101 617 résultats
1996réf. 34579Franz Steiner Verlag. Very Good. Softcover. Faint creasing to a few pages. Light creasing to front wrap. Scholars' bookplate to ffep Slater & Dunbabin.; Palingenesia LVII; 440 pages . 1996. 3515068503 . Franz Steiner Verlag paperback
réf. 34594Carl Winter Universitätsverlag. Very Good with no dust jacket. Hardcover. Spines slightly sunned. Slight scuffing to front board of Vol. 3. Vol 1: pages tanned. 1 corner bumped with tiny dent to middle of rear board.; Vol. 1: 1960 938 pp; Vol. 2: 1970 1154 pp; Vol 3: 1972 isbn: 353302203X 312 pp. Heavy set.; Indogermanische Bibliothek. II. Reihe: Wörterbucher; 2404 pages . 1960. Carl Winter Universitätsverlag hardcover
1980réf. 34590Walter De Gruyter & Co. . Very Good with no dust jacket. Hardcover. Vol. 1: Front hinge a bit strained. Else very light shelfwear. VG; Vol. 2: Near Fine.; Vol. 1 1980 ISBN: 3110073447 737 pp; Vol. 2 1996 ISBN: 3110143631 839 pp. Heavy set; 2 Volume Set; 1-2; 9.6 X 7.1 X 2.0 inches; 1576 pages . 1980. Walter De Gruyter & Co. hardcover
1959réf. 34613Angelo Signorelli. Very Good-. Softcover. Small tear near head of spine 1 cm. Light edgewear to wraps. Small stain to rear wrap. Small paperclip stain to titlepage.; Accademia Polacca Di Scienze E Lettere. Fasc. 12; 139 pages . 1959. Angelo Signorelli paperback
1982réf. 34609C. H. Beck. Very Good. Softcover. Scholars' bookplate to inner cover Slater & Dunbabin. Faint creasing to corners of wraps.; Zetemata Monographien Zur Klassischen Altertumswissenschaft Heft 77; 9.1 X 6.1 X 0.8 inches; 325 pages . 1982. 3406051677 . C. H. Beck paperback
1964réf. 34620Scientia Verlag. Very Good with no dust jacket. Hardcover. Scholars' bookplate to inner cover Slater & Dunbabin. Minor shelfwear.; Reprint of 1914 ed. X255 ; vii 224 pp.; 479 pages . 1964. Scientia Verlag hardcover
1993réf. 34618Princeton University Press. Near Fine in Very Good dust jacket. Hardcover. Very minor shelfwear to book else fine. DJ flap creased.; 1.25 x 9.75 x 6.75 Inches; 324 pages; From household gossip to public beatings this social history explores the many channels through which Athenians maintained public order. Virginia Hunter draws mostly on Attic court proceedings which allowed for a wide range of evidence including common rumors about a defendant's character and testimony obtained under torture of slaves against their masters. She describes Athenian "policing" as a form of social control that took place across a range of private and public levels. Not only does policing appear to have been a collective enterprise but its methods were embedded in a variety of social institutions resulting in the blurring of the line between state and society. Hunter's inquiry into topics such as household authority disputes among kin the presence of slaves in the house gossip in the home and neighborhood and forms of public punishment reveals a continuum extending from self-regulation among kin to punitive actions enforced by the state. Recognizing the bias of legal documents toward the wealthy Hunter concentrates on exposing the voices of the less powerful and less privileged members of society including women and slaves. In so doing she is among the first to address systematically such important issues as the authority of women self-help and corporal punishment. . 1993. 0691032688 . Princeton University Press hardcover
1970réf. 34699Walter De Gruyter & Co. . Very Good with no dust jacket. Hardcover. Very faint shelfwear. Light bump to 1 corner.; Tile continues: .Mit Einschluss der Gleichzeitigen Ostraka Und Der in ägypten Verfassten Inschriften. Unchanged Reprint of 1934 ed.; II.3; 265 pages . 1970. 3110025108 . Walter De Gruyter & Co. hardcover
1993réf. 34686Thesis Ph. D. --University of Toronto. Very Good with no dust jacket. Hardcover. Self-published. Bump along upper edge of rear board. Tiny chip to cloth at upper corner.; Thesis/dissertation; 4to 11" - 13" tall; 318 pages . 1993. Thesis (Ph. D. ) --University of Toronto hardcover
1933réf. 34700Walter De Gruyter & Co. . Good with no dust jacket. Softcover. Contents shaken. In plain paper wraps for rebinding. Many pages unopened. Pages tanned a few browned. Tears along joints of wraps. VG-/Good; Tile continues: .Mit Einschluss der Gleichzeitigen Ostraka Und Der in ägypten Verfassten Inschriften.; II2.1; 336 pages . 1933. Walter De Gruyter & Co. paperback
1990réf. 34673Editions Imago / Musée Archéologique Henri Prades. Very Good. Softcover. Creasing to corners of wraps. Minor shelfwear.; 316 pages . 1990. 2950158668 . Editions Imago / Musée Archéologique Henri Prades paperback
