2,091 results
1950ref. b22548New York: ABC Television 1950. First Edition . Unbound. Near Fine. Complete original script for the Pulitzer Prize Playhouse production of the televised adaptation of Booth Tarkington's The Magnificent Ambersons broadcast on ABC Television on November 3 1950. The script is noted as "FINAL" and dated October 20 1950. This is director Alex Segal's copy and contains his numerous pencil both black and red notations and deletions throughout. IMDB states that the four primary actors in this production were Melvyn Douglas Ruth Hussey Florence Eldridge and Richard Hylton although it incorrectly lists the director. The script has 101 mimeographed pages. Most are in near fine condition. The title-page has a rust mark from a clip and brief wear page 61 is ruffled along the bottom edge and the final page also has a rust mark. Segal's extensive pencil notations appear on almost every page usually in multiples. ABC Television unknown
ref. FR4499Jolie reliure liège. Etiquette fond blanc légèrement défraîchie.
ref. 51611Oxford: Printed At The University Press. Sold By E. Gardner And Son At The Oxford Bible Wareouse Paternoster Row And By G. B. Whittaker And Co. Ave-Maria lane London; Also By J. And C. Mozley Derby. M.DCCC.XLVIII. 1848 . Lectern Size" bible with interesting provenance. A very good full leather binding by "Hayday". English Medium 4to. 12.5" x 9.75" x 3.75" 34.0cm x 25.5cm x 10.0cm . Weight: 14.3ilbs 6.5kg . Black morocco over thick boards edges lightly rubbed and bumped. Gilt decoration to both boards. Spine with 5 raised bands gilt decorated compartments and gilt title: "Holy Bible". All page edges gilt. Inner gilt dentelles. Original yellow endpapers lightly soiled. Binders stamp to the verso of the front boad: "Bound By Hayday". Closed tears to front free-endpapers. Clean English text in double columns and with marginal references. Separate New Testament title-page. VG. Family history details of the Galbaith family before the New Testament. "Presented to Joseph Allen Galbaith on the occasion of his marriage with Hannah Maria Bredin in the Collegiate Church of St Nicholas Galway on the sixteenth day of July 1850 fifty A.D. by his sincere friend Samuel Haughton". Galbraith Joseph Allen 29 November 1818 � 20 October 1890 professor of experimental philosophy and proponent of home rule was born November 1818 in Dublin the son of Richard Galbraith a merchant and Scottish presbyterian and his wife Rebecca. His father died in the 1820s after which he largely supported himself. Scientific researches into barometric pressure geology and the mathematics of pendulum-motion with respect of the rotation of the earth published in the RIA Proceedings succeeded his appointment as Erasmus Smith's professor of natural and experimental philosophy in May 1854. Together with his great friend Samuel Haughton qv he had previously initiated a hugely popular series of manuals on aspects of mathematics and physics to intermediate and undergraduate level. These were so concise and well structured as to be recommended as textbooks for English schools and colleges by the privy council. They did not go out of print until the 1900s and helped to end Galbraith's financial insecurity. During the Crimean war 1853�6 both friends also made a great reputation tutoring numerous students for the difficult army artillery and engineering exams. He became grand chaplain of the grand lodge of freemasons in the 1850s and worked as treasurer on the management committee of the masonic girls school in Donnybrook." - See Dictionary of Irish Biography. "Edgar Galbraith 16 June 1853 � 16 June 1899 - his son. Was an Irish international rugby union player. Born in Dublin Galbraith was a forward with Dublin University Football Club and gained his solitary Ireland cap in the team's first ever international against England at The Oval in 1875." - See List of Ireland national rugby union players Richard Galbraith 6 Jun 1852 - 7 Dec 1888 - His son - He played for the Ireland national rugby union team. His first international test match was against England on the 15 February 1875. His last test match was against England on 5 February 1877." - See List of Ireland national rugby union players Oxford: Printed At The University Press. Sold By E. Gardner And Son, At The Oxford Bible Wareouse, Paternoster Row, And By G. B. hardcover
1976ref. 2082702114606063Kodansha fixed price 220 yen 1976. Soft Cover. Fine. Number of books: 1 Kodansha fixed price 220 yen paperback
1976ref. 2082702114606064Kodansha fixed price 220 yen 1976. Soft Cover. Fine. Number of books: 1 Kodansha fixed price 220 yen paperback
1976ref. 2082702114606065Kodansha fixed price 220 yen 1976. Soft Cover. Fine. Number of books: 1 Kodansha fixed price 220 yen paperback
1976ref. 2082702114606428Kodansha fixed price 220 yen 1976. Soft Cover. Fine. Number of books: 1 Kodansha fixed price 220 yen paperback
1992ref. 2090502113706092Not Available 1992. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1991ref. 2090202118203328motor magazine company 1991. Soft Cover. Fine. The book is in fine condition. motor magazine company paperback
1773ref. 138571Amsterdam 'S Graavenhaage : Bij Hendrick Christoffel Gutteling 1773. First Edition. Hardback. Scattere marginal foxing. Finely bound in modern aniline calf over marble boards. Raised bands with the title blocked direct in gilt. Spine compartments uniformly tooled in gilt. An exceptional copy - scans and additional bibliographic detail on request. ; 438 pages; Physical desc. : pp. 3. 438. 8vo. Subjects; Bible. Psalms. Dutch. Metrical Versions. States General Version. [Amsterdam], 'S Graavenhaage : Bij Hendrick Christoffel Gutteling hardcover
ref. 8887P., Chez Chéreau (fin XVIIIème). (Galerie de ver).
