20.755 resultados
1935ref. 164482Culver City CA: Columbia Pictures 1935. Vintage photograph of actors Lilian Harvey and Tullio Carminati on the set of the 1935 film. Two stamps and a mimeo snipe on the verso one stamp crediting studio photographer Ray Jones. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures in 1935 where he worked well into the 1950s. Carminati stars as a wealthy womanizer who haunted by his memory of a former paramour returning to find her engaged to his friend. An unsuccessful attempt at establishing German film star Harvey as a major star in Hollywood. Set in Monte Carlo. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1933ref. 167804Los Angeles: RKO Radio Pictures 1933. Vintage pressbook for the 1933 film. Based on the 1926 novel by Lester Cohen who also wrote the screenplay. A widowed businessman hopes to bequeath his department store to his children after his death-only to realize that they are disinterested incompetent or simply unable to manage the business. Set in Chicago. 12 x 18 inches. Ten pages side-stapled. Near Fine. RKO Radio Pictures unknown
1933ref. 167804Los Angeles: RKO Radio Pictures 1933. Vintage pressbook for the 1933 film. Based on the 1926 novel by Lester Cohen who also wrote the screenplay. A widowed businessman hopes to bequeath his department store to his children after his death-only to realize that they are disinterested incompetent or simply unable to manage the business. Set in Chicago. 12 x 18 inches. Ten pages side-stapled. Near Fine. RKO Radio Pictures unknown books
1941ref. 164443Universal City: Universal Pictures 1941. Four studio still photographs from the 1941 film struck from the original negative circa mid-1970s. Includes one photo showing Lon Chaney Jr. menacing Evelyn Ankers one showing Chaney Jr. behind a tree one showing Chaney Jr. behind some leafless branches and the last showing Chaney Jr. being groomed by makeup artist Jack P. Pierce. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures from 1935-1958. A man visiting his ancestral home in Wales is bitten by a strange wolf-like creature leading to his occasional moonlit transformation into a bloodthirsty werewolf. Universal Pictures' second werewolf film preceded by the less successful "Werewolf of London" 1935 and followed by several "Wolf Man" monster mash-up sequels including "Frankenstein Meets the Wolf Man" 1943 and "House of Frankenstein" 1944. Set in Llanwelly Wales. 8 x 10 inches. Fine. Weaver and Brunas Universal Horror. Universal Pictures unknown
1941ref. 164443Universal City: Universal Pictures 1941. Four studio still photographs from the 1941 film struck from the original negative circa mid-1970s. Includes one photo showing Lon Chaney Jr. menacing Evelyn Ankers one showing Chaney Jr. behind a tree one showing Chaney Jr. behind some leafless branches and the last showing Chaney Jr. being groomed by makeup artist Jack P. Pierce. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1 1901 Jones worked for Paramount Pictures in the early 1930s and went on to be the head of the still photography department at Universal Pictures from 1935-1958. A man visiting his ancestral home in Wales is bitten by a strange wolf-like creature leading to his occasional moonlit transformation into a bloodthirsty werewolf. Universal Pictures' second werewolf film preceded by the less successful "Werewolf of London" 1935 and followed by several "Wolf Man" monster mash-up sequels including "Frankenstein Meets the Wolf Man" 1943 and "House of Frankenstein" 1944. Set in Llanwelly Wales. 8 x 10 inches. Fine. Weaver and Brunas Universal Horror. Universal Pictures unknown books
1963ref. 144726Rome: Titanus 1963. Three vintage borderless photographs from the 1963 film. With manuscript annotations on the verso. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of the Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. Nominated for an Academy Award. Shot on location in Rome Lazio and Sicily Italy. 4.5 x 3.5 inches. Near Fine. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown
1963ref. 144726Rome: Titanus 1963. Three vintage borderless photographs from the 1963 film. With manuscript annotations on the verso. Visconti's classic spacious homage to the quiet death of the Sicilian aristocracy of the mid-nineteenth century one of the great films of the Italian cinema. Perhaps the apex of Ms. Cardinale's career and one of a handful of examples of Burt Lancaster's willingness to take on literate complex roles. Nominated for an Academy Award. Shot on location in Rome Lazio and Sicily Italy. 4.5 x 3.5 inches. Near Fine. BFI 1087. Criterion Collection 235. Ebert II. Godard Histoires de cinema. Rosenbaum 1000. Schrader 22. Titanus unknown books
1967ref. 139036Paris: Athos Films / Istituto Luce 1967. Original French grande poster for the 1967 Italian film. Based on Florence Montgomery's 1869 novel. John Quayle is the UK Consul in Florence Italy where he becomes a widower with two sons. Andrew Colagrande is the oldest constantly assuming responsibility for his younger brother Miles' Giannozzi shenanigans until one act that proves too much. 47 x 63 inches folded as issued. Very Good plus with several short tears and creases. Scarce. Athos Films / Istituto Luce unknown
