Italian DramaBiblio.com
7 189 résultats
1800réf. 130Venice 1800. 1. Mercier Louis Sébastien. Il Disertore. Commedia del Sig. Mercier. Tradotta dal Francese. Bologna: Stamperia di S. Tommaso d'Aquino 1772. 8vo. 82 pp. Original paste paper wrappers. ICCU cites one copy in Bologna; NUC cites only the 1796 edition at Johns Hopkins only. Not in OCLC. 2. Albergati Capacelli Francesco. Il Capriccioso. Farsa del Cittadino Francesco Albergati Capacelli. Venice. 1797. 8vo. 42 pp. Original past paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds Munich; ICCU list 8 locations. 3. Alberghetti Forciroli Carlo. Edipo. Tragedia inedita del Cavaliere Carlo Alberghetti Forciroli. Venice 1797. 8vo. 68 pp. Original paste paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds U Penn; ICCU lists 12 locations. 4. Collin d'Harleville Jean François I Castelli in Aria. Commedia del Signor Collin d'Arleville. Traduzione inedita di Giovanni Piazza. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. No copies in US libraries. ICCU cites 20 locations. 5. Cornielle Pierre. Il Cid. Tragedia di Pietro Cornelio. Tradotta da Giuseppe Greatti. Venice 1798. 8vo. 87 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins U Penn Duke and Getty. 6. Dumaniant M. Guerra Aperta Ovvero Astuzia Conrto Astuzia. Commedia del Sig. Dumaniant tradotta da Pietro Andolfati. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. OCLC Johns Hopkins and U Penn. 7. Piron Alexis. Gustavo Wasa. Tragedia di Alessio Piron. Tradotta dal Nobile Francesco Gritti. Venice: 1798. 8vo. 95 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins and U Penn. 8. Bassi Domenico. L'Impensato Accidente. Commedia del Signor Domenico Bassi. Venice 1799. 8vo. 72 pp. Original paste paper boards. NUC cites copies at Boston Public Library and NYPL; OCLC adds U. Penn. 9. Avelloni Francesco. Giulio Villenwelt Assassino. Commedia del Signor Francesco Antonio Avelloni. Venice: 1800. 8vo. 64 pp. Original paste paper boards. OCLC cites copies at Johns Hopkins and Michigan State. 130. unknown
1800réf. 130Venice 1800. 1. Mercier Louis Sébastien. Il Disertore. Commedia del Sig. Mercier. Tradotta dal Francese. Bologna: Stamperia di S. Tommaso d'Aquino 1772. 8vo. 82 pp. Original paste paper wrappers. ICCU cites one copy in Bologna; NUC cites only the 1796 edition at Johns Hopkins only. Not in OCLC. 2. Albergati Capacelli Francesco. Il Capriccioso. Farsa del Cittadino Francesco Albergati Capacelli. Venice. 1797. 8vo. 42 pp. Original past paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds Munich; ICCU list 8 locations. 3. Alberghetti Forciroli Carlo. Edipo. Tragedia inedita del Cavaliere Carlo Alberghetti Forciroli. Venice 1797. 8vo. 68 pp. Original paste paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds U Penn; ICCU lists 12 locations. 4. Collin d'Harleville Jean François I Castelli in Aria. Commedia del Signor Collin d'Arleville. Traduzione inedita di Giovanni Piazza. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. No copies in US libraries. ICCU cites 20 locations. 5. Cornielle Pierre. Il Cid. Tragedia di Pietro Cornelio. Tradotta da Giuseppe Greatti. Venice 1798. 8vo. 87 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins U Penn Duke and Getty. 6. Dumaniant M. Guerra Aperta Ovvero Astuzia Conrto Astuzia. Commedia del Sig. Dumaniant tradotta da Pietro Andolfati. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. OCLC Johns Hopkins and U Penn. 7. Piron Alexis. Gustavo Wasa. Tragedia di Alessio Piron. Tradotta dal Nobile Francesco Gritti. Venice: 1798. 8vo. 95 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins and U Penn. 8. Bassi Domenico. L'Impensato Accidente. Commedia del Signor Domenico Bassi. Venice 1799. 8vo. 72 pp. Original paste paper boards. NUC cites copies at Boston Public Library and NYPL; OCLC adds U. Penn. 9. Avelloni Francesco. Giulio Villenwelt Assassino. Commedia del Signor Francesco Antonio Avelloni. Venice: 1800. 8vo. 64 pp. Original paste paper boards. OCLC cites copies at Johns Hopkins and Michigan State. 130. unknown books
