8 698 résultats
réf. SONG8853602902Used: Good unknown
réf. 9788533600690MARTINS - MARTINS FONTES. new. Saber ver a arte: Uma cole��o que permite aos apreciadores da arte adquirir rapidamente o conhecimento necess�rio para identificar compreender e apreciar os diferentes estilos e as diferentes correntes art�sticas em pintura escultura e arquitetura. MARTINS - MARTINS FONTES unknown
réf. 1558190317.Gimitation_leather. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 143360020X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 662019 January 1920 on letterhead of the Senior Common Room King's College London W.C.; 5 February 1921 28 Home Park Road Wimbledon Park London S.W.19. Both docketed and bearing the Society's stamp. Letter One 12mo 2 pp good: Discussing the syllabus of the Royal Society's Spanish examinations. Ends: 'I think that there is need of arriving at some uniform standard of difficulty and of arrangement of the papers set.' Letter Two 4to 4 pp good with top left-hand corner of first leaf torn away though not affecting text: A long defence of an examination paper set by him against the criticisms of 'Mr Frank J. Allen' who has sat it. 'Mr. Allen to me it seems as if he does not know his own language he writes Castilian with two lls. when in English is written with one l only. . I decline to answer the P.S. of Mr Allen letter if I did I might hurt or annoy him. In conclusion: Mr Allen forgets that he is a candidate and has no right to put remarks to his examiner who with his twenty years experience ought to know how to conduct an examination of this kind.' 19 January 1920, on letterhead of the Senior Common Room, King's College, London W.C.; 5 February 1921, 28 Home Park Road, Wimbl unknown
réf. DADAX0078889421New unknown
réf. SONG8424916816Used: Good unknown
réf. DADAX0721660525New unknown
2021réf. x-1087706033B & H Espanol 2021. Paperback. New. lea ind edition. 1536 pages. Spanish language. 9.60x6.70x1.50 inches. B & H Espanol paperback
réf. SONG0764127306Used: Good unknown
réf. DADAX1838660984New unknown
réf. DADAX0714873586New unknown
réf. DADAX0714861286New unknown
réf. DADAX8446011891New unknown
réf. DADAX1846312027New unknown
2014réf. 29313New York:: Farrar Straus & Giroux 2014. First Printing of the First US Edition. A Near Fine tight copy with discreet remainder dot in a Fine unclipped dust jacket. Madrid 1936. In a city blasted by a civil war six people meet and find their lives changed forever. Ernest Hemingway his career stalled his marriage sour hopes that this war will give him fresh material and new romance; Martha Gellhorn an ambitious novice journalist hungry for love and experience thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro idealistic young photographers based in Paris want to capture history in the making and are inventing modern photojournalism in the process. And Arturo Barea chief of the Spanish government's foreign press office and Ilsa Kulcsar his Austrian deputy are struggling to balance truth-telling with loyalty to their sometimes compromised cause a struggle that places both of them in peril. Beginning with the cloak-and-dagger plot that precipitated the first gunshots of the war and moving forward month by month to the end of the conflict. Hotel Florida traces the tangled and disparate wartime destinies of these three couples against the backdrop of a critical moment in history: a moment that called forth both the best and the worst of those caught up in it. In this noir landscape of spies soldiers revolutionaries and artists the shadow line between truth and falsehood sometimes became faint indeed your friend could be your enemy and honesty could get you or someone else killed.Years later Hemingway would say "It is very dangerous to write the truth in war and the truth is very dangerous to come by." In Hotel Florida from the raw material of unpublished letters and diaries official documents and recovered reels of film the celebrated biographer Amanda Vaill has created a narrative of love and reinvention that is finally a story about truth: finding it telling it and living itwhatever the cost. Farrar, Straus, & Giroux, unknown
1991réf. 003233New York: Atheneum 1991 First printing of the first American edition. Inscribed to Danna and signed by Isabel Allende along with her trade mark drawing of a flower. Light shelf wear to edge of boards else book in fine condition; dust jacket with light wear to corners and spine ends and mild age-toning to cover margins and inside flaps else fine. Atheneum hardcover
réf. AE-0M7S-BJ84Very Good. unknown
1947réf. 101285Truro Massachusetts February 12 after 1947. after 1947. Very good. - Over 100 words typed on his personal 5-1/2 inch high by 8-1/2 inch wide stationery with his name embossed at top left. The American novelist Waldo Frank writes to Harold and Elizabeth Rugg with letters of recommendation not here present "Here are 3 letters which I could not send till I returned home. Reyes leading man of letter of Mexico used also to be a diplomat: Ambassador to several countries. If Manuel Gamio is around the archeologist try to see him - as my friend. Silvia Herzog is the Director of perhaps the best cultural Magazine in the Americas." "Have a good trip." Signed "Waldo" with a minor correction penned in his hand. Followed by a postscript recommending "Leon Felipe great Spanish poet also translator of several of my books - and his wife professor of English." Folded for mailing with a couple of minor corner creases and staple holes to the top left. Very good. Waldo Frank 1889-1967 was an American novelist historian political activist and literary critic. He wrote extensively for The New Yorker and The New Republic during the 1920s and 1930s. He is best known for his studies of Spanish and Latin American literature and culture and his work is regarded as an intellectual bridge between the two continents. Harold Rugg 1886-1981 was an educational reformer associated with the Progressive education movement. Originally trained in civil engineering he went on to study psychology sociology and education at the University of Illinois. After teaching at the University of Chicago from 1915 to 1920 he took a job at the Columbia University Teacher's College where he stayed until he retired in 1951. Harold Rugg married his third wife Elizabeth May Howe Page in 1947. Truro, Massachusetts, February 12, [after 1947].
réf. DADAX0764119907New unknown
réf. DADAX1453793933New unknown
1945réf. 88779N. Pl: Comite Nacional del M.L.E.-C.N.T. en Francia 1945. Pamphlet. 56p. inscribed by Congress President Juan Puig Elias to one of the Ferrers slightly worn wraps with a small tear in margin on last few pages not affecting text. Comite Nacional [del M.L.E.-C.N.T. en Francia] unknown
1945réf. 88779N. Pl: Comite Nacional del M.L.E.-C.N.T. en Francia 1945. Pamphlet. 56p. inscribed by Congress President Juan Puig Elias to one of the Ferrers slightly worn wraps with a small tear in margin on last few pages not affecting text. Comite Nacional [del M.L.E.-C.N.T. en Francia] unknown books
1969réf. 023172New York: Grove Press 1969 Stated first printing first bilingual edition with Spanish/English text. Upper spine gently crimped faint toning to page margins and a touch of rubbing to edge of boards else in fine condition; dust jacket with a closed tear/crease near upper front spine fold light rubbing to corners light edge wear shallow creasing to upper spine and a shallow stain along bottom back cover else fine. Grove Press hardcover
1939réf. 316391939. 1939. Very good. INSCRIBED AND SIGNED BY LUIS SAGI-VELA - Black-and-white photograph of Luis Sagi-Vela approximately 6 inches high by 3-7/8 inches wide. Inscribed across the lower half of the photograph and signed "to Edward ------ / Sincerely / Sagi-Vela / 1939". The signature is in a dark area of the photo but is still quite legible. There is creasing to the top right corner of the photo with a very light crease to its bottom edge. Very good. Sagi-Vela is photographed at half length in a jaunty pose wearing white tie with a white flower in his buttonhole. 1939. unknown