1967ref. 139036Paris: Athos Films / Istituto Luce 1967. Original French grande poster for the 1967 Italian film. Based on Florence Montgomery's 1869 novel. John Quayle is the UK Consul in Florence Italy where he becomes a widower with two sons. Andrew Colagrande is the oldest constantly assuming responsibility for his younger brother Miles' Giannozzi shenanigans until one act that proves too much. 47 x 63 inches folded as issued. Very Good plus with several short tears and creases. Scarce. Athos Films / Istituto Luce unknown books
1972ref. 148275N.p.: Greenwich Film Productions 1972. Vintage borderless studio still photograph from the 1972 film with provenance stamp of film historian "Maurice Bessy" on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay. Set in and shot on location in Paris. 9.5 x 7 inches. One uniformly faded else Near Fine. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown
1972ref. 148275N.p.: Greenwich Film Productions 1972. Vintage borderless studio still photograph from the 1972 film with provenance stamp of film historian "Maurice Bessy" on the verso. Six bourgeois friends try to sit down to a meal together and are repeatedly interrupted by surreal dream-like happenings in Buñuel's satiric masterpiece. Winner of the Academy Award for Best Foreign Film also nominated for Best Screenplay. Set in and shot on location in Paris. 9.5 x 7 inches. One uniformly faded else Near Fine. Vogel Film as a Subversive Art. Rosenbaum 1000. Ebert II. Criterion Collection 102. Schrader 33. Greenwich Film Productions unknown books
1986ref. 147140N.p.: N.p. 1986. Revised Draft script for the 1987 film here under the working title "Gaby Brimmer." Based on the true story of Gaby Brimmer a young woman born with cerebral palsy and near-total body paralysis who became an acclaimed artist author and activist. Nominated for an Academy Award for Best Supporting Actress for Norma Aleandro. Set and shot on location in Mexico City. Black untitled wrappers. Title page present dated 1/86 noted as Revised with credits for screenwriters MARTIN SALINAS and MICHAEL JAMES LOVE. 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Good tide marked to the upper edges wrapper Very Good plus bound with three gold brads. N.p. unknown
1986ref. 147140N.p.: N.p. 1986. Revised Draft script for the 1987 film here under the working title "Gaby Brimmer." Based on the true story of Gaby Brimmer a young woman born with cerebral palsy and near-total body paralysis who became an acclaimed artist author and activist. Nominated for an Academy Award for Best Supporting Actress for Norma Aleandro. Set and shot on location in Mexico City. Black untitled wrappers. Title page present dated 1/86 noted as Revised with credits for screenwriters MARTIN SALINAS and MICHAEL JAMES LOVE. 123 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Good tide marked to the upper edges wrapper Very Good plus bound with three gold brads. N.p. unknown books
1983ref. 006093New York: Hammer Galleries 1983. First Edition . Wrappers. Fine. Quarto. Black heavy paper stock wrappers softcover gilt title stapled binding 11 x 8.5 inches. 16 pages; illustrated with 19 color paintings by acclaimed artist Chen Yifei. Exhibition August 28 - September 16 1983 New England Center for Contemporary Art. An exceptionally clean crisp copy of a scarce artist monograph with Hammer Galleries business card affixed to upper front panel Hammer Galleries unknown
1966ref. 144364Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. Shot on location in Penningby Castle Stockholm Sweden. 10 x 8 inches. Near Fine. Sandrews unknown
1966ref. 144364Sweden: Sandrews 1966. Vintage borderless photograph of Ingrid Thulin and Mai Zetterling on the set of the 1966 film. Mimeo snipe and press agency stamps on the verso. Jan and his fiance return to his childhood home a 14th Century castle where he is haunted by vivid flashbacks of a difficult childhood the neglect of his parents and a sexual fixation on his mother. Shot on location in Penningby Castle Stockholm Sweden. 10 x 8 inches. Near Fine. Sandrews unknown books
ref. 51-6131Paris: Points Ima 1961. Oblong 4to. 17. 5 x 23.3 cm. 32pp.Provenance: Thérèse Bénard Tours France.D'après le roman Le Capitaine Fracasse de Théophile Gautier.Avec Jean Marais Geneviève Grad Philippe Noiret Louis de Funès.1630. Un baron ruiné qui héberge pour un soir des comédiens itinérants s'éprend d'Isabelle l'ingénue de la troupe. Il accepte de se joindre au groupe sous le nom de « capitaine Fracasse ».En 1961 Pierre Gaspard-Huit adapte l’œuvre de Théophile Gautier dans la grande tradition des romans d’aventure. Jean Marais qui vient de tourner dans Le Bossu et Le Capitan est au sommet de sa popularité le film de cape et d’épée lui va comme un gant et il se glisse avec panache dans la peau de ce baron ruiné en route pour une nouvelle vie. Le Capitaine Fracasse marque la première rencontre entre Marais et De Funès quatre ans avant la série des Fantômas et dans le reste de la distribution Philippe Noiret Jean Rochefort ou encore la toute jeune Geneviève Grad future fille du gendarme Cruchot tirent leur épingle du jeu. Le théâtre de tréteaux et la commedia dell’arte en toile de fond constituent une intéressante mise en abyme sur la vie de troupe et le métier d’acteur. Teintée de romantisme glissant de l’épique à la mélancolie une œuvre plus profonde qu’il n’y paraît. Paris: Points Ima 1961 unknown
