 1956. Vintage borderless photograph of a contemplative Alfred Hitchcock on the set of the 1956 film. With the stamp of Warner Brothers Netherlands on the verso. Based on the real life story of Manny Balestrero accused of a series of robberies he didn't commit as detailed in the nonfiction book "The True Story of Christopher Emmanuel Balestrero" by Maxwell Anderson who co-wrote the screenplay and the "Life" magazine article "A Case of Identity" by Herbert Brean. Hitchcock's final film for Warner Brothers and an influence on both Jean-Luc Godard and Martin Scorsese. 7.25 x 9.25. About Near Fine. Grant US. Rosenbaum 1000. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US. Warner Brothers unknown books
1942ref. 165445Universal City: Universal Pictures 1942. Vintage portrait photograph of Norman Lloyd from the classic 1942 Hitchcock film with a provenance stamp on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers and the director's only collaboration with author Dorothy Parker who contributed to the screenplay. The film included much more location footage than most of the director's pictures including Boulder Dam locations in New York City including Radio City Music Hall and Rockefeller Center and of course Liberty Island for the famed closing scene on the Statue of Liberty. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US. Universal Pictures unknown books
1970ref. 160915Hollywood: Paramount Pictures 1970. Vintage borderless reference photograph from the 1970 film showing actor Ryan O'Neal. Printed mimeo snipe and Paramount stamp on the verso. Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. Nominated for seven Academy Awards winning one. Shot on location in New York and Massachusetts. 8 x 10 inches. Near Fine. Paramount Pictures unknown
1970ref. 160915Hollywood: Paramount Pictures 1970. Vintage borderless reference photograph from the 1970 film showing actor Ryan O'Neal. Printed mimeo snipe and Paramount stamp on the verso. Based on the 1970 novel by screenwriter Erich Segal. An enormously successful romantic drama about the tumultuous relationship between a working-class musician and a wealthy law student. Nominated for seven Academy Awards winning one. Shot on location in New York and Massachusetts. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1979ref. 147373N.p.: N.p. 1979. Final Draft script for the 1980 film. With a single manuscript pencil annotation to the title page noting a telephone number. Based on Alistair MacLean's novel which was written deliberately for adaptation to film wherein a criminal mastermind plots to blow up the Eiffel Tower and murder the US President's mother unless his ransom demands are met. Set and shot on location in Paris. Blue non-standard titled wrappers with credits for novelist Alistair MacLean on the front wrapper. Title page present dated August 27 1979 noted as Final Draft with credits for novelist Alistair MacLean and screenwriter Robert Carrington. 99 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good. with a few small splashes and rust marks on the front wrapper bound with three gold brads. N.p. unknown
1979ref. 147373N.p.: N.p. 1979. Final Draft script for the 1980 film. With a single manuscript pencil annotation to the title page noting a telephone number. Based on Alistair MacLean's novel which was written deliberately for adaptation to film wherein a criminal mastermind plots to blow up the Eiffel Tower and murder the US President's mother unless his ransom demands are met. Set and shot on location in Paris. Blue non-standard titled wrappers with credits for novelist Alistair MacLean on the front wrapper. Title page present dated August 27 1979 noted as Final Draft with credits for novelist Alistair MacLean and screenwriter Robert Carrington. 99 leaves with last page of text numbered 97. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good. with a few small splashes and rust marks on the front wrapper bound with three gold brads. N.p. unknown books
1937ref. 148855Los Angeles: Twentieth Century-Fox 1937. Vintage studio still photograph from the 1937 film showing actors Douglas Fowley Sally Blane Claire Trevor Joan Carroll Fredi Washington and Bill Robinson. A nosy journalist investigates a Black woman who claims to be the biological mother of a seemingly white girl. Director Allan Dwan's seventh and final film starring Claire Trevor. 10 x 8 inches. Very Good plus. Twentieth Century-Fox unknown
1937ref. 148855Los Angeles: Twentieth Century-Fox 1937. Vintage studio still photograph from the 1937 film showing actors Douglas Fowley Sally Blane Claire Trevor Joan Carroll Fredi Washington and Bill Robinson. A nosy journalist investigates a Black woman who claims to be the biological mother of a seemingly white girl. Director Allan Dwan's seventh and final film starring Claire Trevor. 10 x 8 inches. Very Good plus. Twentieth Century-Fox unknown books
ref. 16-3014Hollywood: Vestron Video 19850. An Original Vintage Folded Video Rental Store One-Sheet Movie Poster 38 x 27 inches. Marginal tearThe Purple Rose of Cairo the 1985 Woody Allen romantic Hollywood fantasy comedy about a character from a 1930s movie walking off of the screen and into reality and the romantic implications of him having a girlfriend even though he isn't real starring Mia Farrow Jeff Daniels Danny Aiello Irving Metzman Stephanie Farrow and David Kieserman Hollywood: Vestron Video, 19850 unknown
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
