SPANISH NAVYBiblio.com
8 698 résultats
1779réf. 154781Spain: 1779. Visually appealing manuscript offering a valuable insight into the Spanish naval empire in the Caribbean Fascinating official service record of don Francisco Ximenez Parrado an officer of the Spanish Navy who served during the War of Jenkin's Ear 1739-48. This detailed account signed by Parrado enumerates his services from 1721 to 1779 listing naval campaigns many of them in the Americas. During his career Parrado participated in a range of operations; coastal patrols surveys and some significant naval engagements particularly against the British. In 1729 Parrado joined the Fuerte 60 under don Domingo Justiniani which sailed from Cadiz on 19 December in company with the two-decker frigate Nuestra Señora del Carmen 54. En route to Cartagena the two ships passed Tobago the coasts of Trinidad Margarita Cumana and Caracas. Once at Cartagena they commenced cruising the coasts of Terra Firme Spain's mainland possessions from the Caribbean to the Gulf of Mexico in search of illicit traders. In less than a year they had captured some six frigates and seven sloops carrying contraband off the coast of Venezuela. During the Summer of 1736 Parrado was in the Conquistador under don Blas de Lezo which was under repair in Spain before its embarkation for Cartagena early in 1737 with 1891 tons of cargo and brigadier don Jose Ambrosio the new governor of Chile aboard. The Conquistador remained at Cartagena on coast guard duties until she was scuttled by de Lezo during the battle of Cartagena in 1741 as part of the blockade of Vice-Admiral Edward Vernon's massive invasion assault. British failure here was to prove one of the pivotal moments of the War of Jenkins's Ear. Parrado is shown as having stayed in Cartagena until 1744 after which it seems he joined don Benito Antonio de Espinola in Havana taking part in the 1745 commissioning voyage of the Santa Teresa de Jesus 64 better known as the Dragon. The manuscript details an engagement in that year with an unnamed British vessel of 60 guns "quese avisto diferentes vezes frente del Puerto" "had been seen several times outside the port ". The Dragon's main mast was split and she was forced the quit the battle. The document also notes Parrado's presence in Tortuga Cabo de San Antonio Puerto Rico and Havana during 1746. The record details Parrada's career under four headings: Empleos "Employments" Campañas "Campaigns" outlined in chronological order Comiciones en que fue Empleado "Commissions in which he was employed" and Funciones en la America "Dutiess in America". Parrado seems to have occupied seven different positions during his career showing a clear ascent through the ranks ; Marinero Agregado a los Pilotos "Sailor attached to the pilots" Arnillero "Gunsmith" with a note that he continued in his role with the pilots Pilotín "Pilot's Assistant" Segundo Piloto "Second pilot" Primer Piloto "First pilot" Alférez de Navío "Frigate lieutenant" a junior watch officer and Teniente de Fragata "First lieutenant" a full lieutenant. Parrado later became the principal teacher at the School of Navigation in Cartagena. This fascinating document offers some welcome insight into a single career during a time of considerable conflict taking place on a world-wide stage. 4 pp. manuscript in neat clearly legible hand on a single bifolium elaborately engraved cartouche to the first page incorporating a three-master atop and enclosing a tabulated manuscript summary of Parrado's postings and positions. Light toning and minor staining. A very good example. Clowes The Royal Navy vol. 3. unknown
réf. 61898BBo.J. (Joan Miro, geboren am 20. April 1893 in Barcelona, gestorben am 25. Dezember 1983 in Palma. Spanisch-katalanischer Maler, Grafiker, Bildhauer und Keramiker).
1962Un disegno originale dell'Autore in copertina (ogni volume reca un disegno diverso). Stampato in occasione del sessantesimo compleanno del poeta Stampato dall'Arte Grafica Bartolomé U. Chiesino S.A. di Buenos Aires. 8vo. pp. 14. Bella dedica e firma autografe dell'Autore (Inscribed and signed by the Author). Ottimo (Fine). . Prima ed. di 29 es. numerati e firmati dall'A.. . Empujan, en fin, vientos de libertad marina a la poesía de Rafael Alberti llevándola a explorar todos los espacios de la historia, de la mitología o de la experiencia humana: ''Yo te miraba, oh Cádiz, bahía de los mitos / ... / Canas de antigüedad, tus estelares fábulas, / tus solares historias, / oh gaditano mar de los perdidos / Atlantes, vesperales jardines de la espuma, / islas desvanecidas del Ocaso!'' Los pobres pescadores que salen del Guadalete hacia el mar son los mismos que arribaban a Tarsis en busca de oro y plata y estaño. El mar resume la historia y el mar compendia el sueño. ¿Qué escenario mejor podría soñarse para el encuentro amoroso de Venus y Príapo que el escenario del mar de Cádiz? Uno de los más formidables poemas amorosos de la literatura universal, de ese Diálogo entre Venus y Príapo, acontece en esa bahía: "Amor! La noche se desvae. / Nos baña el mar. (Oh luz!. El mundo canta. / Cae la luna... El viento...)"