1970réf. 34698Walter De Gruyter & Co. . Near Fine with no dust jacket. Hardcover. Very faint shelfwear.; Tile continues: .Mit Einschluss der Gleichzeitigen Ostraka Und Der in ägypten Verfassten Inschriften. Unchanged Reprint of 1926 ed.; II.1; 390 pages . 1970. 3110025116 . Walter De Gruyter & Co. hardcover
1850réf. 34731Sumptibus Et Typis Caroli Tauchnitii Karl Tauchnitz . Very Good with no dust jacket. Hardcover. Bound in full leather boards. Spine sunned. Gilt lettering to spine with 4 raised bands. 1 corner bumped. Some scratches to rear board. A bit of edgewear to boards. Endpapers foxed and tanned.; Double columns. Very heavy book. Extra shipping charges may apply.; 4to 11" - 13" tall; 1460 pages . 1850. Sumptibus Et Typis Caroli Tauchnitii (Karl Tauchnitz) hardcover
réf. 303655France: Librairie Du Liban. Cloth. Good/Good. 8vo - over 7¾ - 9¾" tall. Type: Book N.B. Staining to top edge of pages. Some chipping to D/J. Foxing to top edge of pages. Light mark to foredge of pages. Some light marking to D/J.1392pp Librairie Du Liban hardcover
1946réf. 33021Oxford Clarendon Press. Very Good with no dust jacket. Hardcover. Foxing to top of textblock. Very Slight spine slant. Faint sunning to spine. Scholar's name to inner cover Cedric Boulter with some bibliographical notes. Endpapers tanned.; There are over 140 illustrations including pull-out diagrams of theatre remains.; 288 pages; Chapter titles include: The Theatre Before Lycurgus: Evidence of the Plays; Special Problems of The Theatre Before Lycurgus; the Lycurgean Theatre; The Hellenistic Theatre; The Theatre in the Roman Period . 1946. Oxford Clarendon Press hardcover
1953réf. 33018Oxford University Press. Very Good with no dust jacket. First Edition. Hardcover. Scholar's name to inner cover Cedric Boulter. Spine sunned. Inner covers foxed.; discusses the organization of the dramatic festivals describes the acting style actors costumes dancing music and audiences' tastes and behavior and provides a full presentation of the literary epigraphic and archaeological evidence on which any discussion of the dramatic festivals is based such as the difficulties of interpretation.; 1.23 x 9.53 x 6.39 Inches; 334 pages . 1953. Oxford University Press hardcover
1977réf. 32978E. J. Brill. Near Fine with no dust jacket. Hardcover. Cincinnati Classical Studies New Series Volume I.; 168 pages . 1977. 9004054278 . E. J. Brill hardcover
1995réf. 32987Oxford University Press. Near Fine in Very Good dust jacket. First Edition. Hardcover. DJ Spine is sunned and very discolored. Very light shelfwear to book.; This book offers a series of in-depth studies of the beliefs attitudes and rituals surrounding death in ancient Greece from the Minoan and Mycenean period to the end of the classical age. Drawing on a wide range of evidence--from literary texts to inscriptions to images in art--Sourvinou-Inwood sheds light on many key still problematic aspects of Greek life myth and literature. She also looks at the problem of "reading" this material within the context of our own culturally-determined beliefs.; 512 pages . 1995. 019814976X . Oxford University Press hardcover
2005réf. 33020Wiley-Blackwell. Very Good in Very Good- dust jacket. Hardcover. Rear hinge weakening and does not sit square. Very light bumping to top corners. DJ has some edgewar and creasing.; Blackwell Companions to the Ancient World; 9.7 X 7.1 X 1.7 inches; 572 pages; The Blackwell Companion to Greek Tragedy provides readers with a fundamental grounding in Greek tragedy and also introduces them to the various methodologies and the lively critical dialogue that characterize the study of Greek tragedy today. Comprises 31 original essays by an international cast of contributors including up-and-coming as well as distinguished senior scholars Pays attention to socio-political textual and performance aspects of Greek tragedy All ancient Greek is transliterated and translated and technical terms are explained as they appear Includes suggestions for further reading at the end of each chapter and a generous and informative combined bibliography . 2005. 1405107707 . Wiley-Blackwell hardcover
2000réf. 33061Cambridge University Press. Fine in Near Fine dust jacket. Hardcover. Faint shelfwear to DJ.; Antiquity and Its Interpreters examines how the physical and textual remains of the ancient Romans were viewed and received by writers artists and cultural makers of early modern Italy. The case studies analyze specific texts the archaeological projects that made "antiquity" available the revival of art history and theory and the appropriation of antiquities to serve social ideologies among other topics.; 11.2 X 8.7 X 1.0 inches; 340 pages . 2000. 0521594006 . Cambridge University Press hardcover
