10 357 résultats
1792réf. 304046Boston: John Boyle Et Al. Good with no dust jacket. 1792. First US Edition. Hardcover. Ex-library copy with label removed from spine and ink stamp on title page. Newer cloth library binding not buckram. Pages are slightly browned. Spine labels have a couple very small scrapes. ; Two volumes bound together. First US edition from the fourth London edition. Says fourth edition revised and corrected on the title page but doesn't mention London there. . John Boyle, Et Al hardcover
1889réf. GW-CastleNew York: P. J. Kennedy 1889 New York: P. J. Kennedy 1889. Early American edition. Hardcover. Publisher's original green cloth gilt spine lettering and decorative stamping. Corners slightly worn; a sound and clean copy. Octavo. "The Castle of Roussillon; Or Quercy in the Sixteenth Century" is a Catholic historical romance set in the French province of Quercy during the sixteenth century at the height of the wars of religion. Eugénie de La Rochère dramatizes conflict between Catholics and Huguenots weaving local legend romance and themes of fidelity under persecution. With its castle setting religious strife and atmosphere of intrigue and danger the novel belongs to the Catholic Gothic-historical tradition popular in the nineteenth century. Eugénie de La Rochère was a French Catholic writer of the nineteenth century known for historical fiction that combined regional history with moral and religious themes. Though little remembered outside Catholic circles her works were valued for their piety sense of place and dramatic storytelling. She was among a group of French Catholic novelists whose writings were widely translated and circulated through the international Catholic press. The translator Mary Anne Madden Sadlier 1820-1903 was one of the most prolific Catholic novelists and translators in North America. Irish-born and later based in Montreal and New York she wrote original novels about the Irish immigrant experience and translated numerous Catholic authors from French making them available to English-speaking readers. Her association with New York's P. J. Kennedy press was long-standing and central to its Catholic publishing program which brought devotional and moral fiction to immigrant Catholic communities. Though not the first American edition this 1885 Kennedy issue is significant as part of New Yorks Catholic publishing network linking Paris Montreal and New York. Copies of La Rochère's works are uncommon in any edition and this Kennedy printing preserves both her historical novel and Sadlier's translation at a time when Catholic presses were actively shaping immigrant literary culture. Hardcover. Near Fine/No Jacket. P. J. Kennedy hardcover
1910réf. 2081402109800590Ryo ko do shoten 1910. Soft Cover. Fine. Number of books: 1 book Ryo ko do shoten paperback
1972réf. 1410883London: Universal Edition 1972. First English Edition. Hardcover. Quarto xii 183 pages. In Very Good condition with a Poor dust jacket. Volume in full black cloth binding with white titling to spine. Jacket is white with black decoration and lettering wrapped in a new protective mylar sleeve. Jacket is missing sections with large open tears and creasing along the top and bottom edges. Faint smudging along edges and on jacket back cover. Boards are bowing slightly with mild shelf wear and light bumping to fore corners. Text block is lightly age toned and faintly foxed along edges. Interior clean. Shelved in Room A Oversized. 1410883. Special Collections - Upstairs. Universal Edition hardcover
1972réf. 1410883London: Universal Edition 1972. First English Edition. Hardcover. Quarto xii 183 pages. In Very Good condition with a Poor dust jacket. Volume in full black cloth binding with white titling to spine. Jacket is white with black decoration and lettering wrapped in a new protective mylar sleeve. Jacket is missing sections with large open tears and creasing along the top and bottom edges. Faint smudging along edges and on jacket back cover. Boards are bowing slightly with mild shelf wear and light bumping to fore corners. Text block is lightly age toned and faintly foxed along edges. Interior clean. Shelved in Room A Oversized. 1410883. Special Collections - Upstairs. Universal Edition hardcover books