1752réf. PHO-2500Amsterdam et Leipzig, Arkstée & Merkus, 1752, 2 volumes in-4 (26x22cm), 11 ff.-554 pp. et 1f.-316 pp.-7ff.-309 pp.-3pp., Veau marbré époque dos à nerfs orné avec pièces de titre et tomaison, tranches jaspées. Frottements, coins usés, accroc coiffe sup. Tome 2, 4 feuillets blanc brunis, 9 planches brunies, 1 avec déchirure réparée.
1916réf. 73065Hongkong: printed by the Chinese Printing and Publishing Co. . No. 51 Gough Street 1916. First edition 8vo pp. viii 264; text in Chinese Spanish and English; mid-20th century black cloth gilt lettering on spine; light toning else a very good sound copy. "Relations between the then Empire of China and the Republic of Costa Rica began in 1911 with the arrival of the Chinese diplomat Tam Pui-Shum on Costa Rican coasts where he was received by the president of the country government authorities and representatives of the Chinese colony. Tam was the author of a Chinese-Spanish dictionary and a translation of Don Quixote into Chinese . introducing Spanish literature to the Chinese-speaking world . He had been China's representative to Spain and Mexico and was introduced as Special Commissioner of the Chinese Empire for Central America" es.Wikipedia. A tri-lingual dictionary and phrase book and a section on letter-writing at the back with two sample letters in all three languages dated Panama and Mexico City 1916 evidence for this edition being first. Apparently rare. The only other edition listed in OCLC is that of 1928 - of which only the BL and one in Sweden is noted. Of this earlier edition the earliest noted HongKong and Georgetown only in OCLC. printed by the Chinese Printing and Publishing Co. ... No. 51, Gough Street unknown
1916réf. 73065Hongkong: printed by the Chinese Printing and Publishing Co. . No. 51 Gough Street 1916. First edition 8vo pp. viii 264; text in Chinese Spanish and English; mid-20th century black cloth gilt lettering on spine; light toning else a very good sound copy. "Relations between the then Empire of China and the Republic of Costa Rica began in 1911 with the arrival of the Chinese diplomat Tam Pui-Shum on Costa Rican coasts where he was received by the president of the country government authorities and representatives of the Chinese colony. Tam was the author of a Chinese-Spanish dictionary and a translation of Don Quixote into Chinese . introducing Spanish literature to the Chinese-speaking world . He had been China's representative to Spain and Mexico and was introduced as Special Commissioner of the Chinese Empire for Central America" es.Wikipedia. A tri-lingual dictionary and phrase book and a section on letter-writing at the back with two sample letters in all three languages dated Panama and Mexico City 1916 evidence for this edition being first. Apparently rare. The only other edition listed in OCLC is that of 1928 - of which only the BL and one in Sweden is noted. Of this earlier edition the earliest noted HongKong and Georgetown only in OCLC. printed by the Chinese Printing and Publishing Co. ... No. 51, Gough Street unknown books
1821réf. 21164Berlin: Ferdinand Dummler 1821. First Edition. Century old linen library cloth dating to 1921; some pencil marking; barely perceptible miniature perforation stamp to blank area of the title page; small faint transfer stamp to the verso of the title page; gum label to the edge of the front cover. Very good. 4to viii 1 - 192 pp. The first important book written by the noted philologist. The book traces the origin of the Basque language through Spain France and into northern Africa. This was his first attempt to " . trace a connexion between the character and evolution of the Basque peoples and the style and content of their language PMM #301." It was the first effort to plot the development of individual languages to the broad history of a people. A rare and important treatise. See Printing and the Mind of Man #301; Sebeok Portraits of Linguists I 71-120. Ferdinand Dummler hardcover books