1894réf. 12118London: John Lane 1894. First Edition . Hardcover. Good. 1st edition newly rebound in brown leather with a gilt-stamped red leather title piece and Florentine marbled endpapers. New binding fine; the text pages are about good plus. All are toned brown near the edges. The first blank of 2 before the title page bears a gift inscr. in French; that page also chipped at the corners. An owner's name is upside down on the final blank. 154 pp. 16-p. publisher's catalog. John Lane hardcover
1961réf. 31613Editions du Rocher Monaco 1961. 8vo. First Edition text in French with 62 pages of full-page photographs from the film; grey tweed boards upper board with mounted photograph of Maria Casares lettered in red backstrip lettered in black a near fine copy. A PRESENTATION COPY FROM THE AUTHOR TO LOUIS PAUWELS WITH THE FORMER'S SIGNED HOLOGRAPH INSCRIPTION ON HALF-TITLE. With two copies of Rocher's flier printed in pink and black and listing Cocteau' available works loosely inserted. 'Le Testament d'Orphee' 1959 is the third film in Cocteau's Orphic trilogy following 'Blood of a Poet' 1930 and 'Orphee' 1950. In addition to the author himself the cast includes many leading theatrical and literary figures of the period including Jean-Pierre Leaud Maria Casares Francoise Arnoul Yul Brynner Claudine Augier Pablo Picasso Charles Aznavour and Jean Marais. The screenplay with stills was published two years later; this copy is inscribed by Cocteau 'Jean' to Louis Pauwels the eminent French journalist and author of 'The Morning of the Magicians' 1960. SIGNED COPIES ARE EXTREMELY SCARCE. Editions du Rocher, Monaco, hardcover
réf. 51762London B. Pollock 73 Hoxton Street Hoxton 1880. Circa 1880 approximately 172 x 215 mm 6¾ x 8½ inches 28 hand coloured sheets as required: 8 plates of characters 13 plates of scenes 3 plates of tricks and 4 wings plus original booklet with play and stage directions: 165 x 100 mm 6½ x 3¾ inches no wrappers called for 16 pages of text including covers. The plates of Characters the plates of Scenes plate 1 of Tricks and plate 6 of Wings are mounted at the corners on sheets of grey art paper the first sheet calls for Wings No. 6 10 28 and 30 this set contains No. 3 6 9 and 10. Character plate 1 is a little spotted and with a couple of pale stains to background small pale mark to 1 or 2 corners of plates due to glue faint pink watercolour smudge to a couple of plates 1 or 2 pale fox spots to margins of a couple of plates very small old paper repair to reverse of top corner of Tricks plate 3 crease across lower left corner of Wings 9 and 10 upper cover of booklet wrinkled signs on lower cover next to spine that booklet had been pasted into album at some time no loss of text contents very nice. A very good plus complete set of sheets and with rare booklet. This pantomime was first performed in 1814 at Covent Garden and a juvenile drama version of it was issued by West Green and Redington before Pollock acquired his business from Redington in 1876. See Speaight Appendice B page 245. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE. FURTHER IMAGES ON REQUEST. POSTAGE AT COST. London, B. Pollock, 73 Hoxton Street, Hoxton, (1880).
1547in-8. pp(1-3), 4-104. leg. piena pelle, tit. in oro. piccolissimi fori di tarlo che non toccano il testo.
