7 180 résultats
réf. 22906TRANSMISSION: BBC HOME SERVICE SCHOOLS Bush House London Monday 29th June 1953: 9.40 - 10.00 a.m. Contemporary duplicated typescript from the Christopher Fry papers. 14pp 8vo. Each page on a separate leaf. In fair condition lightly aged. Fry's introductory talk is present in its entirety on pp.1-5 this is followed by an unpaginated page then pp.8-15 with p.10 also unpaginated. Hence p.6 or p.7 beginning the extracts from the play would appear to be absent. On the front page between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A Recording of Insert: BLANK'. Fry's talk - apparently unpublished astute and all the more revealing because addressed to a younger audience - is preceded by 'ANNOUNCER: This is the BBC Home Service for Schools. Religion and Philosophy. Today Christopher Fry speaks about his play "A Sleep of Prisoners". Mr. Fry.' Fry begins his talk: 'It's interesting - at least it's interesting to me - what apparently accidental things go to the making of a play. I always begin by feeling it's very improbable that I shall ever write anything. My mind is a vacuum: and then nature abhorring they tell me a vacuum starts to fill it up: very slowly usually; one little thing at a time; memories I had forgotten I possessed: a chance remark from somebody: all sorts of quite trivial things in my life gather together fal into line as though they had always meant to and gradually something which might be said to resemble a play shapes itself in my head. Which shows perhaps that nothing that ever happens to you is unimportant.' He proceeds to describe the 'things' that happened to allow him to publish 'A Sleep of Prisoners' with reference to: the 1951 Festival of Britain; Michael MacOwan; Oliver Cromwell; Fry's move during the war to a cottage in Oxfordshire. He describes his sudden suggestion to 'Mr. MacOwen': 'I should like the action of the play to be the dreams of the prisoners. Each man would dream in turn and would dream of himself and the other men. Naturally each man's opinion of himself and of the others would be different: no two people have exactly the same opinion of you or of me; and so in this way if we had four prisoners each actor would have four versions of himself to act each character would be seen from four different points of view. Tea-time came to an end Mr. MacOwen had to leave and that was as far as we had got.' He describes how a few weeks later on a single day he developed 'the whole story of the play'. He gives his assessments of the four characters and describes the a section of the plot before announcing in the final paragraph: 'The actors are going to play part of this dream for you. The character of Absolom remember is David's dream picture of Peter Peter with all his infuriating qualities uppermost.' He continues his explanation at one point stating: 'I have tried in this dream to mix the waking and sleeping world together. . So to us the audience Meadows is awake and to David he is a figure in a dream. Now let us go into the dream. Absalom has been mocking his father from down in the shadows and now David begins to speak.' The nine-page reading from 'the dream' follows and by reference to Fry's introduction together with the text of the whole poem it should be possible to establish what if any part is lacking. TRANSMISSION: BBC HOME SERVICE (SCHOOLS) [Bush House, London] | Monday 29th June 1953: 9.40 - 10.00 a.m. unknown
réf. 133031892 DAVID NUTT THE STRAND LONDON. VERY GOOD COPY. ON JAPANESE VELLUM PAPER. LIMITED EDITION OF ONLY 30 COPIES: THIS BEING NO.8. CREAM BOARDS A LITTLE WORN AND STAINED. DEACON BRODIE BEAU AUSTIN ADMIRAL GUINEA. 1892 DAVID NUTT, THE STRAND, LONDON hardcover
réf. 2204420 Fitzroy Square London N1. 17 October 1962. Both 1p 4to and in good condition lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg Keron Heyesod Street Herzlia-on-Sea Israel. The subject of the letters is Centre 42 the touring arts group Wesker formed to bring culture to the masses on his release from prison following a sentence for civil disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964. The first letter begins: 'Emersed as I have been in the festivals I have only just got around to answering your letter and I find in it that you ask me to send some material to a friend in Ramat Chem. I am afraid it is too late to send him material now as he has probably returned. I am sorry about this but I hope that the enclosed material will give some indication of the scope of the festivals.' The first three festivals have been 'mounted with varying success but the project as a whole has gained a great deal of public attention though not always sympathy. There is something inherent in the English personality that considers culture outside the commercial framework to be an enfringement of a basic democratic principle.' He concludes: 'Plenty of Israeli theatres appear to have wanted my plays – none of them have yet done so. sic God knows why.' The second letter is on Centre 42's stylish letterhead in grey and red and begins with reference to a meeting between the two men in Israel and 'Megged's book' a copy of which he has received from the publisher Gollancz. 