1894réf. 2349Boston: Houghton Mifflin and Company by the Riverside Press Cambridge Mass 1894. POETRY ILLUSTRATED. 8vo 8 ½" x 6 5/8"; 58 French-fold plates; glazed gray cloth over beveled board gilt and black stamped decoration to front decorated title on spine; gilt top edge; peach eps printed with a floral and fruit design in navy; 26 French-fold glazed plates printed with 52 illustrations in black & white half-tone; light scuff to corners else fine. A beautiful translation of Khayyám's quatrains numbered and presented within Aesthetic-style illustrations by Elihu Vedder. The fifty-two full-page illustrations are followed by twenty-three pages of the quatrains without illustrations and also by notes from Edward Fitzgerald on their meanings. The illustrator Elihu Vedder 1836-1923 was an American who trained in New York City Paris and Italy. The Pre-Raphaelites English and Irish mystics and the Italian Renaissance influenced his work. His mural decoration can be seen in the hallway of the Reading Room in the Library of Congress. WIKI Omar Khayyám 1048-1131 A.D. was a Persian poet and polymath of the Seljuk Empire. He was learned in mathematics philosophy astronomy sciences and religion. Houghton Mifflin and Company, by the Riverside Press, Cambridge, Mass unknown
1894réf. 2349Boston: Houghton Mifflin and Company by the Riverside Press Cambridge Mass 1894. POETRY ILLUSTRATED. 8vo 8 ½" x 6 5/8"; 58 French-fold plates; glazed gray cloth over beveled board gilt and black stamped decoration to front decorated title on spine; gilt top edge; peach eps printed with a floral and fruit design in navy; 26 French-fold glazed plates printed with 52 illustrations in black & white half-tone; light scuff to corners else fine. A beautiful translation of Khayyám's quatrains numbered and presented within Aesthetic-style illustrations by Elihu Vedder. The fifty-two full-page illustrations are followed by twenty-three pages of the quatrains without illustrations and also by notes from Edward Fitzgerald on their meanings. The illustrator Elihu Vedder 1836-1923 was an American who trained in New York City Paris and Italy. The Pre-Raphaelites English and Irish mystics and the Italian Renaissance influenced his work. His mural decoration can be seen in the hallway of the Reading Room in the Library of Congress. WIKI Omar Khayyám 1048-1131 A.D. was a Persian poet and polymath of the Seljuk Empire. He was learned in mathematics philosophy astronomy sciences and religion. Houghton Mifflin and Company, by the Riverside Press, Cambridge, Mass unknown books
1723réf. 21208London: Printed by S. Palmer 1723. First English language edition. Hardcover. f to vg. Large quarto. XXVIII 540pp. Original gilt-stamped calf with gold lettering on spine. Raised bands. Marbled endpapers. Engraved frontispiece. Vignette on title page. Title in red and black lettering. Decorative head- tailpieces and initials. Originally published in 1696 "Apparatus biblicus" is a development of the author's "Introduction à la Lecture de l'Ecriture Sainte" 1689. In this work he calls in question the historical character of the Book of Tobias and the Book of Judith and maintains that even after the Council of Trent a difference of authority should be recognized between the proto-canonical and deutero-canonical books of the Bible. This work examines also subjects such as the history of the Hebrews and the Holy Land a description of the Tabernacle and Temple a history of the scriptures and a great many tangential matters like the plants animals minerals diseases and customs mentioned in the Bible. Illustrated with thirty striking copper plates including frontispiece with a folding map of the known world. This work is divided into three parts: 1 Of the Origin History and Antiquities of the Jews; 2 Of the Canon; 3 Of the False Gods together with an Explanation of Scriptural Names. Many of the plates are folded and some depict the following views: Map of the World; Noah's Ark; the Tower of Babel; Map of the Holy Land; Plan of the Ancient City of Jerusalem; the Ark of the Covenant; the Temple; the High Priest; the Great Sanhedrim; etc. Head and tail of spine chipped. Rubbing along edges of binding. Front hinge starting but front board still firmly attached. Minor to moderate age-toning/foxing to very first and very last pages. Minor worming and water-staining to upper margin of the last hundred pages not affecting text or plates. Binding in overall fair interior in good plates in very good condition. About the author: Bernard Lamy 1640-1715 was a French Oratorian mathematician and theologian. Printed by S. Palmer hardcover