1743Prima edizione rara. In-4°; pp. (32) 328, testatine e capilettera nel testo incise su legno; da p. 249 al termine, musica per la Missa Pro defunctis, Feria quinta in coena domini, Feria sexta in Pasceve, Sabbato sancto, e nel testo numerose parti di musica.Il theatro ecclesiastico è dedicato alle rappresentazioni canore che avevano luogo in chiesa, per le quali si offre un trattato di canto e di coro, con spiegazioni relative alla tecnica canora vera e propria, e di come per le diverse festività ecclesiastiche e a seconda del luogo si dovevano allestire i cori. Legatura in piena pella con tassello, titolo e fregi in oro al dorso. Alcuni foro di tarlo al dorso.
réf. 2081502111907980Hundreds of Houses Chinese and Western Books Shanghai Literary Arts N.A. Soft Cover. Fine. Size: A4 Soft Cover Book Hundreds of Houses, Chinese and Western Books, Shanghai Literary Arts paperback
1911réf. 000291London: G.G. Harrap & Co. 1911. First Edition. . Limp Leather. See Description. Willy Pogany. First regular edition. 4to. 223 unnumbered pages printed on stiff gray paper with numerous illustrations in black and red. Includes 16 tipped in color plates. The colophon states: "The letterpress and fine illustrations lithographed by Vincent Brooks Day and Sons Ltd. London the four-colour plates printed by Henry Stone and Son Ltd. Banbury. A.D. MCMXI." Pages are clean Bound in limp gray suede binding with gilt illustration on front cover - in a superb state of preservation. Illustrations by Willy Pogany. G.G. Harrap & Co. hardcover
1912réf. 11729Albert Bonniers Förlag, Stockholm, 1912-1921. Original goldgeprägtes grünes Leinen, erste schwedische Gesamtausgabe. Wenige Rücken leicht ausgeblichen. Schöne Ausgabe in gutem Zustand. Please ask for the shipping cost before(!) ordering. Good copies. Printed in swedish.
1894réf. 22131Paris, Bibliothèque d'Education et de Récréation, J. Hetzel, [1894] ; in-8, cartonnage "à la Mappemonde", 2e plat type "P", dos type "F" ; 4, 370 pp., catalogue HF de nouveautés pour 1894-1895, 8 pp.
1772364p. Uncut and unopened. Foxed. 4to. [304 x 235 mm.] Contemporary binding of paper boards backed in morocco tooled in gold gilt. John Baskerville (1706-1775) was the greatest printer of his era. Born in Wolverley, Hereford - Worcester, England, he became a writing master in Birmingham. He also carried on a successful japanning (varnishing) business there. In about 1750 he began to make experiments in letter founding, and produced the wonderful series of types now named after him. His first book, the Virgil of 1757, was also the first to be printed upon wove paper (manufactured by a process that he invented). In 1758 he became printer to Cambridge University. All of his books show fine craftsmanship and a refined sense of design. In the last few years before his death, Baskerville published a few Latin classics in quarto and duodecimo. "All these bear the marks of unabated genius even in his declining days: and suffice, had he printed nothing else, to distinguish him as the first typographer of his time" - T. B. Reed, in 'Old English Letter Foundries' It is worth emphasising how remarkable it is to find an uncut and unopened Baskerville quarto. Gaskell 46; Brunet V:718. EXTREMELY RARE AND UNUSUAL. **PRICE JUST REDUCED! W113
1944réf. 058006New York 1945: Ballet Russe De Monte Carlo 1944. First Edition . Illustrated Wrappers. Very Good. B/W Photographs and Color Plates. Large size program inscribed by Frederic Franklin over a full page photograph in mid-step; Nathalie Krassovska over a full page photograph while en point; Leon Danielian over a full-page photograph in mid-leap; Ruthanna Boris Yurek Lazowski Dorothy Etheridge Maria Tallchief Mary Ellen Moylan over their own full page individual photographs; Michel Katcharoff; Nicholas Magallanes; and on a page with Ballanchine at center and Nijinska Fokine Schwezoff and Agnes Demille at corners by George Balanchine as "G. Balanchine". Ballet Russe De Monte Carlo unknown
