Antigua version de Cipriano de ValeraBiblio.com
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ref. 144232Deposito Central de la Sociedad Biblica 1911. tapa blanda. 2ª Mano - Aceptable/2ª Mano. Deposito Central de la Sociedad Biblica. 1911. Cotejada con diversas traducciones y revisada con. arreglo a los originales hebreo y griego. Portada algo sobada. Tazada en corte sup. del lomo. Lomo algo fatigado Tela952292 pag 8 mapas 24x17 cm Deposito Central de la Sociedad Biblica unknown
1905ref. 111472Depósito Central de la Sociedad Bíblica 1905. hardcover. Aceptable. Madrid 1905. Depósito Central de la Sociedad Bíblica. Piel. 1056 pp. 17x12. Falto de lomo. Depósito Central de la Sociedad Bíblica hardcover
1985ref. 60-04055HOSANNA 1985-01-01. Audio Cassette. Good. Good condition with all cassettes and case. HOSANNA unknown
1701ref. 53475Liege: Jean-François Broncart 1701. First edition thus. Hardcover. Very good. Two tomes each in two parts bound in one volume folio: 6 lxxix 1 blank 544; 1 title 1 blank 545-957 1 blank xx Cantique des cantiques 96 La sagesse; Ecclesiastique de Jesus fils de Sirach; 1 title 1 blank 468; 1 title 1 blank 430 16 Oratio Manassae; Liber Esdrae - tertius et quartus pp. Main titles for each tome in red and black; secondary titles in black only all four titles with engraved printer's device; each dated 1701. Text in two columns Latin and French. Illustrated with 6 engraved plates: frontispiece Johann Friederich Karg von Bebenburg; folding plate with 16 vignettes 4x4 depicting well-known biblical scenes; 4 folding maps The Holy Land; The Promised Land Apportioned by Tribe; Jerusalem in the Second Temple Era - after Lamy; The World Known to the Evangelists. Quarter-page engraved vignettes at the head of each of the 30 biblical books; historiated initials; printed marginalia. Exquisitely bound in the 19th century in levant morocco extra over wooden boards with mosaic compartments in crimson ochre; and dark brown bordered in fine gilt line; spine with raised bands lightly rubbed; pair of brass mounts finished in black with steel rivets at both covers clasps and catched perished. All edges gilt and elaborately gauffered in textured floral motif; gilt inner dentelles; decorative endleaves renewed in orange and black; crimson silk ribbon marker. The work of a master binder. Expertly repaired at spine caps. Occasional faint embrowning; marginal dampstains beginning in second half mostly at outer corners; expanding to fore-edge and darkening considerably in final 20 leaves. Overall a very good copy with crisp text throughout though incomplete: lacks Antoine Arnould's "Concorde des quatre Evangélistes" along with its accompanying Latin version and the concluding index. Amply margined copy of this sumptuous edition of the Bible comprising the Latin Sixto-clementine Vulgate and the Port-Royal French translation printed in parallel columns. Isaac-Louis Lemaistre de Sacy 1613-1684 was the principal translator of the French version which was edited and completed after his death by Pierre Thomas du Fossé 1634-1698 and Henri-Charles de Beaubrun 1655-1723 who also provide annotations throughout. According to Barbier the French controversialist Thierry de Viaixnes 1659-1735 who found himself often at odds with his superiors was the principal editor of the work; at the time of its preparation he was serving as director of an academy at Hautvilliers in the diocese of Rheims McClintock & Strong. Dedicated to Johann Friederich Karg von Bebenburg 1648-1719 whose signed portrait was drawn and engraved by C. Gustav of Amling. An advocate of maximal papal power Karg served as Privy Councilor of the Prince-Bishop of Bamberg and Würzburg Peter Philipp von Dernbach then of Elector Max Emanuel of Bavaria. He served as Dean of Our Lady in Munich and was entrusted by Emperor Leopold I with a legation to Pope Innocence XI. By these efforts he secured in 1688 the election of Prince Joseph Clemens of Bavaria as Archbishop of Cologne as a result of which he was made Chancellor and Minister of State here noted on the frontispiece. Provenance and annotations: Bookplate of Herman Blum Blumhaven Library & Gallery with his ticket below; two gilt-stamped ex-libris morocco labels: Henry W. Poor oval; Adolph Lewisohn octogonal. References: Darlow & Moule 3779; Deleveau & Hillard Bibles imprimées du XVe au XVIIe siècles conservées è Paris 605; ADB 15 1882 "Karg: Johann Friedrich; Jean-François Broncart hardcover books