1787réf. 135132Madrid: En la Imprenta Real 1787. First nationwide Spanish census First edition of Spain's first nationwide census the census of 1787. The first census in Spain was undertaken in Castile as early as 1594 and there was a census of the Spanish Empire in 1776 but this was the first which embraced the whole country. It is sometimes known as the Census of Floridablanca after the reformist prime minister Count Floridablanca under whom it was undertaken from 1785 to 1787. The 43 tables list the regions of Spain alphabetically from Andalucia to Valencia but also include the Balearic and Canary Islands. The data accounts for the number of persons their ages religious affiliation and social status. The final population count is 10409879. Although the census did display modern demographic techniques the attempts to classify the population on class and occupation proved too rudimentary - servants were not classified in any consistent way and the scope of the hidalgo class varied considerably from region to region. Even so the census was a considerable demographic achievement and remains studied in modern Spanish demography; it is considered more accurate than the subsequent Spanish census of 1797. Quarto 301 x 225 mm. With 43 printed tables and large printed folding table at rear. Contemporary quarter sheep smooth spine ruled in gilt with green calf label marbled paper sides edges speckled red. Inked number "153" to title page. Scuffing and wear around extremities contents clean leaf a4 creased minor paper faults to tables XVIII and XXVIII 6 cm closed tear to map. A nice unrestored example. Goldsmiths' 13352; Palgrave I 242. unknown
2004réf. SBBI-mon0000029069Routledge 2004. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Routledge paperback
1701réf. ABC_48243Amsterdam 1701. Small 4to ca. 20 x 15 cm. Nicolas Chevalier Contemporary limp vellum with the manuscript title on the spine and a paper shelf mark label at the foot. With a general title and 2 divisional titles for ad 6 and ad 11 all with a woodcut vignette further with 2 hand-coloured engraved maps 1 folding engraved plate and several woodcut initials. 12 parts in 1 volume. 134 pp. Collection of very rare pamphlets and printed letters published under a collective title on the actual political circumstances of Northern Europe in the years 1699-1701 especially in connection with the death of the Spanish King Charles II born in 1661 in 1700 leading to the War of the Spanish Succession 1701-1714. The work includes 2 maps of Flanders and a folding plate of the Battle of Narva which took place on 30 November 1700. Although the pamphlets and letters were printed separately the present collection appears to be very rare as we have not been able to find any other copies with the same contents.Charles died childless. His possessions would go to one of his brothers-in-law: the French King Louis XIV 1638-1715 or the German Emperor Leopold I 1640-1705. Both had agreed already beforehand that they would divide Charles heritage to avoid disturbance of the European balance of power. In his last will however Charles had appointed the grandson of Louis XIV as his successor named from now on Philip V of Spain 1683-1746. The Treaty of The Hague affirmed this in 1701. With the deaccession stamp of the "Bibliothèque municipale de Nîmes" on the title page and its shelf mark label at the foot of the spine. The vellum at the foot of the spine with a tear the boards are somewhat stained. The leaves are occasionally browned and foxed. Otherwise in good condition.l Cf. Knuttel no. 14.510 ad 1 14.543 ad 6 14.588-14.589 ad 9 14.538 ad 10 and 14.538 a comparable collective title page with the imprint "Amsterdam Daniel de la Feuille 1701" with various texts ca. 78 pp.; STCN 317179241 1 copy the same general title page but with only 3 letters all different from ours. hardcover
1696In -4°, pp. (16), 557, (9) - errore di numerazione alle pp. 120-23; antiporta incisa in rame; legatura in pelle con fregi in oro alle armi di Benedetto XIV. Tagli dorati. Calf binding with golden ornaments, gilt edges.