1937réf. 039423Los Angeles: Merle Armitage 1937. 1st Edition 1st Printing. Hardcover. Very Good /No Jacket. 132 Pp. First Printing. Red Cloth Gilt; Contents Completely Identical To The Commoner Grey Cloth Stamped In Black With The 1937 Date Except Spine Panel On This Red Binding Is Stamped "Dance Of Martha Graham / Merle Armitage" Without The Date And Cover Lettering On This Red Binding Has Smaller Letters And An Additional 12 Gilt Stars Lacking In The Grey Cloth Binding. The First Book About Martha Graham Printed In An Edition Of 1000 Copies. Near Fine Slight Rubbing And Corners And Slight Fading To Spine Cloth All Gilt Brilliant But A Few Emphasis Marks And Underlines In Ink And Pencil With Previous Owner's Signature Carolyn Hoyt On Front Endpaper. Signed By Armitage On The Copyright Page At Front And Dated In 1946. Merle Armitage hardcover
1927réf. 018151New York : Boni & Liveright Inc. 1927. 1st Edition 1st Printing. Green Cloth. Very Good/Near Fine Dustjacket. 8 3/8 " High. Three Different Editions: A Fine Copy Of The Signed Limited First Edition Of The Book Signed By O'neill In A Near Fine Original Slipcase. Also Included Is The First Trade Edition Near Fine In A Near Fine Unfaded Dust Jacket Not Price-Clipped. Also Included Is A Unique Copy Of The Third Printing February 1928 The Printing Just Before The First Production Of The Play At The Pasadena Playhouse. Prepared By Or For Claude D. Seaman Of The Standard Lighting Company Los Angeles With His Name On Front Endpaper Carefully Blocked In Ink. Printed Heading By Hand On First Blank "World Premiere/ Of O'neill's/ "Lazarus Laughed"/ Pasadena Community Playhouse/ April 9 - 1928"; Repeated On Verso; Half Title With Line For Author's Signature But He Was Not Present And This Line Is Thus Blank; Verso With "World Premiere." Text Repeated With Lines For Director Musical Director Director Of Movement Art Director Production Manager Business Manager And The Chairman Of The Production Committee Each Line Signed By The Person Holding That Position; Title Page; Verso Is Copyright Page; Synopsis Page; Verso Are Lines Drawn And Extended To Each Of The "Characters" Listed On The Following Page Each Line Signed By The Person Who Played That Part Maurice Wells Thus Signing Twice 14 Signatures In All; "World Premiere" Text Repeated At Foot Of Characters Page And Again On Verso; "Act One" Title Page; Verso Repeats Then "World Premiere.' Text Followed By Lijnes For Each Of The Producing Staff / Setting Including The Designer James Hyde And 11 Others. With Laid In Loosely The Los Angeles Newspaper Review By The Spectator Of The Production Which Shortly Moved To The Hollywood Music Box Theatre With A Clipped Newspaper Ad For The Production Citing A Cast Of 250 And A Production Cost Of $100000. The Play Has Since Been Produced Only Four Times Due In Part To The Expense And Difficulty But Also To Its Philosophical Didactic Yet Confrontational Tone Which Has Not Set Well With General Audiences Since The Original Use Of This Dramatic Form Several Thousand Years Past. Irving Pichel 1891-1954 Played The Title Role. He Also Played The Servant Sandor In Dracula's Daughter Fagin In The 1933 Film Oliver Twist And About 57 Other Films 1930-1939 With Minor Roles In Films He Later Directed. He Directed Films 1932-1954 Including The Most Dangerous Game She Earthbound Hudson's Bay The Moon Is Down They Won't Believe Me The Miracle Of The Bells Destination Moon And Santa Fe. In 1947 Hje Was One Of The Hollywood 19 Subpoened By The House Un-America Activities Committee; He Was Not Called To Testify But Was Blacklisted Requiring Him To Work Outside The Us. Victor Jory 1902-1982 Was Canadian Attended School In Pasadena Appeared In Theatre All Over The Us And Made His Motion Picture Debut In 1930 Later Appearing In Over 150 Pictures And Dozens Of Tv Episodes. Note That This Book Is Not Signed By O'neill. Gilmor Brown Producer Of The Play Was Director Of Public Speaking And Dramatics At Caltech Later Director Of The Pasadena Playhouse And Responsible For Making It Into One Of The Premier Small Theatres In The U.S. From The 1920'S Into The 1950'S Routinely Featuring Prominent Starring Actoirs And Furnishing An Entree For Many Actors Who Later Became Successful In Motion Pictures And Tv. Boni & Liveright, Inc. hardcover
1718In-8°, 2 voll, contengono 1. Le curieux impertinent; L'ingrat; L'irrésolu. 2. Le médisant; Le triple mariage; L'obstacle imprévu. Le opere hanno ciascuno un frontespizio proprio datato tra il 1712 e il 1718. Legatura in piena pelle con tassello, titolo e fregi in oro al dorso.