1837ref. List3613Philadelphia: Firth Meignen & Co. Publishers & Importers of Music and Musical Instruments No. 41 Chestnut Street 1837. Seven pages complete including dance figures. Folio sheet music. Very good with scattered foxing and light edge wear. A rare early American operatic dance arrangement by Francis Johnson 1792-1844 widely regarded as the first published Black composer in the United States. Issued circa 1837 this work adapts themes from Vincenzo Bellini's opera La Sonnambula 1831 into a set of quadrilles with concluding waltz arranged for piano forte and structured for social dancing. The internal headings "Pantalon" "Ladies Chain" etc. retain the formal quadrille sequence reflecting the popularity of European ballroom forms in Philadelphia during the period. Johnson a Philadelphia bandleader composer and virtuoso keyed bugle player published approximately seventy compositions over nearly three decades. Active in Philadelphia from at least the 1810s he became one of the city's most sought-after musicians leading ensembles for cotillions public balls military functions and civic celebrations. In 1818 became the first African-American composer known to have sheet music published in the United States. His band performed for elite social events and public commemorations including celebrations for the Marquis de Lafayette's visit to Philadelphia. In 1838 he toured Europe with his ensemble performing in England and reportedly receiving a silver trumpet from Queen Victoria. This piece was composed a year earlier per the Johnson page at Musicalgeography.com six years after Bellini's work. Operatic paraphrases and dance adaptations of fashionable European works were central to Johnson's output. Overall a quite scarce early title from an important composer. We find two copies in OCLC 692295106 at AAS and the William Clements Library. See "Francis Johnson's Compositions - With Sheet Music" https://musicalgeography.org/francis-johnsons-compositions/. Firth, Meignen & Co., Publishers & Importers of Music and Musical Instruments, No. 41 Chestnut Street
1837ref. List3613Philadelphia: Firth Meignen & Co. Publishers & Importers of Music and Musical Instruments No. 41 Chestnut Street 1837. Seven pages complete including dance figures. Folio sheet music. Very good with scattered foxing and light edge wear. A rare early American operatic dance arrangement by Francis Johnson 1792-1844 widely regarded as the first published Black composer in the United States. Issued circa 1837 this work adapts themes from Vincenzo Bellini's opera La Sonnambula 1831 into a set of quadrilles with concluding waltz arranged for piano forte and structured for social dancing. The internal headings "Pantalon" "Ladies Chain" etc. retain the formal quadrille sequence reflecting the popularity of European ballroom forms in Philadelphia during the period. Johnson a Philadelphia bandleader composer and virtuoso keyed bugle player published approximately seventy compositions over nearly three decades. Active in Philadelphia from at least the 1810s he became one of the city's most sought-after musicians leading ensembles for cotillions public balls military functions and civic celebrations. In 1818 became the first African-American composer known to have sheet music published in the United States. His band performed for elite social events and public commemorations including celebrations for the Marquis de Lafayette's visit to Philadelphia. In 1838 he toured Europe with his ensemble performing in England and reportedly receiving a silver trumpet from Queen Victoria. This piece was composed a year earlier per the Johnson page at Musicalgeography.com six years after Bellini's work. Operatic paraphrases and dance adaptations of fashionable European works were central to Johnson's output. Overall a quite scarce early title from an important composer. We find two copies in OCLC 692295106 at AAS and the William Clements Library. See "Francis Johnson's Compositions - With Sheet Music" https://musicalgeography.org/francis-johnsons-compositions/. Firth, Meignen & Co., Publishers & Importers of Music and Musical Instruments, No. 41 Chestnut Street books
ref. 8871Sans lieu ni date, (fin du XVIIIème).
ref. 8869P., Basset, (fin du XVIIIème).
ref. 8872P., Mondhard, (fin du XVIIIème).
ref. 8870P., Daumont,1760.