1995réf. 33331Oxford University Press. Fine in Very Good dust jacket. Hardcover. Review of book tipped in. Dustjacket has faint creasing; 0.85 x 9.32 x 6.32 Inches; 240 pages; Theseus is celebrated as the greatest of Athenian heroes. This work explores what he meant to the Athenians at the height of their city-state in the fifth century B. C. Assembling material that has been scattered in scholarly works Henry Walker examines the evidence for the development of themyth and cult of Theseus in the archaic age. He then looks to major works of classical literature in which Theseus figures exploring the contradictions between the archaic primitive side of his character and his refurbished image as the patron of democracy. His ambiguous nature as outsider flouting accepted standards of behavior while at the same time being a hero-king and a representative of higher ideals is analyzed through his representations in the work of Bacchylides Euripides and Sophocles. This is the only work of scholarship that examines the literary representation ofTheseus so thoroughly. It brings to life a literary character whose virtues flaws and contradictions belong in no less a degree to his creators the people of Athens. . 1995. 0195089081 . Oxford University Press hardcover
1993réf. 33113Novecento. Very Good. Softcover. Minor edgewear to wraps with faint chipping.; 249 pages . 1993. 8837302215 . Novecento paperback
1994réf. 33294University of California Press. Near Fine in Very Good dust jacket. Hardcover. Light edgewear and faint creasing to DJ.; Hellenistic Culture and Society; 545 pages; Alexander the Great changed the face of the ancient world. During his life and after his death his image in works of art exerted an unprecedented influence on marbles bronzes ivories frescoes mosaics coins medals even painted pottery and relief ware. Alexander's physiognomy became the most famous in history. But can we really know what meaning lies behind these images Andrew Stewart demonstrates that these portraits wildly divergent in character quality type provenance date and purpose actually transmit not so much a likeness of Alexander as a set of carefully crafted cliches that mobilize the notion "Alexander" for diverse ends and diverse audiences. Stewart discusses the portraits as studies in power and his original interpretation of them gives unprecedented fullness and shape to the idea and image called "Alexander." . 1994. 0520068513 . University of California Press hardcover
2005réf. 33254Penn State University Press. Very Good. Softcover. Very light shelfwear.; Buildings Landscapes and Societies 4; 10.3 X 9.3 X 1.4 inches; 412 pages . 2005. 0271025077 . Penn State University Press paperback
2012réf. 33258Oxford University Press. Fine in Very Good dust jacket. Hardcover. DJ flaps are creased. Faint yellowing to DJ.; In antiquity Rome represented one of the world's great cultural capitals. The city constituted a collective repository for various commemoratives cultural artefacts and curiosities not to mention plunder taken in war and over its history became what we might call a "museum city." Ancient Rome as a Museum considers how cultural objects and memorabilia both from Rome and its empire came to reflect a specific Roman identity and in some instances to even construct or challenge Roman perceptions of power and of the self. In this volume Rutledge argues that Roman cultural values and identity are indicated in part by what sort of materials Romans deemed worthy of display and how they chose to display view and preserve them. Grounded in the growing field of museum studies this book includes a discussion on private acquisition of cultural property and asks how well the Roman community at large understood the meaning and history behind various objects and memorabilia. Of particular importance was the use of collections by a number of emperors in the further establishment of their legitimacy and authority. Through an examination of specific cultural objects Rutledge questions how they came to reflect or even perpetuate Roman values and identity.; Oxford Studies In Ancient Culture & Representation; 9.7 X 7.7 X 1.2 inches; 424 pages . 2012. 0199573239 . Oxford University Press hardcover