'Concerning Centre 42 I have sent all the information about us to Dov Vardi and I understand he is going to write about us'. Wesker is sending 'a set of literature' to Hodes adding: 'However it strikes me as very strange that anyone in Israel should be interested in this sort of movement since as far as I understand the Histadruth spends over a million pounds on the Arts and cultural activity in Israel and this is what we dream of happening here in England. … We even quote Israel as an example of the situation we should like to see.' 20 Fitzroy Square, London, N1. 17 October 1962. unknown
1934réf. 058127Leningrad: Les Editions De L'etat Pour Les Belles Lettres / Gosidarstvennoy Izdatelistvo "Chudozhestvennaya Literatura 1934. 1st Edition 1st Printing. Hardcover. Very Good . Illustrated By Photographs And Drawings; Woodcut Initials. 9 5/8" Tall. 240 Pp. Yellow Cloth. Errata Slip And Publisher's Price Slip. Light Wear. Title Pages In French And Riussian But Alll Text In Russian. "The Russian Kamerny Theater Was A Small Intimate Theatre Founded In Moscow In 1914 By The Russian Director Aleksandr Tairov To Support His Experimental Synthetic Theatre That Incorporated All Theatrical Arts - Ballet Opera Music Mime And Drama - As An Alternative To The Naturalistic Presentations Of Konstantin Stanislavsky's Realism At The Moscow Art Theatre. In His Memoirs Lee Strasberg Described Seeing Performances By The Moscow Art Theater In New York In The 1920S As "The Decisive Step In My Search For A Solution To The Actor's Problem." Encyclopedia Brittanica. Fine History Of The Theater With Dozens Of Full Page Photographic Plates And Reproductions Of Drawings Of Stage Sets Productions And Actors In Costume Many Depicting Russian Avant-Garde Stage And Costume Design Including Goncharova Exter And Others. Small Inscription Dated 1935 On Ffep. Rare. Les Editions De L'etat Pour Les Belles Lettres / Gosidarstvennoy Izdatelistvo "Chudozhestvennaya Literatura hardcover
1984réf. 016384Tokyo Japan 1984. This is a fine hardcover copy bound in dark green moire silk cloth with titles in Japanese characters in red and gilt on the spine. Lacking slipcase. Completely clean inside and out. Text mostly in JAPANESE but introduction and list of plates also in ENGLISH. The Ii Collection of Noh robes was started in the 1920's by Ii Naotada after an earthquake destroyed the family theater. It is a very broad collection and justly famed in Japan. Illustrated completely in color. List of plates includes 164 pieces many with extensive entries. 14" high X 10" wide 190 pages. Large very heavy book foreign postage will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. Hard Cover. Fine. Hardcover
1992réf. 015938Milan Italy: FMR Franco Maria Ricci 1992. This is a very good hardcover copy with almost no wear with a very good clamshell box with light wear. Completely clean inside and out. Text in English and Italian. Illustrated throughout in color with many tipped-in plates and drawings in color and black & white. Limited edition of 4000 numbered copies. This is copy no. 3841. Stated first edition. 14" high X 9" wide 272 pages. . First Edition. Hard Cover. Very Good. FMR Franco Maria Ricci Hardcover
2005réf. 013947New York: Princeton Architectural Press 2005. This is a very good hardcover copy with a very good dust jacket. Signed with a silver marker or pen by Grigory Revzin on the front black endpaper. Not inscribed to anyone just signed. Stated first edition. Texts by Julie Taymor and Grigory Revzin. Illustrated throughout in color. 12" high X 9" wide 223 pages. A beautiful signed copy of the first edition. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. . Signed by Author. First Edition. Hard Cover. Very Good/Very Good. Princeton Architectural Press Hardcover
1928réf. 059693New York: Theatre Arts / Helen Hackett / J. J. Little 1928. 1st Edition . Hardcover. Good/No DJ. 147 Pp. Beige Cloth Over Boards. One Of A Limited Edition Total Printing Not Stated. Wear At Corners Cloth Frayed At Ends Of Spine Paper Spine Label Chipped With Loss Of Word "Art" Paper Covered Boards Frayed At Tips. Cryptic Word "Arnold / 1928" On Front Endpaper With Some Symbols. Bookplate Of A Dancer By Franz Geritz For Patricia Lee Morrison Whose Mother Lillian Edited "Doll Dreams". With . Printer's Proof Of The "Limited Edition" From J J Little With Heavy Paper Wrappers Enclosing The Unbound Signatures Stitched Together. Cover Transmittal Sheet 'For Approval Please Return Promptly Publisher: Theatre Arts Pencil Date: 11/8/28 Pencil Title: The Art Of The Dance Pencil This Volume Is Submitted So You May See Whether It Is Correctly Arranged And Complete For Binding . J. J. Little ." Facsimile Signatures Of Isadora Duncan On Front And Rear Endpapers. Covers Worn But Complete Contents Clean. Theatre Arts / Helen Hackett / J. J. Little hardcover
