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1997rif. 79109Tübingen, Max Niemeyer Verlag, 1997. XIII + 502 S. Gr.-8° Groß-Oktav, Leinen
Antiquariat Boller · Germania23,50 €
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1726rif. GITg317A Toulon chez la Veuve de Pierre Loüis Mallard 1726. Petit in-12 1 feuillet non chiffré (titre) 3-336pp. Pleine basane havane mouchetée, dos à nerfs muet, reliure de l'époque. Papier très légèrement bruni, coupure sans manque (4,5cm) page 297. Exemplaire bien complet, reliure muette solide.
1962rif. 31398Darmstadt : Wiss. Buchges., 1962. VII, 526 S. 8°. OLwd mit Goldpräg. (Wege der Forschung ; 25)
1997rif. 79109Tübingen, Max Niemeyer Verlag, 1997. XIII + 502 S. Gr.-8° Groß-Oktav, Leinen
1815rif. Flo551Good copy only of the first edition of Cruikshank's corruscating attack on Napoleon Complete with all 30 aquatints by a young George Cruikshank Hand-coloured engraved title-page and 29 hand-colored aquatint plates several bound out of order With text pages mis-numbered 107 for 109 211 for 121 and 186 for 187 and errors in the plates "Seige" "Liepsic" and "Seigning" indicating an early issue of the first edition. The Life of Napoleon was originally issued in fifteen weekly parts from November 1814 to February 1815 is a mock-epic poem depicting events from the life of Napoleon Bonaparte portraying the French emperor's military actions in a largely negative light. It was supposed to be a celebration of the exile of the tyrant from the world stage and concludes with his arrival on the remote island of Elba. Little did the artist know however that just months later Boney would return to raise an army to challenge the European powers once again only to be finally crushed at Waterloo in June 1815. The vignettes in the illustrated title page show Boney leaving the island of his birth climbing to power over a guillotine sitting astride the world as Emperor before sliding down a lightning bolt to sit on a toadstool on the island of Elba. The other engravings follow Napoleon's progress from his time at military college to his abdication in 1814 and focus on the massacres murders war crimes invasions and atrocities of the Napoleonic era. George Cruikshank 1792-1878 was an English caricaturist and book illustrator son of the Scottish artist Isaac Cruikshank. He became famous for his political cartoons and illustrated the Life of Napoleon when he was just 22 years old. He later illustrated The Humourist 1819 Pierce Egan's rambunctious and drunken Life in London 1821 and was a long-time illustator for The Comic Almanack 1835-1853. He illustrated several Charles Dickens' titles such as Sketches by Boz 1836 Mudfog Papers 1837 Memoirs of Joseph Grimaldi 1838 and Oliver Twist 1838. In attributing the poem to "Dr. Syntax" the publisher attempts to credit William Combe author of many popular books illustrated by Thomas Rowlandson. "Until Henry Richard Tedder wrote in Dictionary of National Biography that the Life of Napoleon had been 'wrongfully ascribed' the author was generally supposed to be William Combe who wrote The Tour of Dr Syntax in Search of the Picturesque." Wilfrid Hugh Chesson's George Cruikshank 1908 It appears to be another anonymous hack in the Tegg stable. In late 19th-century French-style binding with black leather spine gilt title and decorative tooling marble boards rubbed marble endpapers book block solid. Interior with offsetting from the plates to the text general grubbiness and thumbprints to text and plates all engraved aquatint plates slightly toned but with rich handcolour. Illegible scribble in ink on front endpaper but dated "Paris Sept. & Nov. 1890" Thomas Tegg hardcover
rif. c2338Paris, Bordas Editeur, 1956 ; petit in-4° broché, couverture rempliée blanche, titre en noir et vignette en noir au 1er plat; 75pp., ( 2)ff. Illustrée de 8 lithographies hors texte en noir, tirées par Mourlot.Très petit enfoncement à la couverture au 1er plat, sinon très bon état.
