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ref. 123616London Imprinted at London by Robert Barker Printer to the Kings most Excellent Maiestie 1614-1613. . Four works in 1 vol.; 4to 23.5 x 18 cm; woodcut title-pages NT title dated 1613 with apocrypha Common Prayer with woodcut title and calendar printed in red and black early MS annotations in pen to margin of Bible 2H3 extensive MS family register to front endpapers the odd spot and area of toning final f. with closed tear to margin internally generally clean and crisp; contemporary blind-panelled calf later endpapers spine expertly restored edges sprinkled red a little rubbed very good or better. A superb example of the Geneva Bible well-preserved in contemporary blind-panelled calf and complete with the Book of Common Prayer Concordances and Psalms. The Geneva Bible was first published in 1560. The translation was primarily the work of English 'Marian exiles' on the continent who having fled England following the accession of Mary I in 1553 sought to create a version of the scriptures that emphasised clarity and promoted accessibility for the learned lay. It was the primary Bible of the evangelical movement and continued to be used by dissenting Protestants from Shakespeare to Oliver Cromwell well into the seventeenth century; it was one of the Bibles taken to America by the first pilgrims on the Mayflower. Notable innovations include the use of verse divisions which made it easier to locate specific passages and extensive study notes commentary and annotations that reflected the Reformed Calvinist theology of the time. As a result the translation proved unpopular with the Elizabethan regime which sought a more moderate religious settlement. The Archbishop of Canterbury Matthew Parker was duly authorised in 1568 to produce a more orthodox translation the Bishops' Bible which promoted the Anglican church and would go on to form the basis of the King James Version in 1611. Nevertheless the Geneva Bible remained popular until at least 1644 when the last known seventeenth-century edition was printed. ESTC S1399 S93850 & S121126 our copy a variant with 'Company' not 'Companie' in imprint; Herbert 330 our copy without Speed's Genealogies and map; DM 256; Griffith 16141. London, Imprinted at London by Robert Barker, Printer to the Kings most Excellent Maiestie, 1614-[1613]. unknown
ref. 124311London Printed at London by Robert Barker Printer to the Kings most excellent Majesttie and by the Assignes of John Bill 1632-1633. . Four works in 1 vol.; folio 35.5 x 23.5 cm; engraved general title signed 'Guilielmus Hole' partially burnished out as noted by ESTC with date in imprint altered to read '1633' on the plate engraved NT title dated 1632 full-page woodcut illustration of Adam & Eve to verso of A10 final f. of preliminaries note ff A7-8 with incorrect printed signatures as A6-7 woodcut initials head and tailpieces further illustrated with Speed's genealogies and double-page map of Canaan occasional toning final f. of Psalmes laid down title of Common Prayer affixed via stub Speed map with loss to central portion of design with final f. reinforced to verso at gutter margin and tape repair to margin A1 of Old Testament with closed tear crudely repaired lower margin of Adam & Eve woodcut with tape repair not affecting design some further closed repairs throughout later endpapers; contemporary calf gilt lozenge device to covers bisecting the initials 'I' and 'E' gilt faded upper brass clasp in working order remnants of the lower clasp joints and corners expertly restored very good. A very well preserved folio edition of the King James Bible complete in the original clasped calfskin binding with Speed's Genealogies including his double-page engraved map of Canaan The Book of Common Prayer and Sternhold & Hopkins' Psalmes. The elaborate title border is that engraved by William Hole d.1624 which had been used before in the folio Geneva Bible of 1607. 'As a copperplate-engraver Hole remained a specialist in engraving maps music and lettering. and he stands at the head of the seventeenth-century tradition of engravers who worked for writing-masters. He engraved the plates to Martin Billingsley's The Pens Excellencie or The Secretaries Delighte of 1618 the first important English engraved copybook dedicated to Charles as Prince of Wales and he was also responsible for the first engraved plates of music made outside Italy: the famous Parthenia of 161213 which contained music by William Byrd John Bull and Orlando Gibbons and Angelo Notari's Prime musiche nuove of 1613' ODNB. Our example a variant with the date in the imprint of the engraved general title altered on the plate to read '1633'. ESTC S122379 variant; Herbert 466; DM 359. London, Printed at London by Robert Barker, Printer to [the] Kings most excellent Ma[jes]ttie and by the Assignes of John Bill, unknown