ref. AQ29535Oxford: Printed at the University Press s.d. c. 1898 186pp. Printed in double columns. Bound by Hatchards in contemporary brown morocco lettered in gilt with initials 'W. E.' likely William Eden 1849-1915 father of Anthony Eden to upper board. Lightly rubbed. Marbled endpapers internally clean and crisp. Ink inscriptions to recto of front blank fly-leaf: 'With my best wishes M. H. Xmas 1898. "Friendship maketh day light in the understanding out of darkness & confusion of thoughts" - Bacon' and: 'Given to Doodles in remembrance of many things by Sybil Eden June. 1916'. From the recently dispersed library of Anthony and Clarissa Eden. Sir Anthony Eden 1897-1977 British foreign secretary 1935-38 1940-45 and 1951-55 and Prime Minister 1955-1957. Following active service in the First World War Eden read Oriental languages at Oxford. He was elected to the House of Commons in 1923. In 1935 he was appointed foreign secretary a position he resigned in 1938 to protest Prime Minister Neville Chamberlain’s appeasement of Nazi Germany. When Churchill became Prime Minister in 1940 he was named secretary of state for war and later during the Second World War once more served as foreign secretary. Eden succeeded Churchill as Prime Minister in 1955. In 1956 his failure to respond effectively during the Suez Crisis and the subsequent loss of party and public support would ultimately lead to his resignation from office in 1957. He was knighted in 1954 and created earl of Avon in 1961. . 8vo. Printed at the University Press, [s.d., c. 1898] unknown
ref. 8888P., BAsset (fin XVIIIème). (Petits trous de ver).
ref. 8877Sans lieu ni date, (fin du XVIIIème).
1825ref. AQ36181Oxford: Printed at the Clarendon Press by Samuel Collingwood and Co. 1825. Unpaginated. Contemporary gilt-tooled straight-grain burgundy morocco A.E.G. Rubbed and marked with staining and scoring to boards light wear to extremities. Contemporary ownership inscription of 'Fanny Williams Bridehead 1832' to verso of FFEP. Scattered spotting and staining throughout. A quarto Georgian Bible printed at the Clarendon Press by Samuel Collingwood Superintendent of the University Press and described by writer George Valentine Cox as 'a zealous Dissenter.as well as an excellent printer in which character from the liberal share of the profits granted to him by the University he accumulated a considerable fortune.' Recollections of Oxford 1868. This copy most likely belonged to Frances 'Fanny' Turner wife of banker and politician Robert Williams 1767-1847 who purchased the Bridehead estate of Dorset in 1797. . Quarto. Printed at the Clarendon Press by Samuel Collingwood and Co. hardcover
1613ref. AQ36763Imprinted at London By Robert Barker 1613. The text is collated and complete bound without the Map which sometimes is included. 1352pp. Signatures: A8 2A-3Z8 A-M8 square brackets as printed. NT has separate title page dated 1613; register is continuous. In this edition Genesis I 11 has: 'bring forth'; Ruth III 15 has: 'she went'. Very small burn holes to text of leaves O5 and O7 short tear to head of leaf Aa2 some loss to lower corner of leaf H8 early ownership inscription to blank verso of leaf K4: 'Edward Pointz his Book 1663'. ESTC S116976 STC 2228. Bound after: SPEED John. The genealogies Recorded In The Sacred Scriptures. London. Printed by John Beale 1613. 2 43pp. Without two terminal leaves. Initial four leaves laid down with substantial loss to title page. ESTC S102017. Bound before: PSALTER - English Sternhold & Hopkins. The booke of psalmes. London. Imprinted at the Company of Stationers 1614 8 93pp 5. Defective without 11 terminal leaves substantial portion of title page torn away final two leaves laid down. Modern blind-tooled calf. Scattered spotting. An early example textually complete and with both title pages of the definitive Anglican text of the Reformation. 'The Authorized Version of the English Bible first printed in 1611.is the most widely-published text in the English language. During many generations large portions of it were known by heart by people on both sides of the Atlantic. With Shakespeare its exact contemporary the Authorized Version has contributed countless quotations and expressions which have slipped hardly noticed into English language and idiom.The book was always printed according to a very precise formula. The lengthy wording of the title-page was unvarying. Every Bible opened with the standard preface to James I 'To the Most High and Mighty Prince James.' beginning 'Great and manifold were the blessings.' The text of the Bible was arranged in strict convention. It was generally laid out in two columns with separate numbered verses. Each chapter opened with a short summary of its content. There were no interpretative notes but there were brief references in the margins to parallel passages or variant readings. 246-249pp HAMEL Christopher De. The Book. A History of the Bible. London 2001. . Authorized Version. Quarto. unknown