1940In-4°, prima edizione, copertina morbida, pp. 191, con due disegni a colori e due in b/n, esemplare perfetto. Poesie scritte tra il 1929-1930, inedite fino a quel momento, pubblicate durante l’esilio forzato in Messico, accompagnate dal poema ‘El crimen fue en Granada’ di Antonio Machado e dello scritto in prosa ‘Federico Garcia Lorca. La muerte vencida’ di José Bergamin. Presenti quattro disegni del poeta. First edition, 191pages, with four drawings (2bw and 2 colours), fine edition, soft cover.Poetries written between 1929 and 1930, published during Garcia Lorca’s exile in Mexico; additional poems ‘El crimen fue en Granada’ by Antonio Machado and ‘Federico Garcia Lorca. La muerte vencida’ by José Bergamin
1695In -4°, pp. (28), 156, (26), all’antiporta ritratto inciso da Blondeau; pergamena coeva con titolo manoscritto al dorso. Prima e unica edizione di questa singolare biografia: Sebastian de Aparicio, nato in Spagna nel 1502 e morto in Messico nel 1600, fu beatificato nel 1789 da Pio VI: al di là dell’interesse di retaggio religioso Aparicio, che partì per il nuovo mondo nel 1530, è considerato il primo allevatore di bestiame e il primo “charro” (per estensione il primo “cowboy”) nella storia d’America. Diventato ricco (grazie all’attività di colono, agricoltore, e all’estrazione di metalli, soprattutto argento), e due volte vedovo, si dedicò alla vita ascetica fino a essere ammesso all’ordine francescano, col patto che i suoi beni venissero donati al primo monastero delle Clarisse in Messico (dove sarebbe stato ospitato prima di venir ordinato frate e unirsi alla comunità francescana di Puebla). First and only edition of this unique biography: Sebastian de Aparicio, born in Spain in 1502 and dead in Mexico in 1600, was canonized in 1789 by Pius VI. Beyond the religious interest, Aparicio is considered the first “cowboy” of America (or “charro”, in spanish): he became rich thanks to his agricultural activity (and also for his activity in mines, especially silver ones) he was the first to raise livestock on ground, in America: between his dowries the one to tame savage animals. He left his large fortune to a claires monastry in order to be received in the franciscan order.
1977réf. 20185Barcelone, Editorial Gustavo Gili, 1977. Grand in-8 oblong, en feuilles sous couverture rempliée, couverture en fourrure blanche, sous emboîtage en Plexiglas.
1911réf. 030666Madrid: Imprenta Espanola / Fernando Fe / Victoriano Suarez 1911. 1st Edition 1st Printing. Soft cover. Near Fine. 291 Pp 1 Pp Advertisement For The Author's Works. Original Beige Wrappers Printed In Black Priced 3 Pesetas On Spine. Inscribed By Unamuno To The Cervantes Scholar Rudolph Rodolfo Schevill And Dated In Salamanca Vi/11 June 1911 The Year Of Publication. Covers With Slight Browning More Browning To Spine Water-Staining At Upper Right Corner Edges Of Rear Cover To 1/4" Deep But No Traces Elsewhere On Covers Or Pages. Contents Fine Pages Unopened Still Attached At Top. A Book Of Poetry Noted By Some As Containing The Finest Sonnets In The Spanish Language. Imprenta Espanola / Fernando Fe / Victoriano Suarez paperback
1681réf. 40803Madrid. 1681. Including Laws Regulating Indigenous Peoples and Banning the Encomienda The first comprehensive compilation of the laws of the Spanish Indies. Antonio Rodríguez de León Pinello compiled it by 1635 but it circulated only in manuscript until Fernando Jiménez de Paniagua brought it up to date and saw the work through the press in 1681. Prior to the publication of this massive work it was common practice for lawyers and courts in the various legal districts of the New World i.e. audiencias to compile in manuscript the laws in force in order that they might be used as precedents. Upon publication of this code the number of precedents did not decrease but increased: the courts continued to accept the cases and laws in the old local manuscript compilations as well as those on point and laws contained in the Recopilación. In sum this is a major work for all collections of international and Hispanic specific law. Folio. Later sheepskin leather labels. Binding rubbed at extremities. Light soiling to titlepages titlepage of first volume backed with paper. Minor soiling to text; some heavier dampstaining to first volume. Overall very good. SABIN 68386. PALAU 252516. EUROPEAN AMERICANA 681/135. hardcover