1723réf. 21208London: Printed by S. Palmer 1723. First English language edition. Hardcover. f to vg. Large quarto. XXVIII 540pp. Original gilt-stamped calf with gold lettering on spine. Raised bands. Marbled endpapers. Engraved frontispiece. Vignette on title page. Title in red and black lettering. Decorative head- tailpieces and initials. Originally published in 1696 "Apparatus biblicus" is a development of the author's "Introduction à la Lecture de l'Ecriture Sainte" 1689. In this work he calls in question the historical character of the Book of Tobias and the Book of Judith and maintains that even after the Council of Trent a difference of authority should be recognized between the proto-canonical and deutero-canonical books of the Bible. This work examines also subjects such as the history of the Hebrews and the Holy Land a description of the Tabernacle and Temple a history of the scriptures and a great many tangential matters like the plants animals minerals diseases and customs mentioned in the Bible. Illustrated with thirty striking copper plates including frontispiece with a folding map of the known world. This work is divided into three parts: 1 Of the Origin History and Antiquities of the Jews; 2 Of the Canon; 3 Of the False Gods together with an Explanation of Scriptural Names. Many of the plates are folded and some depict the following views: Map of the World; Noah's Ark; the Tower of Babel; Map of the Holy Land; Plan of the Ancient City of Jerusalem; the Ark of the Covenant; the Temple; the High Priest; the Great Sanhedrim; etc. Head and tail of spine chipped. Rubbing along edges of binding. Front hinge starting but front board still firmly attached. Minor to moderate age-toning/foxing to very first and very last pages. Minor worming and water-staining to upper margin of the last hundred pages not affecting text or plates. Binding in overall fair interior in good plates in very good condition. About the author: Bernard Lamy 1640-1715 was a French Oratorian mathematician and theologian. Printed by S. Palmer hardcover books
1973réf. 86024New York: Atheneum 1973. First American Edition. First Printing. Octavo 20.5cm; black paper-covered boards with titles stamped in gilt on spine; pink topstain; dustjacket; 67-288pp. Signed by the author on the title page dated 2007. Pink topstain very slightly dulled else a fresh Fine copy. Dustjacket is unclipped priced $6.95 showing light wear to spine ends and corners; Near Fine without the usual fading to the spine. The French Nobel Prize-winner's fifth novel originally published as La Guerre in 1970. "In War he has a young female heroine Bea B. wander through a maze of peace war and the mess of modern cities. As we read Bea B.'s wonderful wide-eyed internal babble and her scraps of poetry jottings and letters in a diary she carries in her air-travel tote bag Bea B. becomes the perfect foil for the modern apocalypse she stumbles through.as Bea B. wanders through a territory that is presumably Vietnam - and permanent legacy of ten thousand years of war - at the same time she is emotionally walking through France and Europe" Solomon Barbara. "Only the words intact." The New York Times July 15 1973. 86024. Atheneum unknown
1973réf. 86024New York: Atheneum 1973. First American Edition. First Printing. Octavo 20.5cm; black paper-covered boards with titles stamped in gilt on spine; pink topstain; dustjacket; 67-288pp. Signed by the author on the title page dated 2007. Pink topstain very slightly dulled else a fresh Fine copy. Dustjacket is unclipped priced $6.95 showing light wear to spine ends and corners; Near Fine without the usual fading to the spine. The French Nobel Prize-winner's fifth novel originally published as La Guerre in 1970. "In War he has a young female heroine Bea B. wander through a maze of peace war and the mess of modern cities. As we read Bea B.'s wonderful wide-eyed internal babble and her scraps of poetry jottings and letters in a diary she carries in her air-travel tote bag Bea B. becomes the perfect foil for the modern apocalypse she stumbles through.as Bea B. wanders through a territory that is presumably Vietnam - and permanent legacy of ten thousand years of war - at the same time she is emotionally walking through France and Europe" Solomon Barbara. "Only the words intact." The New York Times July 15 1973. 86024. Atheneum unknown books
1809réf. 52492London England: longman Hurst Rees and Orme Paternoster-Row; and G. Kearsley Fleet-Street 1809. Book. Near Fine. Hardcover. 4 volume set 8vo. Very Scarce. Dark red leather boards ornate gilt design along spines light brown leather title boxes along spines five raised bands along spines with gilt "1809" date along bottom spine edges. Marbled endpapers and inside covers gilt page edges. Translated from the French of Lesage by Benjamin Heath Malkin. Illustrated with 24 line engravings. Minor shelfwear: light rubbing along cover edges previous owner's name on second page leaf of all four volumes light tanning. Otherwise volumes are tightly bound no marks. Set is in Near Fine condition. longman, Hurst, Rees, and Orme, Paternoster-Row; and G. Kearsley, Fleet-Street Hardcover