réf. 10319Pékin, Albert Nachbaur, Editeur à Pékin, 1927. Achevé d'imprimer sur les Presses Na Che Pao, 16 Kan Yu Hutung (Rue de la Pluie Bienfaisante), à Pékin, le 30 Avril 1927, 29e Jour de la 2e Lune de l'Année du Lapin. 1 volume in-folio, couverture cartonnée illustrée d'une figure contrecollée, 21 pp., enrichi de 3 images populaires théâtrales chinoises sur les 5 que devrait contenir l'ouvrage, peintures en couleurs, parfait état. Tirage limité à 500 exemplaires. Très rare. Cette ouebvre avait été publiée originellement par M. de Brunoff, Editeur à Paris en 1922, enrichi de 9 peintures en couleurs et de 21 dessins de la plume de Jacovleff. Nachbaur reprend ici le texte de Tchou-Kia Kien et l'enrichit d'images populaires Chinoises.
1826réf. 0005340Chiswick: Charles Whittingham 1826. First edition. Hardcover. Near Fine. 60 wood engravings by John Thompson from drawings by Stothard Corbould Harvey and others. 16mos full dark cherry calf raised bands extra glt spines inner dentelles a.e.g. bound by Zaehnsdorf Bindery for Lauriat's of Boston some rubbed spots at tips of some spines. Singer was a member of the Society of Antiquaries and a former bookseller when he and Charles Whittingham printed this handsome popular illustrated edition of the Bard of Avon. "Singer was responsible for a careful collation of the text and many useful notes. . He unostentatiously did much to advance the study of Elizabethan literature - DNB." John Thompson trained by Robert Branston and Thomas Bewick was considered unexcelled as a wood engraver in the two decades surrounding this set. 60 wood engravings by John Thompson from drawings by Stothard Corbould Harvey and others. This was the first edition to possess Singer's Notes - Jaggard SHAKESPEARE BIBLIOGRAPHY p. 517 . Charles Whittingham hardcover
2019réf. 2081502111907074Shanghai People's Publishing 2019. Soft Cover. Fine. The book is in fine condition. Shanghai People's Publishing paperback
1910réf. 042638New York: The Macmillan Company 1910. 1st Edition 1st Printing. Hardcover. Very Good. Xii 272 Pp. White Cloth Spine Stamped In Black With "The Macmillan Company" At Base Of Spine Maroon Ribbed Cloth Boards Stamped In White On The Front Cover Top Edge Gilt. One Of 900 Copies Only Of The First Printing With Broken Type On Pp 47 And 65. Sisson & Martens Identify A Primary Binding With "The Macmillan Company" At Base Of Spine And Top Edge Gilt Like This One Others In Olive Cloth Without Gilt. Spine Dusty Would Be Near Fine Slight Rubbing No Marks Or Bookplates But Front Endpaper Entirely Removed And Part Of White Stamping On Front Cover Has Flaked Away Although Lettering Still Readable. The Macmillan Company hardcover
réf. 17764Includes the following: Philips Ambrose The Distrest Mother. A Tragedy London: T. Caslong et al. 59 pp. frontispiece; Banks John The Happy Favourite; or the Earl of Essex. A Tragedy. printed for I. Hawes 70 2 pp.; Shakespeare William Hamlet Prince of Denmark printed for Woodfall 1868 72 ppl.' Shakespeare William The History of King Lear printed for Noble 1771 71 pp.; Congreve William The Mourning Bride Printed for S. Bladon 1768 71 pp.;; Shakespeare William Macbeth printed for Woodfall 1768 68 4 pp.; All of these are later editions but the compilation is a fascinating picture of what plays were popular in London in the 1760s and 1770s. . The six plays bound together in contemporary calf rebacked. Corners rubbed. Some offsetting from plates. Contemporary armorial bookplate John Beale. Also bookplate of anthropologist Frances Emma Watkins plus another ownership signature: "L. Watkins Denver Colo. 1873." A very good copy with interesting provenance. Details about library holdings of individual titles available upon request. Frances Emma Watkins 1899 – 1987 was born in Colorado and attended the University of Denver. After graduating with specializations in archaeology and anthropology in 1929 Watkins joined Isabel Kelly and Eva Horner in New Mexico on what was possibly the first excavation directed by an all-female team. Later Watkins worked as a curator at the Southwest Museum in Los Angeles where she managed the museum's archives. Includes the following: Philips, Ambrose, The Distrest Mother. A Tragedy, London: T. Caslong [et al.[, 59 pp., frontispiece; Ban