1681réf. 40803Madrid. 1681. Including Laws Regulating Indigenous Peoples and Banning the Encomienda The first comprehensive compilation of the laws of the Spanish Indies. Antonio Rodríguez de León Pinello compiled it by 1635 but it circulated only in manuscript until Fernando Jiménez de Paniagua brought it up to date and saw the work through the press in 1681. Prior to the publication of this massive work it was common practice for lawyers and courts in the various legal districts of the New World i.e. audiencias to compile in manuscript the laws in force in order that they might be used as precedents. Upon publication of this code the number of precedents did not decrease but increased: the courts continued to accept the cases and laws in the old local manuscript compilations as well as those on point and laws contained in the Recopilación. In sum this is a major work for all collections of international and Hispanic specific law. Folio. Later sheepskin leather labels. Binding rubbed at extremities. Light soiling to titlepages titlepage of first volume backed with paper. Minor soiling to text; some heavier dampstaining to first volume. Overall very good. SABIN 68386. PALAU 252516. EUROPEAN AMERICANA 681/135. hardcover books
1785réf. 57874Mexico. November 22 1785. Announcing the Compañia Real de Filipinas Regulating Trade with the Philippines A very rare Mexico City printing of the announcement of the creation of the Royal Company of the Philippines by Spanish royal decree in 1785 which regulated and effectively monopolized trade with the Philippines. This copy bears the manuscript rubric of Don Bernardo de Gálvez and signature of his secretary Joseph de Gorraes. Gálvez then Viceroy of New Spain ordered this broadside printed for the reason that "An Establishment so important and of such general interest should be understood and known by all" our translation. The creation of the Royal Company would be particularly relevant to residents of Mexico as most if not all of the trade with the Philippines would come through New Spain. Accompanying the announcement this broadside also prints Articles 1 2 14 21 and 100 of the royal decree which were considered to effectively summarize the purpose and mechanics of the new Company. The articles printed here proclaim that the Company is to enjoy the protection of the Crown for at least twenty-five years establish a fund to back its shares describe how shares and subscriptions could be purchased and organize a general meeting of shareholders. Notably absent from this broadside is the important article of the decree which closed Manila's ports to foreign vessels giving the Company an effective monopoly on all trade between Asia and the Americas. The Royal Company of the Philippines quickly gained vast wealth from this lucrative deal transporting commodities such as indigo coffee sugar spices and cotton across the Pacific. Regardless of its initial success the Company did not endure - the wave of rebellions against Spanish rule in Central and South America in the early 19th century quickly rendered it obsolete and the company was officially dissolved in 1834. A rare broadside announcing this important Royal Decree to the people of the Western Hemisphere; OCLC records only one copy at the Bancroft Library. Broadside printed on two joined sheets of sealed paper 23½ x 17 inches in total. Old folds and light creases a few small worm holes. Very good. OCLC 21747301. unknown
1785réf. 57874Mexico. November 22 1785. Announcing the Compañia Real de Filipinas Regulating Trade with the Philippines A very rare Mexico City printing of the announcement of the creation of the Royal Company of the Philippines by Spanish royal decree in 1785 which regulated and effectively monopolized trade with the Philippines. This copy bears the manuscript rubric of Don Bernardo de Gálvez and signature of his secretary Joseph de Gorraes. Gálvez then Viceroy of New Spain ordered this broadside printed for the reason that "An Establishment so important and of such general interest should be understood and known by all" our translation. The creation of the Royal Company would be particularly relevant to residents of Mexico as most if not all of the trade with the Philippines would come through New Spain. Accompanying the announcement this broadside also prints Articles 1 2 14 21 and 100 of the royal decree which were considered to effectively summarize the purpose and mechanics of the new Company. The articles printed here proclaim that the Company is to enjoy the protection of the Crown for at least twenty-five years establish a fund to back its shares describe how shares and subscriptions could be purchased and organize a general meeting of shareholders. Notably absent from this broadside is the important article of the decree which closed Manila's ports to foreign vessels giving the Company an effective monopoly on all trade between Asia and the Americas. The Royal Company of the Philippines quickly gained vast wealth from this lucrative deal transporting commodities such as indigo coffee sugar spices and cotton across the Pacific. Regardless of its initial success the Company did not endure - the wave of rebellions against Spanish rule in Central and South America in the early 19th century quickly rendered it obsolete and the company was officially dissolved in 1834. A rare broadside announcing this important Royal Decree to the people of the Western Hemisphere; OCLC records only one copy at the Bancroft Library. Broadside printed on two joined sheets of sealed paper 23½ x 17 inches in total. Old folds and light creases a few small worm holes. Very good. OCLC 21747301. unknown books