1577ref. 53814London imprinted by R. Jugge Printer to the Queenes Majestie cum privilegio Regiae Maiestatis1577. Bishops' version 1577 The Bishops' Bible also known as the "Treacle Bible" because of its translation of Jeremiah 8:22: "Is there not treacle at Gilead". IMPERFECT: LACKS FIRST TITLE PAGE PREFACE and 2 PAGES from THE WHOLE SCRIPTURE. First page is a Prayer then 3 pages of The Whole Scripture followed by 6 leaves of Kalendar then The Order Howe 1 page then 2 pages Proper Lessons then 3 pages Certain Godly and Comfortable Prayers then 24 leaves of The Book of Common Prayer leaves: 35 1-103 1 - blank; title to 2nd part 106-252; title to 3rd part 254-500 581-592 the jump in pagination 500-581 is the same in all copies nothing is missing; New Testament leaves: title 2-127 last page with colophon and publisher's device. Psalmes: title pages: 4 1-99 page 99 misplaced in final section; Final section Veni Creator Song of 3 Children etc: 14 of 16 lacks A1. Small 4to bound in eights approximately 205 x 155 mm 8 x 6 inches slightly cropped affecting some running titles dated title page to New Testament and Psalms divisional titles to the second and third parts of the Old Testament and to the Apocrypha. 1 half page woodcut of the Garden of Eden 1 full page of the 12 tribes and the Tabernacle 3 maps in the text and 2 full page maps historiated initials pages ruled in red collation: pi6 -pi1-3 and pi6 6 2 misnumbered 3 4 A-C8 A-Z8 Aa-Hh8 Ii4 KK-Zz8 Aaa-Sss8 Ttt4; A-P8 Q6. The NT is followed by The Metric Psalms printed in London by John Daye 1577. Bound in old panelled calf rebacked with raised bands gilt title and date boards cornered in decorated brass with a single boss small central decorated brass lozenge with single boss to both boards probably the covers with brass bosses are as issued at the time decorated brass clasps not matching and partially renewed at some time ornate gilt monogram to both boards: "C C" early endpapers retained. Inner paper hinges strengthened neatly with paper strip ex Cheshunt College library with armorial bookplate on front pastedown stamped "Withdrawn" ink name with date 1748 on front endpaper faint inscription on 2nd blank endpaper 2 small rusty marks with hole at centre on first 2 endpapers caused by nails in clasps similar smaller marks on rear endpapers first page of prelims pi4 - A prayer is dusty and stamped in red at top and bottom with the college name small brown stain on pages 141 verso -142 recto no loss of legibility another on 255 verso - 256 obscuring a few words large pale brown stain on 176 verso no loss small piece missing from lower corner of Nnn1 with loss of a few words a large lower corner missing from D6 135 x 75 mm 5" x 3" that is St. Luke Chapters IV and V worming to lower margins of NT leaves 21-39 sometimes touching bottom line of text loss of 2 words on both sides of leaves 27 and 29 handling signs to NT margins large pale water stain to NT leaves 23 to 105 small closed tear to lower corner of NT leaf 78 no loss outer margins of final 2 leaves tatty no loss of text. A few other minor faults. A good copy of an Elizabethan Bible. Last page of Revelation: Imprinted at London by Richard Jugge Printer to the Queenes Majestie cum privilegio Regiae Maiestatis. Jugge's device with the motto: Omne Bonu Supernae below. Darlow and Moule Historical Catalogue of Holy Scripture Volume 1 pages 85-86 No.112; A.S. Herbert The English Bible 1525-1961 page 85 No.150; ESTC No: S5108; Old Bibles by J.R. Dore page 262 states: "This Bible is also particularly interesting from its being the last Bible ever printed by Richard Jugge. This makes the words placed over his printer's device on the last page so significant cogita mori." He died in the same year 1577. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. Postage at cost and all parcels sent fully tracked and fully insured. London, imprinted by R. Jugge, Printer to the Queenes Majestie, cum privilegio Regiae Maiestatis,1577. hardcover