1970ref. 137740Rome: Colombo 1970. Treatment script for the 1989 Australian film "Blowing Hot and Cold" here under the working title "Kamikaze Trail." Vincenzoni and Donati were prolific screenwriters particularly in the Euro Western genre writing scripts for some of Sergio Leone's best films including "For a Few Dollars More" 1965 "The Good the Bad and the Ugly" 1966 "Once Upon a Time in the West" 1968 and "Duck You Sucker" 1971. The two also wrote the 1977 sea thriller "Orca" about a murderous killer whale. Jack Adams is a a gas station owner who meets Nino Dolce and the two strike a strange connection. Nino eventually decides to help Jack find his runaway daughter who has settled in Alaska. Shot on location in Australia. Blue titled wrappers. Title page present undated noted as "A Film Subject" with credits for screenwriters Vincenzoni and Donati. 19 leaves with last leaf of text numbered 18. Xerographically reproduced. Pages and wrapper Near Fine bound internally with two gold brads. Colombo unknown
1970ref. 137740Rome: Colombo 1970. Treatment script for the 1989 Australian film "Blowing Hot and Cold" here under the working title "Kamikaze Trail." Vincenzoni and Donati were prolific screenwriters particularly in the Euro Western genre writing scripts for some of Sergio Leone's best films including "For a Few Dollars More" 1965 "The Good the Bad and the Ugly" 1966 "Once Upon a Time in the West" 1968 and "Duck You Sucker" 1971. The two also wrote the 1977 sea thriller "Orca" about a murderous killer whale. Jack Adams is a a gas station owner who meets Nino Dolce and the two strike a strange connection. Nino eventually decides to help Jack find his runaway daughter who has settled in Alaska. Shot on location in Australia. Blue titled wrappers. Title page present undated noted as "A Film Subject" with credits for screenwriters Vincenzoni and Donati. 19 leaves with last leaf of text numbered 18. Xerographically reproduced. Pages and wrapper Near Fine bound internally with two gold brads. Colombo unknown books
1978ref. 144304Paris: Roissy Films 1978. Vintage oversize borderless color photograph of Gerard Depardieu and the star chimpanzee from the 1978 film. With manuscript ink annotations on the verso. An Italian-French production about a man who lives in a New York City basement and works as a jack of all trades for the owner of a wax museum and a feminist theater group. He finds an abandoned chimpanzee on the beach who he attempts to raise. A bleak and desolate depiction of New York City. Filmed in English and released dubbed in both French and Italian. Shot on location in New York City. 9.5 x 12 inches. Very Good plus. Roissy Films unknown
1974ref. 144958Paris: Films sans Frontieres 1974. Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point" as well as manuscript annotations on the verso. A farcical reenactment of the events leading up to and including The Battle of Little Big Horn anachronistically set in a contemporary area of Paris slated for urban renewal. 9.25 x 6.25 inches. Near Fine. Cox 10000 Ways to Die. Films sans Frontieres unknown
1964ref. 143345Italy: Compagnia Cinematografica Champion 1964. Vintage borderless press photograph from the set of the 1964 film. Shown is Annie Giarardot the "ape woman" in the film in a dressing room with two other semi-clothed "normal" women conveying an immediate irony as she looks up at her husband Ugo Tognazzi standing in the doorway. With the stamps of both the French Dalmas and Italian Publifoto photo agencies on the verso. Inspired by the real life story of Julia Pastrana who suffered from a condition that caused excessive hairiness and was exhibited in a freak show and mummified after her death by her husband/manager. Nominated for the Palme d'Or at Cannes. 8.25 x 10.5 inches. Near Fine with a touch of rubbing to the edges and slight curl. Compagnia Cinematografica Champion unknown
1991ref. 143062Italy: MMD 1991. Vintage borderless double weight photograph from the 1991 film. With a stamp on the verso identifying the film and photographer. A black comedy in which a divorced man falls for a beautiful woman who uses magic to turn him into a sex slave. He doesn't seem to mind until she gets bored and wants to leave him and the things take a darker turn. Nominated for the Palme d'Or at Cannes. 11.75 x 7.5 inches. Light creasing to the corners else Near Fine. MMD unknown
1968ref. 162112N.p.: N.p. 1968. Vintage reference photograph of Catherine Spaak from the 1968 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene befriending Andy Warhol and his superstars Lou Reed Allen Ginsberg Patti Smith Salvador Dali and many others. A graduate of the Parsons School of Design his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A wealthy industrialist's obsession with balloons derails his life and his relationship with his beautiful fiancée. 8 x 10 inches. About Fine. N.p. unknown
1974ref. 144958Paris: Films sans Frontieres 1974. Vintage borderless press photograph showing director Marco Ferreri on the set of the 1974 French-Italian film with camera and crew behind him. With stamps of photographer Bernard Prim and French magazine "Paru dans le point" as well as manuscript annotations on the verso. A farcical reenactment of the events leading up to and including The Battle of Little Big Horn anachronistically set in a contemporary area of Paris slated for urban renewal. 9.25 x 6.25 inches. Near Fine. Cox 10000 Ways to Die. Films sans Frontieres unknown books