1820réf. 3330Mexico City: July 11 1820. About very good. Large double-sheet broadside approximately 23.5 x 17 inches. Two sheets joined at central horizontal fold. Five chips at left edge not affecting text and some additional minor edge wear; otherwise light toning and dust soiling. Two contemporary manuscript signatures at foot; contemporary duty stamps on blank verso. Fascinating and otherwise unrecorded broadside that dictates the organization and process for the 1820 election of Mexican deputies to the Spanish Cortes during the second and last period of constitutional monarchy in Mexico. Colonial Mexico first achieved some representation in the Spanish government under the liberal Constitution of 1812 which lasted for two years before being revoked by Ferdinand VII upon his return to power in 1814. The reinstatement of the liberal constitution and the Cortes of Cadiz in 1820 however was not enough to prevent Mexico from obtaining full independence one year later. This broadside promulgated in Mexico on July 11 1820 by the colonial Viceroy Juan Ruiz de Apodaca y Eliza announces the renewed representation via regional elections to select Provincial Deputies for the Cortes and contains eight articles delineating the process by which these elections are to be held. In brief these articles order representation be apportioned according to the population as approximated from the 1792 census; divides Mexico into provinces for the purposes of the election; and places parameters on representation for each province. In all a very interesting window onto the formation of the brief final period of Spanish colonial rule in Mexico. July 11 unknown
1820réf. 3330Mexico City: July 11 1820. About very good. Large double-sheet broadside approximately 23.5 x 17 inches. Two sheets joined at central horizontal fold. Five chips at left edge not affecting text and some additional minor edge wear; otherwise light toning and dust soiling. Two contemporary manuscript signatures at foot; contemporary duty stamps on blank verso. Fascinating and otherwise unrecorded broadside that dictates the organization and process for the 1820 election of Mexican deputies to the Spanish Cortes during the second and last period of constitutional monarchy in Mexico. Colonial Mexico first achieved some representation in the Spanish government under the liberal Constitution of 1812 which lasted for two years before being revoked by Ferdinand VII upon his return to power in 1814. The reinstatement of the liberal constitution and the Cortes of Cadiz in 1820 however was not enough to prevent Mexico from obtaining full independence one year later. This broadside promulgated in Mexico on July 11 1820 by the colonial Viceroy Juan Ruiz de Apodaca y Eliza announces the renewed representation via regional elections to select Provincial Deputies for the Cortes and contains eight articles delineating the process by which these elections are to be held. In brief these articles order representation be apportioned according to the population as approximated from the 1792 census; divides Mexico into provinces for the purposes of the election; and places parameters on representation for each province. In all a very interesting window onto the formation of the brief final period of Spanish colonial rule in Mexico. July 11 unknown books
1799Acquaforte, acquatinta brunita e bulino, 1799. Dalla rara prima edizione di dodici della serie detta Los Caprichos, tavola 15. Magnifica prova, particolarmente nitida, impressa su carta vergata coeva, con usuali ampli margini, piccoli strappi di carta alle estremità dei margini, per il resto in perfetto stato di conservazione. La serie chiamata Los Caprichos, è composta da ottanta incisioni. Questa prima edizione del 1799, l’unica a non essere pubblicata postuma, è impressa su soffice carta vergata di gran qualità ed è stampata usando un delicato inchiostro seppia. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. Per questo ne sono stimati solo circa 300 esemplari. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa - First edition -Etching, burnished aquatint and engraving, 1799. From the rare first edition (of twelve) of Los Caprichos, plate 15. A very fine impression, showing a good contrast, on contemporary paper, with usual wide margins, small tears at left white margin, otherwise in perfect condition. The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid paper of great quality and is printed using a delicate sepia ink. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. For this it is estimated only about 300 copies. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. The title can be translated into: Pretty teachings. Harris 50, Delteil 52.