1800ref. 512129Thomas Bensley for Thomas Macklin 1800. First Edition. Hardcover. VERY GOOD. First edition of The Macklin Bible a masterpiece of book design that has been called 'the last of the great Bibles.' Complete in six volumes without the posthumously published Apocrypha. Elephant Folio 19' x 15.5' and . Full red morocco covers with gilt rolled Greek meander borders spines with double raised bands gilt in seven compartments all edges gilt gilt dentelle marbled endpapers. Sturdy bindings are remarkably solid despite the demands of these heavy textblocks. Very Good ex-libris from the John Wilson Collection of Multnomah County Library with small bookplates on paste downs a few penciled notes to versos of title pages but otherwise unmarked. Wide margins. Bindings scuffed and soiled rubbed along joints wear at heads and tails. Contents generally bright with typical offsetting from engravings; many tissue guards still present. Handwritten 2pp. 1889 note from London bookseller Henry Sotheran tipped-in to Vol. 1 wherein he apologizes for the lack of The Apocrypha which was published in 1816. Exhaustively illustrated throughout with engravings including 70 full-page copperplates after Benjamin West Angelica Kauffman Henry Fuseli William Artaud Joshua Reynolds Philip James de Loutherbourg and others. Weighing in at well over 100 lbs this Macklin Bible will ship in multiple boxes and will require additional fees for international delivery. Thomas Bensley for Thomas Macklin hardcover
ref. 124629London Imprinted at London by the Deputies of Christopher Barker Printer to the Queenes most excellent Maiestie 1589. . 3 works in 1 vol.; 4to 23.5 x 18 cm; bound without Concordance variant A with iii verso 2nd column 3rd paragraph reading: 'Yea verily: that by sight taste & feeling / as wel as by hearing we might be instruc- / ted assured and brought to obedience' woodcut general and New Testament title-pages woodcut printer's devices initials head and tailpieces old library note in pen to upper margin of general title ink stamp to lower margin bookplate to front pastedown general title re-margined and mounted via stub periodic light dampstaining and spotting bound with: The Booke of Common Prayer lacking preliminary 4ff including title dated pen inscription to verso of E8; and The Whole Booke of Pslames lacking f. C8 and with final f. re-margined and mounted via stub; eighteenth-century gilt-panelled calf spine lettered in gilt joints expertly repaired very good; 2; 40; 432 '443-444' 4 441-554ff; 10 91 11pp; collation: 2 A-E8 A-3H8 3I1-2 4 3K-3Y8 3Z10; A-C7 D-G8. A finely bound Breaches Bible in gilt-panelled calf. A handsome sixteenth-century edition of the Geneva Bible finely bound in gilt-panelled calf. The Geneva version was first published in 1560. The translation was primarily the work of English 'Marian exiles' who having fled England following the accession of Mary I in 1553 sought to create a version of the scriptures that emphasised clarity and promoted accessibility for the learned lay. It was the primary Bible of the evangelical movement and continued to be used by dissenting Protestants from Shakespeare to Oliver Cromwell well into the seventeenth century; it was one of the Bibles taken to America by the first pilgrims on the Mayflower. The Geneva is sometimes known as the 'Breeches Bible' for the rendering of 'Aprons as 'breeches' in Gen. 3:7. Notable features include the use of verse divisions which made it easier to locate specific passages and extensive study notes commentary and annotations that reflected the Reformed Calvinist theology of the time. As a result the translation proved unpopular with the Elizabethan regime which sought a more moderate religious settlement. The Archbishop of Canterbury Matthew Parker was duly authorised in 1568 to produce a more orthodox translation the Bishops' Bible which promoted the Anglican church and would go on to form the basis of the King James Version in 1611. 'The New Testament is a careful revision of William Whittingham's d.1579 Testament of 1557 due to a further comparison with Beza's Latin translation. The Old Testament and Apocrypha are based mainly on the Great Bible corrected from the original Hebrew and Greek and compared with the Latin versions of Leo Juda and others. The influence of the revisers of Olivetan's French Bible is strikingly shown by the fact that the "Arguments" to the Books of Job and Psalms in this English edition are translated almost word for word from those found in the French octavo Bible printed at Geneva in 1559' Darlow & Moule. This edition the variant with the verso of leaf iii 2nd column 3rd paragraph reading: 'Yea verily: that by sight taste & feeling / as wel as by hearing we might be instruc- / ted assured and brought to obedience'. The text closely