20.755 resultados
1967ref. 161527N.p.: Chellee Films 1967. Two vintage studio still photographs from the 1967 film each with a provenance stamp on the versos. An early film by prolific sexploitation pioneer Joseph W. Sarno now presumed lost. A married woman kills her lover in a private room at a racketeer's nightcub and must dispose of the body without other patrons and employees knowing. 8 x 10 inches. Very Good plus with light creasing and edgewear. Chellee Films unknown
1967ref. 161991N.p.: Amalfi Productions 1967. Two vintage studio still photographs from the 1967 film. Both photographs with provenance stamps on the versos. Shot in the heat of Joseph Sarno's busiest year one of eight films he directed in 1967 alone. Marcia hitch-hikes from the country to the city to see her sister only to find her murdered. She then takes her sister's old job at a seedy roadhouse in order to find the murderer. 8 x 10 inches. Very Good plus with light creasing overall and one photograph with a chip to the bottom right corner. Nilsen Warped and Faded. Amalfi Productions unknown
1968ref. 162045N.p.: Rasnel Films 1968. Three vintage studio still photographs from the 1968 film. Two photographs with provenance stamps on the versos. Bored housewife Allison hooks up with her neighbor Janet and new friend Winnie. Together they rent a houseboat and explore hidden desires. 8 x 10 inches. Near Fine. Rasnel Films unknown
1968ref. 162565N.p.: Provocative Films 1968. Vintage studio still photograph with irregular margins from the 1968 film. With provenance stamps on the verso. Art and Vera an unhappily married couple become involved with two sisters Nan and Lauri and group therapy sessions run by a lesbian cult leader Jennifer. 8 x 10 inches. Very Good with light creasing a small chip to the bottom right margin and an emulsion irregularity along the top edge obscuring the top margin. Provocative Films unknown
1968ref. 162045N.p.: Rasnel Films 1968. Three vintage studio still photographs from the 1968 film. Two photographs with provenance stamps on the versos. Bored housewife Allison hooks up with her neighbor Janet and new friend Winnie. Together they rent a houseboat and explore hidden desires. 8 x 10 inches. Near Fine. Rasnel Films unknown books
1968ref. 162565N.p.: Provocative Films 1968. Vintage studio still photograph with irregular margins from the 1968 film. With provenance stamps on the verso. Art and Vera an unhappily married couple become involved with two sisters Nan and Lauri and group therapy sessions run by a lesbian cult leader Jennifer. 8 x 10 inches. Very Good with light creasing a small chip to the bottom right margin and an emulsion irregularity along the top edge obscuring the top margin. Provocative Films unknown books
1967ref. 161991N.p.: Amalfi Productions 1967. Two vintage studio still photographs from the 1967 film. Both photographs with provenance stamps on the versos. Shot in the heat of Joseph Sarno's busiest year one of eight films he directed in 1967 alone. Marcia hitch-hikes from the country to the city to see her sister only to find her murdered. She then takes her sister's old job at a seedy roadhouse in order to find the murderer. 8 x 10 inches. Very Good plus with light creasing overall and one photograph with a chip to the bottom right corner. Nilsen Warped and Faded. Amalfi Productions unknown books
1967ref. 161527N.p.: Chellee Films 1967. Two vintage studio still photographs from the 1967 film each with a provenance stamp on the versos. An early film by prolific sexploitation pioneer Joseph W. Sarno now presumed lost. A married woman kills her lover in a private room at a racketeer's nightcub and must dispose of the body without other patrons and employees knowing. 8 x 10 inches. Very Good plus with light creasing and edgewear. Chellee Films unknown books
1968ref. 145682Universal City: Universal Pictures 1968. Vintage borderless photograph of actress Vanessa Redgrave and director Karel Reisz on the set of the 1968 film. With a mimeo snipe manuscript annotations and a library rubber stamp on the verso. A high spot for Vanessa Redgrave in the 1960s a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer Jason Robards and the Russian poet Sergei Essenin Ivan Tchenko her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules often shunned by the very people who had so passionately embraced her pioneering efforts in dance women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England Italy France and Eastern Europe. 9.25 x 7.5 inches. Near Fine. Universal Pictures unknown
1968ref. 148334Universal City: Universal Film 1968. Two vintage borderless studio still photographs from the 1968 film mimeo snipe on the versos. A high spot for Redgrave a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. Redgrave was nominated for an Academy Award for Best Actress. Nominated for the Palme d'Or. 9.5 x 7 inches. Light corner and edgewear else Near Fine. Universal Film unknown
1968ref. 148334Universal City: Universal Film 1968. Two vintage borderless studio still photographs from the 1968 film mimeo snipe on the versos. A high spot for Redgrave a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. Redgrave was nominated for an Academy Award for Best Actress. Nominated for the Palme d'Or. 9.5 x 7 inches. Light corner and edgewear else Near Fine. Universal Film unknown books