1799Acquaforte, acquatinta brunita e bulino, 1799.Dalla rara prima edizione di dodici della serie detta Los Caprichos, tavola 54.Magnifica prova, particolarmente nitida, impressa su carta vergata coeva, con usuali ampli margini, in perfetto stato di conservazione.La serie chiamata Los Caprichos, è composta da ottanta incisioni. Questa prima edizione del 1799, l’unica a non essere pubblicata postuma, è impressa su soffice carta vergata di gran qualità ed è stampata usando un delicato inchiostro seppia. Curata in fase d’edizione dallo stesso artista, la serie fu commercializzata e dopo poco tempo ritirata dal mercato. Infatti, a causa dei numerosi soggetti che ironizzavano sulla società spagnola di fine secolo, il Goya subì una censura. Per questo ne sono stimati solo circa 300 esemplari. L’interpretazione dei soggetti rappresentati su queste lastre, sempre enigmatiche, è spesso controversa In questo soggetto Goya affronta il tema del mondo alla rovescia. Nella scena ci sono tre personaggi, il centro dell'attenzione è l'uomo che sta mangiando, e che cerca di evitare tutti gli sguardi, vergognandosi dei tratti osceni del suo viso. L'artista ha chiaramente indicato il suo pensiero disegnando la cintura di un paio di pantaloni sopra la testa del personaggio. I nasi sono una presenza notevole sul viso, e nel linguaggio popolare "nasi" è un chiaro eufemismo sessuale. Il modo in cui il viso è costruito, in modo che sopracciglia, occhi e naso evochino l'apparato genitale maschile, rafforzerebbe lo stesso senso. Altri commenti insinuano che la figura, nel piano superiore, con i suoi grandi pugni serrati, stia commettendo sodomia con la figura che tiene il vaso da cui mangia l'uomo vergognoso. L'anno 1799 è uno dei momenti chiave nella vita e nel lavoro di Francisco de Goya. Oltre ad essere nominato primo pittore da camera di Goya, a godere di un crescente prestigio come ritrattista e ad inaugurare la cappella di San Antonio de la Florida, che aveva decorato, il 6 febbraio il Diario de Madrid pubblicò un annuncio in cui venivano messe in vendita le ottanta stampe che compongono la serie dei Caprichos. Bellissimo esemplare. Al verso timbro di collezione HENRI MARIE PETIET (Saint-Prix, Seine-et-Oise, 1894-1980), editore, libraio e mercante di stampe a Parigi (Lugt 5031). - The rare first edition -Etching, burnished aquatint and engraving, 1799.From the rare first edition (of twelve) of Los Caprichos, plate 54.A very fine impression, showing a good contrast, on contemporary paper, with usual wide margins, perfect condition.The series called Los Caprichos, consists of eighty etchings. This first edition of 1799, the only one not to be published posthumously, is imprinted on soft laid paper of great quality and is printed using a delicate sepia ink. Cured in phase edition by the same artist, the series was marketed and before long withdrawn from the market. In fact, because of the many subjects that mocked the Spanish society of the century, Goya suffered censorship. For this it is estimated only about 300 copies. The interpretation of the subjects represented on these plates, always enigmatic, is often controversial. In this print Goya approaches the theme of the world upside down. In the scene there are three characters, being the focus of attention the man who is eating, and tries to avoid all eyes, ashamed of the obscene features of his face. The artist has clearly indicated his thinking by drawing above the character's head the waistband of a pair of pants. The noses take on a notable presence on the face, and in popular language "noses" is a clear sexual euphemism. The way the face is constructed, so that eyebrows, eyes and nose evoke the male genital apparatus, would reinforce the same sense. Other comments insinuate that the figure, in the upper plane, with his large clenched fists, is committing sodomy with the figure holding the vessel from which the shameful man eats. The year 1799 is one of the key moments in the life and work of Francisco de Goya. In addition to being named first chamber painter, enjoying a growing prestige as a portrait painter and the inauguration of the chapel of San Antonio de la Florida, which he had decorated, on February 6 the announcement of the sale of the eighty prints that form the series of the Caprichos was published in the Diario de Madrid. Here, Goya focuses his social criticism on the bestiality of a deformed man whose head emerges from his breeches. Among the slight variations between the print and the preparatory drawing, the most striking is that, in the former, he wears his trousers, but in the latter, he does not. As a result, the latter came to be known as The satire of man’s lechery. Moreover, this is the only drawing in the series to mix red-ink wash with pen. Valentín Carderera’s handwritten commentaries on the Caprichos, which are in both the Biblioteca Nacional and the Museo del Prado, further clarify this subject. The first reads: Men with large noses also tend to have large arrows [here, “arrow” is a euphemism for penis] and fat gandumbas [testicles]. As they are often sodomites, this one is depicted with his breeches on his head, with his pudenda hanging out as he lies on top of a poor devil and pulls up his skirts. The second commentary completes the information: There are men whose face is the most indecent part of their body, and it would be good if those whose face is that disgraceful and ridiculous would stick it in their breeches. Example from the HENRI MARIE PETIET (Saint-Prix, Seine-et-Oise, 1894-1980) collection (Lugt 5031). Harris 1964, 89.