1701ref. 53475Liege: Jean-François Broncart 1701. First edition thus. Hardcover. Very good. Two tomes each in two parts bound in one volume folio: 6 lxxix 1 blank 544; 1 title 1 blank 545-957 1 blank xx Cantique des cantiques 96 La sagesse; Ecclesiastique de Jesus fils de Sirach; 1 title 1 blank 468; 1 title 1 blank 430 16 Oratio Manassae; Liber Esdrae - tertius et quartus pp. Main titles for each tome in red and black; secondary titles in black only all four titles with engraved printer's device; each dated 1701. Text in two columns Latin and French. Illustrated with 6 engraved plates: frontispiece Johann Friederich Karg von Bebenburg; folding plate with 16 vignettes 4x4 depicting well-known biblical scenes; 4 folding maps The Holy Land; The Promised Land Apportioned by Tribe; Jerusalem in the Second Temple Era - after Lamy; The World Known to the Evangelists. Quarter-page engraved vignettes at the head of each of the 30 biblical books; historiated initials; printed marginalia. Exquisitely bound in the 19th century in levant morocco extra over wooden boards with mosaic compartments in crimson ochre; and dark brown bordered in fine gilt line; spine with raised bands lightly rubbed; pair of brass mounts finished in black with steel rivets at both covers clasps and catched perished. All edges gilt and elaborately gauffered in textured floral motif; gilt inner dentelles; decorative endleaves renewed in orange and black; crimson silk ribbon marker. The work of a master binder. Expertly repaired at spine caps. Occasional faint embrowning; marginal dampstains beginning in second half mostly at outer corners; expanding to fore-edge and darkening considerably in final 20 leaves. Overall a very good copy with crisp text throughout though incomplete: lacks Antoine Arnould's "Concorde des quatre Evangélistes" along with its accompanying Latin version and the concluding index. Amply margined copy of this sumptuous edition of the Bible comprising the Latin Sixto-clementine Vulgate and the Port-Royal French translation printed in parallel columns. Isaac-Louis Lemaistre de Sacy 1613-1684 was the principal translator of the French version which was edited and completed after his death by Pierre Thomas du Fossé 1634-1698 and Henri-Charles de Beaubrun 1655-1723 who also provide annotations throughout. According to Barbier the French controversialist Thierry de Viaixnes 1659-1735 who found himself often at odds with his superiors was the principal editor of the work; at the time of its preparation he was serving as director of an academy at Hautvilliers in the diocese of Rheims McClintock & Strong. Dedicated to Johann Friederich Karg von Bebenburg 1648-1719 whose signed portrait was drawn and engraved by C. Gustav of Amling. An advocate of maximal papal power Karg served as Privy Councilor of the Prince-Bishop of Bamberg and Würzburg Peter Philipp von Dernbach then of Elector Max Emanuel of Bavaria. He served as Dean of Our Lady in Munich and was entrusted by Emperor Leopold I with a legation to Pope Innocence XI. By these efforts he secured in 1688 the election of Prince Joseph Clemens of Bavaria as Archbishop of Cologne as a result of which he was made Chancellor and Minister of State here noted on the frontispiece. Provenance and annotations: Bookplate of Herman Blum Blumhaven Library & Gallery with his ticket below; two gilt-stamped ex-libris morocco labels: Henry W. Poor oval; Adolph Lewisohn octogonal. References: Darlow & Moule 3779; Deleveau & Hillard Bibles imprimées du XVe au XVIIe siècles conservées è Paris 605; ADB 15 1882 "Karg: Johann Friedrich; Jean-François Broncart hardcover
1927ref. 46497New York: G. Ricordi & Co. Inc 1927. First Edition Thus; First Printing. Softcover. Good in wrappers. Chips and tears to wrappers.; 8vo 8" - 9" tall. G. Ricordi & Co. , Inc unknown
1968ref. 049502NY: THE NEDDLE AND BOBBIN CLUB. volume 14 one of 500 copies. . VG. Hardcover. 1968. THE NEDDLE AND BOBBIN CLUB hardcover