réf. 17764Includes the following: Philips Ambrose The Distrest Mother. A Tragedy London: T. Caslong et al. 59 pp. frontispiece; Banks John The Happy Favourite; or the Earl of Essex. A Tragedy. printed for I. Hawes 70 2 pp.; Shakespeare William Hamlet Prince of Denmark printed for Woodfall 1868 72 ppl.' Shakespeare William The History of King Lear printed for Noble 1771 71 pp.; Congreve William The Mourning Bride Printed for S. Bladon 1768 71 pp.;; Shakespeare William Macbeth printed for Woodfall 1768 68 4 pp.; All of these are later editions but the compilation is a fascinating picture of what plays were popular in London in the 1760s and 1770s. . The six plays bound together in contemporary calf rebacked. Corners rubbed. Some offsetting from plates. Contemporary armorial bookplate John Beale. Also bookplate of anthropologist Frances Emma Watkins plus another ownership signature: "L. Watkins Denver Colo. 1873." A very good copy with interesting provenance. Details about library holdings of individual titles available upon request. Frances Emma Watkins 1899 – 1987 was born in Colorado and attended the University of Denver. After graduating with specializations in archaeology and anthropology in 1929 Watkins joined Isabel Kelly and Eva Horner in New Mexico on what was possibly the first excavation directed by an all-female team. Later Watkins worked as a curator at the Southwest Museum in Los Angeles where she managed the museum's archives. Includes the following: Philips, Ambrose, The Distrest Mother. A Tragedy, London: T. Caslong [et al.[, 59 pp., frontispiece; Ban books
1973réf. 021308London: Secker & Warburg 1973 First printing of the first U.K. edition. Publisher's black cloth and dust jacket with £2.50 price Octavo 163pp.Douglas Fairbanks Jr.'s copy Who wrote the forward with his armorial bookplate on front-free-endpaper also loosely laid-in is an auction card for The Estate of Douglass Fairbanks Jr.Signed and inscribed by Harold French to Douglas Fairbanks Jr. who wrote the Foreword. Light bump to upper board edge else book in fine condition; dust jacket with mild edge wear light tanning to spine and a bit of age-toning to top edge of flaps else dust jacket in fine condition. Unique signed-association copy scarce thus. Secker & Warburg hardcover
1864réf. 0008949London: Chapman And Hall 1864. Revised edition. Hardcover. Fine. 8vos 3/4 brown morocco extra-gilt spines marbled boards and edges. Ex libris Cyrus K. Hale. The title-page states "In Eight Volumes". Some versions of this had nine. Dyce is considered to have been a scrupulous editor: "Its textual criticism is of the highest value and the brief annotations are always useful and to the point. The glossary is full and meets most of the difficulties. A vast number of.Shakespearean students regard it as the most readable and satisfactory of all the editions of the dramatist - DNB." Frontispiece portraits. Jaggard SHAKESPEARE BIBLIOGRAPHY p. 538 . Chapman And Hall hardcover
réf. 38808LONDON HURST ROBINSON AND CO. 1824. NEW EDITION 20 VOLUMES. SMALL OCTAVO HALF LEATHER OVER MARBLED BOARDS RAISED BANDS. WITH A FINE ENGRAVING AT THE FRONT OF EACH PLAY FOXED TEXT VERY CLEAN. IN VERY GOOD CONDITION. WITH BIOGRAPHICAL AND CRITICAL REMARKS. A HANDSOME SET. LONDON, HURST, ROBINSON AND CO., 1824 hardcover