1968ref. 145682Universal City: Universal Pictures 1968. Vintage borderless photograph of actress Vanessa Redgrave and director Karel Reisz on the set of the 1968 film. With a mimeo snipe manuscript annotations and a library rubber stamp on the verso. A high spot for Vanessa Redgrave in the 1960s a story that follows the life of the free spirited modern interpretive dancer Isadora Duncan. From Dan Pavlides at Allmovie: Trained in classical dance Duncan shattered the traditional conformities in her art and her personal life. The film begins at the end of her life as she recalls the past while dictating her memoirs to her male secretary. Her uninhibited sexuality and insistence on personal freedom and expression shocked more conservative and narrow-minded patrons and audiences. She brought in elements of classic Greek dance during the height of the jazz age and had children in and out of wedlock. Married to sewing-machine heir Paris Singer Jason Robards and the Russian poet Sergei Essenin Ivan Tchenko her life was a rollercoaster ride of success and tragic failures. Two of her children drowned when her chauffeur left the car unattended and the vehicle plunged into a river. Duncan lived by her own rules often shunned by the very people who had so passionately embraced her pioneering efforts in dance women's liberation and free thinking. Redgrave was nominated for an Oscar for her performance. The film's locales are international and range from California to Europe and the Soviet Union. Shot on location in various places in England Italy France and Eastern Europe. 9.25 x 7.5 inches. Near Fine. Universal Pictures unknown books
1984ref. 146517N.p.: N.p. 1984. Revised Second Draft script for the 1985 "American Playhouse" episode originally aired on PBS on January 21 1985. Based on the 1937 novel by Katherine Anne Porter. A Swedish stranger arrives at a small family run dairy farm out of the blue asking for work promising strong effort in exchange for very little pay. While the family is initially put off by the stranger's cold demeanor they gradually accept him and the farm thrives under his care until news arrives that lays their relationship with him and each other bare. Set in South Texas shot in Fredericksburg and Mason Texas. White titled self wrappers with title page integral with the front wrapper as issued noted as Revised Second Draft dated May 10 1984 with credits for director Michael Fields and novelist Katherine Anne Porter. 55 leaves with last page of text numbered 54. Xerographic duplication rectos only. Pages Very Good with soil to the first and final leaves bound with three gold brads. N.p. unknown
1984ref. 146517N.p.: N.p. 1984. Revised Second Draft script for the 1985 "American Playhouse" episode originally aired on PBS on January 21 1985. Based on the 1937 novel by Katherine Anne Porter. A Swedish stranger arrives at a small family run dairy farm out of the blue asking for work promising strong effort in exchange for very little pay. While the family is initially put off by the stranger's cold demeanor they gradually accept him and the farm thrives under his care until news arrives that lays their relationship with him and each other bare. Set in South Texas shot in Fredericksburg and Mason Texas. White titled self wrappers with title page integral with the front wrapper as issued noted as Revised Second Draft dated May 10 1984 with credits for director Michael Fields and novelist Katherine Anne Porter. 55 leaves with last page of text numbered 54. Xerographic duplication rectos only. Pages Very Good with soil to the first and final leaves bound with three gold brads. N.p. unknown books
1943ref. 161600Culver City CA: Columbia Pictures 1943. Vintage reference photograph from the set of the 1943 film showing actresses Kay Harris and Marguerite Chapman visiting director Charles Barton on the set. Printed mimeo snipe and stamp of photographer M.B. Paul on the verso. Based on the 1941-1944 wartime radio show by Jean Ruth about a switchboard operator who dreams of becoming a radio personality. 8 x 10 inches. Very Good plus with dents at the center top and bottom edges. Columbia Pictures unknown
1943ref. 161600Culver City CA: Columbia Pictures 1943. Vintage reference photograph from the set of the 1943 film showing actresses Kay Harris and Marguerite Chapman visiting director Charles Barton on the set. Printed mimeo snipe and stamp of photographer M.B. Paul on the verso. Based on the 1941-1944 wartime radio show by Jean Ruth about a switchboard operator who dreams of becoming a radio personality. 8 x 10 inches. Very Good plus with dents at the center top and bottom edges. Columbia Pictures unknown books
1992ref. 100724New York: July 2 1992. 1992. Fine. - Over 95 words typed on his 10-1/2 inch high by 7-1/4 inch wide embossed personal stationery. The film director Elia Kazan writes that he is unable to write an introduction to Susan Ray's book "I Was Interrupted: Nicholas Ray on Making Movies" which was subsequently published by the University of California Press in 1993. Kazan is completing the third work in his trilogy "Beyond the Aegean" which was published in 1994. He explains "I wish I could. Truly. I start Monday on an editing process of my new 1100 page novel with Knopf. The novel means a lot to me." His schedule is incredibly busy "After which I go to Europe to begin organizing a new film. That is in Paris Turkey and Greece. I hope I live through it all." Signed "Elia". Folded for mailing else fine with the original mailing envelope. Elia Kazan 1909-2003 was a Greek-American director producer and writer described by the New York Times as "one of the most honored and influential directors in Broadway and Hollywood history". Among his most successful and best-loved films were "Streetcar Named Desire" 1951 "On the Waterfront" 1954 and "East of Eden" 1955. During his career he won two Best Director Oscars received an Honorary Oscar and won three Tony Awards and four Golden Globes. In 1947 he co-founded the Actors Studio and together with Robert Lewis and Cheryl Crawford under the direction of Lee Strasberg introduced "Method Acting". He was known for drawing out the best performances from his actors and steered 21 actors to Oscar nominations resulting in nine wins. The widow of the film director Nicholas Ray Susan Ray is a writer and also the president and creative director of The Nicholas Ray Foundation. She oversaw the restoration of Nicholas Ray's last film "We Can't Go Home Again" and made a documentary about the processs "Don't Expect Too Much". Susan appeared in Wim Wender's film about ber husband "Lighning Over Water". [New York]: July 2, 1992.