in-8°, 291 pages, ill. in-t., index, broche, couverture illustree (TOPOR). (TOPOR). Bel exemplaire. [CL-6]
1815rif. 005471London: T. Tegg. Plummer and Brewis printer 1815. First Edition. Full Morocco. Very Good. 8vo. 24 by 15 cm. 260 pp. With 30 hand-colored engravings by George Cruikshank. The copy has all first edition points cited by Tooley 151. Bound very handsomely by Worsfold with gilt crown "N" and beetle devices on boards and spine dentelles bordering within gilt edges. Joints repaired. Offsetting of plates. Pages have age toning. Occasional soil marks and a few very minor chips or tiny closed tears. Otherwise a clean and tight copy. T. Tegg. Plummer and Brewis, printer unknown
1815rif. 005471London: T. Tegg. Plummer and Brewis printer 1815. First Edition. Full Morocco. Very Good. 8vo. 24 by 15 cm. 260 pp. With 30 hand-colored engravings by George Cruikshank. The copy has all first edition points cited by Tooley 151. Bound very handsomely by Worsfold with gilt crown "N" and beetle devices on boards and spine dentelles bordering within gilt edges. Joints repaired. Offsetting of plates. Pages have age toning. Occasional soil marks and a few very minor chips or tiny closed tears. Otherwise a clean and tight copy. T. Tegg. Plummer and Brewis, printer unknown books
1820rif. 000538London: J. Johnston. Good with no dust jacket. 1820. Third Edition. Half-Leather. Iv 319 pages list of illustrations color frontis 18 hand colored plates. Half-leather and marbled boards. Ex-library. Library binding. "Doctor Syntax" and "Kaiapoi Institute" in gilt on spine. 1.5" splits to ends of joints. Hinges cracked internally. Wear to edges and corners of boards. 2 library stamps on title page. ; 8vo . J. Johnston hardcover
1738rif. 110705Toulouse, Par la Société 1738 In-16 relié plein veau d’époque 15,5 cm sur 10. Dos à nerfs orné des caissons et fleurons dorés. Tranches rouges. 436 pages. Page de titre et 72 pages de texte imprimées en rouge et noir. Bandeaux et culs-de-lampe. Mentions manuscrites sur deuxième contreplat. Reliure d’usage avec quelques petites taches, épidermures et frottements, 3 trous de vers au dos sans atteinte au texte. Rosace tracée au compas sur le premier plat, probablement par un écolier qui s’ennuyait ! Coins émoussés. Un cahier émergent légèrement de la gouttière aux tranches grises. Sans pages de garde. Assez bon état d’occasion.
rif. 41710P., Bureau dEditions, 1935, in 12 broché, 72 pages.
rif. SONG0199945624Used: Good unknown
rif. DADAX0199945640New unknown
rif. SONG1575060019Used: Good unknown
rif. DADAX0199557411New unknown
rif. DADAX0199557403New unknown
rif. DADAX3110184133New unknown
rif. DADAX1107078016New unknown
rif. SONG1107078016Used: Good unknown
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rif. DADAX0195135881New unknown
rif. SONG0195135881Used: Good unknown
rif. DADAX0415036844New unknown
rif. DADAX0415402557New unknown
1815rif. 5174London United Kingdom: B. Blake 1815. hardcover. Very Good. Thomas Rowlandson Style of. The Adventures of Doctor Comicus or The Frolicks of Fortune A Modern Syntax — First Edition Publication: London B. Blake 1815 Formatting: 8vo pp. ii 269 i. Condition Report: Very Good. The binding is a handsome likely later full panelled calf with blind-tooled borders and corner fleurons featuring a contrasting central panel and a red morocco title label to a raised spine. The binding is tight and secure showing only minor superficial shelf-wear. The interior features attractive marbled endpapers and untrimmed page edges. The text block is generally clean though some light spotting age-toning and offsetting can be expected given the period. Notably this copy contains the hand-coloured aquatint frontispiece the extra engraved title page and twelve hand-coloured plates lacking plate 10 'Shaving the Doctor'. Overall a highly attractive robustly bound copy of this scarce parody presenting exceedingly well on the shelf despite the single missing plate. Catalogue Note: This is the first edition of The Adventures of Doctor Comicus one of the earliest and most successful parodies of William Combe's immensely popular Doctor Syntax tours. Written under the pseudonym "A Modern Syntax" the work consciously mirrored the episodic mock-heroic verse of Combe's originals to capitalize on the public's appetite for the genre. The spirited hand-coloured aquatints often attributed to Thomas Illman or imitating the style of Thomas Rowlandson are an essential feature of the satire capturing the exaggerated follies of Regency life. This copy includes the extra engraved title page and frontispiece alongside twelve coloured plates. Bibliographically identified via Abbey Life 255 and Tooley 431 early printings of this imitation are increasingly scarce on the open market particularly when housed in such a distinguished panelled calf binding. The Adventures of Doctor Comicus offers a hilarious satirical romp through Regency England following the misadventures of a haplessly ambitious country doctor. Penned as a direct spoof of the famous Doctor Syntax series this comic poem chronicles the doctor's quest for a wealthy wife and an escape from his mundane village life. Filled with riotous hand-coloured aquatint illustrations it is a delightful piece of 19th-century comic heritage that sharply skewers the social pretensions and eccentricities of the era. B. Blake hardcover