1960ref. 3081551Nijmegen: Dekker & van de Vegt 1960. XIII, 220 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1981ref. 179388Fondo Educativo Interamericano 1981. Tapa blanda. 2ª Mano - Bueno. . La música del hombre trata de quienes crean interpretan o escuchan. De interés general tanto para el lector no especializado como el que posea un conocimiento más profundo sobre la materia esta obra extraordinaria sigue la huella evolutiva de la cración musical desde sus principios hasta nuestros días a partir de una siempre clara y bien definida perspectiva histórica y social . Muy ilustrado. . . Tapa blanda 320 pag 25x20 cm Fondo Educativo Interamericano unknown
1990ref. 29592Paris: La Bibliothèque de Arts 1990. 163 pp. Glossaire. Illusytrations en couleurs et en n/b. Lange: français. Reliure de l"édiiteur. Bon état/Jaquette. 26 x 24 cm. La Bibliothèque de Arts Hardcover
1968ref. 89559New York: Christian Bourgeois 1968. First French-Language Edition. Limited issue one of only 22 large-paper copies on Alfa Mousse this being no. 11 of 15 copies for sale after 7 hors-commerce. Octavo; printed dustwrapper over plain card wrappers; 220pp. Fine in publisher's glassine; text completely unopened. A pristine copy of a true Burroughs rarity. MAYNARD & MILES D12. Christian Bourgeois unknown books
1968ref. 89559New York: Christian Bourgeois 1968. First French-Language Edition. Limited issue one of only 22 large-paper copies on Alfa Mousse this being no. 11 of 15 copies for sale after 7 hors-commerce. Octavo; printed dustwrapper over plain card wrappers; 220pp. Fine in publisher's glassine; text completely unopened. A pristine copy of a true Burroughs rarity. MAYNARD & MILES D12. Christian Bourgeois unknown
1951ref. 358821ª Edición en esta colección.- Madrid: Ed. Aguilar 1951.- 444 p.: Con 8 ilustraciones entre el texto 10 láminas y retrato del autor R. Miquel i Planas ante portada; 16vo. 83 cm.; Papel biblia; Texo bilingüe en castellano y catalán; Cinta guía de lectura; Plena Piel Ed. tapas con plancha en seco cabeza pintada.- Crisolín. 5.- Muy buen estado. LITERATURA Y FILOSOFÃA ESPAÑOLAS DE LOS SIGLOS XIX-XXI Y SU HISTORIA EN GENERAL Libro en español Ed. Aguilar hardcover
1967ref. 96974Mexico: Editorial Grijalbo 1967. 159 Seiten. 8° (17,5-22,5 cm). Orig.-Broschur. [Softcover / Paperback].
1884ref. 33530Madrid: Tipografía Hispano-Americana 1884.- 318 p.; 8º 176 x 115 cm; Tela.- Creemos que es la primera edición en español de la novela de BELOT "La Fièvre de l'inconnu" suite de La Sultane parisienne Paris Edouard Dentu 1878. RARO. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Tipografía Hispano-Americana hardcover
1989ref. 1424Madrid: Miraguano Ediciones 1989. NAP. Softcover. Very Good. 6 1/8 x 8 1/4. Sewn binding French flaps. Tight binding with square uncreased spine. No marks. Some cover wear. Miraguano Ediciones paperback
1974ref. 907Paris: Théâtre de la Ville 1974. 1152 pp. mimeographed leaves printed recto only. In French. Original cloth-tape-backed printed cloth over card covers. Signed by Arthur Miller on the title page. Cloth backing worn with two-inch split at head of front cover covers moderately soiled inch-long pen mark on title page. Good to very good. French script adaptation of Arthur Miller's 1972 play THE CREATION OF THE WORLD AND OTHER BUSINESS by Jean Mercure 1909-1998 who directed it at the Théâtre de la Ville in 1974. Avant Scène published a trade edition of the script in the same year. OCLC locates no copies of the present version. Théâtre de la Ville paperback books
1917ref. 2326264New York: G. Ricordi & Co 1917. Stapled Binding. Very Good. 0x0x0. Wrappers lightly soiled. 1917 Stapled Binding. 51 pp. "La boheme is an opera in four acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa based on Scenes de la vie de boheme by Henri Murger. The world premiere performance of La boheme was in Turin on 1 February 1896 at the Teatro Regio and conducted by the young Arturo Toscanini. Since then La boheme has become part of the standard Italian opera repertory and is one of the most frequently performed operas internationally. According to Opera America it is the second most frequently performed opera in the United States just behind another Puccini opera Madama Butterfly. G. Ricordi & Co unknown books
1898ref. 245882New York: G. Ricordi & co 1898. Softcover. Good. Good in wrappers. Paperback rubbed at spine ends and corners cover and foredges soiled cover browned at spine with tape repair pages browned at edges with some occasional spotting throughout lower front corner slightly torn. G. Ricordi & co unknown books
ref. 500322175Science & Vie Sans date.
