7 189 résultats
1960réf. 012319Moscow: Vserossiiskoe teatral'noe obshchestvo / Russian Theatrical Society 1960. This is a very good 5 volume hardcover set complete three volumes with dustwrappers two without. All volumes very clean inside no marks. The off white dustwrappers are tanned and have a few stains to the spine of the last volume only and several closed edge tears. Two volumes have faint tan stains to top page-edge not visible internally. All text in Russian. The set is edited by V. F. Ryndin. All drawings by V.I. Kozlinskii. Additional editing and text by Elena Kurbatova and Elizaveta Berman. This set covers Russian costume design for staged productions from 1750 to 1917. In other words from the beginning of Russian drama to the Russian Revolution. All volumes are illustrated with drawings similar to fashion drawings in French and German periodicals from the late 19th century. All volumes have some color drawings as well as black & white. All volumes also have some technical details to guide the costume designers making period costumes: some of the illustrations are like pattern designs for tailors. A spectacular resource. 12" high X 9" wide 170 & 182 & 182 & 182 & 222 pages. The volumes were all published between 1960 and 1972. Volume 1: 1750-1830 volume 2: 1830-1850 volume 3: 1850-1870 volume 4: 1870-1890 volume 5: 1890-1917. Foreign buyers should expect extra postage. These books will be securely wrapped and packed in a sturdy box and sent with tracking. . Hard Cover. Very Good/Good. Vserossiiskoe teatral'noe obshchestvo / Russian Theatrical Society Hardcover
2020réf. 2081502111906461Toho shubbansha 2020. Soft Cover. Fine. The book is in fine condition. Toho shubbansha paperback
réf. 6611in 8 plein maroquin caramel à nerfs,titre et date en pied, dorés.Faux-titre,portrait de l’auteur en frontispice, titre,255 pages,tranches dorées, non rogné.Double filet doré sur coupes.10 fines gravures d’Adrien Moreau dont 8 hors-texte.Contreplat en maroquin vert,filet doré en encadrement,Garde en soie imprimée.Reliure signé de NOLHAC. Couverture orange,plats et dos,conservés.Paris Librairie L. Conquet 1887.Ouvrage tiré à 500 exemplaires.Exemplaire numéroté à la plume sur petit papier vélin du Marais, filigrané.Quelques petites rouseurs très éparses,sinon très bel exemplaire
1790réf. 205165CBAmsterdam (Leipzig, Gräff), 1790. kl.8°. 110 S. Original-Pappband d. Zt. mit mont. Titelschild von Ottokar. 2. Auflage. (Einband mit größerer Fehlstelle am Rücken, Buchblock gut).
1937réf. 63829Paris, Edition Cosmopolites, 1937. 8°. Mit 7 lithogr. Tafeln von Max Beckmann. 111 (1) S., Illustr.-OKart.
1607In-8°; pp. (8), 172, frontespizio illustrato con putti, stemma del dedicatario e emblema dell’accademia, inciso su rame e 5 tavole incise su rame a pian pagina da F. vallegio. Prima edizione, manca l’ultima carta con il colophon. Legatura in cartonato coloratoTimbro a inchiostro alla c. A2 al margine.
1828réf. 000714Paris Brissot-Thivars, Imprimerie de H. Balzac 1828
1655in-12 pp 24,354, 8. piena pergamena coeva. contiene un sonetto del Marino, un discorso del Galluzzi o Gallucci sul teatro, la descizione dei segni astrologici, la descrizione di diverse macchine.
1934réf. DEMO016439INew York: Random House 1934. First edition. Hardcover. Very Good/good. Octavo 57pp. black cloth; dj chipped archivally repaired chips; inked name of Nancy Doss on front pastedown some toning to endpapers from dust jacket. Wilson A21a. Full-page inscription by Gertrude Stein to O. J. Kedlec a collector from Forest Park Illinois. Stein's inscription repeats the title of this work and she wrote it from Bilignin par Belley Ain France." Random House hardcover
1917réf. 96522(Dresden, Petzschke & Gretschel, 1917). XIII, 383 S. Mit illustr. Titel von Erich Büttner und Illustrationen von Julius Diez. 34,5 cm. HPgt mit Kopfgoldschnitt im Orig.-Pp.-Schuber (Schuber gebräunt, angestaubt, etwas bestoßen).