resembles a quarto Geneva Bible printed in 1581 also bound with the metrical psalms no.170 in Herbert's revised Historical Catalogue of Printed Editions of the English Bible 1525-1961 and the quarto edition of 1580 likewise with the metrical psalms Herbert no.165. Bound without the Concordance found in ESTC S1790 but with The Booke of Common Prayer lacking preliminary four leaves and Sternhold & Hopkins' Whole Booke of the Psalmes lacking leaf C8. With early provenance for the Bowen family: 'My sonne Richard Bowen was borne the twenty third day of December in the yeare of our Lord one thousand six hundred and seventy nin: 1679. He was borne on Saturday about six of the clocke in the morning and baptised of the twenty day of January by Mr Richard Giles of Walverden' pen note to the verso of leaf E8 in The Booke of Common Prayer. Herbert 199; DM 153; cf.ESTC S101765 & S1790. London, Imprinted at London by the Deputies of Christopher Barker, Printer to the Queenes most excellent Maiestie, 1589. unknown
ref. 104192London Printed by Thomas Baskett 1751. . 2 vols bound in 4; folio 41.5 x 27 cm; text in two columns ruled in red two printed title-pages extra-illustrated with 213 engraved plates 29 double-page marbled endpapers some minor marginal staining to some plates bookplates; bound in contemporary navy morocco gilt with the arms of the second duke of Newcastle all edges gilt the border beautifully decorated with an elaborate gilt design spines also gilt in compartments gilt edges bindings slightly faded extremities very slightly rubbed; otherwise a very good copy. A fine copy of this rare bible with superb provenance. Extra-illustrated with 213 engraved plates including 29 double-page. The plates have captions in several languages including English and Hebrew and the artists include G. Hoet A. Houbraken and Bernard Picart. This scarce edition includes both the Old and New Testaments and the Apocrypha. It is notable for being the first folio size edition published by Thomas Baskett the son of the King's Printer John Baskett who first starting printing bibles in London in 1711. Thomas inherited his father's printing house and his title as King's Printer. His reputation grew and his bibles were the first English bibles to be printed in America in 1761. This finely bound copy is from the library of Henry Fiennes Pelham-Clinton 2nd Duke of Newcastle under Lyne 1720-1794 who inherited the dukedom from his uncle in 1768. He held many other prestigious posts such as Gentleman of the Bedchamber to George II and George III and several official posts including Lord Lieutenant of Cambridgeshire 1742-1757 High Steward of Westminster 1759-1794 and Comptroller of Customs of the Port of London 1749-1794. Herbert 1091. London, Printed by Thomas Baskett, 1751. unknown
1785ref. 173867Bath: printed by R. Cruttwell; and sold by Rivingtons' Dilly Robson & Robinsons' 1785. With three Biblical fore edge paintings An imposing Bible handsomely bound by Edwards of Halifax in their celebrated "Etruscan" style. The set is unusual in featuring motifs relevant to the contents on all three fore-edges - scenes from the Old and New Testaments - as opposed to the more typical landscapes. Edwards famously almost never signed their bindings and their style was very frequently reproduced by others. This set is cited by Weber in his Annotated Dictionary of Fore-Edge Paintings as "a notable Bible from the Edwards bindery" Weber 2010 p. 118-9 and it is used as an example in a chapter devoted to distinguishing genuine Edwards bindings and paintings from imitations. The technique of concealing a painting under the gilt fore edge of books was revived in England by William Edwards about 1780. "The Edwards family not only carried on the art but enlarged it from the mainly floral and heraldic early efforts with occasional religious scenes and royal portraits to embrace views of well-known country houses set in landscapes" Marks p. 194. They were the originators of the bucolic English fore-edge painting which became standard in the 19th century. Scholars believe that the paintings were made in Halifax rather than in London by artists both within and outside the family and under the supervision of Thomas Edwards. Inspiration for the images was taken from various sources often engravings appearing in other books; for landscapes the favourite artist was William Gilpin a pioneer of the "picturesque". Volume I features a moment from Genesis: Abraham welcoming three angels into his home an act of hospitality which moved the Lord to bless Abraham