1968ref. 145588Beverly Hills CA: United Artists 1968. Vintage borderless photograph from the 1968 film. Based on the 1964 novel by Ian Fleming about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. 10 x 8. Near Fine. United Artists unknown
1970ref. 154948London: Juveniles Group of IPC Magazines 1970. Vintage British program for the 1970 film with color film still photographs throughout. A biographical account of the 17th century political and religious struggles taking place in England under the reign of King Charles Alec Guinness. Director Ken Hughes' favorite of his own films. Winner of an Academy Award and nominated for one other. Shot on location in Spain and England. 8.5 x 10.5 inches. 20 pages side stapled. Near FIne with light toning and two staples in the front wrapper. McPadden Heavy Metal Movies. Juveniles Group of IPC Magazines unknown
1968ref. 145588Beverly Hills CA: United Artists 1968. Vintage borderless photograph from the 1968 film. Based on the 1964 novel by Ian Fleming about a down-on-his-luck inventor who transforms an old race car into a magical machine and sets off with his children on an adventure. 10 x 8. Near Fine. United Artists unknown books
1970ref. 154948London: Juveniles Group of IPC Magazines 1970. Vintage British program for the 1970 film with color film still photographs throughout. A biographical account of the 17th century political and religious struggles taking place in England under the reign of King Charles Alec Guinness. Director Ken Hughes' favorite of his own films. Winner of an Academy Award and nominated for one other. Shot on location in Spain and England. 8.5 x 10.5 inches. 20 pages side stapled. Near FIne with light toning and two staples in the front wrapper. McPadden Heavy Metal Movies. Juveniles Group of IPC Magazines unknown books
2000ref. 149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series originally aired on July 17 on the Bravo Network. A one-season drama following the team members of a fictional 24-hour cable news television network named "I-24." Set in Milwaukee and shot on location in Vancouver British Columbia. Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Full provenance available. N.p. unknown
2000ref. 149989N.p.: N.p. 2000. Third Draft script for the pilot episode of the 2002 television series originally aired on July 17 on the Bravo Network. A one-season drama following the team members of a fictional 24-hour cable news television network named "I-24." Set in Milwaukee and shot on location in Vancouver British Columbia. Self wrappers. Title page integral with front wrapper dated February 15 2000 noted as Third Draft with credits for screenwriter Gardner Stern. 64 leaves with last page of text numbered 63. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. Full provenance available. N.p. unknown books
1971ref. 143084London: Russflix / MGM 1971. Vintage photograph on the set of the 1971 musical with director Ken Russell staring intently at stars Twiggy and Christopher Gable. With manuscript annotations on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a touring musical after the lead actress breaks her leg. While Wilson's original is a straight forward pastiche of 1920s musicals Russell's adaptation is a full blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the simple touring stage show. 10 x 8 inches. Near Fine. Russflix / MGM unknown
1971ref. 143084London: Russflix / MGM 1971. Vintage photograph on the set of the 1971 musical with director Ken Russell staring intently at stars Twiggy and Christopher Gable. With manuscript annotations on the verso. Based on the 1953 West End musical by Sandy Wilson about a mousy stage manager forced to take the lead in a touring musical after the lead actress breaks her leg. While Wilson's original is a straight forward pastiche of 1920s musicals Russell's adaptation is a full blown parody of 1930s musical films particularly Busby Berkeley with heavy metatextual elements as the more lavish numbers take place in the imagination of a Hollywood producer watching the simple touring stage show. 10 x 8 inches. Near Fine. Russflix / MGM unknown books