1997ref. 161775N.p.: N.p. 1997. Final Draft script for Season 1 Episode 12 of the long-running 1997-2007 television series seen here under the working title "Funeral for a Friend." Originally aired on October 17 1997 on Showtime. Loosely based on the 1994 science fiction film about the discovery of an ancient alien device that holds unusual powers of space travel and communication. In this episode the Stargate team race to save Dr. Jackson after he is captured by the last survivor of an aquatic species. Self wrappers. Title page present dated July 21 1997 noted as FINAL DRAFT and production No. 3965 with credit for screenwriter Katharyn Powers. 49 leaves with last page of text numbered 47. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown
1958ref. 159205Culver City CA: Columbia Pictures 1958. Two vintage studio still photographs from the 1958 film. With mimeo snipes affixed to the verso. A British man is placed in the German Army as a spy at the end of World War I. He is able to infiltrate high ranking Nazi command during the World War II eventually working his way to the top. Scripted by writers on the Hollywood blacklist. Set in Germany shot on location in Berlin Germany and London and Hertfordshire England. 8 x 10 inches. Very Good plus. Spicer UK. Columbia Pictures unknown books
1964ref. 141468Paris: Les Editions du Presse du Miroir 1964. Four issues and one supplemental issue of "le miroir de l'information" roughly "Mirror of Information" a Parisian periodical published for press relations including coverage on the press itself radio film television and other various media. Little is documented on "le miroir" with only a few held in institutions and libraries. The magazine seemingly focused on collecting various bulletins regarding contemporary press topics like relations between the press and its journalists presumably distributed to regional theaters television and radio studios film companies like Cinedis and others. Often featured were full-page ads for other press-related publications books films photography studios women's magazines even Reader's Digest. Included are issues for April 20 1962 No. 227 Jean Cocteau on front wrapper to commemorate the opening of La Belle Jardiniere department stores May 4 1962 No. 229 Rapho front wrapper photo with a supplemental issue for this number July 2 1964 No. 338 Monte Carlo feature French publicity organization pamphlet laid in and July 9 1964 Nylfrance front wrapper photo international film festival pamphlet laid in. All issues saddle-stapled in monochrome photo-illustrated wrappers high-quality stock varying between 38 and 58 pages 8.5 x 11.5 inches. Near Fine overall. Scarce. Les Editions du Presse du Miroir unknown
1964ref. 141468Paris: Les Editions du Presse du Miroir 1964. Four issues and one supplemental issue of "le miroir de l'information" roughly "Mirror of Information" a Parisian periodical published for press relations including coverage on the press itself radio film television and other various media. Little is documented on "le miroir" with only a few held in institutions and libraries. The magazine seemingly focused on collecting various bulletins regarding contemporary press topics like relations between the press and its journalists presumably distributed to regional theaters television and radio studios film companies like Cinedis and others. Often featured were full-page ads for other press-related publications books films photography studios women's magazines even Reader's Digest. Included are issues for April 20 1962 No. 227 Jean Cocteau on front wrapper to commemorate the opening of La Belle Jardiniere department stores May 4 1962 No. 229 Rapho front wrapper photo with a supplemental issue for this number July 2 1964 No. 338 Monte Carlo feature French publicity organization pamphlet laid in and July 9 1964 Nylfrance front wrapper photo international film festival pamphlet laid in. All issues saddle-stapled in monochrome photo-illustrated wrappers high-quality stock varying between 38 and 58 pages 8.5 x 11.5 inches. Near Fine overall. Scarce. Les Editions du Presse du Miroir unknown books
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown
1981ref. 144334Paris: Studio Canal 1981. Vintage borderless photograph of Catherine Deneuve Patrick Dewaere and Etienne Chicot on the set of the 1981 film. With manuscript annotations regarding layout and photographer Tony Frank's name typed on the verso. Helene Catherine Deneuve an anesthetist depressed and mourning her recently drowned lover almost crashes her car into Gilles Patrick Dewaere a young working class man who lives at his mother's hotel. The two fall into a difficult relationship that brings up their painful past histories. Shot on location in France. 10.5 x 8 inches. Near Fine. Studio Canal unknown books
1983ref. 144573Paris: Gaumont 1983. Two vintage borderless photographs of director Andrzej Wajda on the set of the 1983 Polish-French film. With manuscript annotations on the verso. Based on the 1929 play "The Danton Case" by Polish writer Stanislawa Przybyszewska. Set in 1793 Georges Danton has returned to Paris from his solitary residence in the countryside just as the Committee for Public Safety under the direction of Maximilien Robespierre his former ally begins a massive series of executions. Danton meets his fate before a revolutionary tribunal and is eventually sent to the guillotine. The film drew connections between the Reign of Terror during the French Revolution and the contemporary Polish "solidarity" movement against the Soviet-backed Polish government. Shot on location in France. 7 x 5 inches. Near Fine. Criterion Collection 464. Gaumont unknown