ref. 1274Editions Gallimard / Collection Série Noire n° 1073 de 1966. In-12 broché de 186 pages au format 11,5 x 18 cm. Couverture illustrée par une photo Marcello Mastroianni et Ursula Andress, extraite du film. Dos carré. Plats et intérieur parfaits. Excellent roman de Science-Fiction, égaré dans la collection Série Noire, qui situe dans un futur proche, un monde où des chasses à l'homme sont organisées et télévisuelles. Pendant ces programmes sponsorisés par la publicité, les meurtres sont autorisés, afin de canaliser l'agressivité et la violence des êtres humains. Les participants sont d'abord chasseurs, puis chassés, jusqu'à atteindre le nombre de 10 participations. Ceux qui parviennent à survivre jusqu'au bout deviennent alors riches et célèbres...Etat superbe, proche du neuf. Edition originale, rare, surtout dans un tel état de fraicheur. Le Roman sera adapté au cinéma, en 1965, par Elio Petri, avec dans les rôles principaux : Marcello Mastroianni, Ursula Andress, Elsa Martinelli, Salvo Randone, Massimo Serato.
ref. 1764Editions Gallimard / Collection Série Noire n° 2326 de 1995. Fort in-12 broché de 476 pages au format 18 x 3,5 x 11,5 cm. Dos resté carré, avec une infime trace de pliure de lecture. Plats et intérieur frais. Portrait photo de l'auteur au 4ème plat. Premier roman publié de Maurice G. Dantec en retirage de mai 1995. Edition enrichie d'une magnifique dédicace autographe, signée et datée, pleine page de Maurice G. Dantec : A Raymond, père de Humbert Jr, dit " L'allumé-au-miroir ", votre fils vous a surpris ! II a malheureusement quelques copains...Amicalement, Bonne route !, Clermont-Ferrand, le 29 juin 1995. Les dédicaces de l'auteur sont très rares. Le Roman sera adapté au cinéma, en 2002, par Olivier Megaton, avec dans les rôles principaux : Jean-Marc Barr, Asia Argento, Frances Barber.
ref. 10319Editions Gallimard / Collection Série Noire n° 2326 de 1993. Fort in-12 broché de 479 pages au format 18 x 3,5 x 11,5 cm. Dos resté carré. Plats et intérieur frais. Portrait photo de l'auteur au 4ème plat. Premier roman publié de Maurice G. Dantec en 1er tirage d'août 1993. Edition enrichie d'une superbe dédicace autographe, signée, d'une demi page de Maurice G. Dantec : " Le rouge et le noir ont toujours fait bon ménage. J'espère que ce livre ne faillit pas à la règle ". Les dédicaces de l'auteur sont très rares. Le Roman sera adapté au cinéma, en 2002, par Olivier Megaton, avec dans les rôles principaux : Jean-Marc Barr, Asia Argento, Frances Barber.
ref. 18171Editions Gallimard / Collection " Série Noire " n° 8 de 1948. In-12 broché de 278 pages au format 12 x 18,5 cm. Couverture noire, mate, avec titre imprimé en jaune. Dos carré, très légèrement insolé. Couverture avec petit enfoncement et minuscule brunissure au bord. Pâle auréole au verso du 1er plat, en page de garde et de faux titre. Intérieur très frais, malgré tout. Traduction de Boris et Michèle Vian. Mention fictive d'édition, comme toujours fictive. Il n'y eut qu'un seul tirage avec l'achevé d'imprimer en date du 1er trimestre 1948. Très bel état général. Rarissime édition originale, en version souple. Le Roman sera adapté au cinéma, en 1947, par Robert Montgomery, qui tiendra le rôle principal de Philip Marlowe. Ce film est réputé connu pour être le premier tourné presque entièrement en caméra subjective, le héros n'apparaissant en caméra objective que pendant quelques séquences en face caméra et lorsqu'il y a un miroir dans la pièce. On trouve dans les rôles principaux : Audrey Totter, Lloyd Nolan, Tom Tully, Leon Ames, Jayne Meadows, Dick Simmons, Morris Ankrum, Kathleen Lockhart, Ellay Mort.
ref. 8871Sans lieu ni date, (fin du XVIIIème).