and his wife with a son despite she was far beyond childbearing age. On Volume II is an episode from Exodus: an Egyptian princess and her attendants discover the infant Moses in the bulrushes of the Nile. Volume III displays an animated scene from the life of St. Paul as he preaches in Rome. The "Etruscan" style binding with a border of palmettes and other classical ornaments stencilled in black on brown calf was one of the firm's most popular designs. The origin of this style is debated: some 19th-century writers attributed the invention to John Whitaker while others ascribe it to the Edwards firm. It is known that Edwards employed it from at least 1775. Provenance: a Herman Frasch Whiton probably the American sailor and Olympic champion 1904-1967 with his elaborately designed bookplate featuring his arms and a ship on the verso of an initial blank in each volume. b Randall J. Moskovitz MD American collector from Memphis Tennessee with his bookplates loosely inserted. 3 vols large quarto 306 x 238 mm. Contemporary "Etruscan" calf by Edwards of Halifax spines with raised bands compartments tooled in gilt with flower and urn centerpieces and pediment cornerpieces black morocco labels covers with gilt pentaglyph and metope border stencilled frame of palmettes central panel of tree calf enclosed by gilt Greek key roll board edges and turn-ins tooled in gilt marbled endpapers each vol. with a contemporary fore-edge painting depicting a Scriptural scene edges gilt green silk bookmarkers. Spines uniformly darkened binding judiciously refurbished joints and spine ends repaired gilt retouched on spine light rubbing to palmettes design in places intermittent foxing and slight toning else clean the fore-edge paintings beautifully preserved. A handsome set. P. J. M. Marks "The Edwards of Halifax Bindery" British Library Journal vol. 24 no. 2 1998; Jeff Weber Annotated Dictionary of Fore-Edge Painting Artists & Binders 2010. See also: G. E. Bentley The Edwardses of Halifax 2015; Carl J. Weber Fore-Edge Painting 1966. hardcover
1763ref. 184488Cambridge: printed by John Baskerville 1763. An outstanding synthesis of fine printing illustration and binding First Baskerville edition: a spectacular copy of one of the greatest English Bibles and a crowning achievement of English printing in a magnificent Staggemeier and Welcher binding and abundantly extra-illustrated with 287 Old Master engravings. The copy adorned two of the greatest book collections of the last two centuries: the library of the Dukes of Marlborough at Blenheim Palace and of Estelle Doheny in California. Friedrich Leberecht Staggemeier 1759-1827 was esteemed for his elaborately decorated neoclassical bindings. He partnered with Samuel Welcher from 1799 to 1810 and the pair catered to the highest echelons of the market. Extra-illustration was a distinguishing feature of this market: here 171 of the illustrations are from Bernard Picart and Gerard Hoet's Figures de la Bible The Hague 1728 and 58 are from Pierre Mortier's Bible Amsterdam and Antwerp 1700 while others are from Jan Luyken's Icones Biblica Veteris et N. Testamenti Amsterdam 1729 and other sources. The extravagant binding and extra-illustration were commissioned by the first owner the collector and scholar Jacob Bryant. In 1804 he bequeathed the Bible to his patron George Spencer 4th Duke of Marlborough. It remained in the duke's collection at Blenheim Palace until 1881 when it passed to Fanny Octavia Louisa daughter of the 7th duke. Her descendants sold the book and it passed via Dawson's Book Shop to Estelle Doheny one of the greatest collectors of the 20th century where it joined her Gutenberg Bible and other landmarks of printing history. She bequeathed it to St. John's Seminary which sold it and the rest of Doheny's collection in 1988 where it realized $11000. Bound in 2 vols large folio 518 x 343 mm pp. 1146. Extra-illustrated with 287 Old Master engravings of which 198 are single page and 84 double each mounted mostly within a black ink and pale yellow wash frame. Late 18th- or early 19th-century red straight-grain morocco by L. Staggemeier & Welcher of London binder's ticket green morocco labels richly gilt in compartments wide gilt borders to covers gilt Greek-key turn-ins green watered-silk linings with gilt grapevine borders all edges gilt. Joints and extremities restored scattered light offsetting from plates and foxing else contents fresh very minor worming to front endpapers of first volume: a beautiful copy. ESTC T93106; Gaskell 26; Herbert 1146. unknown