1940réf. 081609Baltimore: The Johns Hopkins Press 1940. First Full-Color Facsimile Editi. Hardcover. Near Fine/Fair. 12.25" tall x 9.75" wide x 1.5" thick. Illustrated. The first full-color facsimile edition with English translation and scholarly apparatus of the earliest known illustrated medical herbal produced in the Americas. The work’s original title is Libellus de medicinalibus Indorum herbis “Little Book of the Medicinal Herbs of the Indians”. It was compiled in 1552 at the College of Santa Cruz in Tlatelolco Mexico City by two Indigenous scholars: Martín de la Cruz Martinus de la Cruz an Aztec physician wrote the text in Nahuatl Aztec language from native medical experience; and Juan Badiano Juannes Badianus a Latin teacher at the same college translated it into Latin. The manuscript was prepared as a gift for Francisco de Mendoza son of Viceroy Antonio de Mendoza and intended ultimately for the Spanish court. It later passed into the Barberini collection and then the Vatican Library Codex Barberini Lat. 241. It was rediscovered there in 1929 by Charles Upson Clark. The edition made the herbal widely accessible for the first time and remains a landmark in the history of American botany and medicine. The original manuscript was later returned to Mexico by Pope John Paul II in 1990. ABOUT THIS COPY: In this the 1940 Johns Hopkins edition and the first full-color facsimile Emily Walcott Emmart provided the introduction English translation and annotations. Henry E. Sigerist wrote the foreword. Bound in a textured tan cloth with a burgundy and gilt aztec embellishment on the front cover. Spine bears a burgundy label with gilt lettering and ornamentation. Profusely illustrated in full color. It includes a substantial introduction on the manuscript’s history the College of Santa Cruz Aztec medicine and botany and the pigments used in the illustrations; a full-color facsimile of the entire manuscript plates 1–118; a facing-column transcription of the Latin text with English translation pp. 203–325 an index and bibliography. xxiv 341 pp. The dust jacket is a dark orange with black lettering and illustration. This copy measures 12.25 inches tall x 9.75 inches wide x 1.5 inches thick. CONDITION: The book itself is near fine with very minor shelfware and soiling along the edges and mild discoloration within the endpapers. Leaves have barely toned are unmarked and beautiful. The dust jacket is only fair however with significant soiling / discoloration and some wear particularly along the edges. The front cover is detached from the spine at the crease yet is held together by the mylar protective cover. There is also an open tear at the foot of the spine and a small piece missing from the head of the dust jacket spine but no text has been compromised. Even still this is a wonderful copy with a solid binding and magnificent plates. A wonderful addition to any botanist medical professional or Aztec collector's library. PLEASE NOTE: Due to the size and weight of this book an additional shipping charge may apply and will be requested after purchase. This book will arrive with "signature required" upon delivery. Full refund if not satisfied. The Johns Hopkins Press hardcover
2015réf. 065847New York NY: Alfred A. Knopf Inc. 2015. Book. Very Good. Hardcover. Signed by Authors. 1st Edition. 233 pages 8vo. SIGNED and dated by the author Haruki Murakami on title page: "Haruki 7/20/16". Stated First Edition. Jacket price is clipped. Shelfwear to DJ: light scuffing along edges and covers. DJ in mylar. Spine is lightly cocked. Volume is in Very Good condition. Alfred A. Knopf, Inc. Hardcover
1966réf. 019370New York: Broude Brothers 1966. Hardcover. Very Good/Dust Jacket Included. 8vo - over 7¾ - 9¾" tall. Seven of Eight Volumes; Missing Volume VII -In Paris and Dresden. Shipping cost will depend on destination. Broude Brothers hardcover
réf. 51-4146Paris: Librairie Lahure- Edition Boudet 1902. Original pictorial wraps. Overall: 29 x 21.3 x 2.5 cm 11 7/16 x 8 3/8 x 1 in. One of 550 numbered copies on Marais rag paper.Illustrated with color lithographs by by: Émile Berchmans French 1867–1947Author: Lucian of Samosata 120–after 180Printer and Publisher: A. Lahure French late 19th–early 20th centuryPrinter: Auguste Bénard Belgian active early 20th century.Luc Monod Manuel de l'amateur de livres illustrés modernes no. 7465. Paris: Librairie Lahure- Edition Boudet, [1902] paperback