1657ref. AQ33174Cambridge: Printed by John Field 1657. 1354pp. Title printed within an ornamental border containing the seal of Cambridge University signed: Rob. Vaughan sculp. The New Testament and the Psalms both have separate title pages dated 1657 the register is continuous. Handsomely bound by Gilmour of Salisbury in early nineteenth-century black panelled morocco richly tooled in gilt and blind A.E.G. gilt dentelles. Lightly rubbed some surface loss to upper board. Armorial bookplate of J. L. Jackson with later pencilled inscription 'to Mr. Calcraft. John 1.29. I Thess. v. 23 ' to FEP head of text-block trimmed with occasional loss to running- title small hole to leaf Cc1 with slight loss of text and sense very occasional chipping to margins. A choice example of a Commonwealth era Cambridge-printed King James Bible notorious for its errors from the press of John Field in a finely executed later provincial binding - to a very distinct style - by the Gilmour family Andrew then George of binders and stationers of Salisbury fl.1800 onwards. As was noted by the contemporary pamphleteer William Kilburne in his Dangerous errors in several late printed Bibles London 1659 part of a series railing against the poor-quality Bible printing work of Henry Hills and John Field this edition omits Psalms Ch.143 v.4 in its entirety 'and there are many other faults as I am well informed of very great notoriety'. Provenance: With the bookplate of James Leonard Jackson 1777-1854 rector at St. Mary's Church Swanage; presented by him to a male member of the Calcraft family of Wareham most likely John Hales Calcraft 1796-1880 Member of Parliament for Wareham. ESTC R38638 Herbert 656 Wing B2252. 8vo. Printed by John Field unknown
1823ref. AQ19315Oxford: Printed at the Clarendon Press by Samuel Collingwood and Co. 1823. Unpaginated. With additional engraved title pages for both the O.T. and N.T. and a further 27 engraved plates. Handsomely bound in contemporary blind-stamped black straight-grain morocco lettered in gilt A.E.G. Slightest of rubbing to extremities. Manuscript records of births deaths marriages etc. of the Trueman family to front blank fly-leaves very occasional light spotting. . Quarto. Printed at the Clarendon Press by Samuel Collingwood and Co. unknown
1687ref. AQ30934Printed for the author and Peter Story and sold by Tho: Fabian at the Bible in Pauls Churchyard. Dorman Newman at ye King's Armes in the Poultry. 1687. 6 278 3 279-358 2 359-396pp 2. With an engraved title included in the pagination displaying the figures of Moses and Aaron within an architectural design an engraved portrait frontispiece of William Addy two further engraved divisional titles also included in the pagination of the New Testament Holy Dove and the Four Evangelists and the Psalms King David playing the harp and a terminal blank. Contemporary gilt-tooled and panelled black morocco A.E.G. marbled endpapers. Some rubbing to extremities bumping to corners short split at head of spine upper hinge starting. With old bookseller's ticket tipped to verso of FFEP further bibliographical notes tipped in at end to blank fly-leaf. Early ownership initials of W.R. to verso of engraved frontispiece with a further name neatly erased. The first complete Bible to be produced entirely in shorthand engraved throughout by John Sturt and including the metrical psalms of Sternhold and Hopkins translated from the King James Authorised Version by English writing master and stenographer William Addy c.1618-c.1695. Addy's shorthand system was extensively outlined in his Stenographia or The art of short- writing compleated in a far more compendious method than any yet extant London 1684. As he himself acknowledged it owed a great debt to the system of Jeremiah Rich d. c. 1660. Darlow & Moule transcribe a note from the B.M. copy which explains the method of production: 'This Bible in Stenography my Brethren at sight and all others skill'd in ye Art of Sculpture know it's Engraven; but in a Peculiar Manner. It was written by Mr. Addy in ungum'd Ink burnished on the wax and then run through with the Engraver by John Sturt'. The old bookseller's description tipped into this copy refers to the work as the 'Pepys shorthand Bible' referencing J.W. Carlton's 1933 article "Samuel Pepys his Short-hand Books" Transactions of the Bibliographical Society. New Series Vol. XIV p.83 1933; however Pepys copy is described as featuring 'a rapturous dedication to William of Orange' which was not added until the 1689 reissue confusingly with the title continuing to display the 1687 date of this Bible. One of three slight variant editions published in 1687. All are rare; ESTC locates copies of this edition with imprint 'Printed for the author and Peter Story' on verso of the second leaf at just four locations worldwide Cambridge NYPL Oxford and Senate House. Darlow & Moule 637 ESTC R172956 Wing B2805B. First edition. 16mo. Printed for the author, and Peter Story and sold by, Tho: Fabian at the Bible in Pauls Churchyard. Dorman Newman at ye King' unknown