1611ref. 16409London: Robert Barker 1611. A3 bound backwards. Title page the 2 leaves of the engraved map and the final 2 leaves in excellent facsimile. Additional title page from a later edition bound in behind the facsimile. Gothic and Roman types text double column with 59 lines per column and printed within woodcut rule-border calendar and almanac printed in red and black. General title-page within engraved border by Christian Boel and section title for the New Testament dated 1611 within woodcut border. Full-sheet engraved map of the Holy Land by John Speed after Dr John More 17 leaves of genealogical tables incorporating woodcut illustrations of Adam and Eve Noah’s Ark the Tower of Babel and other Biblical subjects numerous woodcut head- and tail-pieces historiated and ornamental initials. Contemporary calf boards rebacked spine labels; some staining a few leaves with small holes or edges torn away but generally a very good copy. With a notation on the paste-down that the book was “received of William Biggs for the sum of 5 shillings . by me John Lang. Ford Warminster” dated 1747 and with a small but elaborate bookplate of William Thomas Smedley 1858-1920 the noted collector of Elizabethaniana and Bacon; his library was sold in 1924 to Henry Clay Folger and the Folger library collection today includes nearly 1500 volumes formerly owned by Smedley. First edition second issue/state called the “she” Bible because of the reading of Ruth III 15: “she went into the citie”. In addition because of the small hole in C6 Matthew 26:36 it is impossible to tell whether the word Judas or Jesus is printed. The King James version of the Holy Bible is arguably the most important book ever published in English. Preparation of the Royal Version took more than 5 years and was laboriously attended to by over 50 translators and researchers. The final translations were then exchanged and reviewed reaching a final committee of six. Supervision of the printing was carried out by Miles Smith and Thomas Bilson. Although the Royal Version appropriates much from the Tyndale Coverdale Geneva and Bishops’ Bibles it is unquestionably regarded as the greatest literary translation of the Bible ever produced. Herbert 309; Pforzheimer 62; PMM 114; STC 2217. Robert Barker unknown
1611ref. 16409London: Robert Barker 1611. A3 bound backwards. Title page the 2 leaves of the engraved map and the final 2 leaves in excellent facsimile. Additional title page from a later edition bound in behind the facsimile. Gothic and Roman types text double column with 59 lines per column and printed within woodcut rule-border calendar and almanac printed in red and black. General title-page within engraved border by Christian Boel and section title for the New Testament dated 1611 within woodcut border. Full-sheet engraved map of the Holy Land by John Speed after Dr John More 17 leaves of genealogical tables incorporating woodcut illustrations of Adam and Eve Noah’s Ark the Tower of Babel and other Biblical subjects numerous woodcut head- and tail-pieces historiated and ornamental initials. Contemporary calf boards rebacked spine labels; some staining a few leaves with small holes or edges torn away but generally a very good copy. With a notation on the paste-down that the book was “received of William Biggs for the sum of 5 shillings . by me John Lang. Ford Warminster” dated 1747 and with a small but elaborate bookplate of William Thomas Smedley 1858-1920 the noted collector of Elizabethaniana and Bacon; his library was sold in 1924 to Henry Clay Folger and the Folger library collection today includes nearly 1500 volumes formerly owned by Smedley. First edition second issue/state called the “she” Bible because of the reading of Ruth III 15: “she went into the citie”. In addition because of the small hole in C6 Matthew 26:36 it is impossible to tell whether the word Judas or Jesus is printed. The King James version of the Holy Bible is arguably the most important book ever published in English. Preparation of the Royal Version took more than 5 years and was laboriously attended to by over 50 translators and researchers. The final translations were then exchanged and reviewed reaching a final committee of six. Supervision of the printing was carried out by Miles Smith and Thomas Bilson. Although the Royal Version appropriates much from the Tyndale Coverdale Geneva and Bishops’ Bibles it is unquestionably regarded as the greatest literary translation of the Bible ever produced. Herbert 309; Pforzheimer 62; PMM 114; STC 2217. Robert Barker unknown books