1989réf. Fiction-Japanese-SetouchiKodansha Tokyo and New York 1989 New York: Kodansha International 1989. First edition. First printing. Hardcover. Full blue cloth with silver spine lettering and light-blue endpapers. Fine in a fine dust jacket. Publisher's original price intact on front flap $17.95. Comes with archival-quality mylar dust jacket protector. A tight clean copy. Octavo 151 pages. Translated from the Japanese by Janine Beichman in collaboration with Alan Brender. Five stories. "The End of Summer" portrays a married woman's affair and its emotional aftermath a frank exploration of love and conscience that challenged postwar Japanese social conventions. Originally published in Japan as "Natsu no Owari" it won the Women's Literary Award in 1963 and appears here as the first English translation of any of Setouchi's novels. This volume also includes four additional stories: "The Overflowing" "Lingering Affection" "Spring Chill" and "The Pheasant" Harumi Setouchi 1922-2021 was one of Japan's most distinguished novelists and later a Buddhist nun celebrated for her bold depictions of women's inner lives. Her later novel "Beauty in Disarray" translated by Sanford Goldstein and Kazuji Ninomiya Tuttle 1993 is a historical portrait of anarchist writer Ito Noe. 1st Edition. Hardcover. As New/As New. Kodansha, Tokyo and New York hardcover
1971réf. 3076A very good to near fine copy of the 1st issue of the Folio Society 2 volume edition in slipcase. Illustrated with over 600 drawings by Felix Topolski. A previous owner has added in the booklet 'What is War and Peace' by John Bayley which was produced to accompany a later issue of the work in 2006. The leather spines have outlined gilt titles. Both are bright and clean with the occasional light scuff. The cloth sides are clean with a couple of very slight marks towards the bottom corner of the front board in Vol I and towards the top corner of the back board in Vol 2. Top page edges reddened. The endpapers are pale blue and illustrated by Topolski. Both have a heraldic style bookplate pasted carefully to the verso of the front free endpaper. Vol I: frontispiece title contents introduction notes character list and text 707pp. Vol 2: frontispiece title contents text 728pp. Contents in fine clean condition. The slipcase is very clean. There is light scuffing around the edges and the beginnings of a small split to one front corner. There is a corner bump and a small dark mark at the edge of the back panel. The Folio Society hardcover
1928réf. 060302London & New York: Anthroposophical Publishing Company. 1928. First Edition . Hardcover. Very Good Plus. 8vo. Plates. FIRST EDITION. LONDON & NEW YORK : 1928. Hardback. Frontispiece; portrait; 3 other portraitist and one folding plate a facsimile of a Steiner letter. Blue textured cloth; gilt lettered spine and cover. Untrimmed edges as issued. Bright tight and clean. Neat owner name; no internal markings. A few fox spots. A nice copy. VERY GOOD INDEED. 342 pages. Uncommon in this bright state. Will be well-packed for posting/shipping. 8vo. London: Anthroposophical Publishing Company. VERY SCARCE. Anthroposophical Publishing Company. hardcover
réf. BN383510Gynoids: Reborn Gynoids: Reborn Hajime Sorayama Ken Kawai ; translation : Don Kenny unknown
1919réf. 1062381919 A Paris, Chez René Kieffer Editions - 1919 - In-quarto (22,5 x 29 cm), demi chagrin marron foncé à coins, titre doré au dos avec décor et médaillons à froid, signet - Couverture originale en couleurs conservée - Reliure par Kieffer, Paris - lIlustrations de Manuel Orazi, gravées sur bois par Perrichon en et hors texte - 159 pages + suites d'illustrations - Il a été tiré de cet ouvrage 250 exemplaires - L'un des 20 exemplaires sur Japon à la forme (numérotés de 1 à 20), avec une suite Chine, deux suites Japon, une avec et l'autre sans fond et un dessin original de l'illustrateur - Numéroté N° 10 / 20
1858réf. 9560Paris, Michel Lévy Frères, Libraires-Éditeurs, 1858. In-12 (175 x 114 mm), (3) ff. : blanc, faux-titre, titre, 280-(2) pp. Reliure d'époque demi-chagrin, dos à faux-nerfs, coins légèrement frottés, rares rousseurs sur gouttière et tranche sup. Bel exemplaire.
2010réf. 3182A fine copy of the Folio Society limited edition - no 319 of 1750 copies. Lacks the box. Bound in full Wassa goatskin with gilt and black design and titles to the spine and intricate gilt and black design to the front board by Jeff Clements. The binding is in fine clean condition and is in a protective wrap. Top page edges gilted and with integral page marker. The contents are complete and very clean: endpapers with map showing the voyages of Aeneas; preliminaries and introduction pp li; text profusely illustrated from historic sources pp 448 including translator's postscript notes and glossary. There is slight darkening along the bottom page edge corner visible when the book is closed. The Folio Society hardcover
2015réf. BN555136De Boeck 2015. 2015. Softcover. Design Emotionnel Pourquoi Aimons-Nous Ou Detestons-Nous les Objets Qui Nous Entourent Design Emotionnel Pourquoi Aimons-Nous Ou Detestons-Nous les Objets Qui Nous Entourent Donald A. Norman Traduction : Kamel Ben Youssef Cyril de Charentenay Saverio Sbalchiero et Préface : Béatrice Cahour De Boeck paperback
2008réf. BN205937Tempus 2008. 2008. Hardcover. Guderian General Panzer Guderian General Panzer Kenneth Macksey Author; Isabel Hernandez spanish translation Tempus hardcover