réf. 31829LONDON THE GOLDEN HOURS PRESS 1933. LIMITED TO 200 COPIES FOR SALE 250 WERE PRINTED. THIS IS NUMBER 9a. QUARTO ORIGINAL GREEN BUCKRAM BEVELLED EDGES T.E.G. UNTRIMMED PAGE EDGES. WITH FOUR FULL PAGE WOODCUTS BY ERIC RAVILIOUS INCLUDING THE FRONTIS. THE TYPE IS BEMBO REVIVED FROM AN EARLY ALDINE FOUNT. THE PAPER IS PURE RAG HAND-MADE. OF THE EDITION OF 200 A BALANCE REMAINED AND THESE WERE TAKEN OVER BY HOLLIS AND CARTER LIMITED AND OFFERED IN A LESS ELABORATE BINDING AND NUMBERED 1a ONWARDS. tHIS IS ONE OF THOSE COPIES. SLIGHT FOXING TO THE PRELIMS. AND SOME SLIGHT FADING TO THE GREEN BOARDS NO SLIPCASE. A VERY GOOD COPY OF THIS SCARCE WORK. LONDON, THE GOLDEN HOURS PRESS, 1933 hardcover
1816réf. 328206368vo. Six volumes. Contemporary calf nicely rebacked at an early date spines gilt. Some wear browning. An attractive set. Contains the following: Christopher Marlowe Doctor Faustus and Lust's Dominion; John Lyly Mother Bombie Endymion and Midas; Middleton Women Beware Women A Trick to Catch the Old One The Spanish Gypsy The Changeling More Dissemblers Besides Women; Dekker Wonder of a Kingdom Old Fortunatus; Rowley A New Wonder a Woman Never Vext; Webster Appius and Virginia; Chapman May Day Monsieur D'Olive Bussy D'Ambois; Webster and Rowley Thracian Wonder; Marston's Antonio and Mellida What you Will and Parasitaster: or the Fawn; Heywood The English Traveller The Royal King and Loyal Subject A Challenge for Beauty. This very scarce set was conceived as a continuation of Dodsley's famous Select Collection of Old Plays 1744. London: Rodwell and Martin
1947réf. 15717New York: New Directions 1947. First edition. Hardcover. Very Good/Good. 171 pages. Lavender boards slightly faded on spine. Board edges have rubs and bumps. Light trace of erasure on front free endpaper. Bright lavender dust jacket with price of $2.75 intact is slightly faded at spine: the author's name in gold is hardly visible on spine. Jacket has a 1" chip at bottom of spine small narrow chip at top and 3" crease and scratch on rear panel. Tape inside the jacket at a couple of tears is slightly visible on outside. Mylar dust jacket cover protects it. New Directions hardcover
1772364p. Slight foxing. 4to. [304 x 235 mm.] Contemporary straight grained plum morocco leather binding. Boards tooled in gold with a wide Greek key design, and in blind with an archway roll. Engraved bookplate showing a shield (Arms Barry of six Supporters); two unicorns; ermine Coronet of an Earl ; and the Motto A MA PUISSANCE. This is likely the plate of Charles Grey, 2nd Earl Grey (1764-1845) Whig Prime Minister of Great Britain (1830-1834). There is also a manuscript inscription: "With B. Drury's Best Wishes, Eton, March 20 , 1820." John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he be came printer to Cambridge University. All of his books bear show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries'. Gaskell 46; Brunet V:71 8. A really handsomely bound copy of a beautifully printed book. **PRICE JUST REDUCED! W113
1767Ex-university private library, no exterior markings. 1/2 vellum, boards. Spine chipped with a bit of loss to base, binding edgeworn at extremities with some flecking. Fading and browning to boards. Minor moisture stain to rear endpaper and rear inner cover. Former owner's name to titlepage (from 1772) Still Attractive. A beautiful and very large book. ; 252pp, wonderfully illustrated. Contains Adelphi, Phormio, Hecyra. ; Elephant Folio - over 15" - 23" tall; 252 pages
1776réf. DEMO016704IGeneve SW 1776. Revised & Enlarged edition. Hardcover. Very Good. Copperplate engravings. 12mos contemporary full tree calf extra extra-gilt spines marbled papers. Edited by Mons. Voltaire. Originally published in 1774. Very handsome set for one of France's greatest dramatists. Ex libris Sir Richard Bedingfeld probably the 5th Baronet Bedingfeld of Oxborough 1767-1829; however vol. 8 has an inked inscription indicating it was given to C. Bedingfeld -probably his wife Charlotte Georgiana Jerningham Bedingfeld. Note: the frontispiece to vol. 1 identifies its artist as Elizabeth Thiebau. Copperplate engravings. hardcover
1963réf. 27565Andre Deutsch 1963. 8vo. First Edition; black tweed cloth gilt back a near fine copy unclipped dustwrapper the latter lightly browned and with one small loss at upper edge of front panel. A PRESENTATION COPY FROM RALEIGH TREVELYAN TO GEORGE RITCHIE WITH THE FORMER'S SIGNED HOLOGRAPH INSCRIPTION ON FRONT FREE ENDPAPER. Widely regarded as a modern classic James Saunders' pioneering drama was first performed at the Questors Theatre Ealing i Andre Deutsch, hardcover
1950Very light tanning to pages. Spines slightly faded. Very light pencil marginalia on very few pages. Vol. 3: 1 bibliographic reference written in ink to ffep and back endpage. Attractive set. ; 3 Volume Set (complete) . ; 3 Volume Set COMPLETE.