1949réf. 059663New York: Theatre Arts Books: Robert M. MacGregor 1949. No Edition Stated . Soft cover. Near Fine/Good. 8 5/8" Tall. 292 Pp Gray Cloth Stamped In Black And Magenta. First Printing No Indication Of Later Printing; Book With No Marks Near Fine. Dj Priced $3.50 No Indication Of Later Printing7 Reviews Of Book On Front Flap And None On Rear Panel. Dj Spine Sunned. Dust Jacket Worn Torn Small Losses Holding Up In Dust Jacket Protector With No Loss Of Lettering. Theatre Arts Books: Robert M. MacGregor paperback
1805réf. 28473London: John Cawthorn 1805. Group of 30 Portraits of Actors and Actresses. All mezzotint by several hands. 1 vols. 12mo. 1/2 red morrocco on marbled boards. A very good copy. Group of 30 Portraits of Actors and Actresses. All mezzotint by several hands. 1 vols. 12mo. Unusual. WH/2/20/3 John Cawthorn unknown
1805réf. 28473London: John Cawthorn 1805. Group of 30 Portraits of Actors and Actresses. All mezzotint by several hands. 1 vols. 12mo. 1/2 red morrocco on marbled boards. A very good copy. Group of 30 Portraits of Actors and Actresses. All mezzotint by several hands. 1 vols. 12mo. Unusual. WH/2/20/3 John Cawthorn unknown books
1812réf. 002514James Ballantyne 1812. New edition. Hardcover. Good. 8vos law buckram with leather labels. Ex libris Henry George Impey Siddons a descendant of actress Sarah Siddons and Arthur Lanyon Blair. These fine Elizabethan playwrights were overshadowed by Will Shakespeare - but who wasn't Still these felllow were outstanding in their field. James Ballantyne hardcover
1845réf. DEMO016703ILondon: Theatre Royal Drury Lane Nov. 8 1845. First edition. 20x10in 47cm. Very Good. Central horizontal fold minor marginal chipping. Announces two ballets starring Adele Dumilatre and Lucien Petipa. Adele Dumilatre became a premier danseuse after she was the "woman who first danced Myrtha Queen of the Wilis the icy counterpart to the forgiving warm and full-blooded Giselle". Dumilatre was "known for her chaste elegance onstage". As a successful French-born ballerina of the second tier she was a rarity. She performed at Drury Lane in 1844-45 and at La Scala in 1946. After her professional retirement in 1848 she became the Countess Drake del Castillo. Provenance: From the Vernon Schwartz collection. His note on the verso says it was a gift from Kay Ballard. Ballard played Lola in "Sheba" the first musical adaptation of William Inge's play "Come Back Little Sheba" which was in 1974 at Chicago's Drury Lane Theater where Schwartz was the Resident Director. Finally J. P. Harley was the Stage Manager in 1845 at Drury Lane. Probably he is the same Harley who was "the popular comic actor who had the best roles in Dickens's first three plays" and for whom he wrote the lead role of Tom Grig in his play "The Lamplighter". Theatre Royal Drury Lane unknown
1792réf. 0007882London: John Stockdale 1792. First edition. Hardcover. Very Good. 4to; xvi 564 Index inked name on title-page quarter calf marbled boards red morocco spine label original spine repaired. Scarce. Pye became England's Poet Laureate in 1790 in the same year he became Police Magistrate for Westminister. "The chief intent of my Commentary . is an illustration of the rules and the examples confirming those rules which are found in Aristotle's remarks on dramatic and epic poetry from similar passages in the modern and more especially in the English poets - Preface." John Stockdale hardcover
1855réf. DEMO016617ILondon & New York: London Printing and Publishing Co. ca. 1855. New edition. Hardcover. Very Good. steel engravings. Royal octavos contemporary 3/4 morocco edges and endpapers marbled extremities scuffed Issued to commemorate the 300th Anniversary of the bard's birth. Jaggard p.537 . London Printing and Publishing Co. hardcover
1968réf. 40559New York Paul Hamlyn 1968 First Edition. hardcover. First editon first printing of this facsimile prepared by Charlton Hinman. -- Hinman compared 80 variant copies from the Folger Library using a machine he invented to produce "THE" "corrected" Folio in facsimile. -- Hardcover 10x14.5x2.3 inches 928 pages. Condition: near fine fore-edge has couple small bumps; cover corner bump with near fine dust jacket. ISBN 0393098435 PLEASE NOTE this book is very heavy and will incur extra shipping charges; not available for expedited or international shipping. Paul Hamlyn hardcover
1908129,1p., 20 col. plates. Hardcover Very good condition, in gilt stamped green cloth, some foxing of endpapers, hinges lightly rubbed, small spot on rear cover
1898réf. 105781BBParis, Librairie Dentu, o. J. (1898). Gr.-8° (23,5 x 15,5 cm). 160 S. Dunkelblauer Maroquinband der Zeit mit goldgepr. Rückentitel, floraler Rückenvergoldung, goldgepr. dreifachen Deckelfiletten, Innenkantenvergoldung u. Goldschnitt (Orig.-Umschlag beigebunden; signiert: (René Victor) Chambolle). (Bibliotheque speciale de la Société des auteurs et compositeurs dramatiques).