1913Unread. As new. Number 216 of limited edition of 350 copies. Signed by co-author R.E. Gosnell. "Few publications, if any, of similar size and excellence have been produced in Canada." - From Editor's Foreword. Part I includes 210 pages and eighteen chapters which constitute "a survey of events from the earliest times down to the Union of the Crown Colony of British Columbia with the Dominion of Canada." Part II is "a history, mainly political and economic, of the Province since Confederation up to the present time." Part I is preceded and followed by dozens of tissue-protected black and white portraits of individuals influential in the early history of the province, complete with their brief biographies upon the tissue. Part II comprises eighteen chapters over 226 pages plus 5 pages of addenda followed by dozens of tissue protected portraits of "some of the men conspicuous as present day factors in development." Top edge gilt. Gilt lettering upon backstrip. Marbled endpapers. Exceptionally clean, bright, and unmarked with zero wear. Brown suede exterior appears as fresh as the day it was applied over 100 years ago. This majestic fourteen pound tome measures 13" x 10.5" x 4". A magnificent acquisition for any serious collector of British Columbia history. A better copy will not be found. [Lowther 1607, Hale 2523, Edwards & Lort 3177, Strathern 495] Book
1890Two decorated wooden panels, painted in polychrome tempera, gold gilt, and gesso, with a leather spine. 330 x 250 mm. Elaborately decorated on one board with four armorial shields, surrounded by incised stamps on gilt fields and gilt floral sprays on a blue field. The text below the shields reads: "INVENTARIO DELLE COSE DEL LA SAGRESTIA DEL DUOMO EDE LALTRE COSE MOBILI DELU OPARA RIFATTO LASICO DA VOLTA AL TENPO DEL UENE RABILE UOMO FRANCESCHO DI PAOLO TADDEI ANNO D. 1475." [Roughly translated: Inventory of the things in the sacristy of the Duomo Ede. Taken from the last by the incomparable Frances Taddei in the year 1475. The front board has a lovely Rennaisance Madonna and Child, with "Samis de Petris" below. This de may have been an attempt to attribute the painting to the artist Sano di Pietro. Beveled edges. Brass bosses at each corner. Very good. RARE. A contemporary of the famed "Spanish Forger", Icilio Federico Joni (1866-1946) was born in Siena. As a young man he worked in the shop of a gilder and art restorer. He began, as a sideline, to produce imitations of fifteenth century Sienese painted wooden panel book covers. He based these tempera painted wooden panels on the Tavolette in the Archivio di Stato, which he probably never saw in person. It is quite clear from his autobiography (1932) that he was proud of his skill and his brilliant imitations of the ancient art of Siena. He considered them original art rather than 'forgeries'. There are probably no more than twenty examples of his work extant today. From the Bridwell Library, SMU: "A skilled producer of imitation "Gothic" altarpieces, he received a commission c. 1890 to create a book cover in imitation of those found on Siena's Tavole di Biccherna, the elaborately gilt and painted fourteenth-century tax registers. Without ever seeing a real Biccherna, he established a lucrative business of faking Biccherna covers. Joni later boasted of incidents in which the local police were alerted to books purportedly stolen from Siena Cathedral or the state archives, only to discover that they were by Joni. A number of book collectors were deceived by Joni's creations, and several of his works were published as Gothic originals. Today, Joni's forgeries are highly valued in their own right. In his autobiography Joni discussed his methods for antiquing the covers by mixing soot, turmeric, chrome yellow, and gilding gesso with gum arabic to produce the patina on the gold. The bosses were bathed in ammonia and the clasp plates were dipped in iodine, "which rusted them in just the right way." Note that Joni's boards are simply glued onto a rough leather spine; he apparently did not know how to replicate a fifteenth-century sewing structure." Research in America has clarified Joni's role as a restorer in such works as Piermatteo d'Amelia's Annunciation (Gardner Museum) and the half-length figures in Fra Angelico's Annunciation (Mrs E. Ford Collection). **PRICE JUST REDUCED! Front Case 1/R