1795réf. 212574London: Robinson; T.N. Longman; T.N. Longman 1795. First editions. Engraved frontispiece to third playe Windsor Castle. 4 86 1; 8 84; 8 40 pp. 1 vols. 8vo. Three quarter blue polished calf gilt spine t.e.g. Covers detached. First editions. Engraved frontispiece to third playe Windsor Castle. 4 86 1; 8 84; 8 40 pp. 1 vols. 8vo. Robinson; T.N. Longman; T.N. Longman unknown
1795réf. 212574London: Robinson; T.N. Longman; T.N. Longman 1795. First editions. Engraved frontispiece to third playe Windsor Castle. 4 86 1; 8 84; 8 40 pp. 1 vols. 8vo. Three quarter blue polished calf gilt spine t.e.g. Covers detached. First editions. Engraved frontispiece to third playe Windsor Castle. 4 86 1; 8 84; 8 40 pp. 1 vols. 8vo. Robinson; T.N. Longman; T.N. Longman unknown books
1764réf. 12432o.O. (Genf), o.Dr. (Cramer), 1764. 1. Auflage "8° (18,5-22,5 cm). 454; 413; 508; 482; 429; 442; 467; 388; 443; 495; 498; 355, 47 SS." Späterer Pappeinband mit montiertem Rückenschild [5 Warenabbildungen]
1962Djs are chipped and browned with a few tears. Scholar's bookplate to inner cover of Volume I. Volume I book in NF condition. Vol. 2 book in VG+ condition (bottom corners bumped - back inner hinge has crack along pastedown but hinge is solid). Vol. 3 is in Fine condition. ; 3 Volume Set (complete) . Corrected reprint of 1950 edition. ; 3 Volume Set COMPLETE.
1973réf. 61040(Salzburg), Residenz Verlag, (1973). Fol. Mit 4 num. u. sign. Orig.-Radierungen u. 9 ganzs. Zeichnungen von Alfred Hrdlicka. 139 S., 2 Bll., Blockbuch m. Fadenheftung in OUmschlag u. OSeidenkassette (v. Ernst Ammering).
réf. 22125reunis dans un volume IN4 reliure demi chagrin ,dos à faux nerfs titré,TE BOURR’ PAS l’CRANE revue en 2 actes ,janvier 1908,151p.- A C’ qu’ ON S’TORD, revue en 2 actes et un prologue 1909,non pagine 150p, -BEN ! QUOI D’NEUF;revue en 2 actes et 3 tableaux couplets et rondaux ,100p.
1765réf. ALDR0052[Genève], [Cramer] 1765. 8°. 390, 340, 404, 392, 344, 356, 368, 328, 366, 398, 440 u. 334 S. (Titelei in Pag.). Mit Front. (von Watelet nach Pierre) und 34 Kupferstich-Tafeln (nach Gravelot). Marmorierte Kalbslederbde. der Zeit, auf Rücken mit reichen Verz. sowie m. Titel und Bandnr. in Goldpräg. auf 2 mont. Papierschi., Stehkantenvergoldung, marmor. Vorsätzen sowie umseit Rotschnitt. Einbände stärker berieben, Kapitale und Ecken größtenteils schadhaft, Buchdeckel tlw. m. Schabspuren, Leder am Rücken brüchig und z.Tl. unvollständig vorhanden, im Text weitgehend fleckenfreie und schön erhaltene Ausgabe. - Alle Bände mit gest. Adelsexlibris, Bde. 1 u. 2 mit Namenseintrag v. alter Hand ('Ger. Nicolas ... Roterodami 1772'). Brunet II, 281; Graesse II, 267; Ebert 5229; Reynaud Sp. 95; Bengesco II, 141. - Die berühmte, von Voltaire edierte Gesamtausgabe, hier die zweite rechtmäßige Ausgabe mit den gleichen Illustrationen wie die der ein Jahr zuvor ebenda erschienenen Erstausgabe. Enthält sämtliche Bühnenstücke von Pierre Corneille, einige Stücke seines jüngeren Bruders Thomas sowie Bühnenwerke von Jean Racine. Band 1 mit einer gedruckten Widmung von Voltaire an die Mitglieder der 'Académie Francaise'. - "Diese Ausgabe veranstaltete Voltaire bekanntlich zum Besten der Urenkelin von Corneille" (Ebert) / "Belle édition a été longtemps regardée comme la meilleure que l'on eût de ce poete, et les exemples avaient acquis une certaine valeur " (Brunet). / "Belle édition que Voltaire fit imprimer par souscription chez les frères Cramer à Genève, en l'accompagnant de commentaires, afin de doter une descendante du grand Corneille, qu'il avait recueillie. Toute l'Europe y prit part." (Cohen/R. Sp. 255, zur EA).