19244 vols., roy. 8vo., First Edition thus, on laid paper, free endpapers lightly browned as usual; tan boards, brown buckram backs with printed paper labels, uncut, a very good, bright, crisp, clean set. EDITION LIMITED TO 900 NUMBERED SETS (THIS SET NO. 156). This remains the only complete collection of Wycherley's works. The set comprises Vol. I: Introduction, Love in a Wood, The Gentleman Dancing-Master; Vol. II: The Country Wife, The Plain Dealer, Letters; Vol. III: Miscellany Poems; Vol. IV: Miscellaneous Poems, Hero and Leander, Posthumous Works. A lovely set.
1893A SIGNED LARGE PAPER COPY of this melodrama by Legendre, a very successful fin-de-siËcle French playwright. vi, 192 pp. ONE OF ONLY 25 NUMBERED COPIES PRINTED ON FINE DUTCH LAID PAPER ("Hollande") WITH HUGE MARGINS (regular copies are printed on cheap wood-pulp paper, and are now crumbling into dust). SIGNED AND INSCRIBED BY THE AUTHOR. 8vo, original wraps. Wraps torn at spine but complete. Internally clean.
3 Vols., 1662pp., orig. cloth. The prestigious series 'Records of Early English Drama' aim is to make available historical transcripts of early English drama, music, ceremonies, dance and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed theatres and prohibited musical and dramatic performances. This volume contains primary sources for the county of Kent, with introductory material providing context. One chapter gives an overview of why certain forms of entertainment existed locally, and descriptions of various customs throughout the calendar year. This work is extremely interesting for anyone concerned with social history, popular culture and the history of performing arts.
1903This is Vol. VII from a work that was to be published in twenty volumes. pp. (14), 348 + Four Water-Colored Illustrations, printed in duplicate, in photogravure + another pair uncolored. Numerous watercolor marginal designs, decorations illuminations and illustrations in the text. All illustrations and text printed on Imperial Japan Vellum imported expressly for this work. 8vo. 240 mm. All edges gilt. Bound in full Seal-skin, tanned, inlaid and embossed with a colorful coat of arms. The book is doublured with Water Color Illustrated Panels of Satin; laid within a leather frame, handsomely decorated in gilt and with color leather inlays; faced by watered silk fly leaves. Preserved in a custom satin lined box. The box is now somewhat worn, but the book is still extra fine. ONE OF AN EDITION LIMITED TO ONLY EIGHT COPIES! The price on each volume, when issued in 1903, was $300.00! We will attach a picture of one of the water color painted doubleur panels. Quite remarkable! **PRICE JUST REDUCED! JUN 5 Box 1
1822Twelve Volumes. Engraved illustrations. All edges marbled. Slightly age stained. 12mo. Original full cloth bindings, decorated in blind. Gilt lettered spines. Slight loss at head and tail of spines. Hardbound. A large collection of English plays. Each work bound with an individual title page, and sometimes an engraved frontispiece. Pagination not continuous. Fascinating collection of early nineteenth century plays. A very nice set. **PRICE JUST REDUCED! SET/W56
1823Bound in brown marbled boards. Black spine label with gilt lettering to spine. Corners and spine ends edgeworn. Rubbing to boards. Colour flecking off in places of boards. Pages age-toned. Foxing passim. Former owner's name with note in ink to ffep. ; Hippolytus: (1823) Xxxii, 416 pp + Diatribe (1824) viii, 328 pp Text in Greek, notes and commentary in Latin. ; 744 pages
1824Bound in brown marbled boards. Black spine label with gilt lettering to spine. Corners and spine ends edgeworn. Rubbing to boards. Colour flecking off in places of boards. Cracks along joints of spine cover. Pages age-toned. Foxing passim. Former owner's name with note in ink to ffep. ; Vol I: (1824) XVIII, 489 pp + vol. II: (1824) 370 pp Text in Greek and Latin. ; 2 Vols in 1; Vol. 1/2/2022; 8vo 8" - 9" tall; 744 pages